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    I Will Make You Pay (ARC)

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      strange little man.

      ‘Anyway. Phoning is very expensive too so we just

      swap cards, me and Jessie. You know. Birthdays and

      Christmas. She has an email address and says I can write

      to her using that but I can’t be doing with any of that.

      Apparently you need a module.’

      ‘Modem?’

      ‘Whatever. Mobile phones give you cancer. I’m not

      holding one of those up to my ear.’

      ‘And does Jessica know about the little people? The

      plots?’

      ‘No, of course not. I can’t be worrying her on the

      other side of the world, can I. I mean – what kind of

      father would that make me? What can she do?’

      ‘And is that Jessica’s old room, then? Upstairs.’

      ‘Oh no – no, no.’ Ian suddenly looks crestfallen. ‘That’s

      Barbara’s room.’

      ‘Barbara?’

      ‘My wife.’

      At that very moment, Matthew’s phone buzzes.

      Melanie Sanders.

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      I Will Make You Pay

      ‘Look, I’m very sorry about this, Ian, but I need to

      take this call. Will you excuse me?’

      ‘You know that mobiles fry your brain, don’t you, Mr

      Hill? There’s a conspiracy to cover it up. The government

      knows all about it but they want the taxes. That phone

      will give you cancer of the brain…’

      ‘I’ll have to take the risk, Ian.’ Matthew moves out

      into the hall and lowers his voice to answer.

      ‘Hello, Mel. So is this good news regarding Alex?’

      ‘No. Sorry. No update there. I just wanted to let you

      know that I’m heading into Alice’s newspaper right this

      minute to speak to one of her colleagues.’

      ‘Because?’

      ‘Because that black Golf you thought might be follow-

      ing you and Alice belongs to one of the other reporters.

      Jack Trenter. I’m thinking just a quiet word at this stage.

      Alex is our main focus, obviously. But do you know

      anything about him – this Jack character? Has Alice

      mentioned him?’

      ‘No. Not at all. Let me know what you make of him,

      will you? As I say, I wasn’t one hundred per cent sure he

      was tailing us. But this is sounding rather odd. I’ll try to

      see what Alice thinks.’

      ‘OK. And thank you for the tip-off. I’ll text you. We

      need to have another chat.’

      Matthew feels his forehead furrowing. He hadn’t

      meant for it to be a tip-off exactly and is not at all sure

      what to make of this. He’d rather imagined this whole

      case would all be sewn up once they find Alex.

      So why would one of Alice’s colleagues be following

      her?

      143

      CHAPTER TWENTY-FIVE

      Him – before

      Fat Brian keeps his face close to the letterbox, pinning

      the flap open with his fingers.

      ‘I mean it. Open up, young man, or I phone the police.’

      ‘My gran’s asleep. You’ll wake her up.’

      ‘No, she isn’t. I saw her go out. Now look here – I

      just want to help you. You shouldn’t be on your own.

      You’re too little. I can’t just leave it now I know you’re

      on your own. I can’t have that on my conscience and I

      can’t imagine you like it very much either. All on your

      own, I mean?’

      He doesn’t move. For a while he doesn’t say anything

      but fat Brian is right. He doesn’t like it on his own at all.

      He wonders, not for the first time, why his gran thinks

      it’s OK. When Brian doesn’t. Adults are very confusing.

      ‘I tell you what – do you have any Lego?’ Brian’s voice

      is a bit calmer and he has tilted his head so his eyes are

      now showing through the letterbox instead of his nose.

      ‘Lego?’ He glances into the corner where his gran

      stores the red plastic box containing all his Lego. They

      got a huge box from the charity shop last Christmas. He

      even has animals and letters that spell zoo. He wonders if he’s allowed to tell Brian this…

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      I Will Make You Pay

      ‘It’s just I could keep you company, if you like. Play

      some Lego with you until your gran gets back.’

      ‘I’m not allowed to open the door. It’s the rules.’

      ‘It’s also the rules that you’re not supposed to be on

      your own, mate. So it’s a straight choice. You either let

      me in to check you’re OK, or I phone the police so they

      can check you’re OK.’

      He moves his torch to shine it towards the door and

      walks very slowly towards it. His heart is still really strange, like a super-charged rocket. He stands at the door for a

      moment. He thinks of his gran’s rule about not opening

      the door but then he thinks of the police turning up with

      sirens and handcuffs, so he turns the latch.

      ‘That’s a good boy. See – that wasn’t so very difficult,

      was it?’ Brian is in the room very quickly and closes the

      door quietly behind him as he speaks. He is holding a

      small tin with flowers on it and he looks around the sit-

      ting room.

      ‘What are you looking for?’

      ‘Nothing. So where’s this Lego?’

      He fetches the box for Brian and puts it in the middle

      of the rug between the sofa and the chair. He wants to

      ask what is in the tin with the flowers but decides to wait.

      Brian is surprisingly good at Lego. He builds a small

      house and they line up the animals outside. It’s not really

      right for it to be a house; it’s not big enough to look like

      a zoo. He finds himself thinking how scary it would be if

      a real lion and a real zebra turned up outside your house.

      Brian says he saw real lions roaming wild in a safari

      park once and they had a fight over who got the biggest

      piece of meat when the park staff came round to feed

      them. He tells some more stories about the safari park.

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      Teresa Driscoll

      About the giraffes and the cheetahs who can run at zil-

      lions of miles per hour.

      Then Brian finds some cars in the bottom of the Lego

      box and they play a game where they build a little wall

      of Lego and the cars have to try to smash it down. He

      likes this game a lot and thinks Brian is much nicer than

      he expected.

      ‘So when does your gran get home?’

      ‘Any minute.’ He doesn’t know why he says this. He

      watches Brian frown.

      ‘I don’t think that’s true, is it? The other Wednesday

      when I knocked before, I listened out. I didn’t hear her

      key in the door until early in the morning.’

      He shrugs. Miss Henderley at school says to use words

      instead of shrugs, but he rather likes shrugging.

      ‘I don’t like to think of you on your own at night.

      Your gran shouldn’t leave you on your own, you know…’

      ‘What’s in your tin?’

      Brian smiles. ‘I’m glad you asked me that. Because

      that’s my surprise.’

      ‘What surprise?’

      ‘Well, what I was thinking is that we could do a deal,

      you and me.’

      ‘What deal?’

    &nb
    sp; ‘Well, you could do me a favour for keeping you com-

      pany. And then I could show you my surprise in the tin.’

      ‘What favour?’

      146

      CHAPTER TWENTY-SIX

      Alice

      It’s now Thursday evening and I’m once more staring at

      Leanne across the vast kitchen of the Dorset trophy house.

      I’ve spent most of the day with the police since Alex’s

      disappearance hit the news. Leanne’s driven down again

      as we’re both so worried about Mum’s reaction.

      ‘It’s good that Mum’s a bit better this evening. The call

      from the nurse says her sats levels are almost back to normal.’

      Leanne is speaking quickly, almost gabbling, as she opens

      the large stainless-steel fridge. ‘Well, not normal – but her normal at least. And the sedatives should mean she’ll sleep.’

      ‘Yes.’ I take in my sister’s expression, which is but-

      toned up. Tense. So far we’ve talked mostly about Mum.

      Leanne’s again had to leave my niece and nephew in

      London. Josh and Annabelle must be missing their mum.

      Jonathan’s taking more time off work but Leanne clearly

      needs to get back to town as soon as Mum’s stable. These

      emergencies and the geography are taking their toll. She

      looks tired and drawn.

      I’m exhausted too, after such a long session with the

      police. They’re desperate for any crumb from my time

      with Alex which might suggest where he could have

      bolted to. The trouble is he lied to me so much, it’s im-

      possible to know what to suggest.

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      Teresa Driscoll

      Matthew’s agreed to stay on the case, thank good-

      ness, but Tom is still quietly furious with him over the

      fake acid attack so it’s all very tense. Tricky. Exhausting.

      As Leanne makes tea and coffee, a text buzzes into

      my phone. It’s from Jack at the paper. He wants to meet.

      I’m pleased but also surprised to hear from him. I get this

      little pull inside – the first pleasant sensation today. His

      text says he’s worried about me and also has news from the

      Maple Field House campaigners. A date’s being set for the

      demolition. Our editor, Ted, wants to give the coverage to

      another reporter and Jack wants me in the loop. He thinks

      it’s unfair for me to lose a story I’ve worked so hard on. I

      find myself smiling – pleased that Jack’s looking out for me.

      ‘Who’s that from?’ Leanne is now handing me a mug

      of coffee.

      ‘Guy from work. Wants to meet. There’s some stuff

      we need to talk about.’

      ‘You shouldn’t be thinking about work.’

      ‘Well, there you’re wrong actually, Leanne. It’s driving

      me completely nuts not being able to work. The editor

      won’t have me back in while the police keep pushing to

      have my phone extension recorded. There’s absolutely

      no way a paper could ever agree to that, obviously. The

      nightmare that is HR insists I take all my holiday, and lieu

      days too, hoping this will blow over. But I have respon-

      sibilities. Running stories that I should be working on.’

      I check my watch. ‘He wants to meet me. Quick chat.’

      ‘You’re not serious? With all that’s been going on?

      And me driving all the way from London. You’re surely

      not thinking of going out on your own?’

      I bite into my lip, reconsidering. ‘No, no – you’re right.

      Of course not.’ I pause; I was thinking about meeting Jack, actually. ‘But how about I ask him to come here? It’s about

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      I Will Make You Pay

      an hour’s run so he’ll probably pass. But – would you mind?

      If he says yes? I’m dying to know what’s going on at work.’

      ‘Why don’t you just ring him?’

      I don’t know how to answer this; I don’t like to admit

      that I’d rather like to see Jack.

      ‘And he’s definitely kosher, this guy? Safe, I mean?’

      At this, I feel a complete jolt of surprise. ‘Jack? Safe?

      Of course he’s safe. What are you implying?’ I reach up to tighten the band on my ponytail, wondering when it

      will stop. This appalling circus of everyone in my life

      becoming a suspect. Of nothing feeling normal anymore.

      Endless sessions with the police.

      ‘Look – I don’t mean to cause offence, Alice. But with

      everything going on and after what happened with Alex…’

      ‘What? So you’re saying I’m still a poor judge of char-

      acter? You really think I haven’t learned my lesson about

      trusting people?’

      ‘No, no.’ Leanne is now blushing. ‘I’m not saying that.’

      There is a long and terrible pause in which we just

      stand, sipping at our drinks.

      ‘OK. If you really want to invite this Jack over, it’s

      fine. But keep it short. Yes? We’re both tired.’

      I send a text and finish my coffee. I rather expect Jack

      to make an excuse, given the distance, but to my surprise

      he replies quickly to say he’ll drive straight to the house.

      So I text the address and update Leanne.

      ‘Look. Jack was really good to me the day I got that

      horrid first call in the office. He’s a nice guy, Leanne.

      He’s been through a lot himself – he lost his wife a year

      or so ago. Anyway, he’s watching my back in the office.

      It sounds as if the editor is giving my campaign story

      away. You know – the demolition of the flats that I’ve

      been working on for a long time.’

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      Teresa Driscoll

      Leanne narrows her eyes. ‘OK. But you need to be

      careful, Alice. With everyone.’

      ‘You think I don’t know that?’

      * * *

      When Jack finally arrives, I take him into the kitchen

      and Leanne appears immediately from the sitting room,

      pretending she’s looking for sparkling water but clearly

      keen to give him the once-over.

      He has a bottle of red wine and Leanne raises her

      eyebrows as if she feels this is a bad fit for a quick visit.

      But I break the ice and pour us each a small glass as Jack

      asks how I’m doing and says how much everyone in the

      office misses me and is thinking of me.

      ‘I keep telling her that she should stop worrying about

      work. Isn’t that right, Jack? Don’t you agree that she needs

      a break until this whole wretched business is sorted by

      the police?’ Leanne puts her hand over her glass as I of-

      fer her wine.

      Jack doesn’t reply immediately but does this sort of

      half-smile at Leanne before turning to me.

      ‘I expect you’re finding it quite difficult not being able

      to work, Alice. Some of us think it’s a story we should be

      covering, actually. This stalking. But Ted has a point that

      it could make things worse. Give this creep the oxygen

      of publicity. I can see where he’s coming from but it’s

      so frustrating. A story right in our midst that no one’s

      allowed to cover. Christ. I think if it were me, I would

      want to write about it.’

      ‘Exactly that!’ I find myself pointing at him and taking

      in a long, slow bre
    ath before turning back to Leanne. ‘You

      see. Another journalist. He understands. We hacks need to 150

      I Will Make You Pay

      write about everything. Yes, Jack. Yes.’ I clink our glasses.

      ‘That’s exactly how I feel. Furious that I can’t write about it.’

      ‘Well, I think you’re both crazy. Writing about per-

      sonal stuff. It’s asking for trouble. Obviously.’

      Leanne then stands and excuses herself to the sitting room,

      closing the door behind her. Jack raises his eyebrows at me.

      ‘Sorry, Jack. She’s finding it difficult. Our mother isn’t

      well and this whole police inquiry – it’s all a bit much.’

      ‘For you too?’

      ‘Yeah.’

      ‘I heard about the fake acid attack. That’s mostly why

      I’m here, actually. It sounded absolutely ghastly.’

      ‘How did you know about that?’ For a moment I’m

      wondering if someone at the café posted something on

      social media.

      ‘Actually, the police called into the office again.’

      ‘Really?’

      ‘Yeah. That pregnant DI. Routine, I think. Speaking

      to everyone. And she spoke to me on my own.’

      ‘Why on earth did she do that?’

      Jack takes a sip of his wine and holds it in his mouth

      a moment before swallowing and then replying.

      ‘Mix-up. I was covering a story out near the coast

      and apparently it wasn’t far from where that new attack

      happened. My car was seen.’

      ‘What – on CCTV?’

      ‘I don’t know. But I explained I was on a story. Must

      have been a coincidence. But I guess it’s good they’re

      checking everything. Reassuring, actually.’

      ‘Yeah. I guess so. Though I’m sorry if it felt awkward

      for you.’

      ‘No. Not at all. Anyway, sounds absolutely terrible –

      what happened.’

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      Teresa Driscoll

      ‘Yeah. It was pretty terrible actually, but I’m OK now.

      Tom’s got a private investigator helping with security.’

      ‘Right. Good. That sounds good. I mean, a bit sur-

      prising … but good if it makes you feel more secure.’

      ‘Yeah. I wasn’t sure about it to start with, to be honest.

      But it’s just to boost what the police are doing. So – did

      they say anything else, the police? About me, I mean?’

      I feel this shift inside, terrified that my double identity

      will leak.

      ‘No. Just asked me why I was near the coast. Why?

      Is there something else going on?’

      ‘No, no.’ I look into his face and am so very glad he

     


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