Online Read Free Novel
  • Home
  • Romance & Love
  • Fantasy
  • Science Fiction
  • Mystery & Detective
  • Thrillers & Crime
  • Actions & Adventure
  • History & Fiction
  • Horror
  • Western
  • Humor

    I Will Make You Pay (ARC)

    Prev Next


      ‘Coffee?’ Tom’s voice draws me back to the room.

      To his mood, which is difficult to read. He is wearing

      pyjama bottoms for the first time and I wonder where he

      found them – I did not even know that he owned any.

      ‘Yes please.’ I watch him scurry from the room and

      then glance around, taking in the order and the very

      masculine style which is so different from my own home.

      His flat in Exeter is on the second floor of a waterside

      block, with a large balcony and view of the River Exe.

      It’s convenient for both the city centre and the station,

      which works well now that Tom spends so much time

      working in London. He used to work in criminal law

      but is now in corporate law. More lucrative and nearly

      all city-based.

      132

      I Will Make You Pay

      Sometimes he talks about renting a place in London

      but, like me, he loves the country and the coast, and he

      is fond of this flat. It has good security so can be safely

      locked up when he’s away. It has video entry and cameras

      so is also perfect for me just now – almost as reassuring

      in terms of security as Leanne’s place in Dorset.

      On the opposite wall to the bed there’s a huge wardrobe

      which Tom had fitted a few months back at vast expense

      to house his work suits and coats. Proper wood – none of

      your veneer nonsense. There are two matching bedside

      tables but none of the clutter of my own bedroom back at

      my rented house. I glance to Tom’s side of the bed where

      there is a framed photograph of his parents. Tom looks

      most like his father. His parents had him late in life and

      have retired early. His father was a surgeon, his mother

      a GP. No wonder all this is so outside his comfort zone.

      Tom doesn’t realise what a charmed life he’s lived.

      At last he reappears with two mugs and I take one,

      trying to find a small smile.

      ‘So – do I call you Alice or Jenny?’ His tone is strained.

      ‘Alice. I’ve decided I’m going to stick with Alice. It’s

      my second name. My real second name, I mean, and I

      like it as my byline as a journalist. I’ve got used to it now.’

      ‘Right.’ He sips his drink, staring at the steam rising

      from the liquid, careful not to meet my gaze.

      ‘Look – you’re allowed to be angry, Tom. It’s a lot

      to take in. I do know that. Why don’t you just let it out.

      Be honest. If you need to be angry with me, be angry.’

      He keeps very still for a moment and I can see hurt

      in his eyes, which is once again like a slap. That is what

      was most difficult after he picked me up from the police

      station and brought us back here yesterday. Hurt rather

      than anger.

      133

      Teresa Driscoll

      ‘I’m not exactly angry. I’m just a bit shell-shocked

      still. I mean – a paedo, Alice. You were seriously living with a paedo…’

      ‘There was no way I could know, Tom. Trust me,

      I beat myself up about it every single day, wondering if

      there was anything I could or should have done to protect

      those girls. But I had absolutely no idea. None.’

      ‘Right. Yes. Of course. I shouldn’t have said that. It

      must have been absolutely terrible for you…’ Finally, he

      looks at me. ‘Is that why you find it hard?’

      ‘Sorry?’

      ‘With me, Alice. I mean – I try not to push it. Give

      you space and let things move at their own pace. But the

      truth is I never really know where I am with you…’

      I open my mouth to answer but my phone rings on

      the bedside cabinet and I check the screen. ‘It’s Matthew.

      I’d better take this.’

      ‘I’m surprised he has the nerve. Some help he turned

      out to be.’

      I turn away towards the window and press the phone

      tight to my ear. I don’t blame Matthew for the fake attack,

      even if Tom does. It was my own fault for insisting on

      driving separately. I’m expecting him to want an update

      on the quizzing by Melanie Sanders so it’s a shock to find

      he sounds almost breathless.

      ‘Right. I’m not going to dress this up, Alice. Better

      you hear it straight. Alex Sunningham has broken his

      parole conditions and gone AWOL. The teenager he

      ran off with in Scotland has also disappeared. She’s still

      not been in touch with her parents this morning and so

      there’s going to be a media appeal to find Alex. Chances

      are the tabloids will be all over it like a rash. Maybe TV

      134

      I Will Make You Pay

      too. We felt you should be warned. And the police are

      going to want to interview you again today.’

      I press the phone tighter, tighter to my ear until I can

      feel the imprint of the screen. For a moment, I can’t speak.

      ‘What is it?’ Tom is now alongside me.

      I lower the phone to my chest for a moment, squeez-

      ing my eyes tight in a bid to regroup, and then I move

      the phone slowly back up to my ear.

      ‘I don’t know what to say, Matthew. I don’t know

      what to think. What are the police thinking? Do they

      really think she’s gone off with him, this girl? Or that

      he’s abducted her, or what?’

      ‘They don’t know. She’s an adult now but that’s not the

      point. The terms of his licence forbid any contact with her

      and he’s now a key suspect in your case too, so they need

      to find him urgently.’ There’s a pause. ‘Look – I want to

      be honest with you. Melanie Sanders asked me to report

      your reaction to her but I can’t split my loyalties here.

      She’s a very good police officer, Alice, and you need her

      on side, as do I. No more keeping things from her. You

      need to be one hundred per cent straight with her and

      with me. So, do you have any idea, any inkling at all,

      where this Alex might hole up? Does anywhere come to

      mind? Friends? Relatives? Special places? Anything we

      can share with the police teams looking for him?’

      I try to think. I glance from left to right but can’t quite

      process this. I’ve tried so hard for so long not to think about the wretched man. To have to suddenly conjure

      him up and imagine him free. Out there. Missing. It’s

      too much to take in.

      ‘Look – I have absolutely no idea where he might be,

      Matthew. That’s the truth, I swear. I never want to hear

      135

      Teresa Driscoll

      about that man again, quite frankly. But I get what you’re

      saying. From here on I’ll be straight with you. And the

      police. I promise. And thank you for telling me, Matthew.’

      I pause. A new thought. ‘So do you know when this will

      be made public?’ Oh no. My mother. I look at the clock and start to get out of bed. My mother always watches

      the TV news. Jeez. I take in that Tom is still watching me, his frown deepening.

      ‘I don’t know. I’ll let you know if I hear any more. Now,

      are you feeling safe, Alice? You’re not on your own? I mean,

      I know it’s not Wednesday and that I’m off the case but—’


      ‘I’m with Tom. He’s still angry with me and with you

      too.’ I turn to look directly at Tom as I say this. ‘And I

      don’t blame him. But personally I’d like you to continue

      to help us, Matthew. Are you prepared to do that? To help

      me still? We’ll pay you – I mean, I’ll pay you if need be.’

      There’s a long pause.

      ‘OK. Unfair question. You don’t have to answer that

      now. I’ll ring you after I’ve seen my mother.’

      Tom is now glaring at me as I end the call. ‘You’re

      kidding me? You seriously still want Matthew Hill on

      this? After what happened?’

      ‘I do. Please, Tom. I know you’re pretending not to

      be furious, bottling it up, but I need you to bear with

      me. Please. Will you come to see my mother with me?

      It’s going to be all over the news. Alex Sunningham has

      done a bunk. I’ll explain on the way but I need to warn

      my mother. She’ll worry herself sick otherwise.’

      * * *

      An hour later we park up outside Mum’s nursing home.

      Tom is now in a different mood, more worried than

      136

      I Will Make You Pay

      cross. Reluctantly he’s agreed to keep Matthew on the

      case after all. I watch Tom from the passenger seat; the

      news that Alex Sunningham has gone AWOL seems to

      have knocked him completely sideways. He says he feels

      helpless, which is the only reason he’s agreed to re-engage

      Matthew. Like DI Sanders, Tom thinks Alex is bound to

      be behind the stalking, although I still find this difficult

      to believe.

      ‘Do you want me to come in with you?’ Tom looks

      anxious and is glancing around the car park, checking if

      anyone has been following us.

      ‘No. The security is good. It’s fine. I feel safe here.’

      ‘And have you told your mother about the stalking?’

      ‘No, no – of course not. She’s just not well enough.

      But she obviously knows everything about what happened

      with Alex and why I switched my name. I need to hurry.

      Do you mind waiting here?’

      ‘No. Of course not.’

      I check my watch. Damn – one minute past the hour,

      which means news time. I hurry inside but am slowed

      down by the reception security. I’m logged into the visitor

      book, given a pass and then accompanied to my mother’s

      room by a nurse.

      But the timing could not be worse. As I walk into

      the room, my mother has the TV remote in her hand

      and is switching between news channels, her eyes wide

      and staring. One bulletin is dealing with an arson story.

      Another has moved on to the weather. But my mother

      then flicks back to a satellite news channel and there he is.

      Alex Sunningham. His picture full-screen. The voiceover

      outlines the police appeal to trace him and then there’s a

      film recapping the background story with an older picture

      of him at his grand piano, beaming.

      137

      Teresa Driscoll

      My mother turns to me as I stand in the doorway. She’s

      suddenly struggling even harder than usual for breath, her

      chest heaving and her eyes still wide with worry.

      ‘It’s him again. On the telly…’ And then she’s truly

      gasping for breath, her right hand up to her chest. Too

      many words. She’s pushed it too far.

      I clutch at the nurse’s arm. ‘Help her. Please. It’s a big

      shock for her. This story on the news.’

      The nurse moves swiftly to adjust the switch on the

      oxygen supply, coaxing my mother to breathe more slowly.

      Steady breaths.

      ‘Don’t try to speak, Mum.’ I lean in so that our fore-

      heads are just touching. ‘It’s OK. I know about all this on

      the news. It’s all right. That’s why I’m here. Please don’t

      be upset. Try to catch your breath. You don’t need to

      worry about this. I’m OK. Everything’s going to be OK.’

      138

      CHAPTER TWENTY-FOUR

      Matthew

      It’s mid-morning now and, even as he rings the bell,

      Matthew wonders if he’s making the most terrible of

      mistakes. He checks his phone, skimming for the head-

      lines. The press conference regarding Alex Sunningham

      has made several key bulletins but there’s no update from

      the police. No leads and no apparent sightings. Matthew

      had originally planned to make this quick call on ‘Ian

      and the little people’ last night, but everything ran too

      late. He didn’t have time then and he doesn’t really have

      the time now but he can’t put the sound of Ian’s quiet

      sobbing on the phone out of his mind.

      When the door is finally answered, Matthew is en-

      tirely surprised. The man is older than his voice, slim

      and immaculately dressed. Shirt and tie, a clean if slightly

      shabby cardigan, and trousers with a sharp crease down

      the middle.

      ‘Ian Ellis?’

      ‘Who wants to know?’

      ‘I’m Matthew Hill. We’ve been talking on the phone

      about the little people.’

      ‘Oh, right. Oh goodness – so you’re finally taking

      the case?’

      139

      Teresa Driscoll

      ‘Not exactly. Look, I haven’t really got much time to

      be honest, Ian, but I thought I’d check in on you briefly.

      You sounded a bit upset the last time we spoke.’

      Ian blushes and looks at the ground as if considering

      something. Then he jerks his head back upright to chal-

      lenge Matthew with a very direct stare. ‘Right – come

      in, come in. They’re upstairs. We’ll need to be quiet.’

      Ian puts his finger up to his lips and leads the way up a

      steep staircase, creeping ever so gently. On the landing

      he stands opposite an open door that leads into what ap-

      pears to be a large bedroom. He nods towards the floor

      at the entrance to the room.

      Matthew leans forward as Ian again signals with his

      eyes towards the carpet at the bedroom’s entrance. ‘I’m

      sorry, but I’m not seeing anything, Ian.’

      Ian lets out a puff of air as if deflated. ‘Ah, yes – they

      do that.’

      ‘What?’

      ‘Make themselves invisible when it suits them. Just

      between us, I think they’ve configured themselves just

      now so that I’m the only one who can see them. Part of

      their plot.’

      ‘To kidnap you?’

      ‘Well, yes.’ Ian frowns. ‘Obviously.’

      Matthew pauses. He can just see into the room now.

      It appears to be a woman’s bedroom. There are pink slip-

      pers on the floor and a soft, fluffy dressing gown is draped

      across the bed. There is a smart, green dress hanging on

      the wardrobe as if ready for an outing. In the corner he

      can just make out a dressing table with perfume bottles

      and little china bowls and trinkets.

      ‘I tell you what, Ian. How about we have a quick cup

      of tea. Go over what we’ve got.’

      140

      I Will Make You Pay

      ‘Excellent idea. I knew you’d be interested once you

      realised
    what I’m up against.’

      Downstairs in the kitchen, Ian sets about making tea

      with the enthusiasm and chatter of someone unused to

      company. Matthew had guessed loneliness would be a part

      of the picture here and is worried he will make things

      worse, not better – offering some kind of false hope.

      Ian’s quite a bit older than he expected. On the phone

      he sounded late fifties, maybe sixties, but in the flesh he

      is clearly well into his seventies.

      ‘The truth here, Ian, is I’m still feeling I’m not the

      right man for your investigation, but I wondered – if I

      had a bit more detail – if I might see some way forward.’

      ‘Suggest another investigator, you mean?’ Ian puts a

      selection of biscuits on a plate – Hobnobs, digestives and

      two chocolate-covered wafers – and leads the way into

      the sitting room. Again it’s in immaculate order. Matthew

      imagines Ian having nothing much more to do than clean;

      he feels his heart sink further.

      ‘So, do you mind me asking if you live here alone at

      the moment, Ian?’

      Ian holds out the plate and Matthew shakes his head.

      ‘It’s just I noticed that the bedroom upstairs – the one

      the little people seem to be interested in – it appeared to be a woman’s bedroom. Partner? Daughter? Other relative?’

      Ian dunks his biscuit in his tea and examines it as if

      waiting for the precise softness before moving it swiftly

      to his mouth.

      ‘You’re observant. I expected that. But you’re not going

      to start going on about triggers again, are you, Mr Hill?’

      ‘No, no. I was just trying to gather the information

      I need here, Ian. To try to suggest how someone might

      help you.’

      141

      Teresa Driscoll

      ‘I have just one child – a daughter who lives abroad.

      Canada. Jessica.’ Ian puts down his tea and biscuits and

      moves across to select a photograph from a dresser. From

      the frame a large, jolly woman in her late forties or early

      fifties beams alongside a huge black dog. ‘I haven’t seen

      her in a few years, sadly, as neither of us has very much

      money. And, well, travel is spectacularly expensive. Also

      I worry what might happen. If the little people followed

      me, I mean. An in-flight emergency. I couldn’t have that

      on my conscience.’

      ‘Quite.’ Matthew puts his hand up to his mouth to

      conceal a smile. He’s surprised to be rather liking this

     


    Prev Next
Online Read Free Novel Copyright 2016 - 2026