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    The Unpublishables

    Page 3
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      So, I’ll make a cup of white pine tea

      With the fresh green needles,

      But first I’ll ask permission

      And forgiveness for her unintentionally enclosed

      And intertwined life with me-

      She says it’s okay,

      She’ll live many generations beyond me-

      And with hope, she might be a two hundred foot tall

      Giant awing the puny lives of men.

      I hope they don’t cut her down

      But there are so many people with saws

      And fewer and fewer humans who know

      And love the tree people.

      Ah, my white pine tea is done,

      Migwetch, many thank yous, amen.

      In a deserted field, I write this song,

      A hymn to melancholy man,

      That neither beast, bird, nor tree can e’er bring

      This simple man to understand;

      For city bred I am with ore

      And wheel and lock the grinding gears of song,

      From whence my family ne’er could feel

      Any loss except to belong,

      But now I sing with joy in voice,

      A belonging they’ll never understand,

      A voice of bees and starry skies,

      Now twice to sing a melancholy man.

      Dig, dig, dig like a mournful clicking clock;

      Lay waste grim face, such a weedy forsaken spot;

      Tear it down to build again, then mock

      Your towers once more, and like as not

      You’ll try again, your mind begin to plot,

      Nevermore in naturalness ever to rock

      In the sweet depths of your Earth Mother’s arms.

      City Autumn

      Leaves rustle then scrape city stairs,

      Gear upon gear they bluster down,

      ‘til rift and flutter they alight

      the air, lifting my soul to fall.

      City Park In Autumn

      The park, which leaves her rustling garb

      Deposited on a bedroom yard,

      Releases a juicy fullness

      In exchange for barren wholeness:

      A harlot’s wrinkled line of houses

      Between cakes of cracked make-up douses.

      If neither age, nor name, nor date were known,

      And these the only lines that e’er were writ,

      Not thy smile, thine eyes nor thy wit would show

      Though the wide wondering world might think it fit;

      Nor would the love I hold for thee be shown,

      Nor indeed thy love for me, though limitless,

      And though fain would I have of all thy loves writ

      (A lifetime of making and two lifetimes grown),

      I’ve not time and still thy love would not be met,

      For thou hast greater love e’er left unknown:

      A love of the divine encircling time,

      A life without lines, a joining, all things combined.

      What is love? Can those who love freest

      Love best? While others pine for love untrue

      Do merry soulmates hop from bed to bed,

      Pleasure begetting pleasure instead of dread:

      Dread that all pretty words are petty lies,

      That use and abuse, self esteem denied,

      Makes the puritans’ possessive demands-

      A failure to let himself expand.

      Liquor is the fixer

      Which keeps thee from me;

      One syllable’s distance is too far,

      Though comfortable it be.

      Sled dogs hanging tongues, lolling, lagging

      Over rubbery lips,

      Wetness over cold,

      A gliding skimming sailing of ships.

      Part Six

      The Pain Will Out

      Weak tonight

      The side aches dull,

      The body knowing

      What the mind’s forgot

      Or withheld.

      The pain will be known,

      It will out

      One time or another,

      One way or another –

      Dull knowing is no substitute

      Razor jagged edges

      Will out

      And if not let out

      Will sacrifice

      The very beast it rides

      So that in agony

      On death’s cement stoop

      We’ll scrape our chest

      And bloody our knees

      Scrambling for death

      To let us in

      Till quick and bright

      We see the pain,

      Who led the way,

      Too late

      And cry out to the darkness

      “if only I’d known”

      but this too

      you’ll know

      you knew

      too late

      for the pain is there

      was always there –

      the pain will out.

      A finny slipped further reaching thought

      Life and death has always been as easy

      as casting a line,

      the slow reel,

      quick hook- as they bite

      ravenous,

      or maybe just curious,

      and some unlucky ones

      getting hooked by just passing by

      till knowing widens their eyes

      and this hoped for savory

      is bitter as gall and they sprawl rigid

      as if that spread eagle stony grip

      clawed and water breaking

      gasp could stop the slow reel

      and guttural praises as the net hauls

      the last of your flopping back

      and forth on board.

      They’ll roast you over a campfire

      and tell half truthed stories of the

      breakers of lines -

      no one knows what happened to these;

      in the stories, some live from generation

      to generation breaking lines perennially,

      and maybe here and there

      there’s a scaly ascension

      or a finny resurrection to liven the time

      as the son of the great dog fish

      rises again to break another line,

      but the fishers of fish

      and the fishers of men

      know what everyone knows:

      every fish has an end

      and feeds the eaters of death,

      there’s no such thing

      as dying

      of old age.

      The wind

      stalks her back,

      just out of

      sight,

      a whispering

      here,

      a nudging

      there,

      an escalating

      tingling up

      then down

      her spine,

      until, like an unholy thing

      it reaches

      under her skirt

      and tightens her walk;

      she scurries fast,

      and like a mouse

      to a shadowed corner,

      she retreats

      inside her door,

      and sits trembling,

      still tingling,

      in the dark with the unknown

      of this groping,

      following

      dread.

      I remember the night you

      Tossed the red, mangled mass

      Of your tampon to the cat

      And said, “Here kitty, kitty,

      Get the mouse”.

      And it did.

      Your gleeful smile, wide

      Vacant eyes,

      Were you possessed?

      The constant tap, tap, tap

      Of shuffling feet

      In an unheard dance,

      A song continually playing

      For you alone, reverberating

      For days now, behind that silent,

      Somewhere else glaze.

      “God,” you said,

      you were in religious ecsta
    sy.

      Who was I to stop you,

      Even if I was your husband

      And we glanced off each other

      With force fields of different beings –

      I guess the loss of the house,

      Your clothes, our pets, anything

      Like the normal life we’d come to expect,

      Made me depressed

      But you, you left,

      And a stranger screamed at me,

      Calling me strange names

      In a biblical tongue

      And I was running out the screen door

      With shame and a razor blade

      Coming after me.

      Then the cops picked you up,

      Don’t you remember,

      We rode together

      In the back of the police car;

      You didn’t remember the incident,

      You were gleeful for a vacation –

      A ride with your huge bible

      In your upturned hands;

      I sobbed quietly like a child

      While you babbled in tongues pointing

      Out bible passages,

      Until the cop in the front seat

      Turned around and said,

      “Hey, you don’t have to worry.

      She’ll be all right.

      We do this all the time”.

      Thirteen Ways Of Looking At A Checkbook

      I

      Amid blue, green, purple and pink,

      Myriads of innumerable packaged things,

      All that stood between his

      And desire

      Was the checkbook.

      II

      I do not know which to prefer,

      Making the kill,

      Or stalking the prey,

      Writing the check,

      Or just before.

      III

      I was of one mind,

      Like the man without his checkbook,

      Who waits in line

      With a cart full of groceries.

      IV

      In all that cluttered apartment,

      The only negative

      That could be less than zero

      Was the placid looking,

      Peacefully consuming

      Checkbook.

      V

      Who made thee checkbook?

      How differently alike are its answers

      To a lifelong executive

      And a homeless thrall.

      VI

      The checkbook is a symbol

      Of the symbol of money;

      Is it in the bank,

      Ecuador,

      Poisoning a river,

      Planting a field?

      Who knows,

      And who cares?

      VII

      What separates

      US

      From

      THEM

      Is the checkbook.

      VIII

      In the third world,

      One or none have the checkbook;

      In the first world ,

      A few more do.

      IX

      Glassed pine boughs,

      Freezing drizzle,

      Bitten fingers and toes,

      The only thing between

      Cold and death

      Was the fragile flame

      Of the checkbook.

      X

      With this one check

      And a flick of the wrist,

      I have neatly sliced

      The neck of a pig

      And splattered its blood

      With a wriggling squeal.

      XI

      The man without a checkbook

      Finds it much more difficult

      To hold a pig down

      While killing it.

      XII

      In all the world,

      There was only they

      And the checkbook,

      And one wasn’t Real.

      XIII

      A blackbird looks down and

      The river is flowing;

      One does not need a checkbook

      To live.

      Please Mourn the Death, by Fire, of a Child in London, Consumer Activists Urge Or On a refusal to cry out while having bamboo splinters shoved underneath fingernails

      Never since the clichéd hanging slap yelp

      Of the red slimed newborn,

      Step on a rock indentation,

      Blood dripping prick of a pasture rose,

      Never since the first child’s first ever lack of need,

      Never since,

      “it don’t make no reason to cry,

      you ain’t special,

      get down on your knees and pray”;

      I am oblivious to pain,

      Your pain,

      The rigid, horse tongued dead

      Of mustard gas,

      The quick incineration of the atom

      Lightening flash

      (what shadow feels pain, that’s all that’s left you know),

      lying for days under machine gunned

      concentration camp prisoners,

      afraid to breath

      but more afraid to die,

      “pain has no meaning for such a person,

      it is a condition lived through and with

      for the rest of their lives”;

      never since the first heard

      agonizing death cries,

      “it’s only bodily pain,

      and pain can be transcended”,

      even someone else’s pain,

      “we are not our bodies alone,

      the greatest worship we can give

      is our unacknowledged pain”,

      or was that accepted and released

      pain, is there any difference

      when you’re tied down,

      a razor blade cleaving you a forked tongue.

      When the Chinese overran Tibet,

      The monks were in ecstasy

      Because they were trained

      To transcend the pain,

      Tortuous deaths

      Were the ultimate claim

      On a life well lived,

      Or died;

      You know, they would have had to transcend

      In more mundane deaths,

      fires are as unforgiving as

      Trained assassins,

      So quit making a big deal

      Out of everything;

      Yeah, right, like after the first cut there is no other.

      Part Seven

      The kid from the cat in the hat in therapy

      God damn cat! After that first taste

      it was cake on a rake

      my childhood in that little house

      balanced above me – dropping

      away, always falling

      you with that stupid grin

      and me on my knees, hands

      reaching, grasping

      my world collapsing, crumpled in a corner

      just like you knew it would.

      I never told and I don’t think Sis did –

      we hardly ever spoke after that -

      thing 1s and thing 2s,

      could'ves and would'ves,

      all of our dreams in pieces,

      everything scattered -

      everything swept away

      so fast.

      Tell me what would you say,

      what would you do,

      tell me what if that cat

      and his stupid hat

      had come to your house,

      what if he had come looking

      for you?

      I lie

      in luxury

      my illness forgotten

      warm heating pad snuggled tight in

      the bed.

      The bed

      is, oh, too cold,

      please, lay down, no - no clothes

      inconsolable, just awful

      I lie.

      Black shoes

      like frayed feathers

      blown under the dresser

      by your visit – the flight of some

      stray bird.

      Stray bird

      eyes like onyx

      searching, circling under


      windows, ruffling covers for lost

      black shoes.

      Angelfish being acclimated to an aquarium

      Angelfish floats,

      An anchored sliver of a galleon,

      Prouder than eight pinta’s as it surveys,

      Or swims,

      A furrowing sailboat through liquid air

      Til bow lips and stern tail meet the plastic

      Globe harbor and press for open sea.

      At the end of day,

      The sunflower droops

      His head with the fullness of seed;

      The cricket chirps her evening

      Song and listens

      For a distant reply;

      And I, I feel the fullness of the moment,

      My mind still,

      Silent in a savoring

      Of this symphony of all being,

      My vision soars

      And all that I long to be

      I am.

      My breathing, the ocean,

      They come and they go,

      My hands, a sun speckled salmon,

      I release it … slow.

      Aid’s Dance Therapy

      Johnnie’s going home to die;

      He wants to be with his mother and father and brother

      The house he grew up in to slowly give way in.

      It’s not going to be long now;

      Tonight is his last night at dance therapy

      And we know it, we know it all too well.

      Johnnie could be Barbara, is Tom, maybe Robert

      Maybe me when my time comes

      But now is Johnnie’s

      And tonight’s dance therapy

      Is a dance of support and of upholding;

      Some of us are weak, some are strong

      Ancient rhythms guide the knowing motion-

      Drums beat in an ancient healing

      In a moving guided

      Empathetic sharing knowing;

      With my arms at his shoulders,

      We walk together, circling the room.

      I am legs to support

      Others are walking, others are leaning

      Soon we are chanting, then dancing

      Faster and faster, carrying the weak waist high,

      Embracing holding head high

      Uplifting over head sky high

      And glorious release to know another

      Cares, I care – I support you- hold you

      Till the dance slows- and I must lessen

      We lower you- gentle you - to the earth,

      To the ground and chant, “Home, Home,”

      “Home, home peace at last”

      “Home, home peace at last”.

      My death sits on my head and shoulders

      like a leaden veil;

      it stands before me and behind me

      like a second skin;

      it waits to the right and to the left of me

      like a brother and a friend.

      FAT

      Fat

      isn't soft;

      it's hard

      hard as constriction,

      your belly, a bloated boa,

      writhing as you bend,

     


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