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    Rilke in Paris

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      – Will Stone, Antwerp, May 2012

      Biographical Notes

      Maurice Betz (1898–1946), was principal translator of Rilke’s oeuvre into French, in the crucial two decades between the end of his life and the period in which he became a poet of international fame. Betz was fortunate in that he began translating The Notebooks of Malte Laurids Brigge while Rilke was still living and was therefore able to meet his poet during the final period in Paris in 1925 and the two men duly became friends. This translation of Rilke’s most important prose work was instrumental in securing his reputation in France and due to its success, and the way it underpinned the enigma of Rilke’s relations with that country, Betz was able to go on and produce a number of other durable translations of Rilke’s poetry and letters.

      In 1927, scarcely a year after Rilke’s death, Betz had published French translations of the early poetry of Histoires du Bon Dieu and the later, more exacting, Les Sonnets à Orphée. The first edition of fifteen sonnets also included the valuable prose piece written by Betz following Rilke’s death, Petite Stèle pour Rainer Maria Rilke (A little memorial stone for Rainer Maria Rilke), which to some degree serves as a prefiguration to Rilke à Paris.

      Until his death in 1946, Betz’s dedication to Rilke never faltered, and he maintained his sense of responsibility to the poet and commitment to his legacy in France. In memory of her husband, Betz’s widow set up the literary award Le Prix Maurice-Betz. Although Maurice Betz is best known in France today as the translator of key texts by Rilke, he also provided French translations of a number of other major literary texts, namely Thomas Mann’s La Montagne Magique (1931) and Nietzsche’s Ainsi parlait Zarathoustra (1936).

      Will Stone, born 1966, is a poet, essayist and literary translator. His first poetry collection Glaciation (Salt, 2007), won the international Glen Dimplex Award for poetry in 2008.

      Shearsman Books has re-published his subsequent critically appraised collections. Will’s poetry translations include To the Silenced – Selected Poems of Georg Trakl (Arc, 2005) Emile Verhaeren Poems (Arc, 2013), Georges Rodenbach Poems (Arc, 2017) and Friedrich Hölderlin’s Life Poetry and Madness by Wilhelm Waiblinger (2018). Pushkin Press published his translations of Montaigne by Stefan Zweig in 2015, Messages from a Lost World – Europe on the Brink by Stefan Zweig in 2016 and The Art of the City – Rome, Florence, Venice by Georg Simmel in 2018. Encounters and Destinies – A Farewell to Europe by Stefan Zweig and Surrender to Night – Collected Poems of Georg Trakl will be published in 2019.

      Will has contributed poems, translations, essays and reviews to a range of publications including The London Magazine, The Times Literary Supplement, The Spectator, Apollo Magazine, the RA Magazine, The White Review, Poetry Review and Agenda.

      PUSHKIN PRESS

      Pushkin Press was founded in 1997, and publishes novels, essays, memoirs, children’s books—everything from timeless classics to the urgent and contemporary.

      Our books represent exciting, high-quality writing from around the world: we publish some of the twentieth century’s most widely acclaimed, brilliant authors such as Stefan Zweig, Marcel Aymé, Teffi, Antal Szerb, Gaito Gazdanov and Yasushi Inoue, as well as compelling and award-winning contemporary writers, including Andrés Neuman, Edith Pearlman, Eka Kurniawan, Ayelet Gundar-Goshen and Chigozie Obioma.

      Pushkin Press publishes the world’s best stories, to be read and read again. To discover more, visit www.pushkinpress.com.

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      SUMMER BEFORE THE DARK

      VOLKER WEIDERMANN

      ‘For such a slim book to convey with such poignancy the extinction of a generation of “Great Europeans” is a triumph’ Sunday Telegraph

      MESSAGES FROM A LOST WORLD

      STEFAN ZWEIG

      ‘At a time of monetary crisis and political disorder… Zweig’s celebration of the brotherhood of peoples reminds us that there is another way’ The Nation

      THE EVENINGS

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      ‘Not only a masterpiece but a cornerstone manqué of modern European literature’ Tim Parks, Guardian

      BINOCULAR VISION

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      ‘A genius of the short story’ Mark Lawson, Guardian

      IN THE BEGINNING WAS THE SEA

      TOMÁS GONZÁLEZ

      ‘Smoothly intriguing narrative, with its touches of sinister, Patricia Highsmith-like menace’ Irish Times

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      THE ENCOUNTER

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      3 Heretic Dawn

      ‘Swashbuckling historical fiction’ Guardian

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      ANDRÉS NEUMAN

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      A WORLD GONE MAD

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      THE BEAUTIFUL BUREAUCRAT

      HELEN PHILLIPS

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      THE RABBIT BACK LITERATURE SOCIETY

      PASI ILMARI JÄÄSKELÄINEN

      ‘Wonderfully knotty… a very grown-up fantasy masquerading as quirky fable. Unexpected, thrilling and absurd’ Sunday Telegraph

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      EKA KURNIAWAN

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    ; WHILE THE GODS WERE SLEEPING

      ERWIN MORTIER

      ‘A monumental, phenomenal book’ De Morgen

      BUTTERFLIES IN NOVEMBER

      AUÐUR AVA ÓLAFSDÓTTIR

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      BY BLOOD

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      THE LAST DAYS

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      Copyright

      Pushkin Press

      71–75 Shelton Street

      London WC2H 9JQ

      English translation © Will Stone 2012

      This translation was first published by Hesperus in 2012

      First published by Pushkin Press in 2019

      Every effort has been made to contact the owner of Maurice Betz’s copyright. If you are the copyright holder please contact Pushkin Press.

      ISBN 13: 978–1–78227–491–9

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from Pushkin Press

      Photographs © Will Stone 2012

      www.pushkinpress.com

     

     

     



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