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    Why Did You Leave the Horse Alone?

    Page 7
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      Greet our house, O stranger.

      Our coffee cups

      Are still as they were. Do you smell

      Our fingers over them? Do you tell your daughter with

      Her plait and thick eyebrows that they have

      An absent owner,

      Who wishes to visit them, for no reason…

      But to enter their looking glass and see his secret:

      How they were living his life after him

      In his place? Greet them if time permits… /

      *

      These are the words that we would have liked

      To say to him, he heard it very, very

      Well,

      And he hides it in a quick cough,

      And casts it aside, then the buttons on his tunic

      Shine as he goes away… Well,

      And he hides it in a quick cough,

      And casts it aside, then the buttons on his tunic

      Shine as he goes away…

      BIOGRAPHICAL NOTE

      Mahmoud Darwish was born in al-Birwa in Western Galilee in 1941, the second of eight children. In 1948, after the establishment of the state of Israel, Darwish’s family move to Lebanon for a year, but later settled in Deir al-Asad in the Acre area. Darwish attended secondary school in Galilee and, after graduating, moved to Haifa to work as a journalist. His first collection of poetry, Asafir Bila Ajniha (Wingless birds) was published in 1960, when he was nineteen. He would go on to write many more collections of poetry and be hailed as one of the greatest Arab poets of the modern day. Darwish also became editor of a number of periodicals.

      Politically involved throughout his life, in 1961, he joined Rakah, the Israeli Communist Party, and when living in Beirut in 1973, he joined the Palestinian Liberation Organisation, an action which resulted in his being refused entry to Israel. Despite criticism of both Israeli and Palestinian leadership, Darwish believed that peace was an attainable aim. Darwish’s life was marked by constant relocation, he lived in Cairo, Beirut, London, Paris and Tunis, and in the later part of the 1990s, he alternated between Amman and Ramallah. He was married and divorced twice but never had children. He died in August 2008, following complications from heart surgery.

      Mohammad Shaheen holds a PhD in English Literature from Cambridge University. He is professor of English at the University of Jordan and the author of many books, including E.M. Forster and The Politics of Imperialism.

      HESPERUS PRESS

      Under our three imprints, Hesperus Press publishes over 300 books by many of the greatest figures in worldwide literary history, as well as contemporary and debut authors well worth discovering.

      Hesperus Classics handpicks the best of worldwide and translated literature, introducing forgotten and neglected books to new generations.

      Hesperus Nova showcases quality contemporary fiction and non-fiction designed to entertain and inspire.

      Hesperus Minor rediscovers well-loved children’s books from the past – these are books which will bring back fond memories for adults, which they will want to share with their children and loved ones.

      To find out more visit www.hesperuspress.com

      @HesperusPress

      SELECTED TITLES FROM HESPERUS PRESS

      Author Title Foreword writer

      * * *

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      Charles Baudelaire On Wine and Hashish Margaret Drabble

      Giovanni Boccaccio Life of Dante A.N. Wilson

      Charlotte Brontë The Spell

      Emily Brontë Poems of Solitude Helen Dunmore

      Mikhail Bulgakov Fatal Eggs Doris Lessing

      Mikhail Bulgakov The Heart of a Dog A.S. Byatt

      Giacomo Casanova The Duel Tim Parks

      Miguel de Cervantes The Dialogue of the Dogs Ben Okri

      Geoffrey Chaucer The Parliament of Birds

      Anton Chekhov The Story of a Nobody Louis de Bernières

      Anton Chekhov Three Years William Fiennes

      Wilkie Collins The Frozen Deep

      Joseph Conrad Heart of Darkness A.N. Wilson

      Joseph Conrad The Return Colm Tóibín

      Gabriele D’Annunzio The Book of the Virgins Tim Parks

      Dante Alighieri The Divine Comedy: Inferno

      Dante Alighieri New Life Louis de Bernières

      Daniel Defoe The King of Pirates Peter Ackroyd

      Marquis de Sade Incest Janet Street-Porter

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      Fyodor Dostoevsky The Double Jeremy Dyson

      Fyodor Dostoevsky Poor People Charlotte Hobson

      Alexandre Dumas One Thousand and One Ghosts

      George Eliot Amos Barton Matthew Sweet

      Henry Fielding Jonathan Wild the Great Peter Ackroyd

      F. Scott Fitzgerald The Popular Girl Helen Dunmore

      Gustave Flaubert Memoirs of a Madman Germaine Greer

      Ugo Foscolo Last Letters of Jacopo Ortis Valerio Massimo

      Manfredi

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      Théophile Gautier The Jinx Theseus Gilbert Adair

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      Victor Hugo The Last Day of a Condemned Man Libby Purves

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      Heinrich von Kleist The Marquise of O– Andrew Miller

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      Xavier de Maistre A Journey Around my Room Alain de Botton

      André Malraux The Way of the Kings Rachel Seiffert

      Katherine Mansfield Prelude William Boyd

      Edgar Lee Masters Spoon River Anthology Shena Mackay

      Guy de Maupassant Butterball Germaine Greer

      Prosper Mérimée Carmen Philip Pullman

      Sir Thomas More The History of King Richard III Sister Wendy Beckett

      Sándor Peto˝fi John the Valiant George Szirtes

      Francis Petrarch My Secret Book Germaine Greer

      Luigi Pirandello Loveless Love

      Edgar Allan Poe Eureka Sir Patrick Moore

      Alexander Pope The Rape of the Lock and Peter Ackroyd

      A Key to the Lock

      Antoine-François Prévost Manon Lescaut Germaine Greer

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      Alexander Pushkin Dubrovsky Patrick Neate

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      François Rabelais Pantagruel Paul Bailey

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      Christina Rossetti Commonplace Andrew Motion

      George Sand The Devil’s Pool Victoria Glendinning

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      Percy Bysshe Shelley Zastrozzi Germaine Greer

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      Theodor Storm The Lake of the Bees Alan Sillitoe

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      Ivan Turgenev Faust Simon Callow

      Mark Twain The Diary of Adam and Eve John Updike

      Mark T
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      Oscar Wilde The Portrait of Mr W.H. Peter Ackroyd

      Virginia Woolf Carlyle’s House and Other Sketches Doris Lessing

      Virginia Woolf Monday or Tuesday Scarlett Thomas

      Emile Zola For a Night of Love A.N. Wilson

      Copyright

      Published by Hesperus Press Limited

      28 Mortimer Street, London W1W 7RD

      www.hesperuspress.com

      Why did you leave the horse alone? first published in Arabic in 1995

      First published by Hesperus Press Limited, 2014

      This ebook edition first published in 2014

      Copyright © Estate of Mahmoud Darwish, 1995

      English language translation and introduction © Mohammad Shaheen, 2014.

      Designed and typeset by Roland Codd

      Cover design by Roland Codd

      All rights reserved. This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly

      ISBN 978–1–78094–341–1

     

     

     



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