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    Storyteller

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      a key, perhaps silver coins, a leather wallet.

      Folded pieces of paper are still within reach

      but the feeling now

      is overwhelming

      of something no longer with you.

      You walk outside

      in the dark

      feel for the gloves

      on the seat of your truck.

      Something has been left behind,

      something has been lost.

      All night in bed beside her

      your heart pounds out

      possible locations

      for a loss so complete

      even its name has escaped you.

      At dawn she turns in bed and

      you see from your place in the bed

      the impossibility of this

      her hair spreads over your pillow

      her arms where yours are resting.

      Listen now

      before you make any sudden move

      for your breathing

      which once accompanied you.

      Incantation

      The television

      lights up the room,

      a continual presence.

      Seconds minutes

      flicker in gray intervals

      on the wall beside my head.

      Even if

      I could walk to the window

      I would only see

      gray video images

      bending against the clouds.

      At one time

      more might have been necessary—

      a smokey quartz crystal

      balanced in the center of the palm—

      But tonight

      there is enough.

      The simple equation you found

      in my notebook

      frightened you

      but I could have explained it:

      After all bright colors of sunset and

      leaves are added together

      lovers are subtracted

      children multiplied, are divided, taken away.

      The remainder is small enough

      to stay in this room forever

      gray-shadowing restless

      trapped on a gray glass plain.

      I did not plan to tell you.

      Better to lose colors gradually

      first the blue of the eyes

      then the red of blood

      its salt taste fading

      water gone suddenly bitter

      when the last yellow light

      blinks off the screen.

      Wherever you’re heading tonight

      you think you’re leaving me

      and the equation of this gray room.

      Hold her close

      pray

      these are lies I’m telling you.

      As with the set which lost its color

      and only hums gray outlines,

      it is a matter of intensity and hue

      and the increasing distance—

      The interval will grow as imperceptibly

      as it grew between us.

      You’ll drive on

      putting distance and time between us—

      the snow in the high Sierras

      the dawn along the Pacific

      dreaming you’ve left this narrow room.

      But tonight

      I have traced all escape routes

      with my finger across the t.v. weather map.

      Your ocean dawn is only the gray light

      in the corner of this room

      Your mountain snowstorm

      flies against the glass screen

      until we both are buried.

      A Note

      They tell you

      they try to warn you

      about some particular cliff

      sandrock a peculiar cloudy dawn color.

      It is the place,

      they say

      where so many others have fallen.

      Remember Chemí’s son?

      So handsome—

      What was it

      he wanted up there?

      She only came from that direction

      one time

      and so long ago

      no one living

      ever heard anyone tell

      they saw her.

      Don’t go looking

      don’t even raise your eyes.

      The people believe the cradle board protects a child, and when they place the baby on the cradle board, they speak silently to the cradle board, reminding it to take care of the child. My mother kept me on the cradle board until I was twelve months old.

      Mr. Kasero and his wife used to drive their wagon and horses up from Mesita village to Laguna to buy groceries and pick up their mail. One time they gave me a ride in their wagon, and I remember how wonderfully the rocks and bumps in the road could be felt through the wagon box. Mr. Kasero was especially proud of his corn plants one year and asked my father to photograph them. My father asked him if he would be in the picture too, and Mr. Kasero said okay, as long as the corn plants could be seen.

      Saturday morning I was walking past Nora’s house

      and she was outside building a fire in her oven.

      I stopped to say hello and we were talking and

      she said her grandchildren had brought home

      a library book that had my “Laguna Coyote” poem in it.

      “We all enjoyed it so much,

      but I was telling the children

      the way my grandpa used to tell it

      is longer.”

      “Yes, that’s the trouble with writing,” I said,

      “You can’t go on and on the way we do

      when we tell stories around here.

      People who aren’t used to it get tired.”

      “I remember Grandpa telling us that story—

      We would really laugh!

      He wouldn’t begin until we gave him

      something real good to eat—

      roasted piñons or some jerky.

      Then he would start telling the story.

      That’s what you’re supposed to do, you know,

      you’re supposed to feed the storyteller good things.”

      One time

      Old Woman Ck’o’yo’s

      son came in

      from Reedleaf town

      up north.

      His name was Pa’caya’nyi

      and he didn’t know who his father was.

      He asked the people

      “You people want to learn some magic?”

      and the people said

      “Yes, we can always use some.”

      Ma’see’wi and Ou’yu’ye’wi

      the Twin Brothers

      were caring for the

      Mother Corn altar,

      but they got interested

      in this magic too.

      “What kind of medicine man

      are you,

      anyway?” they asked him.

      “A Ck’o’yo medicine man,”

      he said.

      “Tonight we’ll see

      if you really have magical power,” they told him.

      So that night

      Pa’caya’nyi

      came with his mountain lion.

      He undressed

      he painted his body

      the whorls of flesh

      the soles of his feet

      the palms of his hands

      the top of his head.

      He wore feathers

      on each side of his head.

      He made an altar

      with cactus spines

      and purple locoweed flowers.

      He lighted four cactus torches

      at each corner.

      He made the mountain lion lie

      down in front and

      then he was ready for his magic.

      He struck the middle of the north wall

      He took a piece of flint and

      he struck the middle of the north wall.

      Water poured out of the wall

      and flowed down

      toward the south.

      He said “What does that look like?

      Is t
    hat magic powers?”

      He struck the middle of the west wall

      and from the east wall

      a bear came out.

      “What do you call this?”

      he said again.

      “Yes, it looks like magic all right,”

      Ma’see’wi said.

      So it was finished

      and Ma’see’wi and Ou’yu’ye’wi

      and all the people were fooled by

      that Ck’o’yo medicine man,

      Pa’caya’nyi.

      From that time on

      they were

      so busy

      playing around with that

      Ck’o’yo magic

      they neglected the Mother Corn altar.

      They thought they didn’t have to worry

      about anything.

      They thought this magic

      could give life to plants

      and animals.

      They didn’t know it was all just a trick.

      Our mother

      Nau’ts’ity’i

      was very angry

      over this

      over the way

      all of them

      even Ma’see’wi and Ou’yu’ye’wi

      fooled around with this

      magic.

      “I’ve had enough of that,”

      she said,

      “If they like that magic so much

      let them live off it.”

      So she took

      the plants and grass from them.

      No baby animals were born.

      She took the

      rain clouds with her.

      The wind stirred the dust.

      The people were starving.

      “She’s angry with us,”

      the people said.

      “Maybe because of that

      Ck’o’yo magic

      we were fooling with.

      We better send someone

      to ask her forgiveness.”

      They noticed Hummingbird

      was fat and shiny

      he had plenty to eat.

      They asked how come he

      looked so good.

      He said

      Down below

      Three worlds below this one

      everything is

      green

      all the plants are growing

      the flowers are blooming.

      I go down there

      and eat.

      “So that’s where our mother went.

      How can we get down there?”

      Hummingbird looked at all the

      skinny people.

      He felt sorry for them.

      He said, “You need a messenger.

      Listen, I’ll tell you

      what to do”:

      Bring a beautiful pottery jar

      painted with parrots and big

      flowers.

      Mix black mountain dirt

      some sweet corn flour

      and a little water.

      Cover the jar with a

      new buckskin

      and say this over the jar

      and sing this softly

      above the jar:

      After four days

      you will be alive

      After four days

      you will be alive

      After four days

      you will be alive

      After four days

      you will be alive.

      On the fourth day

      something buzzed around

      inside the jar.

      They lifted the buckskin

      and a big green fly

      with yellow feelers on his head

      flew out of the jar.

      “Fly will go with me,” Hummingbird said.

      “We’ll go see

      what she wants.”

      They flew to the fourth world

      below.

      Down there

      was another kind of daylight

      everything was blooming

      and growing

      everything was so beautiful.

      Fly started sucking on

      sweet things so

      Hummingbird had to tell him

      to wait:

      “Wait until we see our Mother.”

      They found her.

      They gave her blue pollen and yellow pollen

      they gave her turquoise beads

      they gave her prayer sticks.

      “I suppose you want something,” she said.

      “Yes, we want food and storm clouds.”

      “You get old Buzzard to purify

      your town first

      and then, maybe, I will send you people

      food and rain again.”

      Fly and Hummingbird

      flew back up.

      They told the town people

      that old Buzzard had to purify

      the town.

      They took more pollen,

      more beads, and more prayer sticks,

      and they went to see old Buzzard.

      They arrived at his place in the east.

      “Who’s out there?

      Nobody ever came here before.”

      “It’s us, Hummingbird and Fly.”

      “Oh. What do you want?”

      “We need you to purify our town.”

      “Well, look here. Your offering isn’t

      complete. Where’s the tobacco?”

      You see, it wasn’t easy.

      Fly and Hummingbird

      had to fly back to town again.

      The people asked,

      “Did you find him?”

      “Yes, but we forgot something.

      Tobacco.”

      But there was no tobacco

      so Fly and Hummingbird had to fly

      all the way back down

      to the fourth world below

      to ask our Mother where

      they could get some tobacco.

      “We came back again,”

      they told our Mother.

      “Maybe you need something?”

      “Tobacco.”

      “Go ask caterpillar.”

      So they flew

      all the way up again.

      They went to a place in the West.

      See, these things were complicated.….

      They called outside his house

      “You downstairs, how are things?”

      “Okay,” he said, “come down.”

      They went down inside.

      “Maybe you want something?”

      “Yes. We need tobacco.”

      Caterpillar spread out

      dry cornhusks on the floor.

      He rubbed his hands together

      and tobacco fell into the cornhusks.

      Then he folded up the husks

      and gave the tobacco to them.

      Hummingbird and Fly thanked him.

      They took the tobacco to old Buzzard.

      “Here it is. We finally got it but it

      sure wasn’t very easy.”

      “Okay,” Buzzard said.

      “Go back and tell them

      I’ll purify the town.”

      And he did—

      first to the east

      then to the south

      then to the west

      and finally to the north.

      Everything was set straight again

      after all that Ck’o’yo magic.

      The storm clouds returned

      the grass and plants started growing again.

      There was food

      and the people were happy again.

      So she told them

      “Stay out of trouble

      from now on.

      It isn’t very easy

      to fix up things again.

      Remember that

      next time

      some Ck’o’yo magician

      comes to town.”

      Poem for Myself and Mei: Concerning Abortion

      Chinle to Fort Defiance, April 1973

      The morning sun

      coming unstuffed with yellow light

      butterflies tumbling loose

      and blowing acros
    s the Earth.

      They fill the sky

      with shimmering yellow wind

      and I see them with the clarity of ice

      shattered in mountain streams

      where each pebble is

      speckled and marbled

      alive beneath the water.

      All winter it snowed

      mustard grass

      and springtime rained it.

      Wide fancy meadows

      warm green

      and butterflies are yellow mustard flowers

      spilling out of the mountain.

      There were horses

      near the highway

      at Ganado.

      And the white one

      scratching his ass on a tree.

      They die softly

      against the windshield

      and the iridescent wings

      flutter and cling

      all the way home.

      Tony’s Story

      It happened one summer when the sky was wide and hot and the summer rains did not come; the sheep were thin, and the tumbleweeds turned brown and died. Leon came back from the army. I saw him standing by the Ferris wheel across from the people who came to sell melons and chili on San Lorenzo’s Day. He yelled at me, “Hey Tony—over here!” I was embarrassed to hear him yell so loud, but then I saw the wine bottle with the brown-paper sack crushed around it.

      “How’s it going, buddy?”

      He grabbed my hand and held it tight like a white man. He was smiling. “It’s good to be home again. They asked me to dance tomorrow—it’s only the Corn Dance, but I hope I haven’t forgotten what to do.”

      “You’ll remember—it will all come back to you when you hear the drum.” I was happy, because I knew that Leon was once more a part of the pueblo. The sun was dusty and low in the west, and the procession passed by us, carrying San Lorenzo back to his niche in the church.

      “Do you want to get something to eat?” I asked.

      Leon laughed and patted the bottle. “No, you’re the only one who needs to eat. Take this dollar—they’re selling hamburgers over there.” He pointed past the merry-go-round to a stand with cotton candy and a snow-cone machine.

      It was then that I saw the cop pushing his way through the crowds of people gathered around the hamburger stand and bingo tent; he came steadily toward us. I remembered Leon’s wine and looked to see if the cop was watching us; but he was wearing dark glasses and I couldn’t see his eyes.

     


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