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    Bertolt Brecht: Mutter Courage und ihre Kinder 4

    Page 45
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      Caryl Churchill

      Complicite

      Noël Coward

      Lucinda Coxon

      Sarah Daniels

      Nick Darke

      Nick Dear

      Shelagh Delaney

      David Edgar

      David Eldridge

      Dario Fo

      Michael Frayn

      John Godber

      Paul Godfrey

      David Greig

      John Guare

      Peter Handke

      David Harrower

      Jonathan Harvey

      Iain Heggie

      Declan Hughes

      Terry Johnson

      Sarah Kane

      Charlotte Keatley

      Barrie Keeffe

      Howard Korder

      Robert Lepage

      Doug Lucie

      Martin McDonagh

      John McGrath

      Terrence McNally

      David Mamet

      Patrick Marber

      Arthur Miller

      Mtwa, Ngema & Simon

      Tom Murphy

      Phyllis Nagy

      Peter Nichols

      Sean O’Brien

      Joseph O’Connor

      Joe Orton

      Louise Page

      Joe Penhall

      Luigi Pirandello

      Stephen Poliakoff

      Franca Rame

      Mark Ravenhill

      Philip Ridley

      Reginald Rose

      Willy Russell

      Jean-Paul Sartre

      Sam Shepard

      Wole Soyinka

      Simon Stephens

      Shelagh Stephenson

      Peter Straughan

      C. P. Taylor

      Theatre Workshop

      Sue Townsend

      Judy Upton

      Timberlake Wertenbaker

      Roy Williams

      Snoo Wilson

      Victoria Wood

      Methuen Drama Student Editions

      Jean Anouilh Antigone • John Arden Serjeant Musgrave’s Dance Alan Ayckbourn Confusions • Aphra Behn The Rover Edward Bond Lear • Bertolt Brecht The Caucasian Chalk Circle Life of Galileo • Mother Courage and her Children The Resistible Rise of Arturo Ui • The Threepenny Opera Anton Chekhov The Cherry Orchard • The Seagull • Three Sisters Uncle Vanya • Caryl Churchill Serious Money • Top Girls Shelagh Delaney A Taste of Honey • Euripides Elektra • Medea Dario Fo Accidental Death of an Anarchist • Michael Frayn Copenhagen John Galsworthy Strife • Nikolai Gogol The Government Inspector Robert Holman Across Oka • Henrik Ibsen A Doll’s House • Ghosts Hedda Gabler • Charlotte Keatley My Mother Said I Never Should Bernard Kops Dreams of Anne Frank • Federico García Lorca Blood Wedding • Doña Rosita the Spinster (bilingual edition) • The House of Bernarda Alba • (bilingual edition) • Yerma (bilingual edition) • David Mamet Glengarry Glen Ross • Oleanna • Patrick Marber Closer • John Marston The Malcontent • Joe Orton Loot • Luigi Pirandello Six Characters in Search of an Author • Mark Ravenhill Shopping and F***ing • Willy Russell Blood Brothers • Educating Rita • Sophocles Antigone • Oedipus the King • Wole Soyinka Death and the King’s Horseman • August Strindberg Miss Julie • J. M. Synge The Playboy of the Western World • Theatre Workshop Oh What a Lovely War Timberlake Wertenbaker Our Country’s Good • Arnold Wesker The Merchant • Oscar Wilde The Importance of Being Earnest • Tennessee Williams A Streetcar Named Desire • The Glass Menagerie

      Methuen Drama Classical Greek Dramatists

      Aeschylus Plays: One

      (Persians, Seven Against Thebes, Suppliants, Prometheus Bound)

      Aeschylus Plays: Two

      (Oresteia: Agamemnon, Libation-Bearers, Eumenides)

      Aristophanes Plays: One

      (Acharnians, Knights, Peace, Lysistrata)

      Aristophanes Plays: Two

      (Wasps, Clouds, Birds, Festival Time, Frogs)

      Aristophanes & Menander: New Comedy

      (Women in Power, Wealth, The Malcontent, The Woman from Samos)

      Euripides Plays: One

      (Medea, The Phoenician Women, Bacchae)

      Euripides Plays: Two

      (Hecuba, The Women of Troy, Iphigeneia at Aulis, Cyclops)

      Euripides Plays: Three

      (Alkestis, Helen, Ion)

      Euripides Plays: Four

      (Elektra, Orestes, Iphigeneia in Tauris)

      Euripides Plays: Five

      (Andromache, Herakles’ Children, Herakles)

      Euripides Plays: Six

      (Hippolytos, Suppliants, Rhesos)

      Sophocles Plays: One

      (Oedipus the King, Oedipus at Colonus, Antigone)

      Sophocles Plays: Two

      (Ajax, Women of Trachis, Electra, Philoctetes)

      * In spite of all the other changes, the ‘races’ in Brecht’s texts and notes towards the play are consistently the ‘Tschuchen’ and ‘Tschichen’, Round Heads and Pointed Heads. Here in the notes we have translated them as Czuchs and Czichs, in the text of the play as Zaks and Ziks.

      Bloomsbury Methuen Drama

      An imprint of Bloomsbury Publishing Plc

      50 Bedford Square

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      WC1B 3DP

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      www.bloomsbury.com

      Bloomsbury is a registered trade mark of Bloomsbury Publishing Plc

      First published in Great Britain in hardback in 2001 by Methuen Publishing Ltd

      by arrangement with Suhrkamp Verlag, Frankfurt am Main

      First published in paperback in 2003

      Copyright in the original plays is as follows:

      Round Heads and Pointed Heads: Original work entitled Die Rundköpfe und die Spitzköpfe

      © Bertolt-Brecht-Erben / Suhrkamp Verlag 1957

      Translation © Bertolt-Brecht-Erben 2001

      Fear and Misery of the Third Reich: Original work entitled Furcht und Elend des Dritten Reiches

      © Bertolt-Brecht-Erben / Suhrkamp Verlag 1957

      Translation © Bertolt-Brecht-Erben 1983

      Señora Carrar’s Rifles: Original work entitled Die Gewehre der Frau Carrar

      © Bertolt-Brecht-Erben/Suhrkamp Verlag 1957

      Translation © Bertolt-Brecht-Erben 1983

      Dansen: Original work entitled Dansen

      © Bertolt-Brecht-Erben / Suhrkamp Verlag 1966

      Translation © Bertolt-Brecht-Erben 1966

      How Much is Your Iron?: Original work entitled Was kostet das Eisen?

      © Bertolt-Brecht-Erben/Suhrkamp Verlag 1966

      Translation © Bertolt-Brecht-Erben 1966

      The Trial of Lucullus: Original work entitled Das Verhör des Lukullus

      © Bertolt-Brecht-Erben / Suhrkamp Verlag 1957

      Translation © Bertolt-Brecht-Erben 2001

      Introduction, notes and editorial apparatus of this work © Tom Kuhn and John Willett 2001

      Tom Kuhn and John Willett have asserted their rights to be identified as authors of

      the introduction, notes and editorial apparatus of this work

      All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or

      mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing

      from the publishers.

      No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in

      this publication can be accepted by Bloomsbury or the author.

      All rights whatsoever in this play are strictly reserved and application for performance etc.

      should be made before rehearsals by professionals to Alan Brodie Representation Ltd (e-mail:info@alanbrodie.com)

      and by amateurs to Samuel French Ltd, 52 Fitzroy Street, London W1P 6JR (e-mail: theatre@samuelfrench-london.co.uk).

      All enquiries concerning the English language rights for professional or amateur stage prod
    uctions or concerning the music for the

      play in the USA should be addressed to Jerold Couture of Fitelson, Lasky, Aslan and Couture, 551 Fifth Avenue, New York, NY 10176.

      No performance may be given unless a licence has been obtained

      No rights in incidental music or songs contained in the work are hereby granted and performance rights for any

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      eISBN-13: 978-1-4725-3853-6

     

     

     



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