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    Bertolt Brecht: Mutter Courage und ihre Kinder 6

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      Dogsborough’s BUTLER

      Bodyguards

      Gunmen

      Vegetable dealers of Chicago and Cicero

      Reporters

      Prologue

      The Announcer steps before the curtain. Large notices are attached to the curtain: ‘New developments in dock subsidy scandal’ … ‘The true facts about Dogsborough’s will and confession’… ‘Sensation at warehouse fire trial’… ‘Friends murder gangster Ernesto Roma’… ‘Ignatius Dullfeet blackmailed and murdered’ … ‘Cicero taken over by gangsters’. Behind the curtain popular dance music.

      THE ANNOUNCER:

      Friends, tonight we’re going to show –

      Pipe down, you boys in the back row!

      And, lady, your hat is in the way! –

      Our great historical gangster play

      Containing, for the first time, as you’ll see

      The truth about the scandalous dock subsidy.

      Further we give you, for your betterment

      Dogsborough’s confession and testament.

      Arturo Ui’s rise while the stock market fell.

      The notorious warehouse fire trial. What a sell!

      The Dullfeet murder! Justice in a coma!

      Gang warfare: the killing of Ernesto Roma!

      All culminating in our stunning last tableau:

      Gangsters take over the town of Cicero!

      Brilliant performers will portray

      The most eminent gangsters of our day.

      You’ll see some dead and some alive

      Some by-gone and others that survive

      Some born, some made – for instance, here we show

      The good old honest Dogsborough!

      Old Dogsborough steps before the curtain.

      His hair is white, his heart is black.

      Corrupt old man, you may step back.

      Dogsborough bows and steps back.

      The next exhibit on our list

      Is Givola –

      Givola has stepped before the curtain.

      – the horticulturist.

      His tongue’s so slippery he’d know how

      To sell you a billy-goat for a cow!

      Short, says the proverb, are the legs of lies.

      Look at his legs, just use your eyes.

      Givola steps back limping.

      Now to Emanuele Giri, the super-clown.

      Come out, let’s look you up and down!

      Giri steps before the curtain and waves his hand at the audience.

      One of the greatest killers ever known!

      Okay, beat it!

      Giri steps back with an angry look.

      And lastly Public Enemy Number One

      Arturo Ui. Now you’ll see

      The biggest gangster of all times

      Whom heaven sent us for our crimes

      Our weakness and stupidity!

      Arturo Ui steps before the curtain and walks out along the footlights.

      Doesn’t he make you think of Richard the Third?

      Has anybody ever heard

      Of blood so ghoulishly and lavishly shed

      Since wars were fought for roses white and red?

      In view of this the management

      Has spared no cost in its intent

      To picture his spectacularly vile

      Manoeuvres in the grandest style.

      But everything you’ll see tonight is true.

      Nothing’s invented, nothing’s new

      Or made to order just for you.

      The gangster play that we present

      Is known to our whole continent.

      While the music swells and the sound of a machine-gun mingles with it, the Announcer retires with an air of bustling self-importance.

      1

      a

      Financial district. Enter five businessmen, the directors of the Cauliflower Trust.

      FLAKE: The times are bad.

      CLARK: It looks as if Chicago

      The dear old girl, while on her way to market

      Had found her pocket torn and now she’s starting

      To scrabble in the gutter for her pennies.

      CARUTHER: Last Thursday Jones invited me and eighty

      More to a partridge dinner to be held

      This Monday. If we really went, we’d find

      No one to greet us but the auctioneer.

      This awful change from glut to destitution

      Has come more quickly than a maiden’s blush.

      Vegetable fleets with produce for this city

      Still ply the lakes, but nowhere will you find

      A buyer.

      BUTCHER: It’s like darkness at high noon.

      MULBERRY: Robber and Clive are being auctioned off.

      CLARK: Wheeler – importing fruit since Noah’s ark –

      Is bankrupt.

      FLAKE: And Dick Havelock’s garages

      Are liquidiating.

      CARUTHER: Where is Sheet?

      FLAKE: Too busy

      To come. He’s dashing round from bank to bank.

      CLARK: What? Sheet?

      Pause.

      In other words, the cauliflower

      Trade in this town is through.

      BUTCHER: Come, gentlemen

      Chin up! We’re not dead yet.

      MULBERRY: Call this a life?

      BUTCHER: Why all the gloom? The produce business in

      This town is basically sound. Good times

      And bad, a city of four million needs

      Fresh vegetables. Don’t worry. We’ll pull through.

      CARUTHER: How are the stores and markets doing?

      MULBERRY: Badly.

      The customers buy half a head of cabbage

      And that on credit.

      CLARK: Our cauliflower’s rotting.

      FLAKE: Say, there’s a fellow waiting in the lobby –

      I only mention it because it’s odd –

      The name is Ui …

      CLARK: The gangster?

      FLAKE: Yes, in person.

      He’s smelled the stink and thinks he sees an opening.

      Ernesto Roma, his lieutenant, says

      They can convince shopkeepers it’s not healthy

      To handle other people’s cauliflower.

      He promises our turnover will double

      Because, he says, the shopkeepers would rather

      Buy cauliflower than coffins.

      They laugh dejectedly.

      CARUTHER: It’s an outrage.

      MULBERRY, laughing uproariously:

      Bombs and machine guns! New conceptions of

      Salesmanship! That’s the ticket. Fresh young

      Blood in the Cauliflower Trust. They heard

      We had insomnia, so Mr Ui

      Hastens to offer us his services.

      Well, fellows, we’ll just have to choose. It’s him

      Or the Salvation Army. Which one’s soup

      Do you prefer?

      CLARK: I tend to think that Ui’s

      Is hotter.

      CARUTHER: Throw him out!

      MULBERRY: Politely though.

      How do we know what straits we’ll come to yet?

      They laugh.

      FLAKE, to Butcher:

      What about Dogsborough and a city loan?

      To the others.

      Butcher and I cooked up a little scheme

      To help us through our pesent money troubles.

      I’ll give it to you in a nutshell. Why

      Shouldn’t the city that takes in our taxes

      Give us a loan, let’s say, for docks that we

      Would undertake to build, so vegetables

      Can be brought in more cheaply? Dogsborough

      Is influential. He could put it through.

      Have you seen Dogsborough?

      BUTCHER: Yes. He refuses

      To touch it.

      FLAKE: He refuses? Damn it, he’s

      The ward boss on the waterfront, and he

      Won’t help us!

      CARUTHER: I’ve contributed for years

      To his campaign fund.


      MULBERRY: Hell, he used to run

      Sheet’s lunchroom. Before he took up politics

      He got his bread and butter from the Trust.

      That’s rank ingratitude. It’s just like I’ve been

      Telling you, Flake. All loyalty is gone!

      Money is short, but loyalty is shorter.

      Cursing, they scurry from the sinking ship

      Friend turns to foe, employee snubs his boss

      And our old lunchroom operator

      Who used to be all smiles is one cold shoulder.

      Morals go overboard in times of crisis.

      CARUTHER: I’d never have expected that of Dogsborough.

      FLAKE: What’s his excuse?

      BUTCHER: He says our proposition

      Is fishy.

      FLAKE: What’s fishy about building docks?

      Think of the men we’d put to work.

      BUTCHER: He says

      He has his doubts about our building docks.

      FLAKE: Outrageous!

      BUTCHER: What? Not building?

      FLAKE: No. His doubts.

      CLARK: Then find somebody else to push the loan.

      MULBERRY: Sure, there are other people.

      BUTCHER: True enough.

      But none like Dogsborough. No, take it easy.

      The man is good.

      CLARK: For what?

      BUTCHER: He’s honest. And

      What’s more, reputed to be honest.

      FLAKE: Rot!

      BUTCHER: He’s got to think about his reputation.

      That’s obvious.

      FLAKE: Who gives a damn? We need

      A loan from City Hall. His reputation

      Is his affair.

      BUTCHER: You think so? I should say

      It’s ours. It takes an honest man to swing

      A loan like this, a man they’d be ashamed

      To ask for proofs and guarantees. And such

      A man is Dogsborough. Old Dogsborough’s

      Our loan. All right, I’ll tell you why. Because they

      Believe in him. They may have stopped believing

      In God, but not in Dogsborough. A hard-boiled

      Broker, who takes a lawyer with him to

      His lawyer’s, wouldn’t hesitate to put his

      Last cent in Dogsborough’s apron for safe keeping

      If he should see it lying on the bar.

      Two hundred pounds of honesty. In eighty

      Winters he’s shown no weakness. Such a man

      Is worth his weight in gold – especially

      To people with a scheme for building docks

      And building kind of slowly.

      FLAKE: Okay, Butcher

      He’s worth his weight in gold. The deal he vouches

      For is tied up. The only trouble is:

      He doesn’t vouch for ours.

      CLARK: Oh no, not he!

      ‘The city treasury is not a grab bag!’

      MULBERRY: And ‘All for the city, the city for itself!’

      CARUTHER: Disgusting. Not an ounce of humour.

      MULBERRY: Once

      His mind’s made up, an earthquake wouldn’t change it.

      To him the city’s not a place of wood

      And stone, where people live with people

      Struggling to feed themselves and pay the rent

      But words on paper, something from the Bible.

      The man has always gotten on my nerves.

      CLARK: His heart was never with us. What does he care

      For cauliflower and the trucking business?

      Let every vegetable in the city rot

      You think he’d lift a finger? No, for nineteen years

      Or is it twenty, we’ve contributed

      To his campaign fund. Well, in all that time

      The only cauliflower he’s ever seen

      Was on his plate. What’s more, he’s never once

      Set foot in a garage.

      BUTCHER: That’s right.

      CLARK: The devil

      Take him!

      BUTCHER: Oh no! We’ll take him.

      FLAKE: But Clark says

      It can’t be done. The man has turned us down.

      BUTCHER: That’s so. But Clark has also told us why.

      CLARK: The bastard doesn’t know which way is up.

      BUTCHER: Exactly. What’s his trouble? Ignorance.

      He hasn’t got the faintest notion what

      It’s like to be in such a fix. The question

      Is therefore how to put him in our skin.

      In short, we’ve got to educate the man.

      I’ve thought it over. Listen, here’s my plan.

      A sign appears, recalling certain incidents in the recent past.*

      b

      Outside the produce exchange. Flake and Sheet in conversation.

      SHEET: I’ve run from pillar to post. Pillar was out

      Of town, and Post was sitting in the bathtub.

      Old friends show nothing but their backs. A brother

      Buys wilted shoes before he meets his brother

      For fear his brother will touch him for a loan.

      Old partners dread each other so they use

      False names when meeting in a public place.

      Our citizens are sewing up their pockets.

      FLAKE: So what about my proposition?

      SHEET: No. I

      Won’t sell. You want a five-course dinner for the

      Price of the tip. And to be thanked for the tip

      At that. You wouldn’t like it if

      I told you what I think of you.

      FLAKE: Nobody

      Will pay you any more.

      SHEET: And friends won’t be

      More generous than anybody else.

      FLAKE: Money is tight these days.

      SHEET: Especially

      For those in need. And who can diagnose

      A friend’s need better than a friend?

      FLAKE: You’ll lose

      Your shipyard either way.

      SHEET: And that’s not all

      I’ll lose. I’ve got a wife who’s likely to

      Walk out on me.

      FLAKE: But if you sell …

      SHEET: … she’ll last another year. But what I’m curious

      About is why you want my shipyard.

      FLAKE: Hasn’t

      It crossed your mind that we – I mean the Trust –

      Might want to help you?

      SHEET: No, it never crossed

      My mind. How stupid of me to suspect you

      Of trying to grab my property, when you

      Were only trying to help.

      FLAKE: Such bitterness

      Dear Sheet, won’t save you from the hammer.

      SHEET: At least, dear Flake, it doesn’t help the hammer.

      Three men saunter past: Arturo Ui, the gangster, his lieutenant Ernesto Roma, and a bodyguard. In passing, Ui stares at Flake as though expecting to be spoken to, while, in leaving, Roma turns his head and gives Flake an angry look.

      SHEET: Who’s that?

      FLAKE: Arturo Ui, the gangster … How

      About it? Are you selling?

      SHEET: He seemed eager

      To speak to you.

      FLAKE, laughing angrily: And so he is. He’s been

      Pursuing us with offers, wants to sell

      Our cauliflower with his tommy guns.

      The town is full of types like that right now

      Corroding it like leprosy, devouring

      A finger, then an arm and shoulder. No one

      Knows where it comes from, but we all suspect

      From deepest hell. Kidnapping, murder, threats

      Extortion, blackmail, massacre:

      ‘Hands up!’ ‘Your money or your life!’ Outrageous!

      It’s got to be wiped out.

      SHEET, looking at him sharply: And quickly. It’s contagious.

      FLAKE: Well, how about it? Are you selling?

      SHEET, stepping back and looking at him:

      No doubt about it: a resemblance to


      Those three who just passed by. Not too pronounced

      But somehow there, one senses more than sees it.

      Under the water of a pond sometimes

      You see a branch, all green and slimy. It

      Could be a snake. But no, it’s definitely

      A branch. Or is it? That’s how you resemble

      Roma. Don’t take offence. But when I looked

      At him just now and then at you, it seemed

      To me I’d noticed it before, in you

      And others, without understanding. Say it

      Again, Flake: ‘How about it? Are you selling?’

      Even your voice, I think … No, better say

      ‘Hands up!’ because that’s what you really mean.

      He puts up his hands.

      All right, Flake, Take the shipyard!

      Give me a kick or two in payment. Hold it!

      I’ll take the higher offer. Make it two.

      FLAKE: You’re crazy!

      SHEET: I only wish that that were true.

      2

      Back room in Dogsborough’s restaurant. Dogsborough and his son are washing glasses. Enter Butcher and Flake.

      DOGSBOROUGH: You didn’t need to come. The answer is

      No. Your proposition stinks of rotten fish.

      YOUNG DOGSBOROUGH: My father turns it down.

      BUTCHER: Forget it, then.

      We ask you. You say no. So no it is.

      DOGSBOROUGH: It’s fishy. I know your kind of docks.

      I wouldn’t touch it.

      YOUNG DOGSBOROUGH: My father wouldn’t touch it.

      BUTCHER: Good.

      Forget it.

      DOGSBOROUGH: You’re on the wrong road, fellows.

      The city treasury is not a grab bag

      For everyone to dip his fingers into.

      Anyway, damn it all, your business is

      Perfectly sound.

      BUTCHER: What did I tell you, Flake?

      You fellows are too pessimistic.

      DOGSBOROUGH: Pessimism

      Is treason. You’re only making trouble for

      Yourselves. I see it this way: What do you

      Fellows sell? Cauliflower. That’s as good

      As meat and bread. Man doesn’t live by bread

      And meat alone, he needs his green goods.

      Suppose I served up sirloin without onions

      Or mutton without beans. I’d never see

      My customers again. Some people are

      A little short right now. They hesitate

      To buy a suit. But people have to eat.

      They’ll always have a dime for vegetables.

      Chin up! If I were you, I wouldn’t worry.

      FLAKE: It does me good to hear you, Dogsborough.

      It gives a fellow courage to go on.

      BUTCHER: Dogsborough, it almost makes me laugh to find

      You so staunchly confident about the future

     


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