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    The Barefoot Surgeon

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      them make- believe stories.

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      Every evening when he came home from work, Ruit would

      scoop them up, give them both a big hug, pat Serabla on the

      head, then sit down with them, and ask them about their day.

      After dinner, they would watch television, or play Carrom

      Board, a billiard- style board game played throughout Asia.

      Returning from an eye camp or a conference abroad, Ruit’s

      smile would be even wider. ‘He would be like a big glowing

      mountain when he walked back in after being away for a

      week or so,’ Serabla recalls.

      Nanda would cook his favourite curry or roast dinner

      and the children would follow him around the apartment,

      peppering him with questions about the trip. What had he

      eaten? What were the people like? Where had he stayed?

      He’d always bring them back gifts—cars and train sets for

      Sagar, and dolls and soft toys for Serabla, and, later, Satenla.

      For many years, while they were living in such cramped

      confines, the young family would treat themselves to a

      weekend at Hattiban, a picturesque mountain resort about

      an hour out of Kathmandu. Ruit and Nanda would sit on the

      lawn under the trees, enjoying curries for lunch, taking in

      the view of the Himalayas, and watching the children play on

      the swings and slides. They all loved the sunshine and space.

      Saturday afternoon was the one afternoon of the week

      when Ruit did not work. It was completely quarantined for

      his family. Work colleagues might be invited to their flat,

      but it would always be a noisy family affair, with everyone’s children invited. They’d scream with laughter chasing each

      other, playing hide and seek and tag.

      Ruit would often bring the children to Pullahari monas-

      tery when he worked there, too. They would play with the

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      young 4th Jamgon Kongtrul, the reincarnation of Ruit’s guru,

      the 3rd Jamgon Kongtrul. It was a treat to run wild and free

      in the garden of tropical flowers, perched high on a ridge

      above Kathmandu.

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      10

      Second chances

      What many people don’t realise is how cripplingly lonely life for a blind person can be in a country as poor as Nepal. Like everyone else, the blind yearn to be useful, for people to talk to them, to be part of the ebb and flow of village life. It’s usually easy to find the blind when you arrive at a village.

      They are the ones who are hunched over, their faces etched

      with worry, staring vacantly at the ground or the floor in

      front of them. It doesn’t take long for depression or mental

      illness to set in, especially those who are left alone for many hours of the day.

      Just ask Kamisar Tamang, a woman Ruit met at one of his

      eye camps. Accompanying the surgeon on the trip was Aus-

      tralian journalist Catherine Marciniak whose documentary

      A Himalayan Vision, 1991, captured the grim psychological effects of being trapped in darkness for years.

      More than two decades later, Marciniak still recalls how

      shocked she was when she interviewed Tamang outside her

      small stone hut in the mountain village of Trishuli.

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      ‘There is often this romantic vision of the blind being looked after by their extended family. Tamang’s family had given her enough food to survive, but the harsh reality of subsistence

      farming is that every member of the family needed to pull

      their weight. Tamang was incredibly lonely and depressed.

      She had been blind for years, and lived in an isolated little hut high above the village, and had pretty much been abandoned

      by her family and friends. No one visited her. Life went on in the village without her.’

      As Tamang sat forlornly on her doorstep in her patched

      clothes and bare feet, she admitted to the filmmaker that she wanted to die. At first, she explained, when her husband left for Kathmandu to work for months at a time, one of her

      sisters- in- law would visit her every day. But, gradually, the visits grew more and more scarce. No-one visited her.

      ‘She used to be nice to me, but now that I’m blind, she tells me how useless I am,’ Tamang said, her face cast downward

      as the camera rolled. The documentary shows Tamang’s utter

      helplessness and dependency on others; her life had literally shrunk to the four walls of her small house, and she was

      unable to work and take part in village life. She grieved for her old life. Her independence. Her old self.

      ‘For eight months, I haven’t been able to move anywhere.

      I’ve had to stay around the house. I’m blind and I can’t do

      anything. I haven’t got any money, and I haven’t got anyone

      to do things for me. One day I was very hungry and thirsty,

      I tried to get something but I couldn’t walk around. So, I just sat and cried. I cried all day.’

      At night, Tamang dreamed of being able to see again.

      She dreamed she was free to enjoy all the things she used

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      to when she could see clearly. She dreamed she was walking

      on the slopes of the mountain in the sunshine, and standing

      among the trees she loved. Each time she woke, the reality

      that she could not see the world anymore was a crushing

      disappointment.

      Like many people who live in remote areas of Nepal,

      Tamang’s suffering was compounded by the belief that her

      blindness was a curse, a karmic retribution for something she’d done wrong in the past.

      ‘Why is this happening to me?’ she said. ‘I haven’t done

      anything bad in my life. I haven’t been greedy. Now I just feel like crying. The local spiritual leader had told me that some bad people in the village had put a curse on me. They told me to kill a chicken, so last year I gave him 21 chickens and also some goats.’

      Tamang’s life was finally lifted out of the darkness after

      she was brought into a field surgery Ruit’s team had set up on the dirt floor of the nearby village schoolhouse. The surgeon examined her eyes, which had been ruined by cataracts, and

      told her husband that if he could bring her to the Nepal Eye

      Hospital in Kathmandu, his wife would be able to see quite

      well again. Tamang was terrified. Rumours still circulated

      in rural villages that eye doctors sometimes removed their

      patient’s entire eyeball, but something about Ruit must have

      convinced her otherwise.

      Kamisar Tamang was a proud, determined person, and she

      wanted her life back. She was sturdy. And independent. She

      took a deep breath and started planning her trip to Kath-

      mandu with her husband. ‘I just want to get my eyes fixed.

      When I come back I want to farm my land,’ she said.

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      Marciniak, like the rest of the film crew, was moved by the

      sight of Ruit restoring sight to as many people as he could each day at the camp. In her diary, she wrote: ‘Like a scene from an epic biblical movie, over a thousand people came down from

      the surrounding mountains, the blind led or carried by family and friends, expecting miracles. And, the miracle of modern

      medicine is what Dr Ruit and his team delivered, over and

      over again.’

      Meanwhile, Tamang’s journey into the light was about

      to begin. Her husband gently strapped her bird- like frame

      into a large basket on his back, and took her to Kathmandu.

      After tying his wife in tightly with rope, he clambered down

      the rocky mountain paths for about 50 kilometres to the bus

      station and then caught the bus into the big city. Tamang was so nervous when she arrived at the Nepal Eye Hospital that

      she vomited in the courtyard. Ruit immediately calmed her

      down by telling her she would not feel any pain, and that he

      was going to give her ‘in- built spectacles’—a layman’s term

      for intraocular lenses.

      As usual, Ruit listened to romantic Nepalese and Indian

      music in the background as he worked. (At first, he would

      listen via a small radio, then later through his iPod). One

      of his favourites was the Nepalese singer Narayan Gopal.

      ‘I always operate to music. Always. It soothes me. And it

      creates a nice atmosphere in the theatre.’

      And, as always, he was barefoot, allowing him complete

      control of the pedal under the table that pulls focus on his

      microscope. ‘Barefoot is always so much better. You have such a better feel. It’s much more tactile.’ He operates barefoot no matter where he goes, even at medical conferences, and when

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      abroad. ‘At first people used to raise their eyebrows, but now they know it is my way and no-one questions it,’ he says.

      By this stage, Ruit had built up his stamina to the point

      where he could sit at his surgeon’s table, doing one operation after the other, without a break, stopping neither for a drink nor a snack or even to go to the bathroom, for more than

      seven hours a day.

      Turning up to the operating theatre day after day and

      tackling an enormous case load had not only refined his

      technique—fine- tuning ‘the system’, as he called it—but it

      had built his endurance.

      What is he thinking about when he’s operating? ‘Mainly

      I’m doing a form of meditation, where I clear my mind and

      give the person lying in front of me my all. I give my total

      concentration to the patient before me. All I’m thinking about is how much I want their life to benefit from the time I spend working on them. Everything else just falls away. I can’t think of anywhere else I’d like to be when I’m working, because I

      have built up a great team and a great system that makes me

      look forward to work. Going to work remains a joy, and then

      a great family means I look forward to going back home.

      ‘Most of the time I get into a rhythm, and I feel comfort-

      able and calm. There are not many things that distract me.

      Once in a while, if I’ve got a very serious pressing personal problem—for instance, if someone in my family is going

      through difficulties—a thought might enter my head.’ So,

      what does he do when that happens? His mental toughness

      kicks in. ‘I close my eyes and don’t think about it. I don’t go there until I’ve finished my work for the day. There are no

      distractions.’

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      During operations like the one he did on Tamang, he says,

      he is ‘looking at much more than the vision of one eye. It’s

      more of a lifesaving procedure. The magnitude of what I’m

      doing makes me extra careful. Every operation is an enormous

      opportunity to change a person’s life.’

      Ruit talked to Tamang as he operated on her. ‘I like to talk

      to my patients as I go. I tell them that everything is fine. That they don’t need to worry. There’s going to be no pain and it’s going to turn out very well. I think of how I would like to be treated if it was me lying on the table. I know I would not

      like to hear a lot of people making a lot of noise in the background. So, I ask my staff around me to keep the discussions

      to a minimum. Then I usually give the patients a little touch on the head and after I’ve finished the operation I tell them I’ve finished and that everything went well. I think partly it’s because I was a patient myself as a boy. I remember how

      frightened and alone I felt. Sometimes, when I’m doing big

      numbers, it’s not absolutely possible to talk for very long, but I do always try.’

      The next day, Ruit gently unwound Tamang’s bandages

      and began to show her the world again. She simply could

      not contain her joy when Ruit brought her husband to her

      and said, ‘Do you know who this is?’ She opened her eyes

      slowly, and held onto Ruit’s elbow as if to steady herself. Her husband tenderly brushed her hair off her face and said, ‘Can you see me?’ Her smile lit up the room. As her line of sight

      expanded, Ruit pointed outside to the banana trees. ‘Can you

      see out the window?’ he asked her. ‘What kind of trees are

      they? Can you see the other side of the village?’

      Ruit’s grin was as wide as Tamang’s. He started giggling

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      along with her as she realised the enormity of what had just

      happened.

      ‘One of the great things I have earned over a period of time

      is the faith of my patients. It is my biggest treasure, besides my family. A beggar on the street, or a farmer from the mountains, won’t come to sacrifice an eye just like that for surgery without asking around about me. They would check me out

      through word of mouth. All I know is that so many people

      have unparalleled faith in me. I really think this is a treasure that I’m going to keep for a long time until I die. It’s this faith that comes even from beggars that motivates me. Faith is very important.’

      Tamang started laughing with the nurses, especially when

      Ruit told her she could throw away her walking stick. One

      of the first things she wanted to do once her eyes had begun

      adjusting to the light was to go shopping. She browsed through the nearby market the next day, gazing at the richly hued

      scarves and shawls on display. She chose a green cardigan and began her journey back to her village, this time unaided, with her husband by her side.

      Sadly, it was not to be the homecoming she’d fanta-

      sised about. Tamang had been completely excluded from

      her village’s activities for years and had lost contact with

      neighbours, and it showed in the lack of response when she

      returned. She talked bitterly about the way she’d been treated by them when she was blind, and declared she wanted to

      return to Kathmandu.

      ‘Because that’s where people have been kind to me,’ she

      said. ‘My parents weren’t as kind as the Nepali doctor who

      made my eyes [work]. I pray to the gods to watch over him.’

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      The Wild West

      Ruit and his team tried to be as discreet as they could, but

      word soon spread about the miraculous results he was achiev-

      ing at his cataract camps. In Nepal, they started calling Ruit

      ‘The mad doctor curing blind people in the mountains’. The

      camps, they said, were ‘The Wild West of eye surgery’. In

      the West, some eye doctors scathingly dubbed Ruit’s practice

      as ‘litigation- free surgery’, implying that he was using the Nepalese people to experiment on for his new technique.

      Ruit and his team were, by definition, true outlaws,

      performing advanced surgery without any form of regulation

      or a clinical trial. But by 1990, a groundswell of support for Ruit’s work had begun to strengthen and grow. The eminent

      American surgeon Alan Robin, an associate professor at John

      Hopkins University in Baltimore, who had been donating

      corneas and intraocular lenses to Ruit for years, began docu-

      menting the remarkable results of his field work.

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      Medical Association, published an article by Professor

      Robin showing that the long- term results of lens implan-

      tation in rural Nepal were just as good as those in Western

      hospitals. The article put Ruit on the map—and it created

      a furore.

      ‘What I wrote,’ recalls Robin, ‘was that Ruit was achieving

      the same sort of results in remote camps with the most basic

      equipment as patients could expect to receive at Harvard or

      John Hopkins Hospital in the US.’ He still has some of the

      letters fired off to the editor saying that what he’d written was total rubbish, and that Ruit must be fabricating the

      data. A lot of people simply could not accept that a Nepalese surgeon with minimal resources was achieving such extraordinary results in one of the poorest countries in the world.

      Professor Robin wasn’t the only American expert to begin

      championing Ruit’s work. In 1995, another well-

     


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