Doubts and intentions come to light.
If I want to
(and you can’t be too sure
that I will),
I’ll peer down the throat of your silence,
I’ll read your views
from the sockets of your eyes,
I’ll remind you in infinite detail
of what you expected from life besides death.
Show me your nothing
that you’ve left behind
and I’ll build from it a forest and a highway,
an airport, baseness, tenderness,
a missing home.
Show me your little poem
and I’ll tell you why it wasn’t written
any earlier or later than it was.
Oh no, you’ve got me wrong.
Keep your funny piece of paper
with its scribbles.
All I need for my ends
is your layer of dirt
and the long-gone
smell of burning.
View with a Grain of Sand
We call it a grain of sand,
but it calls itself neither grain nor sand.
It does just fine without a name,
whether general, particular,
permanent, passing,
incorrect, or apt.
Our glance, our touch mean nothing to it.
It doesn’t feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it, it is no different from falling on anything else
with no assurance that it has finished falling
or that it is falling still.
The window has a wonderful view of a lake,
but the view doesn’t view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.
The lake’s floor exists floorlessly,
and its shore exists shorelessly.
Its water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural.
They splash deaf to their own noise
on pebbles neither large nor small.
And all this beneath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud.
The wind ruffles it, its only reason being
that it blows.
A second passes.
A second second.
A third.
But they’re three seconds only for us.
Time has passed like a courier with urgent news.
But that’s just our simile.
The character is invented, his haste is make-believe,
his news inhuman.
Clothes
You take off, we take off, they take off
coats, jackets, blouses, double-breasted suits,
made of wool, cotton, cotton-polyester,
skirts, shirts, underwear, slacks, slips, socks,
putting, hanging, tossing them across
the backs of chairs, the wings of metal screens;
for now, the doctor says, it’s not too bad,
you may get dressed, get rested up, get out of town,
show up in a couple of months, next spring, next year;
you see, and you thought, and we were afraid that,
and he imagined, and you all believed;
it’s time to tie, to fasten with shaking hands
shoelaces, buckles, velcro, zippers, snaps,
belts, buttons, cuff links, collars, neckties, clasps
and to pull out of handbags, pockets, sleeves
a crumpled, dotted, flowered, checkered scarf
whose usefulness has suddenly been prolonged.
On Death, Without Exaggeration
It can’t take a joke,
find a star, make a bridge.
It knows nothing about weaving, mining, farming,
building ships, or baking cakes.
In our planning for tomorrow,
it has the final word,
which is always beside the point.
It can’t even get the things done
that are part of its trade:
dig a grave,
make a coffin,
clean up after itself.
Preoccupied with killing,
it does the job awkwardly,
without system or skill.
As though each of us were its first kill.
Oh, it has its triumphs,
but look at its countless defeats,
missed blows,
and repeat attempts!
Sometimes it isn’t strong enough
to swat a fly from the air.
Many are the caterpillars
that have outcrawled it.
All those bulbs, pods,
tentacles, fins, tracheae,
nuptial plumage, and winter fur
show that it has fallen behind
with its halfhearted work.
Ill will won’t help
and even our lending a hand with wars and coups d’état
is so far not enough.
Hearts beat inside eggs.
Babies’ skeletons grow.
Seeds, hard at work, sprout their first tiny pair of leaves
and sometimes even tall trees far away.
Whoever claims that it’s omnipotent
is himself living proof
that it’s not.
There’s no life
that couldn’t be immortal
if only for a moment.
Death
always arrives by that very moment too late.
In vain it tugs at the knob
of the invisible door.
As far as you’ve come
can’t be undone.
The Great Man’s House
The marble tells us in golden syllables:
Here the great man lived, and worked, and died.
Here are the garden paths where he personally scattered the gravel.
Here’s the bench—don’t touch—he hewed the stone himself.
And here—watch the steps—we enter the house.
He managed to come into the world at what was still a fitting time.
All that was to pass passed in this house.
Not in housing projects,
not in furnished but empty quarters,
among unknown neighbors,
on fifteenth floors
In this room he thought,
in this alcove he slept,
and here he entertained his guests.
Portraits, armchair, desk, pipe, globe,
flute, well-worn carpet, glassed-in porch.
Here he exchanged bows with the tailor and shoemaker
who made his coats and boots to order.
It’s not the same as photographs in boxes,
dried-out ballpoint pens in plastic cups,
store-bought clothes in store-bought closets,
a window that looks out on clouds, not passersby.
Was he happy? Sad?
That’s not the point.
He still made confessions in letters
without thinking they’d be opened en route.
He still kept a careful, candid diary
knowing it wouldn’t be seized in a search.
The thing that most frightened him was a comet’s flight.
The world’s doom lay then in God’s hands alone.
He was lucky enough to die not in a hospital,
not behind some white, anonymous screen.
There was still someone there at his bedside to memorize
his mumbled words.
As if he had been given
a reusable life:
he sent out books to be bo
und,
he didn’t strike the names of the dead from his ledgers.
And the trees that he planted in the garden by his house
still grew for him as juglans regia,
and quercus rubra, and ulmus, and larix,
and fraxinus excelsior.
In Broad Daylight
He would
vacation in a mountain boardinghouse, he would
come down for lunch, from his
table by the window he would
scan the four spruces, branch to branch,
without shaking off the freshly fallen snow.
Goateed, balding,
gray-haired, in glasses,
with coarsened, weary features,
with a wart on his cheek and a furrowed forehead,
as if clay had covered up the angelic marble—he wouldn’t
know himself when it all happened.
The price, after all, for not having died already
goes up not in leaps but step by step, and he would
pay that price, too.
About his ear, just grazed by the bullet
when he ducked at the last minute, he would
say: “I was damned lucky.”
While waiting to be served his noodle soup, he would
read a paper with the current date,
giant headlines, the tiny print of ads,
or drum his fingers on the white tablecloth, and his hands would
have been used a long time now,
with their chapped skin and swollen veins.
Sometimes someone would
yell from the doorway: “Mr. Baczyński,* phone call for you”—
and there’d be nothing strange about that
being him, about him standing up, straightening his sweater,
and slowly moving toward the door.
At this sight no one would
stop talking, no one would
freeze in midgesture, midbreath,
because this commonplace event would
be treated—such a pity—
as a commonplace event.
Our Ancestors’ Short Lives
Few of them made it to thirty.
Old age was the privilege of rocks and trees.
Childhood ended as fast as wolf cubs grow.
One had to hurry, to get on with life
before the sun went down,
before the first snow.
Thirteen-year-olds bearing children,
four-year-olds stalking birds’ nests in the rushes,
leading the hunt at twenty—
they aren’t yet, then they are gone.
Infinity’s ends fused quickly.
Witches chewed charms
with all the teeth of youth intact.
A son grew to manhood beneath his father’s eye.
Beneath the grandfather’s blank sockets the grandson was born.
And anyway they didn’t count the years.
They counted nets, pods, sheds, and axes.
Time, so generous toward any petty star in the sky,
offered them a nearly empty hand
and quickly took it back, as if the effort were too much.
One step more, two steps more
along the glittering river
that sprang from darkness and vanished into darkness.
There wasn’t a moment to lose,
no deferred questions, no belated revelations,
just those experienced in time.
Wisdom couldn’t wait for gray hair.
It had to see clearly before it saw the light
and to hear every voice before it sounded.
Good and evil—
they knew little of them, but knew all:
when evil triumphs, good goes into hiding;
when good is manifest, then evil lies low.
Neither can be conquered
or cast off beyond return.
Hence, if joy, then with a touch of fear;
if despair, then not without some quiet hope.
Life, however long, will always be short.
Too short for anything to be added.
Hitler’s First Photograph
And who’s this little fellow in his itty-bitty robe?
That’s tiny baby Adolf, the Hitlers’ little boy!
Will he grow up to be an LLD?
Or a tenor in Vienna’s Opera House?
Whose teensy hand is this, whose little ear and eye and nose?
Whose tummy full of milk, we just don’t know:
printer’s, doctor’s, merchant’s, priest’s?
Where will those tootsy-wootsies finally wander?
To a garden, to a school, to an office, to a bride?
Maybe to the Bürgermeister’s daughter?
Precious little angel, mommy’s sunshine, honey bun.
While he was being born, a year ago,
there was no dearth of signs on the earth and in the sky:
spring sun, geraniums in windows,
the organ grinder’s music in the yard,
a lucky fortune wrapped in rosy paper.
Then just before the labor his mother’s fateful dream.
A dove seen in a dream means joyful news—
if it is caught, a long-awaited guest will come.
Knock knock, who’s there, it’s Adolf’s heartchen knocking.
A little pacifier, diaper, rattle, bib,
our bouncing boy, thank God and knock on wood, is well,
looks just like his folks, like a kitten in a basket,
like the tots in every other family album.
Sh-h-h, let’s not start crying, sugar.
The camera will click from under that black hood.
The Klinger Atelier, Grabenstrasse, Braunau.
And Braunau is a small but worthy town—
honest businesses, obliging neighbors,
smell of yeast dough, of gray soap.
No one hears howling dogs, or fate’s footsteps.