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    Henry IV, Part 2

    Page 23
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      REFERENCES

      1. Scott McMillin, Shakespeare in Performance: Henry IV, Part One (1991), p. 1.

      2. A reference to The Second Part of Henry the Fourth or Henry V in Nicholas Breton’s A Post with a Packet of Mad Letters (Part I, 1603).

      3. James Wright, Historia Historionica (1699).

      4. Colley Cibber, An Apology for the Life of Mr Colley Cibber (1740), p. 87.

      5. Thomas Davies, Dramatic Miscellanies (1784, repr. 1971), pp. 124–8.

      6. Davies, Dramatic Miscellanies, pp. 127–8.

      7. Davies, Dramatic Miscellanies, pp. 136–41.

      8. Davies, Dramatic Miscellanies, p. 153.

      9. Laurence Selenick, The Changing Room: Sex, Drag and Theatre (2000), p. 270.

      10. William Hazlitt, Examiner, 13 October 1816.

      11. The Athenaeum, No. 902, 8 February 1845, p. 158.

      12. Harold Child, “The Stage-History of King Henry IV,” in The First Part of the History of Henry IV, ed. J. Dover Wilson (1946), pp. xxix–xlvi.

      13. Theatrical Journal, Vol. 7, No. 346, 1 August 1846, pp. 243–4.

      14. Henry Morley, diary entry for 14 May 1864 in The Journal of a London Playgoer from 1851 to 1866 (1866), pp. 330–9.

      15. Morley diary entry for 1 October 1864, pp. 344–5.

      16. William Archer, The Theatrical “World” of 1896 (1897, repr. 1971), pp. 141–50.

      17. The Athenaeum, No. 3577, 16 May 1896, p. 659.

      18. G. B. Shaw, The Saturday Review, London, Vol. 81, No. 2116, 16 May 1896, pp. 500–2.

      19. William Butler Yeats, “At Stratford-upon-Avon” (1901), in his Essays and Introductions (1961), p. 97.

      20. Herbert Farjeon, “King Henry the Fourth—Part I: Mr Robey’s Falstaff,” in his The Shakespearean Scene: Dramatic Criticisms (1949), p. 92.

      21. Child, “The Stage-History of King Henry IV,” pp. xxix–xlvi.

      22. Stephen Potter, New Statesman and Nation, 6 October 1945, p. 227.

      23. Audrey Williamson, “The New Triumvirate (1944–47),” in her Old Vic Drama: A Twelve Years’ Study of Plays and Players (1948), pp. 172–212.

      24. Anthony Quayle, in a foreword to Shakespeare’s Histories at Stratford, 1951 by J. Dover Wilson and T. C. Worsley (1970).

      25. T. C. Worsley, New Statesman and Nation, 3 November 1951, pp. 489–90.

      26. T. C. Worsley, Shakespeare’s Histories at Stratford, 1951 (1970), p. 31.

      27. Worsley, New Statesman and Nation, 3 November 1951, pp. 489–90.

      28. T. C. Worsley, New Statesman and Nation, 7 May 1955, p. 646.

      29. Eric Keown, Punch, 11 May 1955, pp. 593–4.

      30. Michael Bogdanov and Michael Pennington, The English Shakespeare Company: The Story of the Wars of the Roses, 1986–1989 (1990), pp. 28–9, quoted in Barbara Hodgdon, Shakespeare in Performance: Henry IV, Part Two (1993), pp. 124–5.

      31. Donald Malcolm, New Yorker, 30 April 1960, pp. 86–9.

      32. Ben Brantley, New York Times Current Events Edition, 23 December 1993.

      33. Ben Brantley, New York Times, 21 November 2003.

      34. Paul Taylor, Independent, 6 May 2005.

      35. Taylor, Independent, 6 May 2005.

      36. Taylor, Independent, 6 May 2005.

      37. McMillin, Shakespeare in Performance, p. 88.

      38. McMillin, Shakespeare in Performance, p. 95.

      39. McMillin, Shakespeare in Performance, p. 100.

      40. David Troughton, “Bolingbroke in Richard II, and Henry IV,” in Robert Smallwood, ed., Players of Shakespeare 6 (2004).

      41. Michael Billington, Country Life, 6 June 1991.

      42. Janet Clare, “Henry IV Parts 1 & 2,” in Keith Parsons and Pamela Mason, eds., Shakespeare in Performance (1995), p. 72.

      43. Robert Speight, Shakespeare Quarterly, 15, 4 (1964).

      44. London Times, 17 April 1964.

      45. David E. Jones, Drama Survey, 4, 1 (Spring 1965).

      46. Ronald Bryden, New Statesman, 24 April 1964.

      47. Irving Wardle, London Times, 25 June 1975.

      48. John Elsom, Listener, 3 June 1975.

      49. Paul Taylor, Independent, 4 June 1991.

      50. Taylor, Independent, 4 June 1991.

      51. Allen Tate (1899–1979, American poet and critic), “Non Omnis Moriar.”

      52. John Peter, London Sunday Times, 2 June 1991.

      53. Harold Hobson, London Sunday Times, 29 June 1975.

      54. London Times, 17 April 1964.

      55. Desmond Barrit, “Falstaff,” in Smallwood, Players of Shakespeare 6.

      56. Country Life, 6 June 1991.

      57. London Sunday Times, 2 June 1991.

      58. Charles Spencer, Daily Telegraph, 3 June 1991.

      59. Elsom, Listener, 3 June 1975.

      60. Hobson, Sunday Times, 29 June 1975.

      61. Wardle, London Times, 25 June 1975.

      62. Hamlet, Act 1 Scene 2.

      63. John Elsom, Listener, 3 July 1975.

      64. Troughton, “Bolingbroke in Richard II, and Henry IV.”

      65. Peter Thomson, Shakespeare Survey, 29 (1976).

      66. Clare, “Henry IV Parts 1 & 2,” p. 74.

      67. Taylor, Independent, 4 June 1991.

      68. Emrys James, Theatre Quarterly, Vol. 7, No. 27 (Autumn 1977).

      69. Peter, Sunday Times, 2 June 1991.

      70. Troughton, “Bolingbroke in Richard II, and Henry IV.”

      71. Benedict Nightingale, New Statesman, 6 February 1976.

      72. Roger Warren, Shakespeare Quarterly, 34, 1 (Spring 1983).

      73. Robert Smallwood, Critical Quarterly, 25, 1 (Spring 1983).

      74. Barrit, “Falstaff.”

      75. Kate Bassett, Daily Telegraph, 3 July 2000.

      76. London Times, 4 July 2000.

      77. Nightingale, New Statesman, 6 February 1976.

      78. Elsom, Listener, 3 July 1975.

      79. Clare, “Henry IV Parts 1 & 2,” p. 78.

      80. Elsom, Listener, 3 July 1975.

      ACKNOWLEDGMENTS AND

      PICTURE CREDITS

      Preparation of “Henry IVin Performance” was assisted by a generous grant from the CAPITAL Centre (Creativity and Performance in Teaching and Learning) of the University of Warwick for research in the RSC archive at the Shakespeare Birthplace Trust. The Arts and Humanities Research Council (AHRC) funded a term’s research leave that enabled Jonathan Bate to work on “The Director’s Cut.”

      Picture research by Michelle Morton. Grateful acknowledgment is made to the Shakespeare Birthplace Trust for assistance with picture research (special thanks to Helen Hargest) and reproduction fees.

      Images of RSC productions are supplied by the Shakespeare Centre Library and Archive, Stratford-upon-Avon. This Library, maintained by the Shakespeare Birthplace Trust, holds the most important collection of Shakespeare material in the UK, including the Royal Shakespeare Company’s official archive. It is open to the public free of charge.

      For more information see www.shakespeare.org.uk.

      Herbert Beerbohm Tree (1896) Reproduced by permission of the Shakespeare Birthplace Trust

      Ralph Richardson and Laurence Olivier (1945) John Vickers courtesy of the University of Bristol Theatre Collection

      Directed by John Kidd and Anthony Quayle (1951) Angus McBean © Royal Shakespeare Company

      Directed by Michael Attenborough (2000) John Haynes © Royal Shakespeare Company

      Directed by Terry Hands (1975) Joe Cocks Studio Collection © Shakespeare Birthplace Trust

      Directed by Michael Bogdanov (1987) © Donald Cooper/photostage.co.uk

      Directed by Adrian Noble (1991) Joe Cocks Studio Collection © Shakespeare Birthplace Trust

      Directed by Michael Boyd (2007) Ellie Kurttz © Royal Shakespeare Company

      Reconstructed Elizabethan Playhouse © Charcoalblue

      THE MODERN LIBRARY EDITORIAL BOARD

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      2009 Modern Library Paperback Edition

      Introduction copyright © 2007, 2009 by The Royal Shakespeare Company

      All rights reserved.

      Published in the United States by Modern Library, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

      MODERN LIBRARY and the TORCHBEARER Design are registered trademarks of Random House, Inc.

      “Royal Shakespeare Company,” “RSC,” and the RSC logo are trademarks or registered trademarks of The Royal Shakespeare Company.

      The version of Henry IV: Part II and the corresponding footnotes that appear in this volume were originally published in William Shakespeare: Complete Works, edited by Jonathan Bate and Eric Rasmussen, published in 2007 by Modern Library, an imprint of The Random House Publishing Group, a division of Random House, Inc.

      eISBN: 978-1-58836-845-4

      www.modernlibrary.com

      v3.0

      List of parts irregular humorists lawless/disorderly men with wayward temperaments

      Induction prologue. The Second Part of Henry the Fourth is continuous with The First Part, taking place immediately after the battle of Shrewsbury

      Rumour allegorical figure traditionally covered in painted tongues

      * marry by (the Virgin) Mary.

      * Prithee I pray thee.

      * God’s liggens the precise meaning is unclear.

      ** By’r’lady By our lady, i.e. the Virgin Mary.

      Porter gatekeeper

      1 keeps guards

      3 What who

      4 attend wait for/wait upon

      5 is has

      orchard garden

      6 Please it if it please

      10 stratagem violent deed/scheme, plot

      11 wild savage, rebellious, unruly

      12 high feeding overly rich food

      13 bears down tramples

      15 certain definite

      16 an if

      will is willing, wishes it

      19 your son Sir Henry Percy (Hotspur)

      20 Blunts Sir Walter Blunt was killed by

      Douglas in 1 Henry IV, Act 5 Scene 1; another Blunt is only mentioned in one of the play’s sources

      21 Prince John Prince Henry’s younger brother

      22 Westmorland Ralph Neville, a kinsman of the king’s

      Stafford in 1 Henry IV, Act 5 Scene 1, the Earl of Stafford is said to have been killed in the battle

      hulk big, unwieldy person (literally, large ship)

      Sir John i.e. Falstaff

      25 followed supported by loyal troops

      27 fortunes successes

      28 How…derived? What is the source of your information?

      32 rendered gave, related

      33 Travers his name suggests his function to contradict Lord Bardolph

      35 over-rode overtook

      37 haply perhaps

      retail recount

      39 Sir John Umfrevile either the name originally given to Lord Bardolph’s character in an earlier version of the scene, or the

      gentleman who also gave Bardolph good news of the battle

      41 Outrode rode faster than, left behind

      42 forspent exhausted

      43 breathe allow to rest and recover breath

      bloodied i.e. from the constant digging of spurs

      44 Chester town in the northwest of England

      48 gave…head let him go freely, without restraint of the bridle

      able recovered/strong/ easy to handle

      49 able capable/powerful

      50 jade worn-out horse

      51 rowel-head spiked wheel at the end of a spur

      52 devour the way eat up the road

      53 Staying waiting for

      59 have…day has not won the battle

      60 point lace for fastening clothing, i.e. something of small value

      61 barony land held by a baron

      63 instances evidence

      65 hilding worthless

      67 at a venture without due consideration/in a speculative manner

      Morton another servant of Northumberland’s; his name suggests death

      68 title-leaf title page of a book describing the contents

      70 strand shore, beach

      flood sea

      71 witnessed usurpation visible signs of its invasion (left by the retreating tide)

      78 apter more likely/more suitable

      79 Even just

      81 Drew drew aside, opened

      Priam King of

      Troy, killed in the Trojan war against the Greeks

      curtain i.e. of his bed

      83 ere before

      87 Stopping filling

      88 stop…indeed prevent me from ever hearing anything again, i.e. kill me

      97 is chanced has happened

      98 divination prophecy, intuition

      100 doing … wrong i.e. by telling me that I’m mistaken (a servant should not contradict his master)

      101 gainsaid contradicted

      102 spirit instinct, intelligence

      105 hold’st maintain, believe

      108 belie slander

      111 losing office profitless task

      112 sullen mournful

      113 knolling ringing the funeral bell for

      116 would wish

      118 quittance repayment (of blows)

      out-breathed breathless

      120 never-daunted never overcome with fear

      122 In few in short

      124 bruited reported

      125 best tempered of finest quality, most hardened (literally refers to the treating of a sword to give it strength and resilience)

      126 mettle character, courage plays on “metal”

      steeled hardened, literally overlaid with steel

      127 abated blunted/diminished

      130 Upon enforcement under compulsion, with force applied

      131 heavy in weighed down/saddened by

      132 Lend…fear i.e. despite the weight of their loss, fear made them light

      135 Worcester Thomas Percy, Earl of Worcester, Northumberland’s brother

      137 well-labouring hard-working

      138 th’appearance…king several men, including Sir Walter Blunt and the Earl of Stafford, had been dressed like the king to act as decoys on the battlefield

      139’Gan…stomach began to lessen his courage

      grace…backs i.e. Douglas joined those fleeing the battle

      grace dignify, sanction

      143 power armed force

      encounter meet in battle

      144 Lancaster Prince John (so called because he was born in Lancaster)

      145 at in

      147 physic medicine

      148 Having…well i.e. had I been healthy this bad news would have made me ill; being ill, it has gone some way toward giving me strength

      152 Impatient…fit unable to endure his attack of fever

      153 keeper nurse

      154 Weakened “weak’ned” in Folio, perhaps playing on “weak-kneed”

      155 nice effeminate, unmanly

      156 scaly gauntlet armored glove covered with plates of steel, giving it the appearance of scales

      157 coif nightcap

      158 wanton self-indulgent, effeminate


      159 fleshed made eager after having their appetites whetted (as hunting dogs are fed raw meat to excite them)

      161 ragged’st roughest, harshest

      166 contention strife

      ling’ring act painfully protracted struggle/drawn-out part of a play

      167 Cain son of Adam and Eve who in killing his brother Abel became the world’s first murderer

      169 rude violent/unpolished

      172 complices confederates, supporters

      173 give o’er give way, give in

      174 passion outburst of emotion

      perforce necessarily

      175 cast th’event calculated the likely outcome

      176 summed added up

      177 make head raise an army

      presurmise suspicion beforehand

      178 dole dealing out (may play on “dole,” i.e. sorrow)

      drop fall, die

      179 edge i.e. narrow bridge/sword-edge

      181 advised aware

      capable Of susceptible to

      182 forward eager, adventurous, rash

      183 trade of trafficking in

      ranged was positioned

      185 apprehended anticipated/feared

      186 stiff-borne proudly, stubbornly carried

      188 like likely

      189 engagèd to involved in

      191 if…one the odds of coming out alive were ten to one

      193 respect consideration

      194 o’erset overcome

      195 all put forth all set out (as if going to sea)/stake everything

      196’Tis…time i.e. we shouldn’t delay

      198 gentle wellborn

      up prepared for battle

      199 well-appointed powers well-equipped forces

      200 double surety i.e. as he has both spiritual and temporal authority

      201 corpse bodies (not the souls)

      202 But mere

      205 queasiness uncertainty, reluctance

      206 As…potions like men who drink medicine

      210 religion i.e. a religious cause

      211 Supposedknown to be

      213 enlarge his rising fortify, justify his uprising

      with…stones by recalling the murder of Richard II at Pomfret (Pontefract) Castle; Richard had been usurped by his cousin, Henry Bullingbrook, now Henry IV

      216 bestride stand over

      217 Bullingbrook i.e. Henry IV

      218 more and less those of both high and low rank

      222 aptest best, readiest

      223 posts messengers

      1 Sirrah sir (used to social inferiors)

     


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