blue lapis lazuli and red carrielian and gold, it covered the entire
chest of the mummy. The central motif was of a vulture in flight,
soaring on wide pinions, and in its talons it clutched the golden
cartouche of the king. The craftsmanship was marvelous, the design
splendid.
"There is no doubt now," von Schiller whispered. "This proves the
identity of the body." cartOUc xt they unwrapped the king's hands,
clasped over the the great medallion. The fingers were long and
sensitive, each of them loaded with circle after circle of magnificent
rings. Clasped in his dead hands were the flail and sceptre of majesty,
and Nahoot exulted when they saw them.
"The symbols of kingship. Proof on proof that this is Mamose the Eighth,
ruler of the Upper and Lower Kingdoms of ancient Egypt."
He moved up to the king's still veiled head, but von Schiller stopped
him. "Leave that until last!" he ordered. "I am not yet ready to look
upon the face of Pharaoh."
So Nahoot and Reeper transferred their attention to the king's lower
body. As they lifted away each layer of linen, so were revealed scores
of amulets that the embalmers had placed beneath the bandages as charms
to protect the dead man. They were of gold and carved jewels and ceramic
in glowing colours and marvelous shapes - all the birds of the air and
the creatures of the land and the fish of the Nile waters. They
photographed each amulet in situ before working it free and placing it
into a numbered slot in the trays that had been set out upon the
workbench.
Pharaoh's feet were as small and delicate as his hands, and each toe was
laden with precious rings. Only his head was still covered, and both men
looked enquiringly at von Schiller. "It is very late, Herr von
Schiller," Reeper said, if you wish to rest-'
"Continue!" he ordered brusquely. So they moved up each side of the
mummy's head, while von Schiller on remained on his stand between them.
Gradually the king's face was exposed to the light, for the first time
in nearly four thousand years. His hair was thin and wispy, still red
with the henna dye he had used in his lifetime. His skin had been cured
with aromatic resins until it was hard as polished amber. His nose was
thin and beaked. His lips were drawn back in a soft, almost dreamy smile
which exposed the gap in his front teeth.
The resin coated his eyelashes, so that they seemed wet with tears and
the lids only half-shut. Life seemed to gleam there still, and only when
von Schiller leaned closer did he realize that the light in those
ancient sockets was the reflection from the white porcelain discs that
the undertakers had placed in the empty sockets during the embalming.
On his brow the Pharaoh wore the sacred uraeus crown. Every detail of
the cobra head was still perfect, There was no wearing or abrading of
the soft metal. The I serpent fangs were sharp and recurved, and the
long forked tongue curled between them. The eyes were of shining blue
glass. On the band of gold beneath the hooded asp was engraved the royal
cartouche of Mamose.
"I want that crown." Von Schiller's voice was choking with passion.
"Remove it, so that I can hold it in my own hands."
"We may not be able to lift it without damaging the head of the royal
mummy," Nahoot protested.
"Do not argue with me. Do as I tell you."
"Immediately, Herr von Schiller," Nahoot capitulated.
"But it will take time to free it. If Herr von Schiller wishes to rest
now, we will inform you when we have loosened the crown and have it
ready for you."
The circle of gold had adhered to the resin-soaked skin of the king's
forehead. In order to remove it Nahoot and Reeper first had to lift the
complete body out of the coffin and lay it on the stainless steel
mortuary stretcher which already waited to receive it. Then the resin
had to be softened and removed with specially prepared solvents.
The whole process took as long as Nahoot had predicted, but finally it
was completed.
They laid the golden uraeus upon a blue velvet cushion, as if for a
chamber of the vault, anded a single spot to fall upon the crown. Then
they arrang both went upstairs to inform von Schiller.
He would not let the two archaeologists accompany him when he returned
to the vaults to view the crown.
Only Utte Kemper was with him when he keyed the lock to the armoured
door of the vault, and the heavy door slid open.
The first thing that caught von Schiller's eye as he entered the vault
was the glittering crown in its velvet nest.
immediately he began to wheeze for air like an asthmatic, and he seized
her hand and squeezed until her knuckles crackled with the pressure and
she whimpered with pain. But the pain excited her. Von Schiller
undressed her, placed the golden crown upon her head and laid her naked
in the open coffin.
"I am the promise of life," she whispered from the ancient coffin. "Mine
is the shining face of immortality." He did not touch her. Naked, he
stood over the coffin with his inflamed and swollen rod thrusting from
the base of his belly like a creature with separate life.
She ran her hands slowly down her own body, and as they reached her mons
Veneris, she intoned gravely, "May you live for ever!'
The wondrous efficacy of the crown of Mamose was proven beyond any
doubt. Nothing before had produced this effect upon Gotthold von
Schiller. For at her words, the purple head of his penis erupted of its
own accord and glistening silver strings of his semen dribbled down and
splattered upon her soft white belly.
In the open coffin Utte Kemper arched her back, and writhed in her own
consuming orgasm.
It seemed to Royan that she had been away from Egypt for years instead
of weeks. She realized just -how much she had missed the crowded and
bustling streets of the city, the wondrous smells of spices and food and
perfume in the bazaars, and the wailing voice of the muezzin calling the
faithful to prayer from the turrets of the mosques.
That very first morning she left her flat in Giza while it was still
dark, and since her injured knee was still swollen and painful she used
her stick as she limped along the banks of the Nile. She watched the
dawn cobble the river waters with a pathway of gold and copper and set
the triangular sails of the feluccas ablaze.
This was a different Nile from the one she had encountered in Ethiopia.
This was not the Abbay, but the true Nile. It was broader and slower,
and the muddy stink of it was familiar and well beloved. This was her
river and her land. She found that her resolve to do what she had come
home to do was reinforced. Her doubts were set at rest, her conscience
soothed. As she turned away from it she felt strong and sure of herself
and the course that she must take.
She visited Duraid's family. She had to make amends to them for her
sudden departure and her long, unexplained absence. At first h
er
brother-in-law was cool and stiff towards her; but after his wife had
wept and embraced Royan and the children had clambered all over her -
she was always their favourite ammah - he warmed to her and relented
sufficiently to offer to drive her out to the oasis.
When she explained that she wanted to be alone when she visited the
cemetery, he unbent so far as to lend her his beloved Citron.
As she stood beside Duraid's grave the smell of the , desert filled her
nostrils and the hot breeze rid'eted with her hair. Duraid had loved the
desert. She was glad for him that from now onwards he would always be
close to it. The headstone was simple and traditional: just his name and
dates, under the outline of the cross. She knelt beside it and tidied
the grave, renewing the wilted and dried bouquets of flowers with those
that she had brought with her from Cairo.
Then she sat quietly beside him for a long while. She made no rehearsed
speeches, but " imply ran over in her mind so many of the good quiet
times they had passed together. She remembered his kindness and his
understanding, and the security and warmth of his love for her. She
regretted that she had never been able to return it in the same measure,
but she knew that he had accepted and understood that.
She hoped that he also understood why she had come back now. This was a
leave-taking. She had come to say goodbye. She had mourned him and,
although she would always remember him and he would always be a part of
her, it was time for -her to move on. It was time for him to let her go.
When at last she left the cemetery, she walked away without looking
back.
She took the long road around the south side of the lake to avoid having
to pass the burnt-out villa; she did not wish to be reminded of that
night of horror on which Duraid had died there. It was therefore after
dark when she, returned to the city, and the family were relieved to see
her. Her brother-in-law walked three times around the Citron, checking
for damage to the paintwork, before ushering her into the house where
his wife had set a feast for them.
'an Abou Sin, the minister whom Royan had Come specifically to see, was
out of Cairo on an official visit to Paris. She had three days to wait
for his return, and because she knew that Nahoot Guddabi was no longer
in Cairo, she felt safe and able to spend much of that time at the
museum. She had many friends there, and they were delighted to see her
and to bring her up to date with all that had happened during the time
that she had been away.
The rest of the time she spent in the museum reading room, going over
the microfilm of the Taita scrolls, searching for any clues that she
might have missed in her previous readings. There was a section of the
second scroll which she read carefully and from which she made extensive
notes. Now that the prospect of finding the tomb of Pharaoh Mamose
intact had become real and credible, her interest in what that tomb
might contain had been stimulated.
The section of the scroll upon which she concentrated was a description
that the scribe, Taita, had given of a' royal visit by the Pharaoh to
the workshops of the necropolis, where his funerary treasure was being
manufactured and assembled within the walls of the great temple that he
had built for his own embalming. According to Taita they had visited the
separate workshops, first the armoury with its collection of
accoutrements of the battlefield and the chase, and then the furniture
workshop, home of exquisite workmanship. In the studio of the sculptors,
Taita.
described the work on the statues of the gods and the lifesized images
of the king in every different activity of his life that would line the
long causeway from the necropolis to the tomb in the Valley of the
Kings. In this.workshop the masons were also-hard at work on the massive
granite sarcophagus which would house the king's mummy over the ages.
However, according to Taita's later account history had cheated Pharaoh
Mamose of this part of his treasure, and all these heavy and unwieldy
items of stone had been abandoned and left behind in the Valley of the
Kings when the Egyptians fled south along the Nile to the land they
called Cush, to escape the Hyksos invasion that overwhelmed their
homeland.
As Royan turned with more attention to the scribe's description of the
studio of the goldsmiths, the phrase which he used to describe the
golden deathmask of the Pharaoh struck her forcibly. "This was the peak
and the zenith. All the Unborn ages might one day marvel at its
splen&ur." Royan looked up dreamily from the micro film and wondered if
those words of the ancient scribe were not prophetic. Was she destined
to be one of those who would marvel at the splendour of the golden
deathmask? Might she be, the first to do so in almost four thousand
years? Might she touch this wonder, take itup in her hands and at last
do with it as her conscience dictated?
Reading Taita's account left Royan with a sense of ancient suffering,
and a feeling of compassion for the people of those times. They were,
after all - no matter how far removed in time - her own people. As a
Coptic Egyptian, she was one of their direct descendants. Perhaps this
empathy was the main reason why, even as a child, she had originally
determined to make her life's work a study of these people and the old
ways.
However, she had much else to think of during those days of waiting for
the return of Atalan Abou Sin. Not least of these were her feelings for
Nicholas Quenton Harper. Since she had visited the little cemetery at
the oasis and made her peace with Duraid's memory, her thoughts of
Nicholas had'taken on a new poignancy. There was so much she was still
uncertain of, and there were so many difficult choices to make. It was
not possible to fulfill all her plans and desires without sacrificing
others almost equally demanding.
When at last the hour of her appointment to see Atalan came around, she
had difficulty bringing herself to go to him. Like somebody in a trance
she limped through the bazaars, using her stick to protect her injured
knee, hardly hearing the merchants calling their wares to her.
>From her skin tone and European clothing they presumed she must be a
tourist.
She hesitated so long over taking this irrevocable step that she was
almost an hour late for the appointment.
Fortunately this was Egypt, and Atalan was an Arab to whom time did not
have the same significance as it did to the Western part of Royan's
make-up.
He, was his usual urbane and charming self. Today, in the-privacy of his
own office, he was comfortably dressed in a white dishdasha and a
headcloth. He shook hands with her warmly. If this had been London he
might have kissed her cheek, but not here in the East where a man never
kissed any woman but his wife and then only in the privacy of their
home.
He led her through to his private sitting room, where his male secretar
y
served them small cups of tar-thick coffee and lingered to preserve the
propriety of this meeting. After an exchange of compliments and the
obligatory interval of polite small-talk, Royan could come obliquely to
the main reason for her visit.
"I have spent much of the last few days at the museum, working in the
reading room. I managed to see many of my old colleagues there, and I
was surprised to hear that Nahoot had withdrawn his application for the
post of director."
Atalan sighed, "My nephew is a headstrong boy at times. The job was his,
but at the very last moment he came to tell me that he had been offered
another in Germany. I tried to dissuade him. I told him that he would
not enjoy the northern climate after being brought up in the Nile
valley. I told him that there are many things in life such as country
and family that no amount of money can recompense. But-' Atalan spread
his hands in an eloquent gesture.
"So who have you chosen to fill the post of director?" she asked with an
innocence that did not deceive him.
"We have not yet made any permanent appointment.
Nobody automatically comes to mind, now that Nahoot has withdrawn.
Perhaps we will be forced to advertise internationally. I for one would
be very sad to see it go to a foreigner, no matter how well qualified."
our excellency, may I speak to you in private?" Royan asked, and glanced
significantly at the male secretary hovering at the doorway. Atalan
hesitated only a moment.
"Of course." He gestured to the secretary to leave the room, and when he
had withdrawn and closed the door behind him Atalan leaned towards her
and dropped his voice slightly. "What is it that you wish to discuss, my
dear lady?"
It was an hour later that Royan left him. He walked with her as far as
the lift outside his suite of offices.
As he shook hands his voice was low and mellifluous "We will meet again
soon, inshallah."
hen the Egyptair flight landed at Heath, row and Royan left the airport
arrivals hall for a place in the queue at the taxi rank outside, it
seemed that the temperature difference from Cairo was at least fifteen
degrees. Her train arrived at York in the damp misty cold of late
afternoon. From the railway station she phoned the number that Nicholas