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    The Tragedy of Mister Morn

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      it is my blood which has cried out in you,

      my greedy blood…

      ELLA [preparing the medicine]:

      One drop… two drops… five,

      six… seven… Enough?

      TREMENS:

      Yes. Get dressed,

      go… it’s late… Wait—stoke the fire…

      ELLA:

      Coals, coals, you blushing hearts… Fain burn!

      [looks at herself in the mirror]

      How is my hair? I’ll wear a gold gauze dress.

      I am going…

      [On her way out, she stops.]

      … Oh, Klian brought me

      his poems the other day; he sings them

      so amusingly, flaring his nostrils slightly,

      closing his eyes—like this, look—his palm

      stroking the air as if it were a little

      dog…

      [Exits, laughing.]

      TREMENS:

      My greedy blood… And yet her mother

      was so trusting and so tender; yes,

      tender and cleaving, like pollen, drifting

      through the air, onto my chest… Off with you,

      you sunny piece of fluff!… Thank you, Death,

      that you took this tenderness away from me:

      free am I, free and reckless… Henceforth,

      my servant Death, shall we oft agree… O,

      I will send you out into this very night,

      into those blazing windows above dark mounds

      of snow; into those houses where life

      twirls and dances… But I must wait…

      It is not time yet… I must wait.

      [Falls asleep. There is a knock at the door.]

      TREMENS [shaking off sleep]:

      Come in!…

      SERVANT:

      There is, my lord, a man out there—a dark,

      bedraggled man—he wants to see you…

      TREMENS:

      His name?

      SERVANT:

      He won’t say.

      TREMENS:

      Let him in.

      [SERVANT exits. A MAN enters through the open door and stops on the threshold.]

      TREMENS:

      What do you want?

      MAN [slowly grinning]:

      … And still

      the same spotted blanket on his shoulders…

      TREMENS [looks closer at him]:

      Forgive me… my eyes are bleary… but,

      I do recognize, I recognize… Yes,

      for certain… Is it you,—you? Ganus?

      GANUS:

      You weren’t expecting me? My friend, my leader,

      my Tremens, you weren’t expecting me? …

      TREMENS:

      Four years, Ganus!…

      GANUS:

      Four years? Not years,

      but stony boulders! Rocks, hard labour,

      loneliness—and then—an indescribable

      escape!… Tell me, how is my wife, Midia?

      TREMENS:

      She lives, she lives… Yes, I recognize you,

      friend—the same Ganus, quick as fire,

      the same passion in your speech and movements…

      So you fled? And… what of the others?

      GANUS:

      I escaped—they still languish… You know,

      I came to you, like the wind—straight away,

      I’ve not yet been home… So you say, Midia…

      TREMENS:

      Listen, Ganus, I need to explain to you…

      It is strange that the main rebel leader… No, no,

      don’t interrupt me! In truth, is it not strange

      that I am free, when I know that my friends

      suffer in black exile? I live just as before:

      rumour does not name me; I’m still the same

      twisted and secret leader… But believe me,

      I did everything to burn in hell with you—

      when they seized you all, I, incorruptible,

      wrote a denunciation against Tremens…

      Two days went by, on the third day I received

      an answer. What was it? Well, listen: it was,

      I remember, a dull and windy evening. I was

      too lazy to put on the lights. It was growing

      dark. I sat here and shook with fever,

      rippling like a reflection in an ice-hole.

      Ella had not yet returned from school. Suddenly—

      a knock, and a man enters; his face obscured

      in shadow, his voice muffled, as though it too

      were tinged with darkness. Ganus, you are

      not listening!…

      GANUS:

      My friend, my dear friend,

      you can tell me this later. I’m agitated,

      I cannot follow. I want to forget, forget

      all this—the smoke of revolutionary

      conversation, the backstreets in the night…

      Advise me, what shall I do: go to Midia now,

      or wait? Oh, don’t be angry! Don’t!…

      Please, go on…

      TREMENS:

      Understand, Ganus, I must

      explain! There are more important things

      than earthly love…

      GANUS:

      …And so, this stranger…

      tell me…

      TREMENS:

      …was very strange. Quietly

      he approached me: “The King has read your letter

      and thanks you for it,” he said, taking off

      his glove, and a smile, it seemed, slipped across

      his hazy face. “Yes…” the messenger

      continued, theatrically slapping his glove,

      “you are a clever conspirator, while the King

      punishes only the foolish; from this follows

      a conclusion, a challenge: walk free, magnet,

      and gather up, magnet, the scattered needles,

      the revolutionary souls, and when you gather them,

      we’ll sweep them up, and start again; so walk free,

      shine on, attract…” Ganus, you are not listening…

      GANUS:

      On the contrary, my friend, on the contrary…

      What happened next?

      TREMENS:

      Nothing. He left,

      calmly bowing… For a long time after, I stared

      at the door. Since then, I rage in passionate

      idleness… Since then I wait; I stubbornly await

      a blunder from the strained powers that be,

      so I can make a move… Four years I wait.

      I dream enormous dreams… Listen, the time

      is near! Listen, you living piece of steel,

      will you be drawn to me again? …

      GANUS:

      I don’t know…

      I don’t think so… You see, I… But Tremens,

      you haven’t told me about my Midia!

      What does she do?

      TREMENS:

      Her? She strays.

      GANUS:

      How dare you, Tremens! I must confess

      I am unused to your blaspheming words—

      and I will not tolerate…

      [ELLA has appeared, unnoticed, in the doorway.]

      TREMENS:

      …in other times

      you would have laughed… My right-hand man—

      hard, clear, and free—has become tender,

      like an ageing maid…

      GANUS:

      Tremens, forgive me,

      if I misunderstood your joke, but you

      do not know, you do not know… I have

      suffered greatly… The wind in the reeds

      whispered to me of adultery. I prayed. I bribed

      my creeping doubts with forced memories,

      with the most winged, the most sacred ones,

      which lose their colour as they fly into words,

      and now, suddenly…

      ELLA [approaching]:

      Of course he was joking!

      TREMENS:

      Eavesdropping, eh?

      ELLA:


      No. I’ve long known—

      you love equivocating little words,

      riddles, that’s all…

      TREMENS [to ganus]:

      Do you recognize my daughter?

      GANUS:

      What, surely it can’t be—Ella? That girl

      who always lay spread out with a book, here

      on this fur, while we reduced worlds to ashes? …

      ELLA:

      And you would blaze louder than the rest,

      and smoke so much, sometimes, it seemed there were

      not people but ghosts dancing in the grey-blue

      waves… But how did you return?

      GANUS:

      I stunned

      two sentries with a log and wandered lost

      for half a year… And now, having finally

      arrived, the fugitive dares not enter

      his own home…

      ELLA:

      I go there often.

      GANUS:

      How nice…

      ELLA:

      Yes, I am very friendly with your wife.

      Many a time in your dark drawing room

      have we spoken of your bitter fate. In truth,

      sometimes it was hard for me: for no one

      knows that my father…

      GANUS:

      I understand…

      ELLA:

      Often,

      in soundless splendour, she cried, as you know

      Midia cries—silently and without blinking…

      In the summer, we strolled in the city outskirts,

      where you had strolled with her… Recently,

      she told your fortune by looking at the moon

      through a glass of wine… I’ll tell you more:

      this very evening I’m going to a party

      at her house—there will be dancing, poets…

      [points to TREMENS]

      Look, he has dozed off…

      GANUS:

      A party—

      but without me…

      ELLA:

      Without you?

      GANUS:

      I am

      an outlaw: if they catch me, I’m done for…

      Listen, I’ll write a note—you can give it

      to her, and I’ll wait downstairs for an answer…

      ELLA [twirling around]:

      I’ve got it! I’ve got it! How splendid!

      You see, I study at a theatre school,

      I have paints and pomades here in seven

      different colours… I’ll smear your face in such

      a way that God himself, on Judgement Day,

      won’t recognize you! Well, do you want to?

      GANUS:

      Yes… It’s just that…

      ELLA:

      I’ll simply say

      that you’re an actor, an acquaintance of mine,

      and haven’t taken off your make-up—

      because it was so good… Perfect! It’s not

      up for discussion! Sit down here, closer

      to the light. That’s good. You shall be Othello—

      the curly-haired, old, dark-skinned Moor.

      I’ll also give you my father’s frock-coat

      and black gloves…

      GANUS:

      How amusing: Othello

      in a frock-coat!…

      ELLA:

      Sit still.

      TREMENS [grimacing, he wakes up]:

      Oh… I think

      I fell asleep… Have you both lost your minds?

      ELLA:

      He cannot see his wife otherwise.

      There will be guests there after all.

      TREMENS:

      Strange:

      I dreamt that the King was being strangled

      by a colossal negro…

      ELLA:

      I think our chance

      remarks seeped into your dream, got mixed up

      with your thoughts…

      TREMENS:

      Ganus, what do you suppose,

      will it be long?… will it be long? …

      GANUS:

      What? …

      ELLA:

      Don’t move your lips, talk of the King can

      wait a little…

      TREMENS:

      The King, the King, the King!

      Everything is full of him: the people’s souls,

      the air, and it is said that in the clouds

      at sunrise, it is his coat-of-arms that shines,

      and not the dawn. Meanwhile, no one knows

      what he looks like. On coins he wears a mask.

      They say, he walks amongst the crowds, sharp-sighted

      and unrecognized, throughout the city,

      in the market places.

      ELLA:

      I’ve seen him ride

      to the senate, accompanied by horsemen.

      The carriage gleams all over in blue lacquer.

      On the door there is a crown, and in

      the window the blind is lowered…

      TREMENS:

      … and, I think,

      inside there’s no one. Our King walks

      on foot… And the blue lustre and the black steeds

      are for show. He is a fraud, our King!

      He should be…

      GANUS:

      Stop, Ella, you have

      put paint in my eye… May I speak…

      ELLA:

      Yes,

      you may. I will look for a wig…

      GANUS:

      Tell me, Tremens,

      I don’t understand: what do you want?

      While wandering through the country I have

      noticed that in four years of radiant peace—

      after wars and revolutions—the country

      has grown wonderfully strong. And the King

      alone achieved all this. What then do you want?

      New upheavals? But why? The power of the King

      is living and harmonious, it moves me now

      like music… I too find it strange, but I

      have understood that to rebel is criminal.

      TREMENS [rising slowly]:

      What did you say? Did I mishear? Ganus,

      you… repent, regret, and practically

      give thanks for your punishment!

      GANUS:

      No.

      For the sorrows of my heart, for the tears

      of my Midia, I will never forgive the King.

      But, consider: while we were declaiming

      grand words—on the oppressed, on poverty

      and the suffering of the people—the King

      himself was already acting in our stead…

      TREMENS [walks heavily around the room, drumming his fingers on the furniture as he passes]:

      Hang on, hang on! Did you really think

      that I worked with such determination

      for the good of an imaginary “people”?

      So that every manure-filled soul, some

      drunken goldsmith or another, some gnarled

      stable-boy could polish his dainty nails

      up to a mirror sheen, and bend his little

      finger back in affectation, when shaking

      off his snot? No, you were mistaken!…

      ELLA:

      Move your head to the right a little… I’ll pull

      the astrakhan fur on for you…

      Papa,

      sit down, I beg you… You are dizzying me

      with your movements.

      TREMENS:

      You were mistaken!

      Revolts there may have been, Ganus… Time and again,

      in city squares across the ages, have gathered

      low-browed criminality, mediocrity,

      and baseness… Their words I was repeating,

      but I meant something more—and I had thought

      that through those blunt words you felt my true fire,

      and that your fire answered mine. But now,

      your flame has tapered, it has turned to passion

      for a woman… I feel great pity for you.

      GANUS:

    &
    nbsp; But what is it you want? Ella, don’t get

      in the way while I’m talking…

      TREMENS:

      Did you see,

      one windy night, by moonlight, the shadows

      of ruins? That is the ultimate beauty—

      and towards it I lead the world.

      ELLA:

      Don’t protest…

      Sit still!… Press your lips together. A little

      touch of arrogance… There. Some carmine

      inside the nostrils—no, don’t sneeze! Passion—

      in the nostrils. Now yours are like those

      of Arabian horses. There we go.

      Please be quiet. After all, my father

      is absolutely right.

      TREMENS:

      You say:

      the King is a great sorcerer. Agreed.

      The sun has swollen the taut granaries,

      the wonders of science are accessible to all,

      labour is lightened by the play of hidden forces,

      and the air is clean in the warbling workshops—

      with all this I agree. But why do we

      always want to grow, to climb uphill

      from one to a thousand, when the downward path—

      from one to zero—is faster and sweeter? Life

      itself is the example—it rushes headlong

      into ash, it destroys everything in its way:

      first it gnaws through the umbilical cord,

      then tears up plants and birds into shreds,

      and our heart beats inside us like a greedy hoof,

      till it smashes through our chest… And the poet,

      who breaks up his thoughts into sounds? Or

      the maiden, who prays for the blow of a man’s love?

      Everything, Ganus, is destruction. And

      the faster it is, the sweeter, the sweeter…

      ELLA:

      Now

      for the frock-coat, the gloves—and you’re ready!

      Really, Othello, I am pleased with you…

      [declaims]

      “But yet I fear you; for you are fatal then

      when your eyes roll so: why should I fear I know not,

      since guiltiness I know not; but yet I feel fear…”

      Oh, your boots are shabby—well, never mind…

      GANUS:

      Thank you, Desdemona…

      [looking at himself in the mirror]

      Well, look at me!

      It’s been a while, it’s been a while… Midia…

      a masquerade… Lights, perfume… quick, quick!

      Hurry, Ella!

      ELLA:

      We’re going, we’re going…

      TREMENS:

      So,

      you’ve decided to betray me, my friend?

      GANUS:

      Don’t, Tremens! We’ll talk some other time…

      It’s hard for me to argue now… Perhaps

      you are right. Farewell, dear friend… You

      understand…

      ELLA:

      I won’t be late…

      TREMENS:

      Go, go.

      Klian has long been cursing you, himself

      and everything else. Ganus, don’t forget…

      GANUS:

      Hurry up, hurry up, Ella…

      [They leave together.]

     


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