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    To The Lighthouse

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    things to himself, and waiting impatiently for a breeze. And they

      hoped it would be calm. They hoped he would be thwarted. They hoped

      the whole expedition would fail, and they would have to put back, with

      their parcels, to the beach.

      But now, when Macalister's boy had rowed a little way out, the sails

      slowly swung round, the boat quickened itself, flattened itself, and

      shot off. Instantly, as if some great strain had been relieved, Mr

      Ramsay uncurled his legs, took out his tobacco pouch, handed it with a

      little grunt to Macalister, and felt, they knew, for all they suffered,

      perfectly content. Now they would sail on for hours like this, and Mr

      Ramsay would ask old Macalister a question--about the great storm

      last winter probably--and old Macalister would answer it, and they

      would puff their pipes together, and Macalister would take a tarry rope

      in his fingers, tying or untying some knot, and the boy would fish, and

      never say a word to any one. James would be forced to keep his eye all

      the time on the sail. For if he forgot, then the sail puckered and

      shivered, and the boat slackened, and Mr Ramsay would say sharply,

      "Look out! Look out!" and old Macalister would turn slowly on his

      seat. So they heard Mr Ramsay asking some question about the great

      storm at Christmas. "She comes driving round the point," old

      Macalister said, describing the great storm last Christmas, when ten

      ships had been driven into the bay for shelter, and he had seen "one

      there, one there, one there" (he pointed slowly round the bay. Mr

      Ramsay followed him, turning his head). He had seen four men clinging

      to the mast. Then she was gone. "And at last we shoved her off," he

      went on (but in their anger and their silence they only caught a word

      here and there, compact to fight tyranny to the death). At last they

      had shoved her off, they had launched the lifeboat, and they had got

      her out past the point--Macalister told the story; and though they only

      caught a word here and there, they were conscious all the time of their

      father--how he leant forward, how he brought his voice into tune with

      Macalister's voice; how, puffing at his pipe, and looking there and

      there where Macalister pointed, he relished the thought of the storm

      and the dark night and the fishermen striving there. He liked that men

      should labour and sweat on the windy beach at night; pitting muscle and

      brain against the waves and the wind; he liked men to work like that,

      and women to keep house, and sit beside sleeping children indoors,

      while men were drowned, out there in a storm. So James could tell, so

      Cam could tell (they looked at him, they looked at each other), from

      his toss and his vigilance and the ring in his voice, and the little

      tinge of Scottish accent which came into his voice, making him seem

      like a peasant himself, as he questioned Macalister about the eleven

      ships that had been driven into the bay in a storm. Three had sunk.

      He looked proudly where Macalister pointed; and Cam thought, feeling

      proud of him without knowing quite why, had he been there he would have

      launched the lifeboat, he would have reached the wreck, Cam thought.

      He was so brave, he was so adventurous, Cam thought. But she

      remembered. There was the conpact; to resist tyranny to the death.

      Their grievance weighed them down. They had been forced; they had been

      bidden. He had borne them down once more with his gloom and his

      authority, making them do his bidding, on this fine morning, come,

      because he wished it, carrying these parcels, to the Lighthouse; take

      part in these rites he went through for his own pleasure in memory of

      after him, all the pleasure of the day was spoilt.

      Yes, the breeze was freshening. The boat was leaning, the water was

      sliced sharply and fell away in green cascades, in bubbles, in

      cataracts. Cam looked down into the foam, into the sea with all its

      treasure in it, and its speed hypnotised her, and the tie between her

      and James sagged a little. It slackened a little. She began to think,

      How fast it goes. Where are we going? and the movement hypnotised her,

      while James, with his eye fixed on the sail and on the horizon, steered

      grimly. But he began to think as he steered that he might escape; he

      might be quit of it all. They might land somewhere; and be free then.

      Both of them, looking at each other for a moment, had a sense of escape

      and exaltation, what with the speed and the change. But the breeze

      bred in Mr Ramsay too the same excitement, and, as old Macalister

      turned to fling his line overboard, he cried out aloud,

      "We perished," and then again, "each alone." And then with his usual

      spasm of repentance or shyness, pulled himself up, and waved his hand

      towards the shore.

      "See the little house," he said pointing, wishing Cam to look. She

      raised herself reluctantly and looked. But which was it? She could no

      longer make out, there on the hillside, which was their house. All

      looked distant and peaceful and strange. The shore seemed refined, far

      away, unreal. Already the little distance they had sailed had put them

      far from it and given it the changed look, the composed look, of

      something receding in which one has no longer any part. Which was

      their house? She could not see it.

      "But I beneath a rougher sea," Mr Ramsay murmured. He had found the

      house and so seeing it, he had also seen himself there; he had seen

      himself walking on the terrace, alone. He was walking up and down

      between the urns; and he seemed to himself very old and bowed. Sitting

      in the boat, he bowed, he crouched himself, acting instantly his part--

      the part of a desolate man, widowed, bereft; and so called up before

      him in hosts people sympathising with him; staged for himself as he sat

      in the boat, a little drama; which required of him decrepitude and

      exhaustion and sorrow (he raised his hands and looked at the thinness

      of them, to confirm his dream) and then there was given him in

      abundance women's sympathy, and he imagined how they would soothe him

      and sympathise with him, and so getting in his dream some reflection of

      the exquisite pleasure women's sympathy was to him, he sighed and said

      gently and mournfully,

      But I beneath a rougher sea

      Was whelmed in deeper gulfs than he,

      so that the mournful words were heard quite clearly by them all. Cam

      half started on her seat. It shocked her--it outraged her. The

      movement roused her father; and he shuddered, and broke off,

      exclaiming: "Look! Look!" so urgently that James also turned his head

      to look over his shoulder at the island. They all looked. They looked

      at the island.

      But Cam could see nothing. She was thinking how all those paths and

      the lawn, thick and knotted with the lives they had lived there, were

      gone: were rubbed out; were past; were unreal, and now this was real;

      the boat and the sail with its patch; Macalister with his earrings; the

      noise of the waves--all this was real. Thinking this, she was

      murmuring to herself, "We perished, each alone," for her father's words

      broke and broke again in her m
    ind, when her father, seeing her gazing

      so vaguely, began to tease her. Didn't she know the points of the

      compass? he asked. Didn't she know the North from the South? Did she

      really think they lived right out there? And he pointed again, and

      showed her where their house was, there, by those trees. He wished she

      would try to be more accurate, he said: "Tell me--which is East, which

      is West?" he said, half laughing at her, half scolding her, for he

      could not understand the state of mind of any one, not absolutely

      imbecile, who did not know the points of the compass. Yet she did not

      know. And seeing her gazing, with her vague, now rather frightened,

      eyes fixed where no house was Mr Ramsay forgot his dream; how he walked

      up and down between the urns on the terrace; how the arms were

      stretched out to him. He thought, women are always like that; the

      vagueness of their minds is hopeless; it was a thing he had never been

      able to understand; but so it was. It had been so with her--his wife.

      They could not keep anything clearly fixed in their minds. But he had

      been wrong to be angry with her; moreover, did he not rather like this

      vagueness in women? It was part of their extraordinary charm. I will

      make her smile at me, he thought. She looks frightened. She was so

      silent. He clutched his fingers, and determined that his voice and his

      face and all the quick expressive gestures which had been at his

      command making people pity him and praise him all these years should

      subdue themselves. He would make her smile at him. He would find some

      simple easy thing to say to her. But what? For, wrapped up in his

      work as he was, he forgot the sort of thing one said. There was a

      puppy. They had a puppy. Who was looking after the puppy today? he

      asked. Yes, thought James pitilessly, seeing his sister's head against

      the sail, now she will give way. I shall be left to fight the tyrant

      alone. The compact would be left to him to carry out. Cam would never

      resist tyranny to the death, he thought grimly, watching her face, sad,

      sulky, yielding. And as sometimes happens when a cloud falls on a

      green hillside and hills is gloom and sorrow, and it seems as if the

      hills themselves must ponder the fate of the clouded, the darkened,

      either in pity, or maliciously rejoicing in her dismay: so Cam now felt

      herself overcast, as she sat there among calm, resolute people and

      wondered how to answer her father about the puppy; how to resist his

      entreaty--forgive me, care for me; while James the lawgiver, with the

      tablets of eternal wisdom laid open on his knee (his hand on the tiller

      had become symbolical to her), said, Resist him. Fight him. He said

      so rightly; justly. For they must fight tyranny to the death, she

      thought. Of all human qualities she reverenced justice most. Her

      brother was most god-like, her father most suppliant. And to which did

      she yield, she thought, sitting between them, gazing at the shore whose

      points were all unknown to her, and thinking how the lawn and the

      terrace and the house were smoothed away now and peace dwelt there.

      "Jasper," she said sullenly. He'd look after the puppy.

      And what was she going to call him? her father persisted. He had had

      a dog when he was a little boy, called Frisk. She'll give way, James

      thought, as he watched a look come upon her face, a look he remembered.

      They look down he thought, at their knitting or something. Then

      suddenly they look up. There was a flash of blue, he remembered, and

      then somebody sitting with him laughed, surrendered, and he was very

      angry. It must have been his mother, he thought, sitting on a low

      chair, with his father standing over her. He began to search among the

      infinite series of impressions which time had laid down, leaf upon

      leaf, fold upon fold softly, incessantly upon his brain; among scents,

      sounds; voices, harsh, hollow, sweet; and lights passing, and brooms

      tapping; and the wash and hush of the sea, how a man had marched up and

      down and stopped dead, upright, over them. Meanwhile, he noticed, Cam

      dabbled her fingers in the water, and stared at the shore and said

      nothing. No, she won't give way, he thought; she's different, he

      thought. Well, if Cam would not answer him, he would not bother her Mr

      Ramsay decided, feeling in his pocket for a book. But she would answer

      him; she wished, passionately, to move some obstacle that lay upon her

      tongue and to say, Oh, yes, Frisk. I'll call him Frisk. She wanted

      even to say, Was that the dog that found its way over the moor alone?

      But try as she might, she could think of nothing to say like that,

      fierce and loyal to the compact, yet passing on to her father,

      unsuspected by James, a private token of the love she felt for him.

      For she thought, dabbling her hand (and now Macalister's boy had caught

      a mackerel, and it lay kicking on the floor, with blood on its gills)

      for she thought, looking at James who kept his eyes dispassionately on

      the sail, or glanced now and then for a second at the horizon, you're

      not exposed to it, to this pressure and division of feeling, this

      extraordinary temptation. Her father was feeling in his pockets; in

      another second, he would have found his book. For no one attracted her

      more; his hands were beautiful, and his feet, and his voice, and his

      words, and his haste, and his temper, and his oddity, and his passion,

      and his saying straight out before every one, we perish, each alone,

      and his remoteness. (He had opened his book.) But what remained

      intolerable, she thought, sitting upright, and watching Macalister's

      boy tug the hook out of the gills of another fish, was that crass

      blindness and tyranny of his which had poisoned her childhood and

      raised bitter storms, so that even now she woke in the night trembling

      with rage and remembered some command of his; some insolence: "Do

      this," "Do that," his dominance: his "Submit to me."

      So she said nothing, but looked doggedly and sadly at the shore,

      wrapped in its mantle of peace; as if the people there had fallen

      asleep, she thought; were free like smoke, were free to come and go

      like ghosts. They have no suffering there, she thought.

      5

      Yes, that is their boat, Lily Briscoe decided, standing on the edge of

      the lawn. It was the boat with greyish-brown sails, which she saw now

      flatten itself upon the water and shoot off across the bay. There he

      sits, she thought, and the children are quite silent still. And she

      could not reach him either. The sympathy she had not given him weighed

      her down. It made it difficult for her to paint.

      She had always found him difficult. She never had been able to praise

      him to his face, she remembered. And that reduced their relationship to

      something neutral, without that element of sex in it which made his

      manner to Minta so gallant, almost gay. He would pick a flower for

      her, lend her his books. But could he believe that Minta read them?

      She dragged them about the garden, sticking in leaves to mark the

      place.

      "D'you remember, Mr Carmichael?" she was inclined to ask, looking at

      the old man. But h
    e had pulled his hat half over his forehead; he was

      asleep, or he was dreaming, or he was lying there catching words, she

      supposed.

      "D'you remember?" she felt inclined to ask him as she passed him,

      thinking again of Mrs Ramsay on the beach; the cask bobbing up and

      down; and the pages flying. Why, after all these years had that

      survived, ringed round, lit up, visible to the last detail, with all

      before it blank and all after it blank, for miles and miles?

      "Is it a boat? Is it a cork?" she would say, Lily repeated, turning

      back, reluctantly again, to her canvas. Heaven be praised for it, the

      problem of space remained, she thought, taking up her brush again. It

      glared at her. The whole mass of the picture was poised upon that

      weight. Beautiful and bright it should be on the surface, feathery and

      evanescent, one colour melting into another like the colours on a

      butterfly's wing; but beneath the fabric must be clamped together with

      bolts of iron. It was to be a thing you could ruffle with your breath;

      and a thing you could not dislodge with a team of horses. And she began

      to lay on a red, a grey, and she began to model her way into the hollow

      there. At the same time, she seemed to be sitting beside Mrs Ramsay on

      the beach.

      "Is it a boat? Is it a cask?" Mrs Ramsay said. And she began hunting

      round for her spectacles. And she sat, having found them, silent,

      looking out to sea. And Lily, painting steadily, felt as if a door had

      opened, and one went in and stood gazing silently about in a high

      cathedral-like place, very dark, very solemn. Shouts came from a world

      far away. Steamers vanished in stalks of smoke on the horizon.

      Charles threw stones and sent them skipping.

      Mrs Ramsay sat silent. She was glad, Lily thought, to rest in silence,

      uncommunicative; to rest in the extreme obscurity of human

      relationships. Who knows what we are, what we feel? Who knows even at

      the moment of intimacy, This is knowledge? Aren't things spoilt then,

      Mrs Ramsay may have asked (it seemed to have happened so often, this

      silence by her side) by saying them? Aren't we more expressive thus?

      The moment at least seemed extraordinarily fertile. She rammed a

      little hole in the sand and covered it up, by way of burying in it the

      perfection of the moment. It was like a drop of silver in which one

      dipped and illumined the darkness of the past.

      Lily stepped back to get her canvas--so--into perspective. It was an

      odd road to be walking, this further, until at last one seemed to be on

      a narrow plank, perfectly alone, over the sea. And as she dipped into

      the blue paint, she dipped too into the past there. Now Mrs Ramsay got

      up, she remembered. It was time to go back to the house--time for

      luncheon. And they all walked up from the beach together, she walking

      behind with William Bankes, and there was Minta in front of them with a

      hole in her stocking. How that little round hole of pink heel seemed

      to flaunt itself before them! How William Bankes deplored it, without,

      so far as she could remember, saying anything about it! It meant to

      him the annihilation of womanhood, and dirt and disorder, and servants

      leaving and beds not made at mid-day--all the things he most abhorred.

      He had a way of shuddering and spreading his fingers out as if to cover

      an unsightly object which he did now--holding his hand in front of

      him. And Minta walked on ahead, and presumably Paul met her and she

      went off with Paul in the garden.

      The Rayleys, thought Lily Briscoe, squeezing her tube of green paint.

      She collected her impressions of the Rayleys. Their lives appeared to

      her in a series of scenes; one, on the staircase at dawn. Paul had

      come in and gone to bed early; Minta was late. There was Minta,

      wreathed, tinted, garish on the stairs about three o'clock in the

      morning. Paul came out in his pyjamas carrying a poker in case of

      burglars. Minta was eating a sandwich, standing half-way up by a

     


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