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    The Red Thread

    Page 22
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      “An escaped man,” said one, “God go with him.”

      “An escaped man,” echoed the other in reply, “The Devil take him.”

      The town began with a row of poor log houses standing in little yards enclosed by dilapidated fences. A little girl bounded out, barefoot. Her feet were black. Rodion halted, enchanted. He felt naïve joy, tinged with another feeling—bitter, almost terrible—as he gazed at those familiar houses, always the same, with thatched or planked roofs so weather-beaten that you could see daylight through them. What town was this? He didn’t dare ask. He mingled with the crowd, searching for a street-sign, a notice posted by the local Soviet. But this was a town without street-signs, without posters, perhaps without a name, an ordinary little town with ruined churches: the same empty cooperatives as everywhere, a line of people in front of the closed shop of the Tabak-Trust, a miserable market-place where everything—the horses’ long drooping heads, the people’s faces, the rare sacks of grain—had the same colour of dried mud . . . On the red gauze banner strung across the main street, Rodion, who did not wish to read them, made out two faded rain-washed words: Enthusiasm, Industrialization . . .

      His hungry wanderings led him to a vast building-site bristling with scaffolds and tall skeletal walls of red brick. Trucks were jouncing drunkenly through mud-puddles without even startling the little, resigned horses harnessed to ancient carts. Casks of cement were bursting through a rail fence, and men were bustling clumsily about among the trucks, the horses, the carts, the cement, the scaffoldings. On a door Rodion read: Now hiring: labourers, masons, carpenters, stucco-workers and others—bed and soup. He pushed open the door. Inside it smelled of cheap tobacco, fresh lime, manure, benzine; it was full of hoarse voices arguing about an incident involving a missing cart-load, a drunken driver, twenty-seven roubles, the Control Commission. Rodion asked for a job as a mason-tender.

      “Fine. If you know the work, we’ll give you a chance to prove it in the second brigade, ‘Socialist Emulation.’ Its output is nineteen percent higher than the average for the plan. Three roubles and sixty-five kopecks a day and soup from the technicians’ canteen—you’re lucky. Only you better meet the quota. We carry out the plan here, brother: we don’t want any loafers. If you don’t work out, tomorrow I’ll send you over to the fourth, the gold-brickers brigade: black-list, two roubles forty-five, and sour-cabbage soup—Diarrhoea Brand.”

      “I’ll meet the quota,” said Rodion with an imperceptible touch of self-mockery. “I’m class-conscious, citizen. What are we building here?”

      “District Headquarters for State Security, comrade proletarian. So the work must be done properly, you understand. There’s competition with the prisoners’ brigades.”

      The crew that Rodion joined included a woman who taught him to carry the maximum load of solidly-stacked bricks on his back and shoulders, to carry them to the top of the scaffolding fast enough so that the masons of the fifth prisoners’ brigade never paused for an instant in their methodical labours. There was no time to breathe, to exchange a few words, or to smoke, and anyway smoking was forbidden, and anyway you lost your taste for everything. To keep up your spirits, you chewed bad tobacco—twenty cigarettes for sixty-five kopecks. The woman must have been about thirty. She hid in order to drink. When she saw Rodion’s face drenched with sweat, pinched like the face of a dying man, she joined him on a shaky platform from which you could see a soft landscape of humble roofs and light-green prairies blending off into the horizons. The woman held her brandy-bottle out to Rodion.

      “Drink fast! If the brigade-leader catches us we’re sure to get fined. . . .”

      Rodion, racked with fatigue, avidly absorbed that liquid fire. His legs never stopped shaking under him, but he felt savagely strong and lucid: he saw reality with the intensity of a dream. The woman was flat-chested and the hard, deep-lined features of her face expressed wear and resistance. Her eyes were sunken and surrounded by dark shadows.

      “Feeling better?” she asked. The corners of the grey kerchief knotted under her chin were fluttering in the breeze. Her tall form stood out over the scaffolding, and behind her there was nothing but airy space, plains, and Russian earth, the tortured earth of the Revolution, its black waters, its clouded waters, its clear waters, its frozen waters, its deadly waters, its invigorating waters, its enchanted forests, its mud, its impoverished villages, its countless living prisoners, its countless executed ones in graves, its construction sites, its masses, its solitudes and all the seeds germinating in its womb. Rodion saw it all, ineffably. All—even the germinating seeds, since they too are real. And that the woman drinking brandy from the bottle at that instant was truly, totally, a human being. He was entranced to see it so clearly.

      “Listen,” he said softly, “do you know what we are? Have you ever thought about it?” She considered him with astonishment. And her direct iron-blue gaze was tinged with fear.

      1936–1938

      Translated from the French by Richard Greeman

      I’M WAITING FOR THE FERRY

      Kabir

      I’m waiting for the ferry,

      But where are we going,

      And is there a paradise anyway?

      Besides,

      What will I,

      Who see you everywhere,

      Do there?

      I’m okay where I am, says Kabir.

      Spare me the trip.

      Translated from the Hindi by Arvind Krishna Mehrotra

      CHRONOLOGICAL LIST OF NYRB CLASSICS

      Asterisk (*) indicates an NYRB Classics Original. Dagger (†) indicates no longer in print.

      1999

      Peasants and Other Stories

      anton chekhov

      Translated from the Russian by Constance Garnett

      Selected and with an introduction by Edmund Wilson

      A High Wind in Jamaica

      richard hughes

      Introduction by Francine Prose

      My Dog Tulip

      j. r. ackerley

      Introduction by Elizabeth Marshall Thomas

      My Father and Myself

      j. r. ackerley

      Introduction by W. H. Auden

      Lolly Willowes, or, The Loving Huntsman

      sylvia townsend warner

      Introduction by Alison Lurie

      The Living Thoughts of Kierkegaard

      sØren kierkegaard

      Edited and with an introduction by W. H. Auden

      Contempt

      alberto moravia

      Translated from the Italian by Angus Davidson

      Introduction by Tim Parks

      Boredom

      alberto moravia

      Translated from the Italian by Angus Davidson

      Introduction by William Weaver

      Prison Memoirs of an Anarchist

      alexander berkman

      Introduction by John William Ward

      Jakob von Gunten

      robert walser

      Translated from the German and with an introduction by Christopher Middleton

      The Winners†

      julio cortázar

      Translated from the Spanish by Elaine Kerrigan

      Introduction by Alastair Reid

      The Other House

      henry james

      Introduction by Louis Begley

      Herself Surprised†

      joyce cary

      Introduction by Brad Leithauser

      To Be a Pilgrim†

      joyce cary

      Introduction by Brad Leithauser

      The Horse’s Mouth†

      joyce cary

      Introduction by Brad Leithauser

      A Handbook on Hanging

      charles duff

      Introduction by Christopher Hitchens

      2000

      Memoirs of My Nervous Illness

      daniel paul schreber

      Translated from the German and edited by Ida Macalpine and Richard A. Hunter

      Introduction by Rosemary Dinnage

      Hindoo Holiday: An Indian Journey

      j.
    r. ackerley

      Introduction by Eliot Weinberger

      We Think the World of You

      j. r. ackerley

      Introduction by P. N. Furbank

      The Wooden Shepherdess

      richard hughes

      Introduction by Hilary Mantel

      The Stories of J. F. Powers

      j. f. powers

      Introduction by Denis Donoghue

      Morte D’Urban

      j. f. powers

      Introduction by Elizabeth Hardwick

      Wheat That Springeth Green

      j. f. powers

      Introduction by Katherine A. Powers

      The Fierce and Beautiful World†

      andrey platonov

      Translated from the Russian by Joseph Barnes

      Introduction by Tatyana Tolstaya

      Memoirs

      lorenzo da ponte

      Translated from the Italian by Elisabeth Abbott

      Preface by Charles Rosen

      Edited, annotated, and with an introduction by Arthur Livingston

      Records of Shelley, Byron, and the Author

      edward john trelawny

      Introduction by Anne Barton

      Virgin Soil

      ivan turgenev

      Translated from the Russian by Constance Garnett

      Introduction by Charlotte Hobson

      Classic Crimes

      william roughead

      Introduction by Luc Sante

      The Lore and Language of Schoolchildren

      IONA and PETER OPIE

      Introduction by Marina Warner

      The Unknown Masterpiece and Gambara*

      honoré de balzac

      Translated from the French by Richard Howard

      Introduction by Arthur C. Danto

      The Pure and the Impure

      colette

      Translated from the French by Herma Briffault

      Introduction by Judith Thurman

      The Waste Books

      georg christoph lichtenberg

      Translated from the German and with an introduction and notes by R. J. Hollingdale

      The Glass Bees

      ernst jünger

      Translated from the German by Louise Bogan and Elizabeth Mayer

      Introduction by Bruce Sterling

      A Month in the Country

      j. l. carr

      Introduction by Michael Holroyd

      To Each His Own

      leonardo sciascia

      Translated from the Italian by Adrienne Foulke

      Introduction by W. S. Di Piero

      The Wine-Dark Sea

      leonardo sciascia

      Translated from the Italian by Avril Bardoni

      Introduction by Albert Mobilio

      Seven Men

      max beerbohm

      Introduction by John Updike

      Alfred and Guinevere

      james schuyler

      Introduction by John Ashbery

      2001

      The Pilgrim Hawk: A Love Story

      glenway wescott

      Introduction by Michael Cunningham

      The Fox in the Attic

      richard hughes

      Introduction by Hilary Mantel

      Manservant and Maidservant

      ivy compton-burnett

      Introduction by Diane Johnson

      A House and Its Head

      ivy compton-burnett

      Afterword by Francine Prose

      The Haunted Looking Glass

      Ghost Stories chosen and illustrated by Edward Gorey

      The Root and the Flower

      l. h. myers

      Introduction by Penelope Fitzgerald

      The Quest for Corvo: An Experiment in Biography

      a. j. a. symons

      Introduction by A. S. Byatt

      Hadrian the Seventh

      fr. rolfe (baron corvo)

      Introduction by Alexander Theroux

      Madame de Pompadour

      nancy mitford

      Introduction by Amanda Foreman

      The Anatomy of Melancholy

      robert burton

      Edited and with an introduction by Holbrook Jackson

      With a new introduction by William H. Gass

      Letty Fox: Her Luck†

      christina stead

      Introduction by Tim Parks

      Exploits and Adventures of Brigadier Gerard

      arthur conan doyle

      Introduction by George MacDonald Fraser

      The Golovlyov Family

      shchedrin

      Translated from the Russian by Natalie Duddington

      Introduction by James Wood

      The Radiance of the King

      camara laye

      Translated from the French by James Kirkup

      Introduction by Toni Morrison

      Eustace and Hilda: A Trilogy

      l. p. hartley

      Introduction by Anita Brookner

      Sleepless Nights

      elizabeth hardwick

      Introduction by Geoffrey O’Brien

      Seduction and Betrayal: Women and Literature

      elizabeth hardwick

      Introduction by Joan Didion

      A Way of Life, Like Any Other

      darcy o’brien

      Introduction by Seamus Heaney

      Renoir, My Father

      jean renoir

      Translated from the French by Randolph and Dorothy Weaver

      Introduction by Robert L. Herbert

      The Autobiography of an Unknown Indian

      nirad c. chaudhuri

      Introduction by Ian Jack

      As a Man Grows Older

      italo svevo

      Translated from the Italian by Beryl de Zoete

      Introduction by James Lasdun

      Letters: Summer 1926

      BORIS PASTERNAK, MARINA TSVETAEVA, and RAINER MARIA RILKE

      Edited by Yevgeny Pasternak, Yelena Pasternak, and Konstantin M. Azadovsky

      Translated by Margaret Wettlin, Walter Arndt, and Jamey Gambrell

      Preface by Susan Sontag

      Mr. Fortune

      sylvia townsend warner

      Introduction by Adam Mars-Jones

      The Selected Works of Cesare Pavese

      cesare pavese

      Translated from the Italian and with an introduction by R. W. Flint

      An African in Greenland

      tété-michel kpomassie

      Translated from the French by James Kirkup

      Introduction by A. Alvarez

      The Life of Henry Brulard

      stendhal

      Translated from the French and with an introduction by John Sturrock

      Preface by Lydia Davis

      2002

      On the Yard

      malcolm braly

      Introduction by Jonathan Lethem

      Selected Stories†

      robert walser

      Translated from the German by Christopher Middleton and others

      Foreword by Susan Sontag

      The Adventures and Misadventures of Maqroll

      álvaro mutis

      Translated from the Spanish by Edith Grossman

      Introduction by Francisco Goldman

      Mawrdew Czgowchwz

      james mccourt

      Introduction by Wayne Koestenbaum

      The Go-Between

      l. p. hartley

      Introduction by Colm Tóibín

      The Outcry

      henry james

      Introduction by Jean Strouse

      Letters from Russia*

      astolphe de custine

      The 1843 translation from the French, edited, revised, and with an introduction by Anka Muhlstein

      Miserable Miracle: Mescaline

      henri michaux

      Translated from the French by Louise Varèse and Anna Moschovakis

      Introduction by Octavio Paz

      Riders in the Chariot

      patrick white

      Introduction by David Malouf

      A Book of Mediterranean Food

      elizabeth david

      Foreword by Clarissa Dickson Wright

    &
    nbsp; Summer Cooking

      elizabeth david

      Foreword by Molly O’Neill

      Mary Olivier: A Life

      may sinclair

      Introduction by Katha Pollitt

      Randall Jarrell’s Book of Stories

      randall jarrell

      Selected and with an introduction by Randall Jarrell

      Corrigan

      caroline blackwood

      Afterword by Andrew Solomon

      Great Granny Webster

      caroline blackwood

      Introduction by Honor Moore

      The New Life†

      dante alighieri

      Translated from the Italian and with an introduction by Dante Gabriel Rossetti

      Preface by Michael Palmer

      The Ten Thousand Things

      maria dermoût

      Translated from the Dutch and with an introduction by Hans Koning

      The Unpossessed: A Novel of the Thirties

      tess slesinger

      Introduction by Elizabeth Hardwick

      The Middle of the Journey

      lionel trilling

      Preface by Monroe Engel

      The World of Odysseus

      m. i. finley

      Introduction by Bernard Knox

      Shadows of Carcosa: Tales of Cosmic Horror*

      h. p. lovecraft and others

      Edited by D. Thin

      The Book of My Life

      girolamo cardano

      Translated from the Latin by Jean Stoner

      Introduction by Anthony Grafton

      Troubles

      j. g. farrell

      Introduction by John Banville

      The Moon and the Bonfires*

      cesare pavese

      Translated from the Italian by R. W. Flint

      Introduction by Mark Rudman

      Paris Stories*

      mavis gallant

      Selected and with an introduction by Michael Ondaatje

      A Sorrow Beyond Dreams: A Life Story†

      peter handke

      Translated from the German by Ralph Manheim

      Introduction by Jeffrey Eugenides

      The Private Memoirs and Confessions of a Justified Sinner

      james hogg

      Introduction by Margot Livesey

      In the Freud Archives

      janet malcolm

      With an afterword by the author

      The Fountain Overflows

      rebecca west

     


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