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    Poems Below The Line


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    Poems Below the Line

      Assorted B Sides 1997-2012

      Terry McCarty

      Copyright 1997-2012 Terry McCarty

      All Rights Reserved. No part of this book (except for excerpts quoted for reviews)

      may be used and reproduced in any manner whatsoever

      without written permission from the author.

      Dedicated to my wife Valarie.

      Table of Contents:

      Writer’s Block Explained—Version 3

      Hostile Acres

      I’m Afraid of Dennis Miller

      The Pickup

      Notes from Employee Below-the-Line

      Metaphor

      Learning How To Swim

      This Is the News

      Poem for DW

      For Our Cat Sinead in Tustin Tonight

      I Didn’t Find It

      Folk Music As Wooly Mammoth

      Found Poem from Blurbs for Recent Brendan Constantine Book

      Poem for Scott Wannberg

      Extras on the Beach

      Painting Brown Leaves Green

      Illinois

      Play That Broken Record

      Try To Walk Unafraid

      Poem Using Imagery Some Poetry Editors Might Not Like

      Remembering Rodney King

      New York City Subway Serenade

      My Sixties

      Growing Hair for the Wind

      About the Author

      Writer’s Block Explained—Version Three

      Stare at the blinking cursor.

      Watch it pulsate.

      Count the number

      of cursor blinks

      in a sixty-second time period.

      Retrieve stopwatch from desk drawer.

      Count the number

      of minutes it takes to stare

      at the throbbing cursor

      before self-hypnosis takes place

      and you enter a land

      where something surreal

      may occur

      to generate verse

      filling in white space

      on a computer screen

      where a cursor flashes on-off-on-off

      and waits patiently

      for something to make it move.

      Hostile Acres

      I help till the soil at Hostile Acres.

      Almost everyone carries a gun except me.

      Tried to learn once.

      Almost shot my big toe off.

      Some people came looking for work the other day.

      Didn't take long until the hired hands began talking:

      "They're taking our jobs."

      "How do you know whether or not they're American?"

      "Make them carry IDs."

      "What about injecting digitized guest-worker chips under their skin?"

      "Let's just tattoo a citizenship barcode on their forearms."

      And so on and so forth.

      Then a few shots rang out.

      This is what I heard a few minutes later:

      "It was a lone nutcase with a gun."

      "The nut's still alive."

      "No, he's dead for sure."

      "Thank God we can carry guns in public for protection.

      The maniac got dropped

      and we just let him bleed out."

      "There was a little boy caught in the crossfire.

      Don't know who shot him.

      Don't know how he got hit."

      Next day, we heard the President

      on the field radio

      saying that, at the very least,

      automatic weapons should be banned

      from use by the general public.

      A chorus of disapproval:

      DON'T TAKE OUR GUNS AWAY!!

      NO GUNS, NO SAFETY!!!!

      WE'LL BE KILLED FOR SURE!!

      HE'S NOT OUR PRESIDENT!!

      And so on and so forth.

      Then I heard a round of gunfire.

      The radio was destroyed immediately.

      The overseer yelled:

      PUT AWAY YOUR GUNS!

      And we went back to work

      tilling the soil at Hostile Acres--

      happy to hear nothing

      except the sounds of our own voices

      voicing the beliefs

      we don't need education for

      because we know how right we are in our guts.

      I’m Afraid of Dennis Miller

      I don’t want to get off on a rant here,

      but I had a nightmare just recently.

      In my dream, I saw former comedian Dennis Miller

      walking down State Street in Santa Barbara

      wearing a sandwich board saying

      NUKE IRAN AND NORTH KOREA

      BEFORE THEY NUKE US!!!

      and selling sealed-in-plastic paperback copies

      of General Douglas MacArthur’s autobiography.

      I’m old enough to remember when Dennis Miller

      was actually funny.

      This was when he was the fake newsman on

      SATURDAY NIGHT LIVE’S WEEKEND UPDATE

      and hosted syndicated and HBO talk shows.

      At that time, he poked fun at all kinds of absurdity--

      whether it was from the Left or the Right.

      Then, Dennis came out of the political closet

      and became a rabid Republican.

      He likes to say it was a result of 9/11.

      But Dennis was already lusting for the favor

      of George W. Bush and his acolytes

      after the 2000 election.

      And now he holds court on Fox News

      (motto: We Distort, You Decide)

      preaching to the angry-and-resentful converted

      like a slightly more jovial carbon copy

      of that master of fairness and balance-Bill O’Reilly.

      “Hey, Dennis!” I yell out.

      “I remember when you referred to

      Tammy Faye Bakker

      as The Stepford Hick on SNL.

      Now, you’re making nice

      with the religious right. What happened?”

      Dennis scowls and his face turns the color

      of a Red State.

      “If you say that again, I’ll sue the fuck out of you!” he hisses.

      “I’ve got a reputation to protect!

      Besides, pal, you sound as impotent as Woodrow Wilson arguing

      for U.S. involvement in the League of Nations.

      By the way, you wouldn’t be interested in a

      JUST SAY NO TO KOFI ANNAN button, would you?

      Of course not, you’re just another brain-dead liberal

      who won’t listen to the Truth!

      Get the fuck out of here

      and go crawl up Howard Dean’s ass,

      why don’t you?”

      I take the hint and start to walk away.

      But I now hear Dennis singing a parody

      of an old rock-and-roll song in an off-key,

      malicious-drunk-tormenting-bar-patrons voice:

      BOMB, BOMB, BOMB

      BOMB BOMB IRAN!!!!

      End of nightmare.

      Fade to black.

      The Pickup (a mood poem)

      on a soundstage in santa clarita,

      a movie crew is busy filming

      what is known as a pickup-

      a portion of a scene

      that needs to be reshot

      to the director’s satisfaction.

      It’s the final week of production-

      the time when pickups

      are often filmed.

      the mood on the set

      (an interior of an apartment)

      is surprisingly lighthearted.

      crew members tease each other

      in a good-natured manner

      as the shot is being set up.

      the prop woma
    n carefully

      sprinkles stage blood on the floor,

      making sure she replicates

      the trail of bloodstains

      that appeared in the scene

      as originally filmed.

      She accidentally dribbles

      some of the stage blood on

      her right shoe.

      The camera assistant sees this

      and renames her “Bloodfoot”.

      Everyone laughs.

      the first assistant director

      calls for a second team rehearsal.

      three stand-ins take their places

      on the set.

      two extras playing corpses

      lie down on the floor.

      the script supervisor reminds

      the extras of their

      precise positions

      in the original filming.

      the rehearsal begins.

      the star’s stand-in

      carefully imitating the star’s

      trademark mannerisms)

      enters first.

      He takes photos of

      the two corpses.

      The other two stand-ins,

      playing detectives,

      enter the room and

      eject the star’s stand-in

      after a brief scuffle.

      The first assistant looks

      at the director and the

      cinematographer and asks

      “what did you think?”

      all of them agree that

      the rehearsal was good

      and it’s time to bring in

      the actors-THE FIRST TEAM.

      the first assistant relays

      an order into his headset:

      “We’re ready for a first team

      rehearsal. Bring the star in.”

      the other actors come in first,

      then the star (surrounded by

      personal assistant, hairdresser

      and personal make-up artist)

      makes his entrance.

      the pickup is rehearsed,

      then it is filmed and printed

      in no more than three takes.

      the atmosphere remains relaxed.

      the crew members-

      for all the disharmony,

      occasional firings,

      strategic alliances

      and other tensions that

      took place during the previous

      ten weeks of production-

      are now emotionally equal to

      a group of high school seniors

      taking it easy during

      the final week of school

      before graduation comes

      and everything changes.

      Notes from Employee Below-the-Line

      some colleagues angry and/or exasperated,

      employee fearful of being terminated,

      says nothing else

      sick with fear and anger

      later collapses

      of days of stress and exhaustion.

      a convenient stress reliever

      for coworkers

      tries to upgrade

      his level of competency,

      but mistakes continue.

      “In the school of life,

      I flunked adaptability.”-

      takes day off,

      calls his therapist,

      returns to work

      some coworkers inquiring as to his health;

      others stare bayonets into him.

      visit to office medic

      who got an "A" in adaptablitiy

      makes him determine to adapt

      and stop worrying:

      “What are you going to do, kill me? Everybody dies.”-

      line written by Abraham Polonsky for BODY AND SOUL.

      End this poem

      with a description of the sunrise.

      People love an image

      that’s cathartic-

      like the car being pulled

      out of the swamp

      in the final shot of PSYCHO.

      Metaphor

      put my eggs into a basket

      which used to be sturdy and strong

      but as the years went by

      the basket weakened with age

      and eggs began to fall

      onto the ground

      gathered a few eggs

      and found they stayed intact

      save for a few hairline fractures

      other eggs smashed

      to varying degrees

      on hard concrete

      and couldn't be saved

      especially the ones that

      looked like 24K gold

      but were actually plain old eggs

      with gold-painted shells

      searched for a basket

      to put my remaining eggs in

      and discovered

      they don't make baskets

      anymore

      Learning How To Swim

      This morning, I feel timid.

      I’m standing on the water’s edge,

      watching as you swim towards

      the middle of the ocean.

      You’re a wonderful swimmer.

      I can’t help but admire’

      your proficiency.

      I never learned to swim.

      All I can do is dogpaddle.

      By now, you’re 30 yards from shore.

      you beckon me to leave the

      comfort of dry land

      and join you.

      I give in to your entreaties

      and begin to cautiously

      dogpaddle towards you.

      The ocean becomes rough.

      I feel the undertow.

      I swallow what feels like

      a gallon of saltwater.

      I begin choking.

      I call out to you

      in a frightened voice.

      it looks as if I’ll drown.

      you look at me and smile.

      “don’t give up,” you tell me.

      “I’ll be right there.”

      the water becomes colder.

      I look at you as you swim to me.

      I look at the shore.

      maybe I should swim to safety.

      Before I can act on that thought,

      you’re by my side,

      throwing your arms around

      my neck and giving me

      the most intense kiss of my life.

      at that moment,

      I decide you’re the one.

      there will be no problem,

      no crisis,

      no seemingly insurmountable

      obstacle,

      no storm-tossed sea

      that we can’t face together.

      This Is the News

      Local amusement park hosts stars of network soap operas.

      Cut to informative interviews on how they like visiting

      Southern California.

      Police pursuit (aka car chase) starts in Brentwood

      and ends in Orange.

      Cut to anchors who offer

      clueless coverage of the chase itself.

      There’s a runoff election

      in the San Fernando Valley.

      It’s a boring story-

      let’s show footage of a dog

      eating ice cream instead.

      It’s July sweeps-let’s show off our station’s

      investigative reporting

      by having the $8 million anchor

      harass a drug dealer

      in MacArthur Park.

      A supporting actor on a TV series

      dies of a drug overdose.

      Let’s tease the story by

      withholding his name; maybe

      people will think the star died.

      A talk show legend dies at the age of 79.

      Let’s be outraged over being misled

      into thinking he died at home

      instead of Cedars-Sinai.

      Consumer reporter covers corruption

      at a car dealership in El Monte.

      He’s free to be tough-the dealer doesn’t buy ad time


      on the station.

      Movie reviewer gushes over

      Summer Blockbuster Sequel

      for almost two minutes.

      He used to be tough-now he loves

      almost everything that’s released.

     


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