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    The Family Reunion

    Page 5
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      In forty years.

      WARBURTON

      Indeed, yes.

      Even in a country practice. My first patient, now—

      You wouldn’t believe it, ladies—was a murderer,

      Who suffered from an incurable cancer.

      How he fought against it! I never saw a man

      More anxious to live.

      HARRY

      Not at all extraordinary.

      It is really harder to believe in murder

      Than to believe in cancer. Cancer is here:

      The lump, the dull pain, the occasional sickness:

      Murder a reversal of sleep and waking.

      Murder was there. Your ordinary murderer

      Regards himself as an innocent victim.

      To himself he is still what he used to be

      Or what he would be. He cannot realise

      That everything is irrevocable,

      The past unredeemable. But cancer, now,

      That is something real.

      WARBURTON

      Well, let’s not talk of such matters.

      How did we get onto the subject of cancer?

      I really don’t know.—But now you’re all grown up

      I haven’t a patient left at Wishwood.

      Wishwood was always a cold place, but healthy.

      It’s only when I get an invitation to dinner

      That I ever see your mother.

      VIOLET

      Yes, look at your mother!

      Except that she can’t get about now in winter

      You wouldn’t think that she was a day older

      Than on her birthday ten years ago.

      GERALD

      Is there any use in waiting for Arthur and John?

      AMY

      We might as well go in to dinner.

      They may come before we finish. Will you take me in, Doctor?

      I think we are very much the oldest present—

      In fact we are the oldest inhabitants.

      As we came first, we will go first, in to dinner.

      WARBURTON

      With pleasure, Lady Monchensey,

      And I hope that next year will bring me the same honour.

      [Exeunt AMY, DR. WARBURTON, HARRY.]

      CHORUS

      I am afraid of all that has happened, and of all that is to come;

      Of the things to come that sit at the door, as if they had been there always.

      And the past is about to happen, and the future was long since settled.

      And the wings of the future darken the past, the beak and claws have desecrated

      History. Shamed

      The first cry in the bedroom, the noise in the nursery, mutilated

      The family album, rendered ludicrous

      The tenants’ dinner, the family pic-nic on the moors. Have torn

      The roof from the house, or perhaps it was never there.

      And the bird sits on the broken chimney. I am afraid.

      IVY

      This is a most undignified terror, and I must struggle against it.

      GERALD

      I am used to tangible danger, but only to what I can understand.

      VIOLET

      It is the obtuseness of Gerald and Charles and that doctor, that gets on my nerves.

      CHARLES

      If the matter were left in my hands, I think I could manage the situation.

      [Exeunt.]

      [Enter MARY, and passes through to dinner. Enter AGATHA.]

      AGATHA

      The eye is on this house

      The eye covers it

      There are three together

      May the three be separated

      May the knot that was tied

      Become unknotted

      May the crossed bones

      In the filled-up well

      Be at last straightened

      May the weasel and the otter

      Be about their proper business

      The eye of the day time

      And the eye of the night time

      Be diverted from this house

      Till the knot is unknotted

      The crossed is uncrossed

      And the crooked is made straight.

      [Exit to dinner.]

      END OF PART I

      PART II

      The Library, After Dinner

      Scene I

      HARRY, WARBURTON

      WARBURTON

      I’m glad of a few minutes alone with you, Harry.

      In fact, I had another reason for coming this evening

      Than simply in honour of your mother’s birthday.

      I wanted a private conversation with you

      On a confidential matter.

      HARRY

      I can imagine—

      Though I think it is probably going to be useless,

      Or if anything, make matters rather more difficult

      But talk about it, if you like.

      WARBURTON

      You don’t understand me.

      I’m sure you cannot know what is on my mind;

      And as for making matters more difficult—

      It is much more difficult not to be prepared

      For something that is very likely to happen.

      HARRY

      O God, man, the things that are going to happen

      Have already happened.

      WARBURTON

      That is in a sense true,

      But without your knowing it, and what you know

      Or do not know, at any moment

      May make an endless difference to the future.

      It’s about your mother . . .

      HARRY

      What about my mother?

      Everything has always been referred back to mother.

      When we were children, before we went to school,

      The rule of conduct was simply pleasing mother;

      Misconduct was simply being unkind to mother;

      What was wrong was whatever made her suffer,

      And whatever made her happy was what was virtuous—

      Though never very happy, I remember. That was why

      We all felt like failures, before we had begun.

      When we came back, for the school holidays,

      They were not holidays, but simply a time

      In which we were supposed to make up to mother

      For all the weeks during which she had not seen us

      Except at half-term, and seeing us then

      Only seemed to make her more unhappy, and made us

      Feel more guilty, and so we misbehaved

      Next day at school, in order to be punished,

      For punishment made us feel less guilty. Mother

      Never punished us, but made us feel guilty.

      I think that the things that are taken for granted

      At home, make a deeper impression upon children Than what they are told.

      WARBURTON

      Stop, Harry, you’re mistaken.

      I mean, you don’t know what I want to tell you.

      You may be quite right, but what we are concerned with

      Now, is your mother’s happiness in the future,

      For the time she has to live: not with the past.

      HARRY

      Oh, is there any difference!

      How can we be concerned with the past

      And not with the future? or with the future

      And not with the past? What I’m telling you

      Is very important. Very important.

      You must let me explain, and then you can talk.

      I don’t know why, but just this evening

      I feel an overwhelming need for explanation—

      But perhaps I only dream that I am talking

      And shall wake to find that I have been silent

      Or talked to the stone deaf: and the others

      Seem to hear something else than what I am saying.

      But if you want to talk, at least you can tell me

      Something useful. Do you remember my father?

      WARBURTON

      Why, yes, of course, Harry, but I really don’t see


      What that has to do with the present occasion

      Or with what I have to tell you.

      HARRY

      What you have to tell me

      Is either something that I know already

      Or unimportant, or else untrue.

      But I want to know more about my father.

      I hardly remember him, and I know very well

      That I was kept apart from him, till he went away.

      We never heard him mentioned, but in some way or another

      We felt that he was always here.

      But when we would have grasped for him, there was only a vacuum

      Surrounded by whispering aunts: Ivy and Violet—

      Agatha never came then. Where was my father?

      WARBURTON

      Harry, there’s no good probing for misery.

      There was enough once: but what festered

      Then, has only left a cautery.

      Leave it alone. You know that your mother

      And your father were never very happy together:

      They separated by mutual consent

      And he went to live abroad. You were only a boy

      When he died. You would not remember.

      HARRY

      But now I do remember. Not Arthur or John,

      They were too young. But now I remember

      A summer day of unusual heat,

      The day I lost my butterfly net;

      I remember the silence, and the hushed excitement

      And the low conversation of triumphant aunts.

      It is the conversations not overheard,

      Not intended to be heard, with the sidewise looks,

      That bring death into the heart of a child.

      That was the day he died. Of course.

      I mean, I suppose, the day on which the news arrived.

      WARBURTON

      You overinterpret.

      I am sure that your mother always loved him;

      There was never the slightest suspicion of scandal.

      HARRY

      Scandal? who said scandal? I did not.

      Yes, I see now. That night, when she kissed me,

      I felt the trap close. If you won’t tell me,

      I must ask Agatha. I never dared before.

      WARBURTON

      I advise you strongly, not to ask your aunt—

      I mean, there is nothing she could tell you. But, Harry,

      We can’t sit here all the evening, you know;

      You will have to have the birthday celebration,

      And your brothers will be here. Won't you let me tell you

      What I had to say?

      HARRY

      Very well, tell me.

      WARBURTON

      It’s about your mother’s health that I wanted to talk to you.

      I must tell you, Harry, that although your mother

      Is still so alert, so vigorous of mind,

      Although she seems as vital as ever—

      It is only the force of her personality,

      Her indomitable will, that keeps her alive.

      I needn’t go into technicalities

      At the present moment. The whole machine is weak

      And running down. Her heart’s very feeble.

      With care, and avoiding all excitement

      She may live several years. A sudden shock

      Might send her off at any moment.

      If she had been another woman

      She would not have lived until now.

      Her determination has kept her going:

      She has only lived for your return to Wishwood,

      For you to take command at Wishwood,

      And for that reason, it is most essential

      That nothing should disturb or excite her.

      HARRY

      Well!

      WARBURTON

      I’m very sorry for you, Harry.

      I should have liked to spare you this,

      Just now. But there were two reasons

      Why you had to know. One is your mother,

      To make her happy for the time she has to live.

      The other is yourself: the future of Wishwood

      Depends on you. I don’t like to say this;

      But you know that I am a very old friend,

      And have always been a party to the family secrets—

      You know as well as I do that Arthur and John

      Have been a great disappointment to your mother.

      John’s very steady—but he’s not exactly brilliant;

      And Arthur has always been rather irresponsible.

      Your mother’s hopes are all centred on you.

      HARRY

      Hopes? . . . Tell me

      Did you know my father at about my present age?

      WARBURTON

      Why, yes, Harry, of course I did.

      HARRY

      What did he look like then? Did he look at all like me?

      WARBURTON

      Very much like you. Of course there are differences:

      But, allowing for the changes in fashion

      And your being clean-shaven, very much like you.

      And now, Harry, let’s talk about yourself.

      HARRY

      I never saw a photograph. There is no portrait.

      WARBURTON

      What I want to know is, whether you’ve been sleeping . . .

      [Enter DENMAN.]

      DENMAN

      It’s Sergeant Winchell is here, my Lord,

      And wants to see your Lordship very urgent,

      And Dr. Warburton. He says it’s very urgent

      Or he wouldn’t have troubled you.

      HARRY

      I’ll see him.

      [Exit DENMAN.]

      WARBURTON

      I wonder what he wants. I hope nothing has happened

      To either of your brothers.

      HARRY

      Nothing can have happened

      To either of my brothers. Nothing can happen—

      If Sergeant Winchell is real. But Denman saw him.

      But what if Denman saw him, and yet he was not real?

      That would be worse than anything that has happened.

      What if you saw him, and . . .

      WARBURTON

      Harry! Pull yourself together.

      Something may have happened to one of your brothers.

      [Enter WINCHELL.]

      WINCHELL

      Good evening, my Lord. Good evening, Doctor.

      Many happy . . . Oh, I’m sorry, my Lord,

      I was thinking it was your birthday, not her Ladyship’s.

      HARRY

      Her Ladyship’s!

      [He darts at WINCHELL and seizes him by the shoulders.]

      He is real, Doctor.

      So let us resume the conversation. You and I

      And Winchell. Sit down, Winchell,

      And have a glass of port. We were talking of my father.

      WINCHELL

      Always at your jokes, I see. You don’t look a year older

      Than when I saw you last, my Lord. But a country sergeant

      Doesn’t get younger. Thank you, no, my Lord;

      I don’t find port agrees with the rheumatism.

      WARBURTON

      For God’s sake, Winchell, tell us your business.

      His Lordship isn’t very well this evening.

      WINCHELL

      I understand, Sir.

      It’d be the same if it was my birthday—

      I beg pardon, I’m forgetting.

      If it was my mother’s. God rest her soul,

      She’s been dead these ten years. How is her Ladyship,

      If I may ask, my Lord?

      HARRY

      Why do you keep asking

      About her Ladyship? Do you know or don’t you?

      I’m not afraid of you.

      WINCHELL

      I should hope not, my Lord.

      I didn’t mean to put myself forward.

      But you see, my Lord, I had good reason for asking . . .

      HARRY

      Well, do you want me to p
    roduce her for you?

      WINCHELL

      Oh, no, indeed, my Lord, I’d much rather not . . .

      HARRY

      You mean you think I can’t. But I might surprise you;

      I think I might be able to give you a shock.

      WINCHELL

      There’s been shock enough for one evening, my Lord:

      That’s what I’ve come about.

      WARBURTON

      For Heaven’s sake, Winchell,

      Tell us your business.

      WINCHELL

      It’s about Mr. John.

      HARRY

      John!

      WINCHELL

      Yes, my Lord, I’m sorry.

      I thought I’d better have a word with you quiet,

      Rather than phone and perhaps disturb her Ladyship.

      So I slipped along on my bike. Mostly walking,

      What with the fog so thick, or I’d have been here sooner.

      I’d telephoned to Dr. Warburton’s,

      And they told me he was here, and that you’d arrived.

      Mr. John’s had a bit of an accident

      On the West Road, in the fog, coming along

      At a pretty smart pace, I fancy, ran into a lorry

      Drawn up round the bend. We’ll have the driver up for this:

     


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