The heat-cracked crickets congregate
In their black armorplate and cry.
The day-moon lights up like a sorry mother,
And the crickets come creeping into our hair
To fiddle the short night away.
The Surgeon at 2 A.M.
The white light is artificial, and hygienic as heaven.
The microbes cannot survive it.
They are departing in their transparent garments, turned aside
From the scalpels and the rubber hands.
The scalded sheet is a snowfield, frozen and peaceful.
The body under it is in my hands.
As usual there is no face. A lump of Chinese white
With seven holes thumbed in. The soul is another light.
I have not seen it; it does not fly up.
Tonight it has receded like a ship’s light.
It is a garden I have to do with—tubers and fruits
Oozing their jammy substances,
A mat of roots. My assistants hook them back.
Stenches and colors assail me.
This is the lung-tree.
These orchids are splendid. They spot and coil like snakes.
The heart is a red bell-bloom, in distress.
I am so small
In comparison to these organs!
I worm and hack in a purple wilderness.
The blood is a sunset. I admire it.
I am up to my elbows in it, red and squeaking.
Still it seeps up, it is not exhausted.
So magical! A hot spring
I must seal off and let fill
The intricate, blue piping under this pale marble.
How I admire the Romans—
Aqueducts, the Baths of Caracalla, the eagle nose!
The body is a Roman thing.
It has shut its mouth on the stone pill of repose.
It is a statue the orderlies are wheeling off.
I have perfected it.
I am left with an arm or a leg,
A set of teeth, or stones
To rattle in a bottle and take home,
And tissues in slices—a pathological salami.
Tonight the parts are entombed in an icebox.
Tomorrow they will swim
In vinegar like saints’ relics.
Tomorrow the patient will have a clean, pink plastic limb.
Over one bed in the ward, a small blue light
Announces a new soul. The bed is blue.
Tonight, for this person, blue is a beautiful color.
The angels of morphia have borne him up.
He floats an inch from the ceiling,
Smelling the dawn drafts.
I walk among sleepers in gauze sarcophagi.
The red night lights are flat moons. They are dull with blood.
I am the sun, in my white coat,
Grey faces, shuttered by drugs, follow me like flowers.
Two Campers in Cloud Country
(ROCK LAKE, CANADA)
In this country there is neither measure nor balance
To redress the dominance of rocks and woods,
The passage, say, of these man-shaming clouds.
No gesture of yours or mine could catch their attention,
No word make them carry water or fire the kindling
Like local trolls in the spell of a superior being.
Well, one wearies of the Public Gardens: one wants a vacation
Where trees and clouds and animals pay no notice;
Away from the labeled elms, the tame tea-roses.
It took three days driving north to find a cloud
The polite skies over Boston couldn’t possibly accommodate.
Here on the last frontier of the big, brash spirit
The horizons are too far off to be chummy as uncles;
The colors assert themselves with a sort of vengeance.
Each day concludes in a huge splurge of vermilions
And night arrives in one gigantic step.
It is comfortable, for a change, to mean so little.
These rocks offer no purchase to herbage or people:
They are conceiving a dynasty of perfect cold.
In a month we’ll wonder what plates and forks are for.
I lean to you, numb as a fossil. Tell me I’m here.
The Pilgrims and Indians might never have happened.
Planets pulse in the lake like bright amoebas;
The pines blot our voices up in their lightest sighs.
Around our tent the old simplicities sough
Sleepily as Lethe, trying to get in.
We’ll wake blank-brained as water in the dawn.
Mirror
I am silver and exact. I have no preconceptions.
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful—
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
On Deck
Midnight in the mid-Atlantic. On deck.
Wrapped up in themselves as in thick veiling
And mute as mannequins in a dress shop,
Some few passengers keep track
Of the old star-map on the ceiling.
Tiny and far, a single ship
Lit like a two-tiered wedding cake
Carries its candles slowly off.
Now there is nothing much to look at.
Still nobody will move or speak—
The bingo players, the players at love
On a square no bigger than a carpet
Are hustled over the crests and troughs,
Each stalled in his particular minute
And castled in it like a king.
Small drops spot their coats, their gloves:
They fly too fast to feel the wet.
Anything can happen where they are going.
The untidy lady revivalist
For whom the good Lord provides (He gave
Her a pocketbook, a pearl hatpin
And seven winter coats last August)
Prays under her breath that she may save
The art students in West Berlin.
The astrologer at her elbow (a Leo)
Picked his trip-date by the stars.
He is gratified by the absence of icecakes.
He’ll be rich in a year (and he should know)
Selling the Welsh and English mothers
Nativities at two and six.
And the white-haired jeweler from Denmark is craving
A perfectly faceted wife to wait
On him hand and foot, quiet as a diamond.
Moony balloons tied by a string
To their owners’ wrists, the light dreams float
To be let loose at news of land.
Whitsun
This is not what I meant:
Stucco arches, the banked rocks sunning in rows,
Bald eyes or petrified eggs,
Grownups coffined in stockings and jackets,
Lard-pale, sipping the thin
Air like a medicine.
The stopped horse on his chromium pole
Stares through us; his
hooves chew the breeze.
Your shirt of crisp linen
Bloats like a spinnaker. Hat-brims
Deflect the watery dazzle; the people idle
As if in hospital.
I can smell the salt, all right.
At our feet, the weed-mustachioed sea
Exhibits its glaucous silks,
Bowing and truckling like an old-school oriental.
You’re no happier than I about it.
A policeman points out a vacant cliff
Green as a pool table, where cabbage butterflies
Peel off to sea as gulls do,
And we picnic in the death-stench of a hawthorn.
The waves pulse and pulse like hearts.
Beached under the spumy blooms, we lie
Seasick and fever-dry.
Zoo Keeper’s Wife
I can stay awake all night, if need be—
Cold as an eel, without eyelids.
Like a dead lake the dark envelops me,
Blueblack, a spectacular plum fruit.
No air bubbles start from my heart. I am lungless
And ugly, my belly a silk stocking
Where the heads and tails of my sisters decompose.
Look, they are melting like coins in the powerful juices—
The spidery jaws, the spine bones bared for a moment
Like the white lines on a blueprint.
Should I stir, I think this pink and purple plastic
Guts bag would clack like a child’s rattle,
Old grievances jostling each other, so many loose teeth.
But what do you know about that
My fat pork, my marrowy sweetheart, face-to-the-wall?
Some things of this world are indigestible.
You wooed me with the wolf-headed fruit bats
Hanging from their scorched hooks in the moist
Fug of the Small Mammal House.
The armadillo dozed in his sandbin
Obscene and bald as a pig, the white mice
Multiplied to infinity like angels on a pinhead
Out of sheer boredom. Tangled in the sweat-wet sheets
I remember the bloodied chicks and the quartered rabbits.
You checked the diet charts and took me to play
With the boa constrictor in the Fellow’s Garden.
I pretended I was the Tree of Knowledge.
I entered your bible, I boarded your ark
With the sacred baboon in his wig and wax ears
And the bear-furred, bird-eating spider
Clambering round its glass box like an eight-fingered hand.
I can’t get it out of my mind
How our courtship lit the tindery cages—
Your two-horned rhinoceros opened a mouth
Dirty as a bootsole and big as a hospital sink
For my cube of sugar: its bog breath
Gloved my arm to the elbow.
The snails blew kisses like black apples.
Nightly now I flog apes owls bears sheep
Over their iron stile. And still don’t sleep.
Last Words
I do not want a plain box, I want a sarcophagus
With tigery stripes, and a face on it
Round as the moon, to stare up.
I want to be looking at them when they come
Picking among the dumb minerals, the roots.
I see them already—the pale, star-distance faces.
Now they are nothing, they are not even babies.
I imagine them without fathers or mothers, like the first gods.
They will wonder if I was important.
I should sugar and preserve my days like fruit!
My mirror is clouding over—
A few more breaths, and it will reflect nothing at all.
The flowers and the faces whiten to a sheet.
I do not trust the spirit. It escapes like steam
In dreams, through mouth-hole or eye hole. I can’t stop it.
One day it won’t come back. Things aren’t like that.
They stay, their little particular lusters
Warmed by much handling. They almost purr.
When the soles of my feet grow cold,
The blue eye of my turquoise will comfort me.
Let me have my copper cooking pots, let my rouge pots
Bloom about me like night flowers, with a good smell.
They will roll me up in bandages, they will store my heart
Under my feet in a neat parcel.
I shall hardly know myself. It will be dark,
And the shine of these small things sweeter than the face of Ishtar.
Black Rook in Rainy Weather
On the stiff twig up there
Hunches a wet black rook
Arranging and rearranging its feathers in the rain.
I do not expect a miracle
Or an accident
To set the sight on fire
In my eye, nor seek
Any more in the desultory weather some design,
But let spotted leaves fall as they fall,
Without ceremony, or portent.
Although, I admit, I desire,
Occasionally, some backtalk
From the mute sky, I can’t honestly complain:
A certain minor light may still
Leap incandescent
Out of kitchen table or chair
As if a celestial burning took
Possession of the most obtuse objects now and then—
Thus hallowing an interval
Otherwise inconsequent
By bestowing largesse, honor,
One might say love. At any rate, I now walk
Wary (for it could happen
Even in this dull, ruinous landscape); sceptical,
Yet politic; ignorant
Of whatever angel may choose to flare
Suddenly at my elbow. I only know that a rook
Ordering its black feathers can so shine
As to seize my senses, haul
My eyelids up, and grant
A brief respite from fear
Of total neutrality. With luck,
Trekking stubborn through this season
Of fatigue, I shall
Patch together a content
Of sorts. Miracles occur,
If you care to call those spasmodic
Tricks of radiance miracles. The wait’s begun again,
The long wait for the angel,
For that rare, random descent.
Metaphors
I’m a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf’s big with its yeasty rising.
Money’s new-minted in this fat purse.
I’m a means, a stage, a cow in calf.
I’ve eaten a bag of green apples,
Boarded the train there’s no getting off.
Maudlin
Mud-mattressed under the sign of the hag
In a clench of blood, the sleep-talking virgin
Gibbets with her curse the moon’s man,
Faggot-bearing Jack in his crackless egg:
Hatched with a claret hogshead to swig
He kings it, navel-knit to no groan,
But at the price of a pin-stitched skin
Fish-tailed girls purchase each white leg.
Ouija
It is a chilly god, a god of shades,
Rises to the glass from his black fathoms.
At the window, those unborn, those undone
Assemble with the frail paleness of moths,
An envious phosphorescence in their wings.
Vermilions, bronzes, colors of the sun
In the coal fire will not wholly console them.
Imagine their deep hunger, deep as the dark
For the blood-heat that would ruddle or reclaim.
The glass mouth
sucks blood-heat from my forefinger.
The old god dribbles, in return, his words.
The old god, too, writes aureate poetry
In tarnished modes, maundering among the wastes,
Fair chronicler of every foul declension.
Age, and ages of prose, have uncoiled
His talking whirlwind, abated his excessive temper
When words, like locusts, drummed the darkening air
And left the cobs to rattle, bitten clean.
Skies once wearing a blue, divine hauteur
Ravel above us, mistily descend,
Thickening with motes, to a marriage with the mire.
He hymns the rotten queen with saffron hair
Who has saltier aphrodisiacs
Than virgins’ tears. That bawdy queen of death,
Her wormy couriers are at his bones.
Still he hymns juice of her, hot nectarine.
I see him, horny-skinned and tough, construe
What flinty pebbles the ploughblade upturns
As ponderable tokens of her love.
He, godly, doddering, spells
No succinct Gabriel from the letters here
But floridly, his amorous nostalgias.
Two Sisters of Persephone
Two girls there are: within the house
One sits; the other, without.
Daylong a duet of shade and light
Plays between these.
In her dark wainscotted room
The first works problems on
A mathematical machine.
Dry ticks mark time
As she calculates each sum.
At this barren enterprise
Rat-shrewd go her squint eyes,
Root-pale her meager frame.
Bronzed as earth, the second lies,
Hearing ticks blown gold
Like pollen on bright air. Lulled
Near a bed of poppies,
She sees how their red silk flare
Of petalled blood