13. Do you think Sofia should be allowed to keep her delusions? Why or why not?
14. What gave Meg the courage to call Lorenzo after she read her father’s letter? How do you think Meg convinced Lorenzo he was worth the risk of being loved?
Author’s Note
One of the lovely things about writing fiction is the freedom to manipulate reality, to create people who seem real but aren’t, endowing them with a past that doesn’t exist and giving them desires that resonate in us even if the people themselves are imaginary. There is much about The Girl in the Glass that is real, much that I concocted, and much that is as real as I can imagine it.
Nora Orsini was indeed the granddaughter of the great Cosimo I and the daughter of the murdered Isabella de’ Medici Orsini. But there is very little written about Nora in any historical records. While we can’t know for certain what her childhood was like after her mother was killed and her father disengaged himself from her, it is possible to imagine it. The narrative in The Girl in the Glass is how I imagined it.
If you get to Florence someday, please do find a trattoria that serves porcini mushrooms. They really are as soft and sweet as marshmallows.
If you would like to know more about the Medici family, or Florence, or Isabella de’ Medici, I recommend these books: The House of Medici—Its Rise and Fall by Christopher Hibbert (William Morrow Paperbacks, 1999), The Stones of Florence by Mary McCarthy (Mariner Books, 2002), Brunelleschi’s Dome: How a Renaissance Genius Reinvented Architecture by Ross King (Penguin, 2001), and Murder of a Medici Princess by Caroline P. Murphy (Oxford University Press, 2009).
Acknowledgments
A novel is never the work of just one person. I am tremendously grateful to my editorial team at WaterBrook Multnomah Publishing Group, including Shannon Marchese, Lissa Halls Johnson, and Laura K. Wright, for opening my eyes to deeper and grander possibilities with these characters. Their insights sent me back to the drawing board more than once, but I am so glad they did. I am also grateful to my agent, Chip MacGregor, for steady encouragement, especially when the task at hand seemed far bigger than my ability to meet it.
My Zip It! Book Club gals, and special friends Kimlee Harper, Pam Ingold, and Kathy Sanders prayed me through the tough days of the writing process. Their cheers from the sidelines kept me going. I am beyond grateful.
Hearty thanks are extended to my mother, Judy Horning, for her proofreading prowess, and to my husband, Bob, for letting me go back to Florence—in my mind—every day for nearly a year without him. Bob, Sei tutto per me.
Lastly, I am grateful to God for bestowing on humankind the desire and the vision to imagine jaw-dropping beauty and then the talent to bravely create it.
About the Author