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    Coco Chanel

    Page 7
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      Vaughan, Hal. Sleeping with the Enemy: Coco Chanel’s Secret War. New York: Alfred A. Knopf, 2011.

      Wallach, Janet. Chanel: Her Style and Her Life. New York: Doubleday, 1998.

      White, Palmer. Elsa Schiaparelli: Empress of Paris Fashion. London: Aurum Press, 1996.

      Catalogs

      Koda, Harold, and Andrew Bolton. Chanel. New York: The Metropolitan Museum of Art, 2005.

      Articles

      Flanner, Janet. “31, rue Cambon.” The New Yorker, March 14, 1931; www.newyorker.com/magazine/1931/03/14.

      Herndon, Booton. “Paris Was Yesterday.” Virginia Quarterly Review 70, no. 4 (1994); www.vqronline.org/essay/paris-was-yesterday.

      “In True Form: Claire Shaeffer Demystifies Couture.” Palm Springs Life, November 2008; www.palmspringslife.com/in-true-form.

      Interviews

      Clarissa M. Esguerra (assistant curator, Costume and Textiles, Los Angeles County Museum of Art), in discussion with the author, Los Angeles, February 11, 2016.

      Claire B. Shaeffer (sewing expert, teacher, and Chanel scholar), in discussion with the author, Palm Springs, CA, February 22, 2016.

      Acknowledgements: When my editor, Howard Reeves, asked me if I would be interested in doing a book on Coco Chanel, I immediately said YES! So I thank Howard for giving me a chance to study the life and work of this fascinating woman. At Abrams, I also appreciate the help of Masha Gunic, editorial assistant; Erich Lazar, the brilliant book designer who enhanced the beauty of every page; Pam Notarantonio, associate art director; and Amy Vreeland, managing editor. And my thanks to Warren Drabek of Express Permissions for tracking down images.

      Many people helped me research and understand Chanel’s work. I’m particularly grateful to Clarissa M. Esguerra, Nancy Carcione, and Leigh Wishner at the Costume and Textiles Department of the Los Angeles County Museum of Art for giving me a private viewing of Chanel’s vintage clothing. An extra thank you to Nancy for finding vital information in the department’s library. I also want to thank Claire Shaeffer, a scholar on Chanel couture construction techniques, for showing me vintage pieces from her own collection and explaining the exquisite tailoring.

      A huge thank you to my agent, Kevin O’Connor, for his advice and support. And I thank my husband Michael Rubin for hunting down Coco’s logo on lampposts in Westminster, London, and taking pictures. As always, I’m indebted to my son, Andrew, for his invaluable technical assistance. Enormous thanks to my friends at Lunch Bunch for their critiques and interest, and a special shout-out to Martha Tolles for lending me her Chanel suit and blouse and giving me the pleasure of wearing the real thing.

      Index of Searchable Terms

      Amiot, Félix

      anti-Semitism

      art scene

      Aubazine, orphanage

      Balenciaga, Cristóbal

      Ballard, Bettina

      ballets

      balls, costume

      Balsan, Étienne

      Beaux, Ernest

      Biarritz

      Blum, Léon

      Capel, Arthur “Boy,”

      death of

      Chanel, Adrienne

      Chanel, Antoinette

      Chanel, Gabrielle Bonheur “Coco,” See also specific topics

      Chanel, Julia

      Chanel No 5

      Chasnel

      childhood

      orphanage in

      Churchill, Winston

      Cocteau, Jean

      colors

      Poiret choice of

      comeback

      reception of

      corsets

      cross-dressing

      Dalí, Salvador

      Deauville

      Dincklage, Hans Günther “Spatz” von

      Dior, Christian

      New Look of

      Doucet, Jacques

      dresses

      gypsy-style

      jersey

      little black

      Russia and

      silk satin day

      tricolor

      embroidery

      employees. See also models

      on strike

      family

      in childhood

      at Moulins

      fashion. See also models; Paris, fashion designers in

      Fath, Jacques

      films

      fitting sessions

      for films

      Galante, Pierre

      Galeries Lafayette

      Great Depression

      Grosvenor, Hugh Richard Arthur “Bendor,”

      Gypsy (Roma) people

      hair

      handbags

      hats

      Hollywood

      jerseys

      as dresses

      jewelry

      pearl

      lies

      about childhood

      little black dress

      Longchamp Racecourse

      models. See also Sert, Misia

      fitting

      hair of

      Morand, Paul

      Moulins

      museum exhibits

      My Best Girl

      Nazis

      dating

      New York

      Operation Modellhut

      orphanage, Aubazine

      black dresses and

      Palasse, Gabrielle

      Paris. See also rue Cambon

      costume balls in

      Galeries Lafayette in

      Hollywood and

      Paris, fashion designers in. See also Poiret, Paul; Schiaparelli, Elsa “Schiap”

      Dior as

      La Pausa

      Pavlovich, Dmitri

      Pavlovna, Marie

      pearls

      perfume

      Wertheimer brothers and

      in World War II

      Pickford, Mary

      Place Vendôme

      Poiret, Paul

      Ritz hotel

      Royallieu

      rue Cambon

      comeback at

      strike at

      World War II and

      Russia

      sailor clothes

      Saint Laurent, Yves

      Saumur

      Schiaparelli, Elsa “Schiap,”

      employees and

      Sert, Misia

      Slavic style

      suits

      surrealist

      Swanson, Gloria

      Switzerland

      Vichy

      Vogue

      Vreeland, Diana

      Wertheimer, Pierre and Paul

      World War I

      World War II. See also Nazis

      Chanel No 5 in

      Operation Modellhut in

      rue Cambon and

      Worth, Charles Frederick

     

     

     



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