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    A Place Like This


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      Steven Herrick was born in Brisbane, the youngest of seven children. At school his favourite subject was soccer, and he dreamed of football glory while he worked at various jobs. For the past thirty years he’s been a full-time writer and regularly performs his work in schools throughout the world. He has published twenty-two books. Steven lives in the Blue Mountains with his partner Cathie, a belly dance teacher. They have two adult sons, Jack and Joe.

      www.stevenherrick.com.au

      Also by Steven Herrick

      Young Adult

      Another night in mullet town

      Black painted fingernails

      By the river

      Cold skin

      Lonesome howl

      Love, ghosts & nose hair

      Slice

      Water bombs

      Children

      Bleakboy and Hunter stand out in the rain

      Do-wrong Ron

      Love poems and leg-spinners

      My life, my love, my lasagne

      Naked bunyip dancing

      Poetry to the rescue

      Pookie Aleera is not my boyfriend

      Rhyming boy

      The place where the planes take off

      Tom Jones saves the world

      Untangling spaghetti

      Dedicated to Leonie Tyle, Robyn Sheahan-Bright and Glen Leitch for their support and belief

      Contents

      Go

      This quiet land

      Screwed

      A place like this

      Weird

      A young orchard

      A full tank

      Warm

      Jack

      I’m not unemployed.

      I’m just not working at the moment.

      School now seems a distant shame

      of ball games, half-lies at lunchtime

      and teachers fearing the worst.

      I’m not studying either.

      Yeah, I got into uni,

      so did Annabel.

      Two Arts degrees does not a life make.

      So we both chucked it.

      University is too serious.

      I’m eighteen years old:

      too young to work forever,

      too old to stay home.

      Annabel and I make love most afternoons,

      which, as you can imagine,

      passes the time

      but

      I don’t think we can make money out of it,

      or learn much, although, we have learnt something …

      I want to leave town,

      I want to leave town,

      I want to leave.

      Jack’s dad

      What can I tell you about my dad?

      Years ago I would have said

      an ill-fitting suit, brown shoes,

      a haircut of nightmares

      and a job in the city.

      That’s all.

      That’s what I would have said.

      And a dead wife.

      Long dead. Dead yesterday.

      No difference.

      But not now.

      Now, he tries.

      He reads the paper with courage.

      He never shakes his head when I’m late home.

      He’s forty-two years of hope,

      seven years of grief and

      two years of struggle.

      Let me tell you this one thing about my father,

      and leave it at that.

      Friday night, two months ago,

      I’m trying to sleep,

      when I hear this soft bounce, every few seconds,

      and the backyard floodlight is on.

      It’s midnight,

      and there’s a man in the yard.

      I grab the cricket bat from the hall cupboard,

      check my sister’s room – she’s asleep,

      still in her Levi’s and black top.

      (I like that top – I gave it to her

      for her birthday, and she always wears it.

      Sorry, I’d better go bash this burglar …)

      Where’s my father when the house needs defending?

      At the pub? At work?

      Not at midnight, surely?

      I grip the bat,

      wish I’d taken cricket more seriously at school.

      I open the door slightly,

      think of newspaper headlines –

      HERO DIES SAVING HOUSE,

      CRIME WAVE SOARS OUT WEST,

      HIT FOR SIX!

      There’s that bounce again,

      and the figure bends to pick something up.

      (A gun! A knife!)

      A cricket ball!

      What?

      He runs and bowls a

      slow drifting leg-spinner, hits middle stump.

      Dad turns,

      whispers, ‘Howzat!’

      and walks to pick up the ball again.

      What can I do?

      My dad, midnight cricket

      and a well-flighted leg-spinner.

      I walk out to face up,

      tapping the bat gently.

      Dad smiles and bowls a wrong-un.

      The bastard knocks my off-stump out.

      He offers me a handshake and advice.

      ‘Bat and pad together, son,

      don’t leave the gate open.

      Let’s have one more over, shall we?’

      He goes back to his mark,

      polishing the ball on his pyjamas,

      every nerve twitching,

      every breath involved.

      The stumbling bagpipes

      We make love every Tuesday afternoon.

      I kiss her eyelids

      and rub my hand along her arm

      to feel the soft hair

      that shines in the fading light.

      Sometimes the clouds float

      up the valley

      and the rain dances on our window

      as the parrots fly for home.

      I kiss her shoulders and her neck

      and we try breathing slowly, in time,

      under the doona.

      There’s a young boy next door

      who’s practising the bagpipes.

      He stands on the veranda

      and scares the hell out of the dogs.

      They howl in time

      as he blows himself hoarse.

      We love that sound:

      discordant, clumsy, feverish.

      It reminds us of that first Tuesday afternoon,

      two years ago,

      trying to make love before

      Annabel’s parents got home.

      We agreed on further practice.

      That’s why we celebrate like this,

      every Tuesday,

      me and Annabel,

      and the stumbling bagpipes.

      What Dad said

      This is what Dad said

      when I told him about me and Annabel

      wanting to drive and not come back

      for a year or so …

      ‘Son.’ (When he says ‘son’ I know a story

      is not far behind.)

      ‘Son. When I was eighteen

      I’d already decided to ask your mum to marry me.

      And I had my journalism degree half-finished.

      I wanted my own desk, my own typewriter,

      a home to put them in, and I wanted your mum.

      She said yes, and the rest followed.

      At twenty-two, we had this home.

      At twenty-two, I learned gardening.

      You know the big golden ash in the corner?

      I planted that, first year here.

      Most of our friends were going overseas,

      taking winter holiday work in the snow,

      or getting drunk every night at the pub.

      At twenty-two, your mum and I

      were sitting on the veranda with a cup of cocoa

      and a fruit
    cake.

      I’m fifty-two years old this August.

      You’re a smart kid, Jack. A smart kid.

      I think you and Annabel should get out of here

      as fast as possible. Have a year doing anything

      you want. My going-away present is enough money

      to buy a car – a cheap old one, okay? You’ll have to

      work somewhere to buy the petrol, and to keep going.

      But go.’

      Let me tell you,

      it wasn’t what I expected.

      But maybe, just maybe,

      I understand the old man more now.

      More than I ever have.

      For once in my life

      When Jack told me last night

      about leaving,

      what I really wanted to say

      was NO.

      Like a father should.

      NO.

      And I had all the words ready,

      all the clichés loaded,

      but I couldn’t do it.

      He looked so hungry,

      so much in need of going,

      that I gave him my first big speech in years,

      only this time it was one he wanted to hear.

      So that’s it.

      When Jack was asleep last night

      I went into his room.

      I sat beside his bed

      and listened to his breathing.

      I don’t know for how long.

      I listened,

      and with each breath

      I felt his yearning and confidence

      and strength.

      I walked out of his room

      sure I’d said the right thing,

      maybe not as a father,

      but as a dad.

      I’d said the right thing,

      for once in my life.

      A 1974 Corona

      It’s a 1974 Corona sedan

      that’s been driven by a

      middle-aged, single bank manager

      called Wilbur who never went out on the weekend,

      except for a Sunday morning drive with his mum

      to church five kilometres down the road,

      and enjoyed cleaning its dull brown duco

      every Saturday instead of

      watching the football,

      getting drunk,

      doing overtime

      or playing with snappy children.

      All I had to do was give him $1,200

      and a handshake to drive it home,

      through a mud puddle or two,

      and take that crucifix off the mirror –

      give it to the kid next door –

      and maybe even consider a paint job …

      But no, let’s leave it brown.

      Bank manager brown.

      That’s my car.

      That’s my ticket with Annabel, out of here.

      Annabel on Jack

      Jack reads too many books.

      He thinks we’re going to drive all year

      and have great adventures.

      He thinks the little money

      we have will last.

      He wants to sleep in the car,

      cook dinner over an open fire.

      I’m just waiting for him to

      pack a fishing line, smiling,

      saying, ‘We can live off the land.’

      Jesus Christ.

      I’m not gutting a fish and cooking it.

      But

      I do want to go,

      even if it only lasts a month or two.

      Even if we drive to Melbourne and back

      and don’t talk to another person.

      I want to go.

      Why?

      Because I’ve never

      been more than two hundred kilometres from home,

      and that was with my parents, on holiday.

      And because Jack’s smart,

      but not that smart, if you know what I mean.

      You watch.

      First week, we’ll be out of money,

      sleeping near a smelly river,

      eating cold baked beans out of a can.

      The car will have a flat battery

      and Jack will be saying something like,

      ‘Isn’t this great? Back to nature.

      Living off the land. Not a care in the world.’

      Jesus Christ.

      Jack driving

      I love to drive,

      to blast back to boyhood

      when I dreamt of a highway,

      a car with a floor-shift

      and nowhere to sleep for a week;

      burning rubber and a dare

      to take every bend

      faster than advised.

      Even now

      I think of a blow-out

      as a test for how steady

      my hands are on the wheel,

      my knuckles white with impatience.

      Me, Annabel and

      the stereo sing,

      trucks threaten our dreams

      like thunder.

      As we reach the hill,

      curse the oncoming lights,

      I strain to keep the revs up

      as we crest the rise,

      I snap into top,

      glide down the mountain,

      escape ramp five hundred metres ahead.

      We don’t need it.

      Two days out

      Two days out.

      Last night we slept in the car.

      Yes, by a river, as I predicted.

      Not smelly, though.

      Clean. Surprisingly clean.

      Jack and I had a bath in it.

      A naked, goosepimple bath.

      We raced each other from bank to bank.

      We even used soap –

      my mum’s going-away present.

      Soap-on-a-rope. It floats!

      We lay on the grass.

      The sun dried our white bodies.

      We did nothing for as long as possible.

      In the quiet afternoon

      we drove for hours.

      Jack said, ‘I’m hungry,’

      and the bloody car slowed to a stop.

      Jack looking at me,

      me at Jack,

      and neither of us knowing why.

      Then I looked at the petrol gauge.

      Empty.

      Empty; and food, cold river baths

      and the nearest town

      were all a million miles away.

      Two days out …

      As I stood on the lonely back road,

      I’m sure I heard birds –

      kookaburras –

      laughing …

      The ride

      ‘You two heading anywhere special?’

      he says, changing down gear, double-clutching

      and churning the old truck’s insides loud.

      Annabel and I look at each other.

      What’s this mean?

      I decide to answer a question with a question.

      I learnt that in Year 9

      and it hasn’t failed me yet.

      ‘Why?’

      ‘Why? Because I got fifty acres of ripe apples

      and a town full of unemployed kids that

      hate the sight of them, that’s why.

      And my kids and I can’t pick fifty acres

      in two years, much less two months.

      I’ll pay you, give you a place to sleep.

      That’s if you’re interested?’

      The truck cabin rattles over potholes.

      He winds down the window

      and flicks his cigarette out.

      It’s not what I’m expecting.

      Two days away, out of petrol and offered a job.

      I wanted to get as far as possible,

      not a few hundred kilometres down the road.

      But it’s money. And a place to stay.

      Annabel squeezes my hand and I know

      it’s a yes squeeze.

      I squeeze back and before I can answer

      Annabel says,

      ‘Sure, mister. We’ll take it. I like apples.’

      George smiles and sa
    ys,

      ‘You’ll be picking, miss, not eating them.’

      But he’s all right.

      Anyone who drives a truck this old can’t be too bad.

      Hay bales

      It was from a book I read in school.

      Two teenagers and a shed full

      of stacked hay bales,

      a crow’s nest in the loft

      and her father, the farmer, in town.

      I can’t remember anything else but

      these two, barely fifteen years old,

      lying up high on the bales

      and the boy with his hand

      up her dress,

      and they’re both shaking,

      even though it’s summer outside.

      She takes off her dress,

      her bra and undies,

      stands on the highest bale

      and gestures him up.

      And in a tumble of straw and clothes

      they made nervous love,

      page after page.

      First from his side,

      all awkward, lopsided and flush.

      Then hers,

      sweat and itch and eyes on the crow’s nest.

      I kept that book for years.

      And when George offered us his shed to sleep in,

      I said, Yes,

      and asked if it had hay bales …

      The farm

      The road goes through a path of pines.

      It’s dusty and hot, but here, for a while,

      the trees hold the cool and dark.

      Then a sharp left and you see the wooden house,

      surrounded by wattles and a sagging fence.

      Two kids run out,

      no more than ten years old.

      Both jump on the tray while the truck’s still moving –

      country kids.

      There’s someone else, older –

      sixteen maybe – a girl,

      standing in the dirt of the drive,

      wearing overalls and dusty riding boots.

      And when we turn to park near the shed,

      I see she’s pregnant.

      George says, ‘That’s Emma, my eldest,’

      as the four dogs start barking all at once.

      Sniffing our hands and boots,

      and running around George, jumping up,

      and not stopping barking,

      not for a second.

      Craig

      I’m Craig. I’m ten next week.

      You come to pick apples for us?

      You gunna stay? Lots don’t stay,

      reckon it’s too hard.

      Reckon Dad don’t pay enough.

      Reckon we’re stupid to live this far from town.

      You gunna stay?

      We need help, Dad says.

      Now Emma can’t pick.

      She’s pregnant, you know.

      Gunna have twins, or three, or four.

      She’s so big. Bigger than a cow.

      Bigger than a house.

      She couldn’t climb the ladder to pick now.

      You ever picked before?

      I can pick two bins a day.

      I reckon it’s good for football training.

      You two married?

      You’re not gunna get pregnant, are you?

     


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