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    Fork And Other Poems

    Page 2
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      inside of me –

      stretching, swelling,

      bursting from my hands, my mouth

      like the sudden impact

      of a high velocity fruit -

      a disgorging swamp

      as I try and pick

      and scrape together

      a palatable salad

      or clear brush,

      hoping for a nice family picnic

      just beyond the muck....

      I skim her slim volume again and flush -

      a sudden bouquet

      overflowing the arms,

      tickling the nose

      of this aging bridesmaid with few

      or no prospects.

      New Year's Resolution

      Such diligent persistence

      this act of not quitting

      a repetitive, rhythmic

      slap, slap

      as you turn and work

      a machine in constant motion.

      A little faster and you think

      you can reach that comfort

      of doing – just doing for doing's sake

      if only for an instance,

      or perhaps for a moment

      of exhilaration

      evocative action

      evoking something more

      some thing, some place

      else just at the edge

      of your vision,

      your voice proclaiming

      that after all

      this work

      is really not working,

      this means really is

      empty of all meaning -

      the kick slap slowing down

      all motto'd out,

      fatigue making cowards of us all,

      and you think a well rounded person

      would surely never be so obsessed

      as to trot in place

      so simply, so single mindedly

      like a dog tethered to a treadmill.

      How quickly you forget

      the weakness, the vulnerability, the pain

      who quite unreasonably

      led the way

      to your only reason

      not to quit,

      peace and stillness through constant pursuit

      of personal truth and rectification,

      your deceptively duplicitous voice

      more correct than its own understanding,

      all of your work and means ponderous

      under the weight of its own portentous unimportance -

      we humans really can get used to anything

      except perhaps the madly flapping,

      kick, slap, pricking talons

      extended, spurring us ever on

      to never let go.

      The sandwich poem

      Laying on the couch,

      the sandwich

      made with

      this thin sliced cheese

      separated by paper,

      now piled in a thick

      stack between

      buttered bread,

      speaks of the artifice

      of boundaries,

      the preordained uselessness of

      divisions.

      How flagrant the tossing

      of these flags:

      le fromage and paper to the garbage,

      le fromage and paper to the garbage -

      taking a bite,

      transforming other into

      the essence of me

      is never guilt free

      and never without rejoinder -

      that joie de vivre

      sensuousness

      of a lemon,

      its sourness

      and bite of

      juiciness,

      your breasts

      just visible

      under your

      nightgown

      as you walk by.

      Fully committed,

      all your weight bearing

      down

      as you step barefoot

      onto a tack or piece of glass -

      the moment of realization

      when you know what's coming

      but you cannot resist the gravity

      of your own momentum

      this must be

      what its like

      at the moment

      of death...

      to sink willingly, fully

      into the unknown

      and not pull away

      to know

      as we exhale

      the last choice -

      that we each get to choose

      our own meaning.

      Of Newtonian physics and entropy

      When you put a human joint

      at a certain, correct angle

      it only takes the pressure,

      the power of a single finger

      to dislocate or break it -

      the elbow, wrist and neck being examples.

      You should also know

      there is a certain amount of pain involved

      before the actual breaking of the joint

      depending upon the amount and type

      of pressure exerted – this ranging from

      twinging, to excruciating, to

      unbearable,

      and one would think that it would be a small matter

      to escape from such a position, and indeed

      you can if you repeat the movements of the manipulation

      backwards, or at times, by not fighting,

      but going with the pain, flipping

      your body over the captured joint, of say a wrist

      or a shoulder,

      and unless you have had the foresight

      or quickness to counter the hold

      ahead of time,

      your only choices: breaking,

      dislocation or subjugation –

      being moved or

      restrained

      through the use of pain

      commonly known as pain compliance -

      the action of your attacker your only other

      recourse,

      for once the attacker through mercy,

      or loss of concentration or fatigue lets up,

      even a little, just for an instant,

      the lock will begin to slip and is

      no longer effective,

      and, as we pointed out before, once applied

      correctly the pressure of a single finger or even

      the strength of a small child

      can cause a break or severe

      dislocation in the strongest of opponents.

      It is of utmost importance

      that when you practice

      you develop power, focus and

      concentration,

      the loss of which

      can lead to serious injury

      and death

      and the knowing

      that the healing of another

      is a much much harder skill

      to master,

      the result of your ignorance often so severe

      it can take a lifetime to heal

      from such a wound.

      Postscript -

      For added poetic significance

      I encourage you to insert any number of objects

      into the roles of attacker and attackee,

      yourself being a good first choice,

      while personified Death, the dramatic and obvious second

      choice is not recommended.

      You should, however, seriously consider the death of a child

      or spouse for its more personal and poignant details.

      Inanimate objects may be used to great effect

      owing to the fact that the subject matter lends itself

      to an edgy darkness- discomfort and pain

      often being used to elevate levity from

      base crassness.

      The use of Nature, though, especially the incorruptible

      indifference of the Universe to what we perceive as our

      most treasured rights, strengths and truths,

      comes highly recommended.

      But personally, I feel it is best to e
    xperience

      the perfect poetic resonance

      through the actual doing and feeling of it-

      the you

      bent over, gasping, mouth turning up in disbelief,

      the slow unfolding recognition

      of your reality,

      and you

      looking down,

      perfectly balanced,

      awed by how simple it was when you finally

      get it right

      that the power in this one finger

      is enough for you

      to control

      the universe.

      Come with me sweet

      Come with me sweet before a new age dawns,

      Before the ripe apple falls, encrusted,

      Before the earth draws its mortal savor down,

      Let us kiss and be blessed by the infinite.

      Let us lie ‘neath our cloud covered heaven,

      Unwatched by all in this grass carpet cove,

      Away from street light and talk of morning, love,

      Lie us ‘neath arms of silence’s protection.

      ###

      Connect with Me Online:

      Facebook: https://www.facebook.com/SteveWLavigne

     



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