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    Antigone / Oedipus the King / Electra

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      1260

      Enter CREON and the GUARDS, with the body of HAEMON

      Strophe 1

      CREON [sings]. Alas!

      The wrongs I have done by ill-counselling!

      Cruel and fraught with death.

      You behold, men of Thebes,

      The slayer, the slain; a father, a son.

      My own stubborn ways have borne bitter fruit.

      My son! Dead, my son! So soon torn from me,

      So young, so young!

      The fault only mine, not yours, O my son.

      CHORUS. Too late, too late you see the path of wisdom.

      1270

      CREON [sings]. Alas!

      A bitter lesson I have learned! The god

      Coming with all his weight has borne down on me,

      And smitten me with all his cruelty;

      My joy overturned, trampled beneath his feet.

      What suffering besets the whole race of men!

      Enter MESSENGER,* from the palace

      MESSENGER. My master, when you came you brought a

      burden

      Of sorrow with you; now, within your house,

      A second store of misery confronts you.

      1280

      CREON. Another sorrow come to crown my sorrow?

      MESSENGER. The Queen, true mother of her son, is

      dead;

      In grief she drove a blade into her heart.*

      Antistrophe 1

      CREON [sings]. Alas!

      Thou grim hand of death, greedy and unappeased,

      Why so implacable?

      Voice of doom, you who bring

      Such dire news of grief, O, can it be true?

      What have you said, my son? O, you have slain the

      slain!

      1290

      Tell me, can it be true? Is death crowning death?

      My wife! my wife!

      My son dead, and now my wife taken too!

      EURYDICE’s body is revealed

      CHORUS. But raise your eyes: there is her lifeless body.

      CREON [sings]. Alas!

      Here is a sorrow that redoubles sorrow.

      Where will it end? What else can Fate hold in store?

      While yet I clasp my dead son in my arms

      Before me there lies another struck by death.

      Alas cruel doom! the mother’s and the son’s.

      1300

      MESSENGER. She took a sharp-edged knife, stood by the

      altar,

      And made lament for Megareus* who was killed

      Of old, and next for Haemon. Then at last,

      Invoking evil upon you, the slayer

      Of both her sons, she closed her eyes in death.

      Strophe 2

      CREON [sings]. A curse, a thing of terror! O, is there

      none

      Will unsheathe a sword to end all my woes

      1310

      With one deadly thrust? My grief crushes me.

      MESSENGER. She cursed you for the guilt of Haemon’s

      death

      And of the other son who died before.

      CREON. What did she do? How did she end her life?

      MESSENGER. She heard my bitter story; then she put

      A dagger to her heart and drove it home.

      CREON [sings]. The guilt falls on me alone; none but I

      Have slain her; no other shares in the sin.

      ’Twas I dealt the blow. This is the truth, my friends.

      1320

      Away, take me away, far from the sight of men!

      My life now is death. Lead me away from here.

      CHORUS. That would be well, if anything is well.

      Briefest is best when such disaster comes.

      Antistrophe 2

      CREON [sings]. O come, best of all the days I can see,

      The last day of all, the day that brings death.

      1330

      O come quickly! Come, thou night with no dawn!

      CHORUS. That’s for the future; here and now are duties

      That fall on those to whom they are allotted.

      CREON. I prayed for death; I wish for nothing else.

      CHORUS. Then pray no more; from suffering that has

      been

      Decreed no man will ever find escape.

      CREON [sings]. Lead me away, a rash, a misguided

      man,

      Whose blindness has killed a wife and a son.*

      1340

      O where can I look? What strength can I find?

      On me has fallen a doom greater than I can bear.

      [Exeunt CREON and GUARDS into the palace

      CHORUS [chants]. Of happiness, far the greatest part

      Is wisdom, and reverence towards the gods.

      Proud words of the arrogant man, in the end,

      1350

      Meet punishment, great as his pride was great,

      Till at last he is schooled in wisdom.

      OEDIPUS THE KING

      DRAMATIS PERSONAE

      OEDIPUS, King of Thebes

      PRIEST OF ZEUS

      CREON, brother of locasta

      TEIRESIAS, a Seer

      IOCASTA, Queen of Thebes

      A CORINTHIAN SHEPHERD

      A THEBAN SHEPHERD

      A MESSENGER

      CHORUS of Theban citizens

      ANTIGONE ISMENE daughters of Oedipus and Iocasta (they have no speaking parts.)

      Priests, Attendants, etc.

      Scene: Thebes, before the royal palace

      OEDIPUS THE KING1

      OEDIPUS. My children,* latest brood of ancient

      Cadmus,*

      What purpose brings you here, a multitude

      Bearing the boughs that mark the suppliant?*

      Why is our air so full of frankincense,

      So full of hymns and prayers* and lamentations?

      This, children, was no matter to entrust

      To others: therefore I myself am come

      Whose fame is known to all—I, Oedipus.

      —You, Sir, are pointed out by length of years

      To be the spokesman: tell me, what is in

      10

      Your hearts? What fear? What sorrow? Count on all

      That I can do, for I am not so hard

      As not to pity such a supplication.

      PRIEST. Great King of Thebes, and sovereign Oedipus,

      Look on us, who now stand before the altars—*

      Some young, still weak of wing; some bowed with age—

      The priests, as I, of Zeus; and these, the best

      Of our young men; and in the market-place,

      And by Athena’s temples and the shrine

      Of fiery divination,* there is kneeling,

      20

      Each with his suppliant branch, the rest of Thebes.

      The city, as you see yourself, is now

      Storm-tossed, and can no longer raise its head

      Above the waves and angry surge of death.

      The fruitful blossoms of the land are barren,

      The herds upon our pastures, and our wives

      In childbirth, barren. Last, and worst of all,

      The withering god of fever* swoops on us

      To empty Cadmus’ city and enrich

      Dark Hades with our groans and lamentations.

      30

      No god we count you,* that we bring our prayers,

      I and these children, to your palace-door,

      But wise above all other men to read

      Life’s riddles, and the hidden ways of Heaven;

      For it was you who came and set us free

      From the blood-tribute that the cruel Sphinx*

      Had laid upon our city; without our aid

      Or our instruction, but, as we believe,

      With god as ally, you gave us back our life.

      So now, most dear, most mighty Oedipus,

      40

      We all entreat you on our bended knees,*

      Come to our rescue, whether from the gods

      Or from some man you can find means to save.

      For I have noted, that
    man’s counsel is

      Of best effect, who has been tried in action.

      Come, noble Oedipus! Come, save our city.

      Be well advised; for that past service given

      This city calls you Saviour; of your kingship

      Let not the record be that first we rose

      From ruin, then to ruin fell again.

      50

      No, save our city, let it stand secure.

      You brought us gladness and deliverance

      Before; now do no less. You rule this land;

      Better to rule it full of living men

      Than rule a desert; citadel or ship

      Without its company of men is nothing.

      OEDIPUS. My children, what you long for, that I know

      Indeed, and pity you. I know how cruelly

      You suffer; yet, though sick, not one of you

      60

      Suffers a sickness half as great as mine.

      Yours is a single pain; each man of you

      Feels but his own. My heart is heavy with

      The city’s pain, my own, and yours together.

      You come to me not as to one asleep

      And needing to be wakened; many a tear

      I have been shedding, every path of thought

      Have I been pacing; and what remedy,

      What single hope my anxious thought has found

      That I have tried. Creon, Menoeceus’ son,

      My own wife’s brother, I have sent to Delphi

      70

      To ask in Phoebus’ house* what act of mine,

      What word of mine, may bring deliverance.

      Now, as I count the days, it troubles me

      What he is doing; his absence is prolonged

      Beyond the proper time. But when he comes

      Then write me down a villain, if I do

      Not each particular that the god discloses.

      PRIEST. You give us hope.—And here is more, for they

      Are signalling* that Creon has returned.

      OEDIPUS. O Lord Apollo, even as Creon smiles,

      80

      Smile now on us, and let it be deliverance!

      PRIEST. The news is good; or he would not be wearing

      That ample wreath of richly-berried laurel.

      OEDIPUS. We soon shall know; my voice will reach so far:

      Creon my lord, my kinsman, what response

      Do you bring with you from the god of Delphi?

      Enter CREON

      CREON. Good news! Our sufferings, if they are guided right,

      Can even yet turn to a happy issue.

      OEDIPUS. This only leaves my fear and confidence

      In equal balance: what did Phoebus say?

      90

      CREON. Is it your wish to hear it now, in public,

      Or in the palace? I am at your service.

      OEDIPUS. Let them all hear! Their sufferings distress

      Me more than if my own life were at stake.

      CREON. Then I will tell you what Apollo said—

      And it was very clear. There is pollution*

      Here in our midst, long-standing. This must we

      Expel, nor let it grow past remedy.

      OEDIPUS. What has defiled us? and how are we to purge it?

      CREON. By banishing or killing one who murdered,

      100

      And so called down this pestilence upon us.

      OEDIPUS. Who is the man whose death the god denounces?

      CREON. Before the city passed into your care,

      My lord, we had a king called Laius.*

      OEDIPUS. So have I often heard.—I never saw him.

      CREON. His death, Apollo clearly charges us,

      We must avenge upon his murderers.

      OEDIPUS. Where are they now? And where shall we disclose

      The unseen traces of that ancient crime?

      CREON. The god said, Here.—A man who hunts with care

      110

      May often find what other men will miss.

      OEDIPUS. Where was he murdered?* In the palace here?

      Or in the country? Or was he abroad?

      CREON. He made a journey to consult the god,

     


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