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    Sixfold Poetry Winter 2014

    Page 7
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      and the perennial bulbs are hard underground.

      Down here, my family is old enough for a boat ride now,

      and this salty trip erodes many pains.

      But in the ocean spray, I’m months away,

      maybe days,

      from someone realizing I’m a fraud.

      Faker wife, infertile mom,

      dramatic daughter

      who can’t even cast my line far enough in calm waters.

      But I carry on with all of these,

      because pretending, trying, is still doing.

      We have two daughters:

      one looks like me, one looks like him.

      And if they look up to me

      then I’m authentic

      and forgiven

      enough.

      Rebecca Irene

      Woodpecker

      Slit nostrils sense

      what lies beneath.

      This is what you live for—

      sick wood giving way

      beetle’s squirm

      on long sticky tongue

      the swallowing.

      You leave behind tunnels

      paradise for squirrels

      nests for smaller birds.

      How many holes

      can a tree endure?

      You recall your beloved

      White Pine.

      Her curved trunk at road’s bend

      her thick sap weeping

      every time you came a-calling.

      Crow Raven

      If you don’t know

      the differences

      between Crow and Raven

      what good are you to me?

      I find the secret of being

      in nature’s details.

      To you, they are a waste of time.

      Crow marries for love.

      Raven for money.

      Crow gives any dying creature

      water from her beak.

      Raven pecks fading eyes out.

      And if you had ever lain in forests

      against tree trunks

      felt bark press hard towards

      your back’s thick skin

      Crow would have watched

      you with pity

      Raven with menace.

      Then as Raven shat on you in disgust

      Crow would have offered you strength—

      hair and bone

      life and breath

      fear and death

      twig and stone—

      of smaller creatures.

      You would have recognized

      that sweet saltiness in your mouth

      my love.

      For it is what you have been

      feeding on for years.

      Sitting Duck

      All the others

      sensed danger.

      The dogs weren’t

      even quiet

      for God’s sake

      and little Billy

      shot off

      his gun for fun

      miles away.

      All the others

      knew to fly.

      You were

      mid-paddle

      when steel

      tore open

      preened down.

      Your last

      dying wonder:

      why red rainbows smothered you

      as others touched blue of sky.

      Humming Bird

      I loved you when I was young

      watched you sip sugar water

      hover over my bright shirt.

      There is no more sugar water now

      or bright shirt

      and I have aged terribly.

      Poor trade for the genuine

      is what I get.

      Greta running nine miles

      snorting nine lines

      climaxing nine times

      faster faster faster.

      Greta starving

      binging and barfing

      chewing pills

      thinner thinner thinner.

      Greta drinking dancing

      trying to sing.

      No magic—

      between monotony

      and mayhem.

      Summer Robin

      How they search for her when the trees sigh for outer green.

      How they smile for her when the stalks strain for sunny sheen.

      How they supplicate for her when rains signal for spring clean.

      Wonder, adoration, delight, give way to

      pulling another worm—isn’t she fat enough?

      Singing the same old song—hasn’t she said enough?

      Springtime is so obviously over, my dear.

      Really. A summer robin should have the good taste

      to know when she ought to fly away.

      Why, just last night I spotted one that caught my eye.

      I almost lost my head until I saw her gray feathers

      and wrinkles and wanting in the August sun.

      Savannah Grant

      And Not As Shame

      I want to wear your memory

      as a red overcoat

      the one you tried to throw away

      but I keep it anyway

      even though it’s too big

                   (I shrunk it in the wash

                   but you hate it when

                   I do that)

      July’s Herald

      I wonder if the dog knew

      you were drinking

      weaving through piles

      of mail and clothes

      I remember the color

      of that carpet at the top of the stairs

      dirty tan lighter than I imagine

      perhaps

      the way I remember it is disorder

      staring out a window

      no line I can follow but

      one jagged through the house

      and in the doorway of your bedroom

      I felt the tug away from you

      a joint trying to dislocate

      Unmention II

      the first time you tried to lock me inside

      was maybe the fourth time you decided to hit me

      but the first time my head hit the wall

      I learned how to block you

      because you always aimed for the head

      a long time ago you put a hole in my dad’s eardrum

      he used to say it was from ear infections

      On The Brink II

      at 1:38am I read that you buried the dog

      in the back yard

      that’s what happens at the house

      we bury dogs

      I sent a pseudo-prayer from my bed tearless

      said she was better off dead

      but she had you to take care of her

      while she lost her brain and her hips

      to the floorboards and grey frigid March

      she was nice to lie next to while I knew her

      On Returning in June

      two years and the cat’s still fat

      the room’s no longer mine

      the wallpaper’s gone and the desk

      isn’t under the windows

      I remember every thing

      I ever lost there

      in that basement

      I always find new blankets and shirts

      I forgot to take with me

      I’m sure there are moments

      that haven’t moved yet

      the ghosted sound

      of a wineglass set on a chest of drawers

      a wasp’s nest in a railing

      a day’s quiet

      rupture

      Michael Hugh Lythgoe

      Titian Left No Paper Trail

      No sonnets, nor letters like Michelangelo.

      Still we feel the oblique motion, the atmospheric

      colors of his martyred St. Lawrence, his Assumption;

      landscapes with river valleys and Alpine peaks,

      ancient Roman myths, a sumptuous nude goddess.

      Dawn is uncertain, pagan, shadowy.

      Sudanese killers and thieves

      are poachers in Kenya, for tusks of ivory.


      A mammoth bull elephant pushes trees

      down, forages with body guards to survive.

      The vulnerable fade like ivory magnolia blooms.

      Everything is fragile. Whole forests burn.

      Antarctica is the most stable continent.

      Titian’s frescoes last. His late works show rough

      loose brushwork: St. Jerome in a barren desert.

      Art appears impotent to face down violence.

      Marsyas played a double pipe but lost

      his hide—flayed by a jealous Apollo,

      King Midas watches. Ovid says so.

      To study topography and meteorology,

      is to feel baroque fault lines tremble at night.

      Beside me in the dark my lover labors to breathe.

      I listen to learn, labor to believe.

      Titian expires during the plague. He paints allegories.

      His self portrait does not look us in the eyes.

      Buddha In Brass

      A sleeping Buddha occupies my mind,

      and half-obscures its whole religion

      by mere presence, contemplative and blind,

      the intolerable comedy goes on.

      —Peter Levi, Water, Rock & Sand

      Buddha did not come to me on the Silk

      Road but in Saigon. A Chinese merchant

      sold him to me. The war was still young.

      I was young. Buddha is well-traveled, a veteran.

      His figure fattens in meditation, brass zen.

      He knows Indo-China, wars, the French,

      now the Americans. Buddhists set themselves on fire.

      We bleed; Vietnamese bleed; we leave brass shells,

      bomb holes, poison in rice paddy, napalm on jungle.

      Buddha waits in temples, reclines in Thailand. He shows

      his teeth, forged, formed in a desperate foundry, weighed

      down with lead & iron, polished shiny—like brass

      army insignia, buckles, .45 caliber bullet casings

      recycled for art, joss sticks, a zen garden, a vet’s

      bookshelf. Tibetan monks light themselves ablaze

      in China. If Buddha is happy, rub his ample belly

      for good luck. I pray to God. Buddha

      is no god. He was a rich prince

      who gave up his soft life to roam and beg.

      Burmese Buddhists visit violence on Muslims.

      Buddha & I have a history. We each have

      a war or two to wear like a hairshirt. We each

      seek peace. We sit & stare in the study.

      I feel like Buddha, contemplative & blind.

      White Dove In The Desert

      Nine miles from Tucson, some Pilgrims

      find the Church; it stands alone: White

      Dove of Sonoran Desert. The rez

      is a troubled home for the tribe living on the border,

      on both sides. The Papago met Fr. Kino, who rode

      in Jesuit robes, on a mission: prayer.

      The missionary made a space for prayer,

      in a dry place not far from Tucson, for pilgrims.

      Franciscans followed the Jesuits, who rode

      away leaving order in prickly pear paste, adobe white

      walls old as suffering saguaro cacti. The border

      is bone-dry; Rio Santa Cruz, on the rez,

      runs dry. Illegals pass through the Papago Rez,

      flee mayhem and madness to trade terror

      for peaceful prayer in the White Dove. The border

      is brutal, metal sculptures, homage for pilgrims:

      the Nogales side in Mexico is hung with white

      crosses, migrants killed crossing. Mormons once rode

      by in a historic brigade. Franciscans rode,

      with knots on cords, around robes, around Papago rez.

      The cool White Dove, walled in white

      wears a cord in the facade. Pray no predator. No terror.

      No beheadings, Mules, Coyotes, cartels. Pilgrims

      eat fry bread at taco stands near the border.

      Feel the heat: afterburners above the border;

      patrols with night scopes. Where blackrobes rode,

      ICE finds torched holes in the fence. Pilgrims

      pack prayers; smugglers pack weed, pass the rez;

      illegals on the run are prey; the predator is terror.

      Prey seeks prayers, under clouds dove-white.

      The Pima Air Museum preserves war planes white-

      hot, bone-dry; A-10 Thunderbolt pilots train. Border

      in infrared sights—dehydrated souls journey in terror.

      Migrants die with empty water bottles. A blackrobe rode

      to bless St. Xavier del Bac, Arizona icon, on the rez.

      The landscape is trashed with plastic. Pilgrims

      revere a statue in glass sarcophagus, a blackrobe,

      uncorrupted saint in his grave. White church on border

      thirsty, contrails over rez; pilgrims pray, flee terror.

      Aleppo Looks Like Hell

      Rubble & ruins: a bottomless well.

      Well, reports of the here-after

      are here—heaven appeared to a doctor;

      he was in a coma. Aleppo is hell.

      Hell is a war with cluster bombs.

      Keep your eye on the balls, lethal.

      Not toys. Mortars fall over borders. Ask us.

      St. Paul had a fit on the road to Damascus.

      A ten-year old girl was murdered in Colorado.

      There was a killing in Abbottabad, Pakistan.

      The Taliban just shot a school girl. Terror

      on a school bus in the Swat Valley. Refugees

      come & go talking of Aleppo. The wounded

      girl is also in a coma. What does she see?

      Drones have a Gorgon Stare.

      It is presidential to order a kill, pick

      the hit list. In Revelation, horses breathe fire.

      Seven seals. Like helicopters in Abbottabad.

      Getaway? Up a ladder? Angels are utility workers.

      The ancients used ladders to climb closer

      to heaven, up levels of adobes, Canyon De Chelly.

      Mud roofs. Artists like to sit on roofs. So do snipers.

      They paint the stars to stare in minds’ eyes.

      Or, sight a human heart in their cross-hairs,

      or, roll barrel bombs down on Kurds & Christians.

      A priest told us the special machine

      outside of church could lift us to heaven.

      It was a joke. We knew it was to lift

      workers up to the rose window, to fix

      the stained glass, part of the Bible’s

      parables to elevate all souls to heaven.

      What of Evil in Aleppo? Does the Devil do

      the killing? No. It is human gunmen. Who helps

      the wounded? Who buries the dead? Who kills,

      who cares, who executes, who shoots on a bus?

      Is it us? Is Damascus full of men & women like us?

      How do we get away from here? In wind and fire.

      Pick & choose. Win or lose. Be bulletproof. Wear Kevlar.

      Ascend in a hot air balloon fiesta, above Albuquerque.

      Sheba’s Trees Bleed For The Magi

      A scent of Sheba’s fragrance lingers in the souk: incense.

      The lines in the sand are drawn by caravans.

      Arabia & Yemen share a jihadi desert waste.

      Once the Queen of Sheba grew thirsty.

      Water is more prized than gold, seek an oasis.

      Caravans move phallic blades & bombs from Yemen

      besieged by jihadis in uncivil wars between Yemeni

      tribes, in Sheba’s kingdom; she gifted incense

      to King Solomon in his wise oasis.

      Sheba ruled a kingdom of caravans.

      Her scraggly trees
    in the desert thirst.

      Thorny myrrh trees endure in desert waste,

      The Magi follow stars they do not waste.

      Today jihadis learn explosives in Yemen.

      A reddish-brown antiseptic mummies those dead to thirst.

      Herodotus wrote it is hard to harvest frankincense

      from bushes guarded by tiny winged snakes; caravans

      pass seeking to trade & rest at an oasis.

      Predator drones prey on jihadis lurking in an oasis.

      Thorny myrrh trees bleed when cut in desert waste.

      Tribesmen trade ivory, African cargo, arms, in caravans.

      Ramadan moon, with a Jambia dagger’s curve, hangs over Yemen.

      A dagger smith creates blades to bleed out incense

      trees—”yellow tears”—near the Red Sea; thirsty

      goats eat seedlings near empty wells, thirsty.

      Black flags fly for a new caliphate, no Islamic oasis.

      Sap hardens to rocks scrapped into baskets—incense

      traders travel on dromedaries, burdens over waste;

      myrrh rides in leather bags to a souk in Sana, Yemen,

      trades like RPGs in Djibouti, or coffee in caravans.

      Trucks & camels round the African Horn in caravans.

      Muslims wash in mosques, kneel facing Mecca, thirst

      for holy war, behead the infidel in Syria, Yemen,

      Iraq. Sheba first, then Silk Road trader, a Prophet in an oasis—

      all breathed in incense; the more cuts the sweeter the scent, waste

      not sacred smoke for monks in holy places; rituals require incense.

      If jambias with old rhino horn handles bleed out incense trees

      near thirsty Gulf of Aden in dry Yemen,

      who will caravan like the Magi, pilgrims in the waste?

      Martin Conte

      We’re Not There

      For Janet and her daughters

      An injured spirit lingered in our town

                  last night.

      The air was thick—

      He cast a cold pallor

                  over our ground.

      The next morning,

      we woke

                  to our first hard frost.

      No one noticed the silver puddles of blood

                  that he left

      except for our third graders,

      who went splashing through them in rubber boots,

                  screaming.

      He took with him

                  our town clerk

     


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