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    Opened Ground

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    the truest foretaste of your aftermath –

      in that dilation

      when the light opened in silence

      and a car with wipers going still

      laid perfect tracks in the slush.

      The Stone Verdict

      When he stands in the judgement place

      With his stick in his hand and the broad hat

      Still on his head, maimed by self-doubt

      And an old disdain of sweet talk and excuses,

      It will be no justice if the sentence is blabbed out.

      He will expect more than words in the ultimate court

      He relied on through a lifetime’s speechlessness.

      Let it be like the judgement of Hermes,

      God of the stone heap, where the stones were verdicts

      Cast solidly at his feet, piling up around him

      Until he stood waist-deep in the cairn

      Of his absolution: maybe a gate-pillar

      Or a tumbled wallstead where hogweed earths the silence

      Somebody will break at last to say, ‘Here

      His spirit lingers,’ and will have said too much.

      The Spoonbait

      So a new similitude is given us

      And we say: The soul may be compared

      Unto a spoonbait that a child discovers

      Beneath the sliding lid of a pencil case,

      Glimpsed once and imagined for a lifetime

      Risen and free and spooling out of nowhere –

      A shooting star going back up the darkness.

      It flees him and it burns him all at once

      Like the single drop that Dives implored

      Falling and falling into a great gulf.

      Then exit, the polished helmet of a hero

      Laid out amidships above scudding water.

      Exit, alternatively, a toy of light

      Reeled through him upstream, snagging on nothing.

      Clearances

      in memoriam M.K.H., 1911–1984

      She taught me what her uncle once taught her:

      How easily the biggest coal block split

      If you got the grain and hammer angled right.

      The sound of that relaxed alluring blow,

      Its co-opted and obliterated echo,

      Taught me to hit, taught me to loosen,

      Taught me between the hammer and the block

      To face the music. Teach me now to listen,

      To strike it rich behind the linear black.

      I

      A cobble thrown a hundred years ago

      Keeps coming at me, the first stone

      Aimed at a great-grandmother’s turncoat brow.

      The pony jerks and the riot’s on.

      She’s crouched low in the trap

      Running the gauntlet that first Sunday

      Down the brae to Mass at a panicked gallop.

      He whips on through the town to cries of ‘Lundy!’

      Call her ‘The Convert’. ‘The Exogamous Bride’.

      Anyhow, it is a genre piece

      Inherited on my mother’s side

      And mine to dispose with now she’s gone.

      Instead of silver and Victorian lace,

      The exonerating, exonerated stone.

      II

      Polished linoleum shone there. Brass taps shone.

      The china cups were very white and big –

      An unchipped set with sugar bowl and jug.

      The kettle whistled. Sandwich and tea scone

      Were present and correct. In case it run,

      The butter must be kept out of the sun.

      And don’t be dropping crumbs. Don’t tilt your chair.

      Don’t reach. Don’t point. Don’t make noise when you stir.

      It is Number 5, New Row, Land of the Dead,

      Where grandfather is rising from his place

      With spectacles pushed back on a clean bald head

      To welcome a bewildered homing daughter

      Before she even knocks. ‘What’s this? What’s this?’

      And they sit down in the shining room together.

      III

      When all the others were away at Mass

      I was all hers as we peeled potatoes.

      They broke the silence, let fall one by one

      Like solder weeping off the soldering iron:

      Cold comforts set between us, things to share

      Gleaming in a bucket of clean water.

      And again let fall. Little pleasant splashes

      From each other’s work would bring us to our senses.

      So while the parish priest at her bedside

      Went hammer and tongs at the prayers for the dying

      And some were responding and some crying

      I remembered her head bent towards my head,

      Her breath in mine, our fluent dipping knives –

      Never closer the whole rest of our lives.

      IV

      Fear of affectation made her affect

      Inadequacy whenever it came to

      Pronouncing words ‘beyond her’. Bertold Brek.

      She’d manage something hampered and askew

      Every time, as if she might betray

      The hampered and inadequate by too

      Well-adjusted a vocabulary.

      With more challenge than pride, she’d tell me, ‘You

      Know all them things.’ So I governed my tongue

      In front of her, a genuinely well-

      Adjusted adequate betrayal

      Of what I knew better. I’d naw and aye

      And decently relapse into the wrong

      Grammar which kept us allied and at bay.

      V

      The cool that came off sheets just off the line

      Made me think the damp must still be in them

      But when I took my corners of the linen

      And pulled against her, first straight down the hem

      And then diagonally, then flapped and shook

      The fabric like a sail in a cross-wind,

      They made a dried-out undulating thwack.

      So we’d stretch and fold and end up hand to hand

      For a split second as if nothing had happened

      For nothing had that had not always happened

      Beforehand, day by day, just touch and go,

      Coming close again by holding back

      In moves where I was X and she was O

      Inscribed in sheets she’d sewn from ripped-out flour sacks.

      VI

      In the first flush of the Easter holidays

      The ceremonies during Holy Week

      Were highpoints of our Sons and Lovers phase.

      The midnight fire. The paschal candlestick.

      Elbow to elbow, glad to be kneeling next

      To each other up there near the front

      Of the packed church, we would follow the text

      And rubrics for the blessing of the font.

      As the hind longs for the streams, so my soul …

      Dippings. Towellings. The water breathed on.

      The water mixed with chrism and with oil.

      Cruet tinkle. Formal incensation

      And the psalmist’s outcry taken up with pride:

      Day and night my tears have been my bread.

      VII

      In the last minutes he said more to her

      Almost than in all their life together.

      ‘You’ll be in New Row on Monday night

      And I’ll come up for you and you’ll be glad

      When I walk in the door … Isn’t that right?’

      His head was bent down to her propped-up head.

      She could not hear but we were overjoyed.

      He called her good and girl. Then she was dead,

      The searching for a pulsebeat was abandoned

      And we all knew one thing by being there.

      The space we stood around had been emptied

      Into us to keep, it penetrated

      Clearances that suddenly stood open.

      High cries were felled and a pure change happened.

    &n
    bsp; VIII

      I thought of walking round and round a space

      Utterly empty, utterly a source

      Where the decked chestnut tree had lost its place

      In our front hedge above the wallflowers.

      The white chips jumped and jumped and skited high.

      I heard the hatchet’s differentiated

      Accurate cut, the crack, the sigh

      And collapse of what luxuriated

      Through the shocked tips and wreckage of it all.

      Deep-planted and long gone, my coeval

      Chestnut from a jam jar in a hole,

      Its heft and hush become a bright nowhere,

      A soul ramifying and forever

      Silent, beyond silence listened for.

      The Milk Factory

      Scuts of froth swirled from the discharge pipe.

      We halted on the other bank and watched

      A milky water run from the pierced side

      Of milk itself, the crock of its substance spilt

      Across white limbo floors where shift-workers

      Waded round the clock, and the factory

      Kept its distance like a bright-decked star-ship.

      There we go, soft-eyed calves of the dew,

      Astonished and assumed into fluorescence.

      The Wishing Tree

      I thought of her as the wishing tree that died

      And saw it lifted, root and branch, to heaven,

      Trailing a shower of all that had been driven

      Need by need by need into its hale

      Sap-wood and bark: coin and pin and nail

      Came streaming from it like a comet-tail

      New-minted and dissolved. I had a vision

      Of an airy branch-head rising through damp cloud,

      Of turned-up faces where the tree had stood.

      Grotus and Coventina

      Far from home Grotus dedicated an altar to Coventina

      Who holds in her right hand a waterweed

      And in her left a pitcher spilling out a river.

      Anywhere Grotus looked at running water he felt at home

      And when he remembered the stone where he cut his name

      Some dried-up course beneath his breastbone started

      Pouring and darkening – more or less the way

      The thought of his stunted altar works on me.

      Remember when our electric pump gave out,

      Priming it with bucketfuls, our idiotic rage

      And hangdog phone-calls to the farm next door

      For somebody please to come and fix it?

      And when it began to hammer on again,

      Jubilation at the tap’s full force, the sheer

      Given fact of water, how you felt you’d never

      Waste one drop but know its worth better always.

      Do you think we could run through all that one more time?

      I’ll be Grotus, you be Coventina.

      Wolfe Tone

      Light as a skiff, manoeuvrable

      yet outmanoeuvred,

      I affected epaulettes and a cockade,

      wrote a style well-bred and impervious

      to the solidarity I angled for,

      and played the ancient Roman with a razor.

      I was the shouldered oar that ended up

      far from the brine and whiff of venture,

      like a scratching-post or a crossroads flagpole,

      out of my element among small farmers –

      I who once wakened to the shouts of men

      rising from the bottom of the sea,

      men in their shirts mounting through deep water

      when the Atlantic stove our cabin’s dead lights in

      and the big fleet split and Ireland dwindled

      as we ran before the gale under bare poles.

      From the Canton of Expectation

      I

      We lived deep in a land of optative moods,

      under high, banked clouds of resignation.

      A rustle of loss in the phrase Not in our lifetime,

      the broken nerve when we prayed Vouchsafe or Deign,

      were creditable, sufficient to the day.

      Once a year we gathered in a field

      of dance platforms and tents where children sang

      songs they had learned by rote in the old language.

      An auctioneer who had fought in the brotherhood

      enumerated the humiliations

      we always took for granted, but not even he

      considered this, I think, a call to action.

      Iron-mouthed loudspeakers shook the air

      yet nobody felt blamed. He had confirmed us.

      When our rebel anthem played the meeting shut

      we turned for home and the usual harassment

      by militiamen on overtime at roadblocks.

      II

      And next thing, suddenly, this change of mood.

      Books open in the newly wired kitchens.

      Young heads that might have dozed a life away

      against the flanks of milking cows were busy

      paving and pencilling their first causeways

      across the prescribed texts. The paving stones

      of quadrangles came next and a grammar

      of imperatives, the new age of demands.

      They would banish the conditional for ever,

      this generation born impervious to

      the triumph in our cries of de profundis.

      Our faith in winning by enduring most

      they made anathema, intelligences

      brightened and unmannerly as crowbars.

      III

      What looks the strongest has outlived its term.

      The future lies with what’s affirmed from under.

      These things that corroborated us when we dwelt

      under the aegis of our stealthy patron,

      the guardian angel of passivity,

      now sink a fang of menace in my shoulder.

      I repeat the word ‘stricken’ to myself

      and stand bareheaded under the banked clouds

      edged more and more with brassy thunderlight.

      I yearn for hammerblows on clinkered planks,

      the uncompromised report of driven thole-pins,

      to know there is one among us who never swerved

      from all his instincts told him was right action,

      who stood his ground in the indicative,

      whose boat will lift when the cloudburst happens.

      The Mud Vision

      Statues with exposed hearts and barbed-wire crowns

      Still stood in alcoves, hares flitted beneath

      The dozing bellies of jets, our menu-writers

      And punks with aerosol sprays held their own

      With the best of them. Satellite link-ups

      Wafted over us the blessings of popes, heliports

      Maintained a charmed circle for idols on tour

      And casualties on their stretchers. We sleepwalked

      The line between panic and formulae, screentested

      Our first native models and the last of the mummers,

      Watching ourselves at a distance, advantaged

      And airy as a man on a springboard

      Who keeps limbering up because the man cannot dive.

      And then in the foggy midlands it appeared,

      Our mud vision, as if a rose window of mud

      Had invented itself out of the glittery damp,

      A gossamer wheel, concentric with its own hub

      Of nebulous dirt, sullied yet lucent.

      We had heard of the sun standing still and the sun

      That changed colour, but we were vouchsafed

      Original clay, transfigured and spinning.

      And then the sunsets ran murky, the wiper

      Could never entirely clean off the windscreen,

      Reservoirs tasted of silt, a light fuzz

      Accrued in the hair and the eyebrows, and some

      Took to wearing a smudge on their foreheads

      To be prepared for whatever. Vigils


      Began to be kept around puddled gaps,

      On altars bulrushes ousted the lilies

      And a rota of invalids came and went

      On beds they could lease placed in range of the shower.

      A generation who had seen a sign!

      Those nights when we stood in an umber dew and smelled

      Mould in the verbena, or woke to a light

      Furrow-breath on the pillow, when the talk

      Was all about who had seen it and our fear

      Was touched with a secret pride, only ourselves

      Could be adequate then to our lives. When the rainbow

      Curved flood-brown and ran like a water-rat’s back

      So that drivers on the hard shoulder switched off to watch,

      We wished it away, and yet we presumed it a test

      That would prove us beyond expectation.

      We lived, of course, to learn the folly of that.

      One day it was gone and the east gable

      Where its trembling corolla had balanced

      Was starkly a ruin again, with dandelions

      Blowing high up on the ledges, and moss

      That slumbered on through its increase. As cameras raked

      The site from every angle, experts

      Began their post factum jabber and all of us

      Crowded in tight for the big explanations.

      Just like that, we forgot that the vision was ours,

      Our one chance to know the incomparable

      And dive to a future. What might have been origin

      We dissipated in news. The clarified place

      Had retrieved neither us nor itself – except

      You could say we survived. So say that, and watch us

     


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