SEAMUS HEANEY
New Selected Poems
1988–2013
Publisher’s Note
This edition reproduces selections from Seeing Things (1991) and The Spirit Level (1996) that Seamus Heaney made for Opened Ground: Poems 1966–1996. Selections from Electric Light (2001), District and Circle (2006) and Human Chain (2010) were prepared by the author for a prospective edition of his works in Italian translation. Although Seamus Heaney had not identified an extract from Beowulf (1999), he did indicate that he would wish to see it represented in that edition, and had previously chosen passages from the opening and closing sections included here. ‘In Time’, Seamus Heaney’s last poem, appears here in accordance with the wishes of his family.
The Heaney family would like to extend their gratitude to Marco Sonzogni for his help in producing this edition
Contents
Title Page
Publisher’s Note
Epigraph
from Seeing Things (1991)
The Golden Bough
Markings
Man and Boy
Seeing Things
An August Night
Field of Vision
The Pitchfork
The Settle Bed
from Glanmore Revisited
I Scrabble
II The Cot
V Lustral Sonnet
VII The Skylight
A Pillowed Head
A Royal Prospect
Wheels within Wheels
Fosterling
from Squarings
Lightenings
Settings
Crossings
Squarings
from The Spirit Level (1996)
The Rain Stick
Mint
A Sofa in the Forties
Keeping Going
Two Lorries
Damson
Weighing In
St Kevin and the Blackbird
from The Flight Path
Mycenae Lookout
1 The Watchman’s War
2 Cassandra
3 His Dawn Vision
4 The Nights
5 His Reverie of Water
The Gravel Walks
Whitby-sur-Moyola
‘Poet’s Chair’
The Swing
Two Stick Drawings
A Call
The Errand
A Dog Was Crying Tonight in Wicklow Also
The Strand
The Walk
At the Wellhead
At Banagher
Tollund
Postscript
from Beowulf (1999)
[lines 1–163]
[lines 3137–3182]
from Electric Light (2001)
Perch
Lupins
from Out of the Bag
The Little Canticles of Asturias
Ballynahinch Lake
The Clothes Shrine
Glanmore Eclogue
Sonnets from Hellas
1 Into Arcadia
2 Conkers
3 Pylos
4 The Augean Stables
5 Castalian Spring
6 Desfina
Vitruviana
Audenesque
To the Shade of Zbigniew Herbert
Bodies and Souls
1 In the Afterlife
2 Nights of ’57
3 The Bereaved
from Electric Light
from District and Circle (2006)
A Shiver
Anahorish 1944
Anything Can Happen
Wordsworth’s Skates
Found Prose
1 The Lagans Road
2 Tall Dames
3 Boarders
The Lift
Nonce Words
Stern
from Out of This World
1 ‘Like everybody else …’
In Iowa
Höfn
The Tollund Man in Springtime
Planting the Alder
Tate’s Avenue
Fiddleheads
Quitting Time
The Blackbird of Glanmore
from Human Chain (2010)
‘Had I not been awake’
Album
The Conway Stewart
Uncoupled
The Butts
Chanson d’Aventure
Miracle
Human Chain
The Baler
Eelworks
The Riverbank Field
Route 110
Wraiths
I Sidhe
II Parking Lot
III White Nights
‘The door was open and the house was dark’
In the Attic
A Kite for Aibhín
In Time (2013)
Index
About the Author
By the Same Author
Copyright
NEW SELECTED POEMS
1988–2013
The Golden Bough
from Virgil, Aeneid, vi
Aeneas was praying and holding on to the altar
When the prophetess started to speak: ‘Blood relation of gods,
Trojan, son of Anchises, the way down to Avernus is easy.
Day and night black Pluto’s door stands open.
But to retrace your steps and get back to upper air,
This is the real task and the real undertaking.
A few have been able to do it, sons of the gods
Favoured by Jupiter Justus, or exalted to heaven
In a blaze of heroic glory. Forests spread half-way down
And Cocytus winds through the dark, licking its banks.
Still, if love torments you so much and you so much desire
To sail the Stygian lake twice and twice to inspect
The underworld dark, if you must go beyond what’s permitted,
Understand what you must do beforehand.
Hidden in the thick of a tree is a bough made of gold
And its leaves and pliable twigs are made of it too.
It is sacred to underworld Juno, who is its patron,
And overtopped by a grove where deep shadows mass
Along far wooded valleys. No one is ever permitted
To go down into earth’s hidden places unless he has first
Plucked this golden-fledged tree-branch out of its tree
And bestowed it on fair Proserpina, to whom it belongs
By decree, her own special gift. And when it is plucked
A second one grows in its place, golden once more,
And the foliage growing upon it glimmers the same.
Therefore look up and search deep and when you have found it
Take hold of it boldly and duly. If fate has called you
The bough will come away easily, of its own sweet accord.
Otherwise, no matter how much strength you muster, you won’t
Ever manage to quell it or fell it with the toughest of blades.’
Markings
I
We marked the pitch: four jackets for four goalposts,
That was all. The corners and the squares
Were there like longitude and latitude
Under the bumpy ground, to be
Agreed about or disagreed about
When the time came. And then we picked the teams
And crossed the line our called names drew between us.
Youngsters shouting their heads off in a field
As the light died and they kept on playing
Because by then they were playing in their heads
And the actual kicked ball came to them
Like a dream heaviness, and their own
hard
Breathing in the dark and skids on grass
It was quick and constant, a game that never need
Be played out. Some limit had been passed,
There was fleetness, furtherance, untiredness
In time that was extra, unforeseen and free.
II
You also loved lines pegged out in the garden,
The spade nicking the first straight edge along
The tight white string. Or string stretched perfectly
To make the outline of a house foundation,
Pale timber battens set at right angles
For every corner, each freshly sawn new board
Spick and span in the oddly passive grass.
Or the imaginary line straight down
A field of grazing, to be ploughed open
From the rod stuck in one headrig to the rod
Stuck in the other.
III
All these things entered you
As if they were both the door and what came through it.
They marked the spot, marked time and held it open.
A mower parted the bronze sea of corn.
A windlass hauled the centre out of water.
Two men with a cross-cut kept it swimming
Into a felled beech backwards and forwards
So that they seemed to row the steady earth.
Man and Boy
I
‘Catch the old one first,’
(My father’s joke was also old, and heavy
And predictable). ‘Then the young ones
Will all follow, and Bob’s your uncle.’
On slow bright river evenings, the sweet time
Made him afraid we’d take too much for granted
And so our spirits must be lightly checked.
Blessed be down-to-earth! Blessed be highs!
Blessed be the detachment of dumb love
In that broad-backed, low-set man
Who feared debt all his life, but now and then
Could make a splash like the salmon he said was
‘As big as a wee pork pig by the sound of it’.
II
In earshot of the pool where the salmon jumped
Back through its own unheard concentric soundwaves
A mower leans forever on his scythe.
He has mown himself to the centre of the field
And stands in a final perfect ring
Of sunlit stubble.
‘Go and tell your father,’ the mower says
(He said it to my father who told me),
‘I have it mowed as clean as a new sixpence.’
My father is a barefoot boy with news,
Running at eye-level with weeds and stooks
On the afternoon of his own father’s death.
The open, black half of the half-door waits.
I feel much heat and hurry in the air.
I feel his legs and quick heels far away
And strange as my own – when he will piggyback me
At a great height, light-headed and thin-boned,
Like a witless elder rescued from the fire.
Seeing Things
I
Inishbofin on a Sunday morning.
Sunlight, turfsmoke, seagulls, boatslip, diesel.
One by one we were being handed down
Into a boat that dipped and shilly-shallied
Scaresomely every time. We sat tight
On short cross-benches, in nervous twos and threes,
Obedient, newly close, nobody speaking
Except the boatmen, as the gunwales sank
And seemed they might ship water any minute.
The sea was very calm but even so,
When the engine kicked and our ferryman
Swayed for balance, reaching for the tiller,
I panicked at the shiftiness and heft
Of the craft itself. What guaranteed us –
That quick response and buoyancy and swim –
Kept me in agony. All the time
As we went sailing evenly across
The deep, still, seeable-down-into water,
It was as if I looked from another boat
Sailing through air, far up, and could see
How riskily we fared into the morning,
And loved in vain our bare, bowed, numbered heads.
II
Claritas. The dry-eyed Latin word
Is perfect for the carved stone of the water
Where Jesus stands up to his unwet knees
And John the Baptist pours out more water
Over his head: all this in bright sunlight
On the façade of a cathedral. Lines
Hard and thin and sinuous represent
The flowing river. Down between the lines
Little antic fish are all go. Nothing else.
And yet in that utter visibility
The stone’s alive with what’s invisible:
Waterweed, stirred sand-grains hurrying off,
The shadowy, unshadowed stream itself.
All afternoon, heat wavered on the steps
And the air we stood up to our eyes in wavered
Like the zig-zag hieroglyph for life itself.
III
Once upon a time my undrowned father
Walked into our yard. He had gone to spray
Potatoes in a field on the riverbank
And wouldn’t bring me with him. The horse-sprayer
Was too big and new-fangled, bluestone might
Burn me in the eyes, the horse was fresh, I
Might scare the horse, and so on. I threw stones
At a bird on the shed roof, as much for
The clatter of the stones as anything,
But when he came back, I was inside the house
And saw him out the window, scatter-eyed
And daunted, strange without his hat,
His step unguided, his ghosthood immanent.
When he was turning on the riverbank,
The horse had rusted and reared up and pitched
Cart and sprayer and everything off balance
So the whole rig went over into a deep
Whirlpool, hoofs, chains, shafts, cartwheels, barrel
And tackle, all tumbling off the world,
And the hat already merrily swept along
The quieter reaches. That afternoon
I saw him face to face, he came to me
With his damp footprints out of the river,
And there was nothing between us there
That might not still be happily ever after.
An August Night
His hands were warm and small and knowledgeable.
When I saw them again last night, they were two ferrets,
Playing all by themselves in a moonlit field.
Field of Vision
I remember this woman who sat for years
In a wheelchair, looking straight ahead
Out the window at sycamore trees unleafing
And leafing at the far end of the lane.
Straight out past the TV in the corner,
The stunted, agitated hawthorn bush,
The same small calves with their backs to wind and rain,
The same acre of ragwort, the same mountain.
She was steadfast as the big window itself.
Her brow was clear as the chrome bits of the chair.
She never lamented once and she never
Carried a spare ounce of emotional weight.
Face to face with her was an education
Of the sort you got across a well-braced gate –
One of those lean, clean, iron, roadside ones
Between two whitewashed pillars, where you could see
Deeper into the country than you expected
And discovered that the field behind the hedge
Grew more distinctly strange as you kept standing
Focused and drawn in by what barred the way.
The Pitchfork
Of all implements, the pitchfork was the one
That came near to an imagined perfection:
When he tightened his raised hand and aimed with it,
It felt like a javelin, accurate and light.
So whether he played the warrior or the athlete
Or worked in earnest in the chaff and sweat,
He loved its grain of tapering, dark-flecked ash
Grown satiny from its own natural polish.
Riveted steel, turned timber, burnish, grain,
Smoothness, straightness, roundness, length and sheen.
Sweat-cured, sharpened, balanced, tested, fitted.
The springiness, the clip and dart of it.
And then when he thought of probes that reached the farthest,
He would see the shaft of a pitchfork sailing past
Evenly, imperturbably through space,
Its prongs starlit and absolutely soundless –
But has learned at last to follow that simple lead
Past its own aim, out to an other side
Where perfection – or nearness to it – is imagined
Not in the aiming but the opening hand.
The Settle Bed
Willed down, waited for, in place at last and for good.
Trunk-hasped, cart-heavy, painted an ignorant brown.
And pew-strait, bin-deep, standing four-square as an ark.
If I lie in it, I am cribbed in seasoned deal
Dry as the unkindled boards of a funeral ship.
My measure has been taken, my ear shuttered up.
Yet I hear an old sombre tide awash in the headboard:
Unpathetic och ochs and och hohs, the long bedtime
Sigh-life of Ulster, unwilling, unbeaten,
Protestant, Catholic, the Bible, the beads,
Late talks at gables by moonlight, boots on the hearth,