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    I Dare You (ARC)

    Page 30
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      a shiny, silver toast rack, place a pot of butter and one of jam

      onto a plate and present it to Eric on the dining room table.

      That had been her father’s breakfast every day for the years he’d spent at home. For the ten years of Anna’s life he’d been around.

      ‘Have you checked the front door?’ Muriel asked.

      ‘No. I was gearing up for it. I didn’t sleep much, kept jolting

      awake at every small sound. I didn’t hear any loud banging or

      anything, though. Maybe there’s nothing. Yet.’

      ‘I glanced at the doormat first thing but was waiting for you

      to check the door. Not sure my poor heart can take any more,

      if I’m honest.’

      ‘Ditto,’ Anna said. ‘And if there’s going to be a “big one”,

      it’ll be today. I feel it.’

      ‘Should we check the security camera first?’

      ‘Yes, good idea. We’ll be prepared then.’

      Muriel and Anna both made their way upstairs to the spare

      room – the box-room at the front of the house where the

      recorder and monitor were set up. Anna peered out through the

      curtains. No one was about.

      ‘Do you know how to work it, Anna?’ Muriel took her glasses

      off her head, perching them on the end of her nose, and stared

      over them at the blank monitor screen. Anna smiled. Why put

      glasses on and then look over the top of them? She didn’t bother

      to voice the question.

      ‘I had a practice; it’s very straightforward,’ Anna said.

      ‘Well, it is for you youngsters, not so much for me.’

      ‘Don’t worry. Let’s hope you don’t need to become an

      expert . . .’

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      Anna pushed a few buttons and the image of the front door popped up on the screen.

      ‘Damn.’

      ‘It’s the body,’ Muriel said, her tone defeated. ‘I didn’t hear

      it. Must be going deaf as well as daft.’

      One of her mother’s favourite sayings.

      ‘Okay, well we can at least go back through the recording.

      Maybe we’ll catch them in the act and be able to identify the

      fuc—’

      Muriel shot Anna a hard stare.

      ‘Sorry. I stopped myself, didn’t I?’ Anna protested, feeling

      like a child again.

      ‘I’m scared to see,’ Muriel said quietly.

      ‘Don’t watch then. I’ll find the right bit, see if there’s anything helpful. You can make your mind up if you want to know afterwards.’

      For a moment Muriel looked confused, but then she straight-

      ened and agreed it would be better if Anna checked first. She

      backed out of the room.

      Anna went to the beginning of the recorded footage. She

      watched minute after minute of the infrared grey-white,

      non-moving image of the front door. Then, with the time

      showing at 2.13 a.m., Anna noticed a shift in brightness. A

      torchlight on the door? She sat forwards, her heart racing at the thought she was about to see someone. The person who’d been

      leaving the doll’s parts, leaving the notes. She held her breath

      as a dark figure approached the door.

      A gloved hand reached up, steadying what must be the doll’s

      body, as the other hand pushed something against it. They

      didn’t appear to have a hammer; it must just be a pin. But

      Anna’s attention had left the gloved hands. It was focused on

      the hooded figure. She’d known she wouldn’t be able to tell

      the identity of the Knock, Knock player – they would’ve been

      prepared and covered themselves as much as possible. But

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      Anna could distinguish their build, as she’d hoped would be the case.

      And Anna was certain she was not watching Billy Cawley at

      her door.

      She rewound the footage and watched again, and again.

      It was a woman, she was sure.

      Had Muriel been right all along? Was it Eliza Cawley – Lizzie?

      The woman had reached up quite high to pin the body to

      the door. Maybe that would indicate how tall she was.

      Anna rushed down the stairs and flung the door open,

      revealing the torso. Polly’s torso. It had only been attached with a large pin, no nail this time. To ensure she and Muriel couldn’t hear her this time? Had the unidentified woman seen, or known,

      about the camera too?

      ‘I’ve checked the camera footage, Mum.’ Anna walked into

      the lounge, the torso in her hand.

      ‘And?’ Muriel turned and her face fell as she noticed what

      Anna was holding. ‘Oh.’

      ‘It’s a woman. It’s not Billy doing this to you.’

      Muriel seemed to shrink a little. Relief relaxed her face. ‘That’s something. But why? Why is a woman doing this? Unless I was

      right, that Lizzie can’t be trusted, that it’s her and she’s the one who wanted revenge for her dad.’

      ‘It’s a possibility. We have to work on the assumption it is

      her for now, I think. She did seem particularly upset at finding

      out how you and Nell had recorded her confession. And she

      was very keen on pushing the attention onto Tina.’

      ‘Tina? How come? You never told me that.’

      ‘Only just happened, I haven’t had a chance to discuss it with

      you. Lizzie thinks there’s some kind of Stepford wives thing

      going on in Mapledon – that the monthly meetings the women

      had were in some way the key to the bad goings-on in the village.

      Key to getting her father put into prison.’

      ‘That’s absurd,’ Muriel said. ‘The more you say, the more I’m

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      certain it’s her. She’s a very damaged young woman, Anna. You need to be careful there.’

      ‘I will. Anyway, let’s see what this torso has for us.’ Anna

      pushed two fingers inside the hollow – through the hole where

      a leg should go – and pulled out a piece of folded paper. She

      was about to put the body on the table, when something else

      caught her eye. ‘There’s something else in this one.’

      ‘Oh, now what?’ Muriel sounded deflated.

      Anna had expected something in addition to the doll’s body, something significant being that it was the anniversary, but still she felt a surge of panic. Her fingers shook as she grasped the

      small, round item and pulled it clear. She stared at the cloth-covered ball sitting in the palm of her hand.

      ‘Open it,’ Muriel said. Her voice had lost all power. She was

      scared. Which scared Anna.

      She carefully unravelled the small parcel. Anna sucked in her

      breath as she realised what she was holding.

      ‘Shit!’ Anna breathed. Muriel didn’t chastise her language

      use. Anna sensed she was thinking the same. ‘How? Why?’ Anna

      couldn’t order her thoughts.

      In her hand lay a small, silver, heart locket on a dainty chain.

      And they both knew whose it was.

      Neither of them looked at the other.

      ‘The note might explain,’ Anna whispered.

      ‘No! Don’t read it!’ Muriel lurched forwards, grappling to

      take the paper from the table. Anna was quicker.

      ‘God, Mum! Why? We may as well – and actually we
    need to.

      We have to know who had this and why? Not to mention, how?’

      Muriel’s face contorted. Tears escaped her screwed-up eyes.

      Anna’s chest tightened. What the hell was this reaction?

      ‘Don’t, Anna. It’ll be lies, rubbish. Just like everything else.

      No good can come—’

      ‘Of digging up the past. Yeah, I know. You and Nell have been

      very keen on telling me that. You are both hiding something

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      – don’t think I don’t know. Now, come on. It’s time for the truth to surface.’

      Muriel shook her head, tears still spilling down her face.

      Was Anna about to find out what Muriel had done? She

      obviously thought it was all about to come out. That’s why she

      didn’t want Anna to read the note.

      With her eyes watching her mother carefully, Anna unfolded

      the paper.

      SOMEONE HAS TO CONFESS, NOW!

      Anna was about to shout, to say how this was a repeat of the

      note found in the leg. But the words continued.

      Anna’s legs weakened. Her arm felt heavy – she dropped her

      hand to her side, the note falling from it. Muriel slowly bent

      down to retrieve it. She read it, then reached a hand out to

      Anna.

      ‘Darling, I’m sorry.’

      Anna stared, open-mouthed. It didn’t make sense. The words

      were wrong. She must’ve misread them. She snatched the paper

      from her mother’s hand and looked again.

      No. She hadn’t been mistaken. She read the words aloud this

      time.

      ‘AND THAT SOMEONE IS YOU, BELLA.’

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      Chapter Eighty

      2019

      Lizzie

      ‘I think you need to go back a few steps. Tell me from the

      beginning.’

      ‘You got all night?’ Billy smiled, weakly.

      ‘I’ve got however long it takes,’ Lizzie said. She took her

      mobile phone and tapped out a text to Dom. There was no

      service, as expected, but he’d hopefully get it before he had time to really worry about her. Then she set her phone to record,

      placing it on the small, square, melamine table in front of them.

      Billy closed his eyes, sighing deeply. ‘It’s odd. I’ve kept this

      inside for thirty years. Almost as long as I was inside. It feels wrong, almost, to speak of it again now. Maybe I should let

      sleeping dogs lie.’

      ‘But what good will that do? If you’re innocent, like you say,

      then someone else is guilty. Why should they get away with it?’

      ‘I don’t expect you to understand, Eliza.’

      ‘Can you call me Lizzie, please?’

      ‘Sure. Seems no one wants to be themselves anymore. Maybe

      I should change my name too.’

      ‘I think you should, actually. Anyway, enough stalling. I want

      to hear your side. I need to know. I realise it must be difficult for you to talk about it all these years later, but it’s important 305

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      to me to know the truth. Don’t you think I deserve it? And Tina Hayes? That poor woman has been suffering terribly, wondering

      where her girl is.’

      At the mention of Tina, Lizzie noticed Billy’s face lose its

      colour. She’d been right. When she’d seen how close they were

      standing in the photo, she’d known there was more to them

      than anyone else knew. It was her name that now seemed to be

      the magic word to get Billy Cawley to begin his story.

      ‘Right. Okay. So, Muriel Fisher started it. The whole campaign

      to drive me from the village came from her. She was the force

      behind it all. At first, I thought her heart was in the right place.

      You were a strange child.’ Billy looked into her eyes, putting his head to one side. ‘Sorry, but it’s true. Not that it was your

      fault . . .’

      ‘It’s fine. I get it. Go on,’ Lizzie said.

      ‘I think she saw the damage inside you before I really under-

      stood it. But instead of looking for the real reason, she assumed I was . . . abusing you . . .’ He struggled to say the words. ‘Once she’d got that notion in her head, there was no stopping her.

      She looked for evidence of it, but when she didn’t find any, she

      decided to make it up instead. I’d already given her the ideal

      background – you know the kids of the village had decided I

      was a weirdo and hounded me?’

      ‘Yes. I don’t have any memory of it, but I heard all about the

      Knock, Knock, Ginger games and how you were always the main

      target.’

      ‘Yes, and after a while – bearing in mind I was grieving and

      a mess – I gave in to it and played along.’

      ‘What do you mean?’

      ‘It got so tiring, the constant banging on my door, the stones

      thrown at the windows. The copper wasn’t going to do anything

      – the kids outran that fat bugger every time.’

      ‘Pat Vern? He’s with Tina Hayes now,’ Lizzie said.

      ‘Yeah, I know.’ Billy shrugged. ‘Anyway, I thought if I couldn’t

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      beat the little shits, I may as well have some fun with them. So, I began chasing them myself. Ran after them down the cul-de-sac

      screaming blue murder, threatening to give them a hiding they’d

      never forget. Hearing them scream like babies gave me an

      element of satisfaction. Sometimes I’d have a giggle when I got

      back home, puffed out and red-faced. Those ended up being

      the only times I ever laughed!’

      ‘But it added to your scary persona. Reinforced everyone’s

      belief you were a weirdo and the kids should be afraid of you.

      All it did was make you more of a target because you became

      a challenge. If a kid could get close to the bungalow – or even

      inside – it gave them greater kudos with their mates.’

      ‘Exactly. Which all came back to bite me on the arse when

      Jonie Hayes went missing.’ Billy leant forwards, resting his

      clasped hands on his thighs. ‘She’d been one of the kids who’d

      regularly played Knock, Knock. Her and the liar.’

      ‘The liar?’

      ‘Yeah. The one who told the police what she saw that day.’

      ‘Bella Fisher.’

      ‘Yep – the bitch’s daughter.’

      ‘She gave the description of your truck, which was easily

      recognisable to everyone around here, and told the police she’d

      seen Jonie get into it and you drive away. Out of the village.’

      ‘That’s what she said, yes. But the girl lied, Lizzie. She had

      to have done.’

      ‘But they found DNA evidence in your truck?’

      ‘Oh, you mean the planted evidence? Yes, well. What they

      found was a piece of clothing, a dress, with blood on it. They

      may as well have set the dogs on me there and then. No one in

      the village even waited to find out whose it was. And it just so

      happened that it was Eliza’s— your dress. It was my blood. But instead of them thinking “Oh, we were wrong”, that piece of

      so-called evidence seemed to be the final nail in the coffin. If I could hurt you, I coul
    d hurt Jonie Hayes. They thought I’d taken

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      her to replace my daughter. To replace you. To do to her what they always thought I did to you. But I never touched you. As

      I say, the blood was mine. You hit out at me several times. You

      acted so oddly, you actually scared me. I put it down to the

      shock of losing your mother. It was more than that, but I didn’t

      have the chance to find out. Because that fucking bitch manip-

      ulated you into telling social that I did stuff to you. Hideous

      stuff. Unthinkable. It destroyed me.’

      ‘Yes, I know about that now. Muriel confessed.’

      ‘It wasn’t me though. I wasn’t the one abusing you.’

      Lizzie frowned. ‘Meaning what? You think I was abused?’

      ‘Oh, yes. I know it.’

      ‘Who? Who did it? Do you know?’

      ‘I have my suspicion – I’ll get to that later. But, like everything else in that fucked-up place, the villagers hid it. They looked

      after their own. I was the obvious culprit. They didn’t bother looking elsewhere. I was set up for that, then they pinned Jonie

      on me, too. On the outsider who had nothing left to lose.’

      ‘How, though? I get you’d built a bit of a reputation, which

      was then reinforced with me being taken away, but to be charged

      with abduction and murder? I don’t understand how anyone

      could’ve achieved it.’

      ‘A lot was circumstantial. Even the dress – which they later

      found out was yours – and the blood, which was mine, wouldn’t

      have held up in court. But a little girl’s witness statement to the police, one detailing my vehicle and saying how I’d chased her

      and her friend Jonie, how I’d then grabbed Jonie and bundled

      her into the truck – well, they listened to that, and they believed it. Because I didn’t have an alibi – or rather no one would admit to seeing me anywhere else at that specific time – this was deemed the key evidence. And when the police searched the bungalow . . .

      that’s when they found it.’

      ‘What?’

      ‘Her necklace. They said I must’ve taken it as a trophy.’

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      Chapter Eighty-One

      1989

      Fisher residence

      Wednesday 19th July – the day of, 7 p.m.

      ‘Is Bella home with you?’

      ‘Yes, Tina. She’s been home for a while,’ Muriel said. Would

     


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