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    Complete Poems 3 (Robert Graves Programme)

    Page 41
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      There shone the waterlilies, yellow and white.

      Deep water and a shelving bank.

      Off went our clothes and in we went, all five,

      Diving like trout between the lily groves.

      The basket had been nobly filled:

      Wine and fresh rolls, chicken and pineapple –

      Our braggadocio under threat of war.

      The fire on which we boiled our kettle

      We fed with ling and rotten blackthorn root;

      And the coffee tasted memorably of peat.

      Two of us might stray off together

      But never less than three kept by the fire,

      Focus of our uncertain destinies.

      We spoke little, our minds in tune –

      A sigh or laugh would settle any theme;

      The sun so hot it made the rocks quiver.

      But when it rolled down level with us,

      Four pairs of eyes sought mine as if appealing

      For a blind-fate-aversive afterword: –

      ‘Do you remember the lily lake?

      We were all there, all five of us in love,

      Not one yet killed, widowed or broken-hearted.’

      TO BE CALLED A BEAR

      Bears gash the forest trees

      To mark the bounds

      Of their own hunting grounds;

      They follow the wild bees

      Point by point home

      For love of honeycomb;

      They browse on blueberries.

      Then should I stare

      If I am called a bear,

      And it is not the truth?

      Unkempt and surly with a sweet tooth

      I tilt my muzzle toward the starry hub

      Where Queen Callisto guards her cub;

      But envy those that here

      All winter breathing slow

      Sleep warm under the snow,

      That yawn awake when the skies clear,

      And lank with longing grow

      No more than one brief month a year.

      A CIVIL SERVANT

      While in this cavernous place employed

      Not once was I aware

      Of my officious other-self

      Poised high above me there,

      My self reversed, my rage-less part,

      A slimy yellowish cone –

      Drip, drip; drip, drip – so down the years

      I stalagmized in stone.

      Now pilgrims to the cave, who come

      To chip off what they can,

      Prod me with child-like merriment:

      ‘Look, look! It’s like a man!’

      GULLS AND MEN

      The naturalists of the Bass Rock

      On this vexatious point agree:

      That sea-birds of all sorts that flock

      About the Bass, repeatedly

      Collide in mid-flight,

      And neither by design, in play,

      Nor by design, in shrewd assault,

      But (as these patient watchers say,

      Eyes that are seldom proved at fault)

      By lack of foresight.

      Stupidity, which poor and rich

      Hold the recognizance of man,

      Precious stupidity, of which

      Let him denude himself who can

      And stand at God’s height –

      Stupidity that brings to birth

      More, always more, than to the grave,

      The burden of all songs on earth,

      And by which men are brave

      And women contrite –

      This jewel bandied from a cliff

      By gulls and razor-bills and such!

      Where is man’s vindication if

      Perfectibility’s as much

      Bird-right as man-right?

      MAGICAL POEMS

      THE ALLANSFORD PURSUIT

      [As danced by North-country witches at their Sabbaths. A restoration of the fragmentary seventeenth-century text.]

      Cunning and art he did not lack

      But aye her whistle would fetch him back.

      O, I shall go into a hare

      With sorrow and sighing and mickle care,

      And I shall go in the Devil’s name

      Aye, till I be fetchèd hame.

      – Hare, take heed of a bitch greyhound

      Will harry thee all these fells around,

      For here come I in Our Lady’s name

      All but for to fetch thee hame.

      Cunning and art, etc.

      Yet I shall go into a trout

      With sorrow and sighing and mickle doubt,

      And show thee many a crooked game

      Ere that I be fetchèd hame.

      – Trout, take heed of an otter lank

      Will harry thee close from bank to bank,

      For here come I in Our Lady’s name

      All but for to fetch thee hame.

      Cunning and art, etc.

      Yet I shall go into a bee

      With mickle horror and dread of thee,

      And flit to hive in the Devil’s name

      Ere that I be fetchèd hame.

      – Bee, take heed of a swallow hen

      Will harry thee close, both butt and ben,

      For here come I in Our Lady’s name

      All but for to fetch thee hame.

      Cunning and art, etc.

      Yet I shall go into a mouse

      And haste me unto the miller’s house,

      There in his corn to have good game

      Ere that I be fetchèd hame.

      – Mouse, take heed of a white tib-cat

      That never was baulked of mouse or rat,

      For I’ll crack thy bones in Our Lady’s name:

      Thus shall thou be fetchèd hame.

      Cunning and art, etc.

      AMERGIN’S CHARM

      [The text restored from mediaeval Irish and Welsh variants.]

      I am a stag: of seven tines,

      I am a flood: across a plain,

      I am a wind: on a deep lake,

      I am a tear: the Sun lets fall,

      I am a hawk: above the cliff,

      I am a thorn: beneath the nail,

      I am a wonder: among flowers,

      I am a wizard: who but I

      Sets the cool head aflame with smoke?

      I am a spear: that roars for blood,

      I am a salmon: in a pool,

      I am a lure: from paradise,

      I am a hill: where poets walk,

      I am a boar: renowned and red,

      I am a breaker: threatening doom,

      I am a tide: that drags to death,

      I am an infant: who but I

      Peeps from the unhewn dolmen arch?

      I am the womb: of every holt,

      I am the blaze: on every hill,

      I am the queen: of every hive,

      I am the shield: for every head,

      I am the grave: of every hope.

      THE SIRENS’ WELCOME TO CRONOS

      Cronos the Ruddy, steer your boat

      Toward Silver Island whence we sing;

      Here you shall pass your days.

      Through a thick-growing alder-wood

      We clearly see, but are not seen,

      Hid in a golden haze.

      Our hair the hue of barley sheaf,

      Our eyes the hue of blackbird’s egg,

      Our cheeks like asphodel.

      Here the wild apple blossoms yet;

      Wrens in the silver branches play

      And prophesy you well.

      Here nothing ill or harsh is found.

      Cronos the Ruddy, steer your boat

      Across these placid straits,

      With each of us in turn to lie

      Taking your pleasure on young grass

      That for your coming waits.

      No grief nor gloom, sickness nor death,

      Disturbs our long tranquillity;

      No treachery, no greed.

      Compared with this, what are the plains

      Of Elis, where you ruled as king?

      A wilderness indeed.

      A starry crown awaits your h
    ead,

      A hero feast is spread for you:

      Swineflesh, milk and mead.

      DICHETAL DO CHENNAIB

      ‘Today it is by the finger ends that the poet effects the Dichetal do chennaib, and this is the way he does it. When he sees the required person or object before him he at once makes a poem with his finger tips, or in his mind without reflexion, composing and repeating simultaneously.’

      (Mediaeval Irish scholiast on the Senchus Mor.)

      Tree powers, finger tips,

      First pentad of the four,

      Discover all your poet asks

      Drumming on his brow.

      Birch-peg, throbbing thumb,

      By power of divination,

      Birch, bring him news of love;

      Loud knocks the heart.

      Rowan-rod, forefinger,

      By power of divination,

      Unriddle him a riddle;

      The key’s cast away.

      Ash, middle finger,

      By power of divination

      Weather-wise, fool otherwise,

      Mete him out the winds.

      Alder, physic finger,

      By power of divination

      Diagnose all maladies

      Of a doubtful mind.

      Willow-wand, earfinger,

      By power of divination

      Force confessions from the mouth

      Of a mouldering corpse.

      Finger-ends, five twigs,

      Trees, true-divining trees,

      Discover all your poet asks

      Drumming on his brow.

      THE BATTLE OF THE TREES

      [Text reassembled and restored from the deliberately confused mediaeval Welsh poem-medley, Câd Goddeu, in the Red Book of Hergest, hitherto regarded as nonsensical.]

      The tops of the beech tree

      Have sprouted of late,

      Are changed and renewed

      From their withered state.

      When the beech prospers,

      Though spells and litanies

      The oak tops entangle,

      There is hope for trees.

      I have plundered the fern,

      Through all secrets I spy,

      Old Math ap Mathonwy

      Knew no more than I.

      With nine sorts of faculty

      God has gifted me:

      I am fruit of fruits gathered

      From nine sorts of tree –

      Plum, quince, whortle, mulberry,

      Raspberry, pear,

      Black cherry and white

      With the sorb in me share.

      From my seat at Fefynedd,

      A city that is strong,

      I watched the trees and green things

      Hastening along.

      Retreating from happiness

      They would fain be set

      In forms of the chief letters

      Of the alphabet.

      Wayfarers wondered,

      Warriors were dismayed

      At renewal of conflicts

      Such as Gwydion made,

      Under the tongue root

      A fight most dread,

      And another raging

      Behind, in the head.

      The alders in the front line

      Began the affray.

      Willow and rowan-tree

      Were tardy in array.

      The holly, dark green,

      Made a resolute stand;

      He is armed with many spear points

      Wounding the hand.

      With foot-beat of the swift oak

      Heaven and earth rung;

      ‘Stout Guardian of the Door’,

      His name in every tongue.

      Great was the gorse in battle,

      And the ivy at his prime;

      The hazel was arbiter

      At this charmed time.

      Uncouth and savage was the fir,

      Cruel the ash-tree –

      Turns not aside a foot-breadth,

      Straight at the heart runs he.

      The birch, though very noble,

      Armed himself but late:

      A sign not of cowardice

      But of high estate.

      The heath gave consolation

      To the toil-spent folk,

      The long-enduring poplars

      In battle much broke.

      Some of them were cast away

      On the field of fight

      Because of holes torn in them

      By the enemy’s might.

      Very wrathful was the vine

      Whose henchmen are the elms;

      I exalt him mightily

      To rulers of realms.

      Strong chieftains were the blackthorn

      With his ill fruit,

      The unbeloved whitethorn

      Who wears the same suit,

      The swift-pursuing reed,

      The broom with his brood,

      And the furze but ill-behaved

      Until he is subdued.

      The dower-scattering yew

      Stood glum at the fight’s fringe,

      With the elder slow to burn

      Amid fires that singe,

      And the blessed wild apple

      Laughing in pride

      From the Gorchan of Maelderw

      By the rock side.

      In shelter linger

      Privet and woodbine,

      Inexperienced in warfare,

      And the courtly pine.

      But I, although slighted

      Because I was not big,

      Fought, trees, in your array

      On the field of Goddeu Brig.

      THE SONG OF BLODEUWEDD

      [Text reassembled and restored from the same poem-medley as the foregoing.]

      Not of father nor of mother

      Was my blood, was my body.

      I was spellbound by Gwydion,

      Prime enchanter of the Britons,

      When he formed me from nine blossoms,

      Nine buds of various kind:

      From primrose of the mountain,

      Broom, meadow-sweet and cockle,

      Together intertwined,

      From the bean in its shade bearing

      A white spectral army

      Of earth, of earthy kind,

      From blossoms of the nettle,

      Oak, thorn and bashful chestnut –

      Nine powers of nine flowers,

      Nine powers in me combined,

      Nine buds of plant and tree.

      Long and white are my fingers

      As the ninth wave of the sea.

      INTERCESSION IN LATE OCTOBER

      How hard the year dies: no frost yet.

      On drifts of yellow sand Midas reclines,

      Fearless of moaning reed or sullen wave.

      Firm and fragrant still the brambleberries.

      On ivy-bloom butterflies wag.

      Spare him a little longer, Crone,

      For his clean hands and love-submissive heart.

      THE TETRAGRAMMATON

      [A magical gloss on Numbers vi, 23-27.]

      Light was his first day of Creation,

      Peace after labour was his seventh day,

      Life and the Glory are his day of days.

      He carved his law on tables of sapphirus,

      Jerusalem shines with his pyrope gates,

      Four cherubs fetch him amber from the north.

      Acacia yields her timber for his ark,

      Pomegranate sanctifies his priestly hem,

      His hyssop sprinkles blood at every door.

      Holy, Holy, Holy, is his name.

      NUNS AND FISH

      Circling the circlings of their fish

      Nuns walk in white and pray;

      For he is chaste as they,

      Who was dark-faced and hot in Silvia’s day,

      And in his pool drowns each unspoken wish.

      THE DESTROYER

      Swordsman of the narrow lips,

      Narrow hips and murderous mind

      Fenced with chariots and ships,

      By your joculators hailed

      The mailed wonder of mankind,

      F
    ar to westward you have sailed.

      You it was dared seize the throne

      Of a blown and amorous prince

      Destined to the Moon alone,

      A lame, golden-heeled decoy,

      Joy of hens that gape and wince

      Inarticulately coy.

      You who, capped with lunar gold

      Like an old and savage dunce,

      Let the central hearth go cold,

      Grinned, and left us here your sword

      Warden of sick fields that once

      Sprouted of their own accord.

      Gusts of laughter the Moon stir

      That her Bassarids now bed

      With the ignoble usurer

      While an ignorant pale priest

      Rides the beast with a man’s head

      To her long-omitted feast.

      RETURN OF THE GODDESS

      Under your Milky Way

      And slow-revolving Bear

      Frogs from the alder thicket pray

      In terror of your judgement day,

      Loud with repentance there.

      The log they crowned as king

      Grew sodden, lurched and sank;

      An owl floats by on silent wing,

      Dark water bubbles from the spring;

      They invoke you from each bank.

      At dawn you shall appear,

      A gaunt red-leggèd crane,

      You whom they know too well for fear,

      Lunging your beak down like a spear

      To fetch them home again.

      Sufficiunt

      Tecum,

      Caryatis,

      Domnia

      Quina.

      From Poems and Satires 1951

      (1951)

      THE WHITE GODDESS

      All saints revile her, and all sober men

      Ruled by the God Apollo’s golden mean –

      In scorn of which we sailed to find her

      In distant regions likeliest to hold her

      Whom we desired above all things to know,

      Sister of the mirage and echo.

      It was a virtue not to stay,

      To go our headstrong and heroic way

      Seeking her out at the volcano’s head,

      Among pack ice, or where the track had faded

      Beyond the cavern of the seven sleepers:

      Whose broad high brow was white as any leper’s,

      Whose eyes were blue, with rowan-berry lips,

      With hair curled honey-coloured to white hips.

      Green sap of Spring in the young wood a-stir

      Will celebrate the Mountain Mother,

      And every song-bird shout awhile for her;

      But we are gifted, even in November

      Rawest of seasons, with so huge a sense

      Of her nakedly worn magnificence

      We forget cruelty and past betrayal,

     


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