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    Family Honor


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      SUNNY RANDALL

      “can hold her own with Spenser...

      It’s clear that [Parker] has another winner.”

      —The Boston Globe

      “One of the best in years

      from the dean of American private eye writers.”

      —Publishers Weekly

      “This is vintage Robert Parker.”

      —The Indianapolis Star Weekly

      “Wonderfully diverting.”

      —The Washington Post

      “Sleek and seductive.”

      —Publishers Weekly

      “Lots of action.”

      —USA Today

      Praise for Family Honor

      “A master of the genre at work.” —Chicago Sun-Times

      “One of the best in years from the dean of American private eye writers.” —Publishers Weekly

      “A swell read, and one that promises future installments.” —New York Daily News

      “What if Spenser were a woman? Chances are he’d walk and talk just like Sunny Randall.” —Kirkus Reviews

      “Parker knows a good thing when he writes it.” —USA Today

      “[Sunny Randall] can hold her own with Spenser. . . . It’s clear that [Parker] has another winner.” —The Boston Globe

      “This is vintage Robert Parker.” —The Indianapolis Star

      “Lots of action.” —Los Angeles Times

      “His finest yet.” —The Buffalo News

      “Parker’s terse dialogue and minimal descriptions move the story at a brisk clip, and the mystery holds the reader’s interest to the last page.” —The Tampa Tribune

      “Sunny and breezy . . . Parker fans who ride this smoothly constructed glider won’t get their hair mussed.” —Minneapolis Star-Tribune

      “Parker fans will . . . happily go along with this gender-crossing debut.” —Chicago Tribune

      “This is Parker, then, softened, sharp, bright as ever.” —The Hartford Courant

      “Fast-paced action and smart-mouthed dialogue.” —San Francisco Examiner

      “An entirely likeable character . . . surrounded by an even more interesting and amusing supporting cast.” —St. Petersburg Times

      “Parker has come up with another entertaining mix.” —Rocky Mountain News

      “Parker delivers his freshest, most original, and innovative work since he introduced Spenser.” —Ft. Lauderdale Sun-Sentinel

      “A successful series begins with the creation of a compelling protagonist, a task Parker handles admirably. Spenser, please move over.” —The San Diego Union-Tribune

      “[Sunny] Randall is tough but sensitive. . . . Has the Parker trademarks of crisp dialogue and wit.” —San Antonio Express-News

      THE SPENSER NOVELS

      Sixkill

      Painted Ladies

      The Professional

      Rough Weather

      Now & Then

      Hundred-Dollar Baby

      School Days

      Cold Service

      Bad Business

      Back Story

      Widow’s Walk

      Potshot

      Hugger Mugger

      Hush Money

      Sudden Mischief

      Small Vices

      Chance

      Thin Air

      Walking Shadow

      Paper Doll

      Double Deuce

      Pastime

      Stardust

      Playmates

      Crimson Joy

      Pale Kings and Princes

      Taming a Sea-Horse

      A Catskill Eagle

      Valediction

      The Widening Gyre

      Ceremony

      A Savage Place

      Early Autumn

      Looking for Rachel Wallace

      The Judas Goat

      Promised Land

      Mortal Stakes

      God Save the Child

      The Godwulf Manuscript

      THE JESSE STONE NOVELS

      Split Image

      Night and Day

      Stranger in Paradise

      High Profile

      Sea Change

      Stone Cold

      Death in Paradise

      Trouble in Paradise

      Night Passage

      THE SUNNY RANDALL NOVELS

      Spare Change

      Blue Screen

      Melancholy Baby

      Shrink Rap

      Perish Twice

      Family Honor

      THE VIRGIL COLE/

      EVERETT HITCH NOVELS

      Blue-Eyed Devil

      Brimstone

      Resolution

      Appaloosa

      ALSO BY ROBERT B. PARKER

      A Triple Shot of Spenser

      Double Play

      Gunman’s Rhapsody

      All Our Yesterdays

      A Year at the Races

      (with Joan H. Parker)

      Perchance to Dream

      Poodle Springs

      (with Raymond Chandler)

      Love and Glory

      Wilderness

      Three Weeks in Spring

      (with Joan H. Parker)

      Training with Weights

      (with John R. Marsh)

      Family Honor

      Robert B. Parker

      BERKLEY BOOKS, NEW YORK

      THE BERKLEY PUBLISHING GROUP

      Published by the Penguin Group

      Penguin Group (USA) Inc.

      375 Hudson Street, New York, New York 10014, USA

      Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

      Penguin Books Ltd, 80 Strand, London WC2R 0RL, England

      Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)

      Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)

      Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110017, India

      Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd.)

      Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

      Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

      This is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

      FAMILY HONOR

      A Berkley Book/published by arrangement with the author

      PRINTING HISTORY

      G. P. Putnam’s Sons hardcover edition/September 1999

      Berkley mass-market edition/November 2000

      Berkley premium edition/March 2008

      Copyright © 1999 by Robert B. Parker.

      Excerpt from Robert B. Parker’s Blood Feud copyright © 2018 by The Estate of Robert B. Parker

      All rights reserved.

      No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage
    piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

      For information, address: The Berkley Publishing Group,

      a division of Penguin Group (USA) Inc.,

      375 Hudson Street, New York, New York 10014.

      ISBN: 978-1-101-54637-6

      BERKLEY®

      Berkley Books are published by The Berkley Publishing Group,

      a division of Penguin Group (USA) Inc.,

      375 Hudson Street, New York, New York 10014.

      BERKLEY® is a registered trademark of Penguin Group (USA) Inc.

      The “B” design are trademarks belonging to Penguin Group (USA) Inc.

      Version_5

      For Joan: I concentrate on you.

      Contents

      Praise for Robert B. Parker

      Also by Robert B. Parker

      Title Page

      Copyright

      Dedication

      Prologue

      CHAPTER 1

      CHAPTER 2

      CHAPTER 3

      CHAPTER 4

      CHAPTER 5

      CHAPTER 6

      CHAPTER 7

      CHAPTER 8

      CHAPTER 9

      CHAPTER 10

      CHAPTER 11

      CHAPTER 12

      CHAPTER 13

      CHAPTER 14

      CHAPTER 15

      CHAPTER 16

      CHAPTER 17

      CHAPTER 18

      CHAPTER 19

      CHAPTER 20

      CHAPTER 21

      CHAPTER 22

      CHAPTER 23

      CHAPTER 24

      CHAPTER 25

      CHAPTER 26

      CHAPTER 27

      CHAPTER 28

      CHAPTER 29

      CHAPTER 30

      CHAPTER 31

      CHAPTER 32

      CHAPTER 33

      CHAPTER 34

      CHAPTER 35

      CHAPTER 36

      CHAPTER 37

      CHAPTER 38

      CHAPTER 39

      CHAPTER 40

      CHAPTER 41

      CHAPTER 42

      CHAPTER 43

      CHAPTER 44

      CHAPTER 45

      CHAPTER 46

      CHAPTER 47

      CHAPTER 48

      CHAPTER 49

      CHAPTER 50

      CHAPTER 51

      CHAPTER 52

      CHAPTER 53

      CHAPTER 54

      CHAPTER 55

      CHAPTER 56

      CHAPTER 57

      CHAPTER 58

      CHAPTER 59

      CHAPTER 60

      Excerpt from Robert B. Parker’s Blood Feud

      About the Author

      Their last months together had been gothic. Both of them had avoided being home, and the house in Marblehead with the water view had stood, more empty than occupied, both emblem and relic of their marriage. They had been much younger than their neighbors when they’d moved in, freshly married, twenty-three years old, the house purchased for cash with money from her in-laws. They had drunk wine in the living room and looked straight out over the Atlantic and held hands and made love in front of the fireplace, and thought about forever. Nine years is a little short of forever, she thought. She had refused alimony. Richie had refused the house.

      Now she was carefully bubble-wrapping her paintings and leaning them carefully against the wall where the movers could pick them up when they came. Each painting had a FRAGILE sticker on it. Her paints and brushes were boxed and taped and stood beside the paintings. The house was silent. The sound of the ocean only made it seem more silent. The sun was streaming in through the east windows. Tiny dust motes glinted in it. The sun off the water made a kind of backlighting, diffusing the sunlight, and filling in where there would have been shadows. Her dog sat on her tail watching the packing, looking a little nervous. Or was that projection?

      When she had married Richie, her mother had said, “Marriage is a trap. It stifles the potential of womanhood. You know what they say, a woman needs a man like a fish needs a bicycle.” Sunny had said, “I don’t think they say that too much anymore, Mother.” But her mother, the queen of doesn’t-get-it, paid no attention. “A woman needs a man like a fish needs a bicycle,” she had said.

      When Sunny had announced nine years later that she and Richie were divorcing, her mother had said, “I’m very disappointed. Marriage is too hard to be left to men. It is your job to make it work.” That was her mother. She could disapprove of the marriage and disapprove of the divorce that ended it. Her father had been simpler about both. “You should do what you want,” he had said of her marriage and of her divorce and of everything else in her life. “You need help, I’ll help you.”

      Her parents were so strangely unsuitable for each other. Her mother was a vocal feminist who had married a policeman at the end of her junior year in college. Her mother had never held a paying job, and had never, as far as her daughter could tell, ever written a check, or changed a tire. Her husband had taken care of her as he had taken care of his two daughters, completely and without comment, which probably gave her the time to be a feminist. He was straight ahead and calm. He said little. What he did say, he meant.

      He rarely talked about his job. But he would often come home and eat supper in his shirtsleeves with his gun still on his belt. Her mother would always remind him to take it off. The gun seemed to Sunny the visible symbol of him, of his power, as her therapist had pointed out during her attempt to save the marriage, of his potency. If that were true Sunny had often wondered what it meant that her mother wouldn’t let him wear it to the table. But it was never clear what her mother meant. It was clear what she wanted to mean. Her mother was verbal, combative, theoretical, filled with passion over every new idea, and, Sunny smiled to herself, sad to say, most ideas were pretty new to her mother. Her mother wanted to be a new woman, abreast of every trend, in touch with the range of experience from supermodels to theoretical physics. But she never penetrated any of the ideas she embraced very deeply. Probably, Sunny thought, because she was so desperately shouting, “See me, look at me.” If her father noticed any of his wife’s contradictions, he didn’t comment. He appeared to love her thoroughly. And whether she loved him, or simply needed him completely, Sunny’s mother seemed as committed to him as he was to her. They had been married for thirty-seven years. It was probably what Sunny had had in mind when she and Richie had talked about “forever.”

      Christ, didn’t we fight over Daddy, Sunny thought, all three of us.

      She leaned the last painting against the living room wall. She leaned the folded easel against the wall beside them. The furniture was gone. The rugs were up. The red oak floor gleamed. Without anything in the empty rooms to buffer sound, the dog’s claws rattled loudly as she trotted behind Sunny.

      Sunny’s sister was four years older than she was. God, she must have hated me when I was born, Sunny thought. It doubled the competition for Daddy. To win him, they had devised different methods as they had grown up. Her mother, impregnably married to him, persisted serenely in her noisy self-contradictions. Elizabeth, apparently convinced that nothing succeeded like success, tried to be like her. By default Sunny was left to emulate her father. Their mother dressed them both in pinafores and Mary Janes. Their father had built them a large dollhouse, and Elizabeth, with her long curls, had spent hours with it, manipulating her dollies. Sunny had worn her pinafores to the pistol range with Daddy, and while she was too female to be butch, she reveled in the androgyny of her nickname. And she learned to shoot. If one approach worked better than another, it was never evident. Her father persisted in loving his daughters as unyieldingly as he loved their mother. There was something frustrating in it. What you did didn’t matter, he loved you whatever you did.

      In the echoing kitchen, there were only the plates and glasses to pack. Sunny took them
    down, one at a time, and wrapped them in newspaper and put them in the cartons. The movers would have done it, but she wanted to do it herself. Somehow it seemed the right transition from one life to another. She was hungry. In the refrigerator, there was a half-empty jug of white wine, some Syrian bread, and a jar of all-natural peanut butter. She had some bread and peanut butter, and poured herself a glass of jug wine. Beyond the window over the sink she could see the rust-colored rocks stoically accepting the waves that broke in upon them and foamed and slid away. The dog pushed at Sunny’s ankle with her nose. Sunny gave her some bread. Way out along the horizon a fishing boat moved silently. The dog ate her bread and went to her water dish and drank noisily for a long time. Sunny poured another glass of wine.

      She had become a cop, the year before her marriage. Two years after her father was promoted to Area D commander. Her mother had asked if she were a lesbian. Sunny had said no. Her mother had seemed both relieved and disappointed. Disappointed, Sunny thought, that she couldn’t martyr herself to her daughter’s preference for women. Relieved that she didn’t have to. Her mother had said, what about painting? Sunny had said she could do both. What about marriage and children? Sunny wasn’t ready. The clock is ticking. Mother, I’m twenty-two. She remembered wondering if women needed children like fish needed bicycles, but she kept it to herself. The fishing boat had moved maybe an inch across the horizon. She took her wine and went and sat on the floor beside the dog with her knees up and gazed out through the French doors while she drank.

      Richie was like her father; she’d known that even before she went to the therapist. He didn’t say much. He was inward and calm and somehow a little frightening. And like her father, he was very much straight ahead, going about his business, doing what he did, without paying much attention to what other people thought or did about it. It was what he did that was one of the issues. He worked in the family business, and the family business was crime. He didn’t do crime. She believed that when he told her. He ran some saloons that the family owned. But . . . she poured some more wine from the jug into her glass. There was a sort of ravine behind the house that ran down to the ocean, and the waves as they rolled into it sent up a harsh spray. Sitting on the floor she could see only the spray, disembodied from the ocean, appearing rhythmically above the slipping lawn. . . . It wasn’t really that he was from a crime family any more than it was that she was from a cop family. It had to do with much tougher stuff than that and she’d learned early in their separation not to pretend that it was just cops versus robbers. A gull with a white chest and gray wings settled down past her line of vision and disappeared into the ravine and came back up with something in its mouth and flew away. Richie loved her, she knew he did. The fact that her father had spent a lifetime trying to jail his father didn’t help, but that wasn’t what felt so sharp and sore in her soul. Richie was so closed, so interior, so certain of how things were supposed to go, so too much like her father that she felt as if she was dwindling every year they were together, smaller and smaller.

     


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