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    Conversations with Scorsese

    Page 48
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    cinematography and lighting in, 2.1, 6.1, 6.2, 14.1, 14.2, 34.1, 36.1, 41.1

      documentary, itr.1, 1.1, 1.2, 5.1, 6.1, 7.1, 10.1, 10.2, 13.1, 18.1, 20.1, 26.1, 28.1, 29.1, 31.1, 36.1, 39.1, 41.1, epl.1

      editing of, 7.1, 8.1, 8.2, 13.1, 13.2, 17.1, 18.1, 18.2, 29.1, 32.1, 32.2, 34.1, 34.2, 35.1, 37.1, 37.2, 38.1, 40.1

      father-son theme in

      first feature, itr.1, 1.1, 2.1, 5.1, 6.1, 8.1, 9.1, 9.2, 38.1, 38.2

      homage in, 12.1, 12.2, 12.3, 22.1, 22.2, 25.1

      humor in, 2.1, 16.1, 25.1, epl.1

      improvisatory acting in, 11.1, 12.1, 12.2, 12.3, 15.1

      MS’s storyboard drawings for, itr.1, 6.1, 8.1, 8.2, 9.1, 9.2, 11.1, 14.1, 18.1, 18.2, 24.1, 32.1, 32.2, 32.3, 34.1, 36.1

      range and intensity of, itr.1, 4.1, 41.1, 41.2

      unsettling and open-ended quality of

      use of color in, 27.1, 33.1, 34.1

      use of music in, 2.1, 9.1, 10.1, 19.1, 27.1, 32.1, 38.1, 38.2

      violence and brutality in, itr.1, itr.2, 2.1, 8.1, 8.2, 9.1, 14.1, 14.2, 14.3, 23.1, 23.2, 23.3, 24.1

      working relations of actors and MS in, 1.1, 1.2, 8.1, 9.1, 12.1, 12.2, 14.1, 14.2, 15.1, 17.1, 17.2, 29.1, 29.2, 29.3, 34.1, 35.1, 36.1, 41.1, 41.2

      see also specific films

      Scorsese, Tony (uncle)

      Scorsese on Scorsese

      Scott, Lizabeth

      Searchers, The, 1.1, 3.1, 3.2, 6.1, 38.1, 38.2, 39.1

      Seeger, Pete, 28.1, 28.2, 28.3

      Sellers Peter

      Selznick, David O.

      Senso

      September 11, 2001, terrorist attacks of

      Set-Up, The

      Seven

      Seventh Seal, The, 1.1, 2.1, 41.1

      sexual revolution, 6.1, 29.1

      Shadows, 2.1, 5.1, 11.1, 29.1

      Shakespeare, William, 1.1, 4.1, 14.1

      Shane, 1.1, 2.1

      Shanghai Gesture, The

      Shearer, Moira, 2.1, 39.1

      Shearing, George

      Sheen, Martin, 29.1, 32.1, 35.1, 35.2, 36.1

      Shepherd, Cybill, 11.1, 11.2, 11.3

      Sheridan, Jim

      Shine a Light

      Shining, The

      Shoeshine, 1.1, 5.1

      Shore, Howard

      Show Business

      Shutter Island, itr.1, 31.1, 31.2, 31.3, 32.1, 35.1, 38.1, 41.1

      cast of, 12.1, 31.1, 31.2, 31.3, 31.4, 31.5, 31.6, 31.7, 36.1, 41.1

      psychological content of, 31.1, 31.2, 31.3, 31.4, 31.5, 39.1, 41.1

      Sicily, 1.1, 1.2, 11.1, 20.1, 34.1

      Siegel, Don, 26.1, 38.1

      Siegfried and Roy

      Silence, 18.1, 27.1, 31.1, 41.1, 41.2, 41.3, 41.4, epl.1

      Silver, Casey

      Silver Chalice, The, 4.1, 18.1

      “Silver Tongued Devil”

      Sinatra, Frank, 28.1, epl.1

      Sinclair, John

      “Sing, Sing, Sing”

      Singin’ in the Rain

      Sirk, Douglas, 1.1, 34.1

      Sisters of Mercy, 1.1, 1.2

      Sistine Chapel

      slavery

      Sly and the Family Stone

      Smiles of a Summer Night

      Smith, Al

      Smith, Arthur “Guitar”

      Smith, Lois

      Snow, Edgar

      Soglow, Otto

      Somebody Up There Likes Me

      Sometimes Sweet Susan

      Sopranos, The, 20.1, 24.1

      South Bank Show, The

      Southerner, The

      Spector, Phil

      Spielberg, Steven, 1.1, 3.1, 7.1, 21.1, 34.1, 39.1, 41.1

      Splendor in the Grass

      Stahl, John

      Stanwyck, Barbara, 38.1, 41.1

      Star Is Born, A

      Star Wars

      Stevens, George

      Stewart, James, 1.1, 3.1, 12.1, 29.1, 34.1, 41.1

      St. Francis College

      Stone, Sharon, 23.1, 23.2

      Stoney, George

      Stoppard, Tom

      St. Patrick’s Old Cathedral, 1.1, 1.2, 1.3, 3.1, 26.1

      St. Patrick’s School, 1.1, 1.2, 1.3, 3.1

      Stravinsky, Igor

      Strick, Wesley, 21.1, 21.2

      “Subterranean Homesick Blues”

      Sumac, Yma

      Sunset Boulevard, 1.1, 7.1

      Survival

      Suspense Theater

      Sweet Smell of Success

      T

      Taliban

      Tammany Hall

      Taplin, Jonathan, 9.1, 13.1, 13.2, 38.1

      Tarr, Béla

      Tashlin, Frank

      “Taxi”

      Taxi Driver, 1.1, 4.1, 5.1, 7.1, 11.1, 14.1, 14.2, 15.1, 16.1, 32.1, 32.2, 32.3, 33.1, 37.1

      De Niro in, 9.1, 11.1, 11.2, 11.3, 11.4

      MS’s direction of, 10.1, 11.1, 11.2, 11.3, 11.4, 11.5, 11.6, 25.1, 32.1, 32.2, 34.1, 34.2

      music in, 10.1, 38.1, 38.2

      reviews of, itr.1, 11.1, 12.1, 12.2

      script of, 11.1, 11.2, 11.3, 14.1

      theme of isolation in

      violence in, 11.1, 11.2, 11.3, 33.1

      Taymor, Julie

      Tchaikovsky, Peter Ilyich

      Technicolor, 1.1, 3.1, 12.1, 27.1, 33.1, 33.2, 36.1, 39.1, 39.2

      television, 1.1, 5.1, 15.1, 41.1

      films made for, 26.1, 41.1, epl.1

      films on, 1.1, 1.2, 1.3, 2.1, 2.2, 2.3, 2.4, 3.1, 5.1, 5.2, 8.1, 12.1, 18.1, 32.1, 34.1, 38.1

      golden age of

      MS’s appearances on, itr.1, 18.1, 18.2

      plays on, 1.1, 5.1

      Telluride Film Festival, 14.1, epl.1

      Tennessee Ramblers

      Tenzin Thuthob Tsarong

      Terminator, The

      Terra Trema, La

      Thalia Theater, 1.1, 2.1

      “That’ll Be the Day”

      There Will Be Blood, 26.1, 26.2, 26.3, 30.1

      Thing, The

      Third Man, The, 2.1, 5.1

      34th Street East Theatre

      This Boy’s Life

      Thompson, Lee

      Three Penny Cinema

      Thurber, James

      Thus Spake Zarathustra (Strauss)

      THX 1138

      Tibetan Buddhism

      Tierney, Gene, 27.1, 39.1, 39.2

      Time

      Tin Pan Alley, 28.1, 28.2

      Tiomkin, Dmitri

      “Tipitina”

      Titanic

      Titicut Follies

      Tobacco Road

      Todd, Ann

      Toffenetti’s

      To Have and Have Not (Hemingway)

      Toll, John

      Tomb of Ligeia, The

      Tommy

      “Toot, Toot, Tootsie”

      Top Gun

      Touch of Evil

      Touchstone Pictures

      Tourneur, Jacques, 22.1, 41.1

      Townshend, Pete

      Travers, Robert

      Treasure of the Sierra Madre, The

      Tribeca Film Festival

      Trilogy of Life

      Trip, The

      Trippe, Juan, 27.1, 35.1, 35.2

      Truffaut, François, 5.1, 5.2, 6.1

      Turner Classic Movies (TCM), 8.1, 10.1, 12.1, 41.1

      TWA

      Tweed, Boss

      Twelve Angry Men, 9.1, 20.1, 41.1

      2001

      Two Weeks in Another Town

      U

      Ufland, Harry, 6.1, 6.2, 17.1

      Ulmer, Edgar G.

      Unholy Rollers

      United Artists (U.A.), 1.1, 8.1, 14.1, 18.1, 38.1

      United States

      celebrity adulation in, 15.1, 15.2, 15.3, 15.4, 20.1

      Italian immigration to, 1.1, 1.2, 28.1

      social values in, 1.1, 1.2, 15.1

      United States Information Agency (USIA)

      Universal Studios, 8.1, 17.1, 23.1

      Up in Mabel’s Room

      V

      Vagabond Theater

      van der Beek, Stan

      Variety (film)

      Variety (publication)

      Vertigo

      Vidor, King, 2.1, 15.1


      Vietnam War, 11.1, 11.2, 11.3

      Virgil

      Virgin Spring, The

      Visconti, Luchino, 11.1, 22.1, 22.2

      VistaVision, 3.1, 3.2, 6.1

      Viva Las Vegas

      Vogel, Amos

      Vogel, Doctor

      “Volare”

      von Sydow, Max

      W

      Wadleigh, Michael, 5.1, 5.2, 6.1, 7.1, 13.1

      Wahlberg, Mark, 29.1, 32.1

      Wajda, Andrzej

      Wakefield, Kent, 8.1, 34.1

      Walbrook, Anton

      Wallace, George

      Wallis, Hal

      Walsh, Raoul, 7.1, 26.1, 26.2, 32.1, 34.1

      Warner, Jack

      Warner Bros., 2.1, 4.1, 7.1, 7.2, 7.3, 7.4, 10.1, 14.1, 20.1, 29.1, 29.2, 31.1, 34.1

      Warners Theater

      Warshow, Robert

      Waters, Muddy, 13.1, 13.2

      Watts, Charlie

      Waverly Theatre

      Wayne, John, 1.1, 3.1, 3.2, 6.1, 36.1, 38.1

      “Weight, The”

      Weil, Simone

      Weill, Joseph

      Weinstein, Bob

      Weinstein, Harvey, 7.1, 10.1, 26.1

      Weintraub, Freddy, 7.1, 8.1

      Welles, Orson, 1.1, 2.1, 5.1, 32.1, 34.1, 39.1

      Wellman, William, 2.1, 4.1, 20.1, 34.1

      Wellman, William, Jr.

      “We’re Drifting Too Far from the Shore”

      Wharton, Edith, 22.1, 22.2, 36.1

      What Ever Happened to Baby Jane?

      What’s a Nice Girl Like You Doing in a Place Like This?, 5.1, 5.2

      What’s Eating Gilbert Grape

      “What Would I Do Without You?”

      “When Day Is Done”

      When Knighthood Was in Flower (Caskoden)

      “Whispering Trees”

      “Whiter Shade of Pale, A”

      White Zombie

      Who, The, 7.1, 38.1

      Who’s That Knocking at My Door, itr.1, 1.1, 1.2, 2.1, 5.1, 6.1, 8.1, 9.1, 9.2, 38.1, 38.2

      autobiographical elements in, itr.1, itr.2, 6.1, 14.1

      cast of, 3.1, 6.1, 6.2, 9.1

      distribution of, 6.1, 6.2

      editing of, 6.1, 6.2, 7.1

      nude sex scene in, 6.1, 6.2, 7.1

      Widmark, Richard, 1.1, 8.1

      Wild Boys of the Road

      Wilder, Billy

      Wilder, Thornton

      Wild River, 5.1, 32.1

      William Morris Agency, 6.1, 8.1, 9.1, 15.1

      Williams, Hank

      Wilson, Michael

      Winchester ’73

      Winkler, Irwin, itr.1, 12.1, 14.1, 14.2, 15.1, 15.2, 20.1, 34.1, 37.1

      Winkler, Margo, 15.1, 15.2

      Winstone, Ray

      Winter, Terry

      Wise, Robert

      Wiseguy (Pileggi), 20.1, 20.2

      Wiseman, Fred

      Wolf of Wall Street, The

      Wood, Ed

      Wood, Natalie

      Wood, Ronnie, 30.1, 30.2

      Woodstock, 6.1, 7.1, 7.2, 8.1, 13.1, 13.2, 13.3, 37.1, 37.2, 37.3, 37.4

      Woodstock Festival

      Woodward, Joanne

      “Work of Art in the Age of Mechanical Reproduction, The” (Benjamin), 39.1, 41.1

      World War I

      World War II, 1.1, 5.1, 25.1, 39.1, 39.2

      Written on the Wind

      Wrong Man, The, 16.1, 32.1, 34.1

      Wyler, William

      Y

      Yakuza, The

      Yasgur, Max

      Yates, Richard

      Yeats, William Butler

      Yeu-Bun Yee

      Youngman, Henny

      Yourcenar, Marguerite

      Your Show of Shows

      Z

      Zanuck, Darryl, 2.1, 20.1

      Zhang Yimou

      Zimmerman, Paul

      Zinneman, Fred

      Zodiac

      A NOTE ABOUT THE AUTHOR

      Richard Schickel is the author, co-author, or editor of thirty-six books and the writer-director-producer of a similar number of television documentaries. Most of his work concerns filmmakers and film history.

      Among his best-known books are Elia Kazan: A Biography, D. W. Griffith: An American Life, Clint Eastwood: A Biography, The Disney Version, Brando: A Life in Our Times, Intimate Strangers: The Culture of Celebrity, His Picture in the Papers, and his memoir, Good Morning, Mr. Zip Zip Zip.

      His films include the epic five-hour history of Warner Bros., You Must Remember This, as well as Charlie: The Art and Life of Charles Chaplin and, most recently, The Eastwood Factor. He has also made twenty profiles of the major American directors, including Alfred Hitchcock, Howard Hawks, Elia Kazan, Woody Allen, Martin Scorsese, and Steven Spielberg. His reconstruction of Sam Fuller’s The Big Red One, which restored forty-five lost minutes to the film, won many awards when it was released in 2004.

      A film critic for Life and Time magazines for forty-three years, Mr. Schickel has held a Guggenheim Fellowship and was awarded an honorary degree by the American Film Institute. He has won the British Film Institute Book Prize, the Maurice Bessy Award in film criticism, the William K. Everson Award from the National Board of Review, and the Telluride Silver Medal, the latter two for his contributions to film history. He lives in Los Angeles.

      ALSO BY RICHARD SCHICKEL

      Clint: A Retrospective

      Film on Paper

      The Essential Chaplin (ed.)

      Elia Kazan: A Biography

      Woody Allen: A Life in Film

      Good Morning, Mr. Zip Zip Zip: Movies, Memory and World War II

      Matinee Idylls: Reflections on the Movies

      Double Indemnity

      Clint Eastwood: A Biography

      Brando: A Life in Our Times

      Striking Poses

      Schickel on Film

      D. W. Griffith: An American Life

      Intimate Strangers: The Culture of Celebrity

      James Cagney: A Celebration

      Cary Grant: A Celebration

      Another I, Another You

      Harold Lloyd: The Shape of Laughter

      Second Sight: Notes on Some Movies, 1965–1970

      His Picture in the Papers

      The Men Who Made the Movies

      The Disney Version

      The Stars

      Table of Contents

      THE DEPARTED

      Cover

      Title Page

      Copyright

      INTRODUCTION

      LITTLE ITALY

      CUTS AND ANGLES

      THE FORD CONNECTION

      OF STUDIOS AND STYLES

      WASHINGTON SQUARE

      TURNING PRO

      WOODSTOCK/HOLLYWOOD

      BOXCAR BERTHA

      MEAN STREETS

      ALICE DOESN’T LIVE HERE ANYMORE

      TAXI DRIVER

      NEW YORK, NEW YORK

      THE LAST WALTZ

     


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