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    The Great War

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      Jo shir-khar hain Hindostan ke laqht-e-jigar

      Yeh ma ke doodh se likkha hai un ke siine par

      Talab fuzool hai kante ki phool ke badle

      Na lein bahisht bhi hum Home Rule ke badle

      1 Written in 1917.

      The Song of the Homeland

      Brij Narain Chakbast

      The land of Hind is higher in rank than the highest skies

      All because of the light of hope brought forth by Home Rule1

      This hopehas been nurtured by Mrs Besant2

      I am a mendicant of this land and this is my song

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      We shall bring the ashes of patriotic martyrs

      And we shall wear it as surma in our eyes

      We shall bear all manner of hardship for our poor Mother

      And we shall give thimessage of fidelity to the people

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      For us chains and fetters are like ornaments

      Gandhi has worn them as a badge of commitment

      We have understood that we have to endure suffering

      But will only speak that which has to be said

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      If those who wish to make us wear chains were to do so

      We shall happily inhabit the cells of prison houses

      And if the sentries at the prison gates were to fall asleep

      We shall rouse them from slumber with our song

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      The oblivious are pleased they have silenced our tongue

      Let them see the blood racing through our veins

      The heart’s anguish will remain a fellow traveller

      And from our pyre this call will be heard

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      This is the prayer of the broken and destitute of this homeland

      And this is the passion of the toddlers and young alike

      The leaders who are teaching us to die for our love

      We swear by the white hair on their head

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      This is the message of the koel in the garden

      And the waters of the Ganga that flow ceaselessly

      This is the news brought by the crescent of Eid

      This is the call of the waters gushing down the Himalayas

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      The nations that have settled their habitations on love

      Have greater regard for their homeland than a wife’s love for her man

      The infants of Hindustan who are her darling children

      Have this written on their breasts with their mother’s milk

      It’s futile to wish for the thorn instead of the flower

      We shall not accept even paradise instead of Home Rule

      1 Inspired by the Irish Home Rule Movement of the late nineteenth and early twentieth centuries, several nationalist leaders banded together in 1916 under the leadership of Annie Besant to voice a demand for self-governance and obtain the status of a dominion within the British Empire as enjoyed by Australia, Canada, South Africa, New Zealand, and New Foundland at the time. While it enjoyed considerable popularity for some years, its growth and activity were stalled by the rise of Mahatma Gandhi, his satyagraha and Civil Disobedience Movement demanding complete independence.

      2 British socialist, theosophist, women’s rights activist, writer and orator Annie Besant nee Wood (1847-1933) was an ardent supporter of Irish and Indian self-rule. In 1907, she became president of the Theosophical Society, Madras, and some years later, she joined the Indian National Congress. During the War years, echoing the Irish nationalist slogan, Besant had declared, ‘England’s need is India’s opportunity.’

      Montagu Reforms1

      Hasrat Mohani

      Kis darja fareib se hai mamlu

      Tajwees reform-e Montagu

      Mashhoor zamana hai mussalam

      Dastoor ke hisb-e zeil pahlu

      Qanoon pe ikhtiyar kaamil

      Amaal pe zor, zar pe qabu

      Inn mein se jab na ho eik ki bhi

      Gul hai reform mein kahin bu

      Kaaghaz ke samjhiye phool inn ko

      Jinn mein nahin naam ko bhi khushbu

      Madras ke doctor ka yeh qaul

      Kis darja hai dil pazeer o naiku

      Maqsood hai sirf yeh ke taa-jung

      Hum sab rahein sirf ai ‘tagapu’

      Ai Hindi saada dil khabardar

      Hargiz na chale tujh pe jadu

      Kya paayega khaak phir jab inse

      Iss waqt bhi kuchh na le saka tu

      1 In the face of growing demand from Indians for the colonial government to provide greater autonomy and self-rule in return for the assistance India had rendered in the war effort, the British government agreed to introduce some reforms in a phased manner. Edwin Samuel Montagu, who became Secretary of State for India in June 1917, put before the British Cabinet a proposed statement regarding his intention to work towards the gradual development of free institutions in India with the ultimate view of self-governance. The reforms, known as the Montagu–Chelmsford Reforms or Mont-Ford Reforms, were named after Montagu and Lord Chelmsford, the Viceroy of India between 1916 and 1921.

      Montagu Reforms

      Hasrat Mohani

      How replete with deception it is

      This scheme of reform by Montagu

      In the whole wide world it is known

      That these aspects of the Constitution spell

      Complete control over legislation

      Force over actions, power over money

      When there’s not even a whiff of these

      In this flower of reform

      Then consider them merely paper flowers

      With not a trace of fragrance

      The Doctor from Madras1 believes

      How pleasing and good was this plan

      To keep us busy till the end of the war

      O simple people of Hind beware

      Don’t let this spell work on you

      If you couldn’t take anything from them2 now

      You’re not likely to get anything at all

      1 Dr S. Subramania Iyer (1842-1924) was an Indian lawyer, jurist and freedom fighter who, along with Annie Besant, founded the Home Rule Movement. He served as the first Indian Chief Justice of the Madras High Court before retiring in 1907. He wrote a letter to the American President Woodrow Wilson in 1917 seeking American intervention in gaining freedom for India from British rule.

      2 Meaning the British.

      Shikast-e Zindaan ka Khwaab

      Josh Malihabadi

      Kya Hind ka zindaan kaanp raha hai guunj rahi hain takbiren

      Uktae hain shayad kuchh qaidi aur torh rahe hain zanjiren

      Divaron ke niche aa aa kar yuun jama hue hain zindani

      Sinon mein talatum bijli ka ankhon mein jhalakti shamshiren

      Bhukon ki nazar mein bijli hai topon ke dahane thande hain

      Taqdir ke lab ko jumbish hai dam torh rahi hain tadbiren

      Ankhon mein gada ki surkhi hai be-noor hai chehra sultan ka

      Takhrib ne parcham khola hai sajde mein parhi hain taamiren

      Kya un ko khabar thhi zer-o-zabar rakhte thhe jo ruh-e-millat ko

      Ublenge zamin se mar-e-siyah barsengi falak se shamshiren

      Kya un ko khabar thhi sinon se jo khuun churaya karte thhe

      Ik
    roz isi be-rangi se jhalkeingi hazaron taswiren

      Kya unko khabar thhi honton par jo quft lagaya karte thhe

      Ik roze is khamoshi se tapkeingi dehakti taqrirein

      Sambhlo ki woh zindaan guunj utha jhapto ki woh qaidi chhut gae

      Uttho ki woh baithin diwaren daudo ki woh tuuti zanjiren

      The Dream of a Defeated Prison

      Josh Malihabadi

      How the prison of Hind is trembling and the cries of God’s greatness are echoing

      Perhaps some prisoners have got fed up and are breaking their chains

      The prisoners have gathered beneath the walls of the prisons with

      A storm of thunder in their breasts and swords reflected in the eyes

      The hungry carry thunder in their glances and the maws of canons are cold

      The lips of fate tremble and all strategies are proving to be useless

      Eyes have the redness of a beggar’s and the Sultan’s face is pallid

      Devastation has unfurled its flag and all magnificent edifices lie in prostration

      Little did the keepers of the community know how topsy turvy the world would get

      One day black serpents would spit forth from the land and swords would rain down from the skies

      Little did those who stole blood from the breasts know

      One day a thousand pictures would be revealed from this colourlessness

      Little did those who put locks on their lips know

      One day rousing speeches would drip down from this silence

      Beware, for that prison is resounding, pounce for that prisoner has escaped

      Rise for those walls have fallen, run for those chains have broken

      From the Kulliyat1

      Akbar Allahabadi

      Cheezein woh hain jo banein Europe mein

      Baat woh hai jo Pioneer mein chhapey

      Europe mein hai jo jung ki quwwat barhi huwi

      Lekin fuzoon hai uss se tijarat barhi huwi

      Mumkin nahin laga sakein woh tope har jagah

      Dekho magar Pears ka hai soap har jagah

      1 This is a fragment from a long rambling poem in Akbar Allahabadi’s Kulliyat, Vol II, p.62-63.

      A Fragment from the Collected Works

      Akbar Allahabadi

      Real goods are those that are made in Europe

      Real matter is that which is printed in the Pioneer

      Though Europe has great capability to do war

      Greater still is her power to do business

      They cannot install a canon everywhere

      But the soap made by Pears is everywhere

      Tasveer-e Dard1

      Muhammad Iqbal

      Rulata hai tira nazara ai Hindostan mujh ko

      Ki ibrat-khez hai tera fasana sab fasanon mein

      Diya rona mujhe aisa ki sab kuchh de diya goya

      Likha khalk-e-azal ne mujh ko tere nauha-khvanon mein

      Nishan-e-barg-e-gul tak bhi na chhod us baaġh mein gulchin

      Tiri qismat se razm-araiyan hain baġhbanon mein

      Chhupa kar astin mein bijliyan rakkhi hain gardun ne

      Anadil baaġh ke ġhafil na baithen ashiyanon mein

      Watan ki fikr kar nadan musibat aane vaali hai

      Tiri barbadiyon ke mashvare hain asmanon mein

      Zara dekh us ko jo kuchh ho raha hai hone vaala hai

      Dhara kya hai bhala ahd-e-kuhan ki dastanon mein

      Na samjhoge to mit jaoge ai Hindostan vaalo

      Tumhari dastan tak bhi na hogi dastanon mein

      1 This is an extract from the much longer poem of the same title.

      A Picture of Pain

      Muhammad Iqbal

      The sight of you makes me cry, O Hindustan

      For your tale is most admonishing among all tales

      The tears you have given are all you have bequeathed

      The pen of destiny has placed me among those who mourn you

      O gardener do not leave even a trace of rose petals in this garden

      By your misfortune preparations are afoot for war in many gardens

      The sky has concealed many a thunderbolt in its sleeves

      Let the nightingales in the garden not slumber in their nests

      Worry for your homeland, O innocents, trouble is brewing

      The portents of the disaster awaiting you are written in the skies

      Look, watch what is happening, see what is about to happen

      There’s nothing to be gained from the stories of past glories

      If you still don’t understand you will be erased O people of Hindustan

      Even your tales will be removed from the annals of world history

      Angrezi Zehn ki Tezi

      Ahmaq Phaphoondvi1

      Kis tarah bapa hoon hungame aapas mein ho kyun kar khunaraizi

      Hai khatam inhein schemon main angrezi zehn ki sab tezi

      Ye qatl-o khoon ye jung-o jadal, ye zor-o sitam ye bajuz-o hasad

      Baquii hii raheinge mulk mein sab, baqui hai agar raj angrezi

      Gulzar-e-watan ik banjar hai ya khaak hai ab ya sar sar hai

      Kya phool yahan aur kaise phool kya shadabi kya zarkhezi

      Har su hai bapa hangama-e khoon, har simt hai dheir ik lashon ka

      Ed Dyer O’ Dyer2 ke dam se qayam hai nishan-e changezi

      Shuddhi3 hai kahin tableegh4 kahin naqoos kahin takbir5 kahin

      Yeh beech na ho to mushkil hai dam bhar ke liye raj angrezi

      1 His real name was Hakim Muhammad Mustafa Khan ‘Maddah’.

      2 Sir Michael Francis O’Dwyer(18641940) was Lieutenant Governor of Punjab from 1912 to1919. Punjab was on the boil even before the Jallianwala Bagh massacre of 1919.

      3 Shuddhi refers to the socio-political movement derived from the ancient rite of shuddhikaran or purification, started by the Arya Samaj, its founder Swami Dayanand Saraswati and his followers like Swami Shraddhanand. The latter also worked on sangathan or consolidation aspect of Hinduism, in North India, especially Punjab, from the early 1900s.

      4 Tableegh refers to the practice of spreading the Islamic faith through proselytising.

      5 Naara-e-Takbir refers to the call of Allah hu Akbar, meaning God is Great.

      The Cleverness of the English Mind

      Ahmaq Phaphoondvi

      Look at the turmoil and the bloodshed among our people

      The cleverness of the English mind is used up in all such schemes

      This murder ’n mayhem, wars ’n battles, cruelties ’n malice

      The country’s garden is barren, with nothing but dust and desolation

      There are no flowers here nor any freshness or fertility

      There is bloodshed in every direction and piles of corpses

      Tyrants like Dyer and O’Dwyer rule in the manner of Changez

      Shuddhi and Tableegh movements here, conch and calls there

      Had these not been in our midst the British Rule would have been difficult

      Azaadi ka Bigul

      Zafar Ali Khan

      Badli hai zamane ki hawa tum bhi badal jao

      Haath aa nahi sakta hai waqt kya sambhal jao

      Harkat magar is darja rahe khoon mein ke mausam

      Gar baraf ke saanche mein bhi daale to pighal jaaye

      Mehnat ke balaakhez samandar ke nahangon

      Sarmaya ki machhli ko samocha hi nigal jao

      Azadi-e kaamil ka alam haath mein le kar

      Maidan mein bajate huwe imaan ka bigul jao

      Bartania ki meiz se kuchh reze gire hain

      Ai toadiyon chunne tum innhe peet ke bal jao

      The Bugle of Freedom

      Zafar Ali Khan

      The world has changed, so must you

      Beware, for the time past won’t return

      But the heat and flow of your blood must be so

      That it should melt even a mould of ice

      The monsters in the calamitous sea of hard work

      Should swallow up entirely the fish of wealth

      Holding aloft the flag of complete freedom

      Go forth playing the bugle of belief


      Some crumbs have fallen from the table of Britannia

      O Toadies, go crawling on your bellies to pick them

      Shukriya Europe

      Agha Hashar Kashmiri

      Ai zameen-e Europe, ai muqraz-e pairahan nawaz

      Ai hareef-e Asia, ai shola-e German nawaz

      Chaara sazi teri buniyad afgan kashana hai

      Tere dam se duniya aaj eik maatam khana hai

      Aik hasrat za se chashm-e hurriyat namnak hai

      Khoon chaka roodad aqwaam gareban chaak hai

      Sirf tasneef-e sitam hai falsafa dani teri

      Aadmiyat soz hai tehzeeb-e haiwani teri

      Azmat-e daireena naala hai tere bartao se

      Dhul gaya husn-e qadamat khoon ke chhirhkao se

      Jalwagah shaukat-e mashriq ko soona kar diya

      Jannat-e duniya ko dozakh ka namuna kar diya

      Utth raha hai shor gham khakistar paamaal se

      Keh raha hai Asia ro kar zaban-e haal se

      Bar mazar-e ma ghariban ne chiraghe ne gule

      Ne pare parwane sozo ne sada-e bulbule

      Thank You Europe

      Agha Hashar Kashmiri

      O earth of Europe, O cherisher of outer raiments

      O rival of Asia, O lover of the spark in the harvest

      Your idea of healing is throwing out everything

      Because of you the world is a place of mourning

      The eyes of freedom are damp with the tears of longing

      The tale is blood-drenched and people are destitute

      Your philosophy is contained in your Book of Oppression

      Humanity is the passion of your civilised barbarity

      Ancient greatness laments your recent behaviour

      Your old beauty has been washed away by splashes of blood

      You have turned the dignified theatre of the east into a wilderness

      You have turned heaven on earth into a model of hell

      A shout is rising from the dust of the downtrodden

      Asia is crying out and telling the world at large

      On my poor grave there are neither lamps nor flowers

     


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