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    The Lightning Tree

    Page 9
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      he was making some advances on young

      Jenna,” Graham said.

      “There’s truth to that,” Old Cob said

      softly. “I saw it.”

      Everyone in the room turned to look at

      him, surprised. They’d known Cob all

      their lives and had heard all his stories.

      Even the most boring of them had been

      trotted out three or four times over the

      long years. The thought that he might

      have held something back was … well

      … it was almost unthinkable.

      “He was getting all handsy with young

      Jenna,” Cob said, not looking up from his

      beer. “And she was younger still back

      then, mind you.” He paused for a

      moment, then sighed. “But I was still old,

      and … well … I knew that tinker would

      give me a hiding if I tried to stop him. I

      could see that plain enough on his face.”

      The old man sighed. “I ain’t proud of

      that.”

      Cob looked up with a vicious little

      grin. “Then Martin came round the

      corner,” he said. “This was off behind

      the old Cooper’s place, remember? And

      Martin looked at the fellow, and at Jenna,

      who wasn’t crying or nothing, but she

      obviously wasn’t happy either. And the

      tinker has hold of her wrist …”

      Cob shook his head. “When he hit him.

      It was like a hammer hitting a ham.

      Knocked him right out into the street. Ten

      feet, give or take. Then Martin eyed

      Jenna, who was crying just a bit then.

      More surprised than anything. And

      Martin stuck the boot in him. Just once.

      Not as hard as he could, either. I could

      tell he was just settling up accounts in his

      head. Like he was a moneylender

      shimming up one side of his scale.”

      “That fellow wasn’t any kind of proper

      tinker,” Jake said. “I remember him.”

      “And I heard things about that priest,”

      Graham added.

      A few of the others nodded wordlessly.

      “What if Jessom comes back?” the

      smith’s prentice asked. “I heard some

      folk get drunk and take the coin, then turn

      all cowardly and jump the rail when they

      sober up.”

      Everyone seemed to consider that. It

      wasn’t a hard thought for any of them. A

      band of the king’s guard had come

      through town only last month and posted

      a notice, announcing a reward for

      deserters.

      “Tehlu anyway,” Shep said grimly into

      his nearly empty mug. “Wouldn’t that be

      a great royal pisser of a mess?”

      “Jessom’s not coming back,” Bast said

      dismissively. His voice had such a note

      of certainty that everyone turned to eye

      him curiously.

      Bast tore off a piece of bread and put it

      in his mouth before he realized he was

      the center of attention. He swallowed

      awkwardly and made a broad gesture

      with both hands. “What?” he asked them,

      laughing. “Would you come back,

      knowing Martin was waiting?”

      There was a chorus of negative grunts

      and shaken heads.

      “You have to be a special kind of

      stupid to wreck up Martin’s still,” Old

      Cob said.

      “Maybe eight years will be enough for

      Martin to cool down a bit,” Shep said.

      “Not likely,” Jake said.

      Later, after the customers were gone,

      Bast and the innkeeper sat down in the

      kitchen, making their own dinner from the

      remainder of the stew and half a loaf of

      bread.

      “So what did you learn today, Bast?”

      the innkeeper asked.

      Bast grinned widely. “Today, Reshi, I

      found out where Emberlee takes her

      bath!”

      The innkeeper cocked his head

      thoughtfully. “Emberlee? The Alards’

      daughter?”

      “Emberlee Ashton!” Bast threw his

      arms up into the air and made an

      exasperated noise. “She’s only the third

      prettiest girl in twenty miles, Reshi!”

      “Ah,” the innkeeper said, an honest

      smile flickering across his face for the

      first time that day. “You’ll have to point

      her out to me.”

      Bast grinned. “I’ll take you there

      tomorrow,” he said eagerly. “I don’t

      know if she takes a bath every day, but

      it’s worth the gamble. She’s sweet as

      cream and broad of beam.” His smile

      grew to wicked proportions. “She’s a

      milkmaid, Reshi,” he said the last with

      heavy emphasis. “A milkmaid. ”

      The innkeeper shook his head, even as

      his own smile spread helplessly across

      his face. Finally he broke into a chuckle

      and held up his hand. “You can point her

      out to me sometime when she has her

      clothes on,” he said pointedly. “That will

      do nicely.”

      Bast gave a disapproving sigh. “It

      would do you a world of good to get out

      a bit, Reshi.”

      The

      innkeeper

      shrugged.

      “It’s

      possible,” he said as he poked idly at his

      stew.

      They ate in silence for a long while.

      Bast tried to think of something to say.

      “I did get the carrots, Reshi,” Bast said

      as he finished his stew and ladled the

      rest of it out of the kettle.

      “Better late than never, I suppose,” the

      innkeeper said his voice was listless and

      grey. “We’ll use them tomorrow.”

      Bast shifted in his seat, embarrassed.

      “I’m afraid I lost them afterwards,” he

      said sheepishly.

      This wrung another tired smile from the

      innkeeper. “Don’t worry yourself over it,

      Bast.” His eyes narrowed then, focusing

      on hand that held Bast’s spoon. “What

      happened to your hand?”

      Bast looked down at the knuckles of his

      right hand, they weren’t bloody anymore,

      but they were skinned rather badly.

      “I fell out of a tree,” Bast said. Not

      lying, but not answering the question,

      either. It was better not to lie outright.

      Even weary and dull, his master was not

      an easy man to fool.

      “You should be more careful, Bast,” the

      innkeeper said, prodding listlessly at his

      food. “And with as little as there is to do

      around here, it would be nice if you spent

      a little more time on your studies.”

      “I learned loads of things today,

      Reshi,” Bast protested.

      The innkeeper sat up, looking more

      attentive. “Really?” he said. “Impress me

      then.”

      Bast thought for a moment. “Nettie

      Williams found a wild hive of bees

      today,” he said. “And she managed to

      catch the queen …”

      George R. R. Martin

      Hugo, Nebula, and World Fantasy

      Award-winner


      George

      R.

      R.

      Martin, New York Times bestselling

      author of the landmark A Song of

      Ice and Fire fantasy series, has

      been

      called

      “the

      American

      Tolkien.”

      Born in Bayonne, New

      Jersey, George R. R. Martin

      made his first sale in 1971,

      and soon established himself

      as one of the most popular

      SF writers of the seventies.

      He quickly became a

      mainstay of the Ben Bova

      Analog with stories such as

      “With Morning Comes

      Mistfall,” “And Seven Times

      Never Kill Man,” “The

      Second Kind of Loneliness,”

      “The Storms of Windhaven”

      (in collaboration with Lisa

      Tuttle, and later expanded by

      them into the novel

      Windhaven ), “Override,” and

      others, although he also sold

      to Amazing, Fantastic, Galaxy,

      Orbit, and other markets. One

      of his Analog stories, the

      striking novella “A Song for

      Lya,” won him his first Hugo

      Award, in 1974.

      By the end of the seventies,

      he had reached the height of

      his influence as a science-

      fiction writer and was

      producing his best work in

      that category with stories

      such as the famous

      “Sandkings,” his best-known

      story, which won both the

      Nebula and the Hugo in

      1980 (he’d later win another

      Nebula in 1985 for his story

      “Portraits of His Children”),

      “The Way of Cross and

      Dragon,” which won a Hugo

      Award in the same year

      (making Martin the first

      author ever to receive two

      Hugo Awards for fiction in

      the same year,

      “Bitterblooms,” “The Stone

      City,” “Starlady,” and

      others. These stories would

      be collected in Sandkings, one

      of the strongest collections of

      the period. By now, he had

      mostly moved away from

      Analog although he would

      have a long sequence of

      stories about the droll

      interstellar adventures of

      Havalend Tuf (later collected

      in Tuf Voyaging ) running

      throughout the eighties in the

      Stanley Schmidt Analog, as

      well as a few strong

      individual pieces such as the

      novella “Nightflyers”—most

      of his major work of the late

      seventies and early eighties,

      though, would appear in

      Omni . The late seventies and

      the eighties also saw the

      publication of his memorable

      novel Dying of the Light , his

      only solo SF novel, while his

      stories were collected in A

      Song for Lya, Sandkings, Songs of

      Stars and Shadows, Songs the

      Dead Men Sing, Nightflyers, and

      Portraits of His Children. By the

      beginning of the eighties,

      he’d moved away from SF

      and into the horror genre,

      publishing the big horror

      novel Fevre Dream, and

      winning the Bram Stoker

      Award for his horror story

      “The Pear-Shaped Man”

      and the World Fantasy

      Award for his werewolf

      novella “The Skin Trade.”

      By the end of that decade,

      though, the crash of the

      horror market and the

      commercial failure of his

      ambitious horror novel

      Armageddon Rag had driven

      him out of the print world

      and to a successful career in

      television instead, where for

      more than a decade he

      worked as story editor or

      producer on such shows as

      new Twilight Zone and Beauty

      and the Beast.

      After years away, Martin

      made a triumphant return to

      the print world in 1996 with

      the publication in 1996 of

      the immensely successful

      fantasy novel A Game of

      Thrones, the start of his Song

      of Ice and Fire sequence. A

      freestanding novella taken

      from that work, “Blood of

      the Dragon,” won Martin

      another Hugo Award in

      1997. Further books in the

      Song of Ice and Fire series

      — A Clash of Kings, A Storm of

      Swords, A Feast for Crows, and

      A Dance with Dragons— have

      made it one of the most

      popular, acclaimed, and

      bestselling series in all of

      modern fantasy. Recently, the

      books were made into an

      HBO TV series, Game of

      Thrones, which has become

      one of the most popular and

      acclaimed shows on

      television, and made Martin

      a recognizable figure well

      outside of the usual genre

      boundaries, even inspiring a

      satirical version of him on

      Saturday Night Live . Martin’s

      most recent books are the

      latest book in the Ice and

      Fire series, A Dance With

      Dragons, a massive two-

      volume retrospective

      collection spanning the

      entire spectrum of his career,

      Dreamsongs, a novella

      collection, Starlady and Fast-

      Friend, a novel written in

      collaboration with Gardner

      Dozois and Daniel Abraham,

      Hunter’s Run, and, as editor,

      several anthologies edited in

      collaboration with Gardner

      Dozois, including Warriors,

      Songs of the Dying Earth, Songs of

      Love and Death, Down These

      Strange Streets, and Dangerous

      Women, as well as several new

      volumes in his long-running

      Wild Cards anthology series,

      Wild Cards: Busted Flush and

      Wild Cards: Inside Straight. In

      2012, Martin was given the

      Life Achievement Award by

      the World Fantasy

      Convention. A World of Ice and

      Fire , a comprehensive history

      of Westeros and the lands

      beyond, will be released in

      fall of 2014.

      Here he takes us to the

      turbulent land of Westeros,

      home to his Ice and Fire

      series, for the story of that

      swashbuckling rogue

      Daemon Targaryen, the

      Prince who never became a

      King—although his ambition

      to become one would plunge

      the entire world into war.

      Document Outline

      The Lightning Tree Morning: The Narrow Road

      Afternoon: Birds and Bees

      Evening: Lessons

     

     

     
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