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    T Thorn Coyle Evolutionary Witchcraft (pdf)

    Page 26
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      of it.

      As an initial way to begin to explore your relationship and familiarity

      6These pentacles come through Reclaiming, my own work, and through Fcri priest St<'V<' I l<·w,·ll

      (who formulated the Gilded, though he named it Lead). The Rust points vary amon� 1-'rri

      practitioners.

      242

      Bvolutiona.n; witchcra.ft

      impotence

      greed

      RUST PENTACLE

      GILDED PENTACLE

      with these pentacles, we will try to feel them in our bodies. It is helpful to

      notice if any of the points feel like familiar patterns in our lives or are connected to stories we tell ourselves.

      Start this exercise by running the Iron Pentacle through your body. Let it charge you up,

      feeling bow the points respond to each other, building the energy. Then begin to let the points

      shift. Feel sex leaving you, leading you into impotence and then greed. Feel pride move away,

      into shame and then arrogance. What happens when self is gone and only deprecation or egotism remain? When your power is given over or taken from you, what do powerlessness or force feel /ike? When your passion leaves you,jeel the wake lift behind and the apathy or obsession that rise up to take its place.

      Once you have felt all rj the points rj Rust and Gilt in yourself, clear them out by running the Iron Pentacle through your body again several times. Sex, pride, self, power, passion, sex. If you still feel you need to release the Rust and Gilded points, take a Self-I.ovr Cleansing shower or align your Triple Soul.

      powecs Below: Licshtincs the oudmess

      243

      The points on these pentacles often insinuate themselves into our lives

      and end up wielding a great deal of control over our emotions and perceptions. These next exercises are ways to look at the Rust and Gilded pentacles in depth. I am not providing exercises for every point, but rather a few ideas to help you work with the points that are particularly absent or

      present in your life.?

      REACHING O ur oF BouNDS

      This exercise, done with a partner, is designed to help you tangibly feel

      what it is like when you are always doing things for someone else and doing what someone else is pulling you to do. This happens when you lack confidence and a strong sense of who you are and what you need. It causes

      you to always be slightly off balance within, falling this way and that,

      reaching for approval, reaching to help another, reaching out beyond the

      boundaries set by who you really are. This state is indicative of many of

      the points on the Rust Pentacle.

      Face your partner. Balance on one foot, reaching way out, as Jar out as possible, using

      your free leg as ballast. Reach toward something not quite attainable. Reach for approval.

      Reach to fill someone else's needs or wishes in spite c!f what you may need. Reach. Feel what

      that is like. Is this a familiar feeling? Is there any emotional recognition brought up by this

      pose? Your partner will pull on you. Try to recover your stance. Reach. Your partner will

      push at you. Try to recover again. Reach. Stretch. Notice where your head is. Notice how low

      you have to hold yourself in order to achieve any semblance c!f balance. Your partner knocks

      into you, blindsidingyou. How long does it take you to recover? Breathe. Shake this pose and

      71 worked on some of these techniques (If Brittle, I Will Break and Rebalancing Passion) with Rrdaiming priest Todd Herriott.

      244

      Bvolutionurv witchcraft

      energy cff of your body. Switch roles. You be the world, coming at your partner. You become

      the worries and duties that push and pull. What does that feel like? Breathe. Shake hands

      with your partner in thanks for the work.

      AuTOMATIC WRITING

      This exercise is written to explore the absence of pride, but you can also

      experiment with using it to gain more information about any of the Iron

      points that feel weak, inactive, or absent in your life. You can call upon the

      Peacock God for help with this. Then set a timer for five minutes and don't

      let the pen leave the page.

      Begin writing out that which makes you feel ashamed, things you have held secret for

      years because they were too pairiful to share with another and you felt they made you look bad.

      Write about all the times you didn't speak up for yourself or another. Then write about those

      feelings of aggrandizement that make you feel arrogant, better than others. Now take the

      paper and burn it. As it burns,jeel yourself without those things and start naming things you

      are proud of, no matter how small: "I am proud that I spoke up in class today. I am proud that

      I walked to work instead of driving. I am proud that I finished that poem. I am proud to be who

      I am. I am proud that I am trying."

      REBALANCING PASSION

      This exercise encompasses both the Rust and Gilded Pentacles. When we

      lack passion, we replace it with apathy or obsession. This exercise will help

      you feel when your passion seems unattainable. It will help you look at the

      times when passion becomes obsession and it is all that you can see. Then

      it will bring you into a feeling of balance with your passion. You can substitute any of the Iron Pentacle points for passion.

      powers Below: Licshtincs the ourkness

      245

      Take a deep breath. Drop into yourself, into your body. Relax. Breathe. Float down into

      yourself. Let your shoulders relax, face relax, legs relax. On each breath you relax 111orr

      and more, drifting down, down into yourself. You are traveling in time. You are traveling

      through space. You are breathing. You are going to a time when passion felt very Jar jro111 you.

      Passion was beyond your reach. Breathe. What do you longjor? Where is it? What is it?

      Reach for it. It is just beyond you, drifting past your fingertips. Reach some more. You can 't

      quite grasp it. Are you berift? Or do you feel relieved? Passion is so Jar from you. Do you

      even care? Is apathy setting in? Are you still reaching toward passion, or would you just /ikr

      to lie down for a while? Breathe. How do you feel?

      Take a deep breath. Let time and space swirl around you once again. Let your longing

      settle. Breathe. Breathe in passion. You are traveling to a time when passion completely filled

      you. It was all you could see,jeel, taste, touch. Your desire was as close as your nose, so close

      it almost smothered you. Obsession. Breathe. Feel it all around you. Are you exhilarated?

      Or do you feel lost, disconnected? Breathe. What you thought was passion is so close, you are

      obsessed with it. Nothing else seems to matter. What is this longing? So consuming.

      Take another breath. Let obsession recede. Let time and space swirl around you once

      again. Breathe. Relax. Breathe in passion. Draw it up. Draw up your desire. What do you

      desire right now? Breathe it in. Name it. Taste it. How does it make you feel? Let your passion rise within you. Do not judge it. Open to it. Begin to move with it. It is near you, but not smothering. You can hold it, but it does not grip you too tightly. It is yours. And the Star

      Goddess sings to you, "Dance in the beat 1 your heart's desire . . . Open the gate, the key is

      within, to the temple 1 the heart."8 Breathe, swim, dance, play. Passion. And you answer

      the Goddess: "I dance in the heat 1 my heart's desire, dance in the heat 1 my heart's desire."

      Dance with your passion. Dance your desire. Name it. Sing it. Claim it. You can have what

      you desire. Passion can fuel your work in the world. Your
    passion can heal you. You art

      whirling in it. You are centered. You are beloved.

      Breathe. Let yourself rise to the surface 1 yourself. Begin to bring yourself back into ordinary space and time. Breathing. Let your body form around you, solid. Passion is still 8This chant, writt<'n by mr, is n·rord<·d by Amw Hill on Cirrlt Rouwl a11d Sillxf Availahlr thmu�h www.srrprntilll'l11llsir.c<llll.

      246

      Bvolutionucv witchccuft

      with you. Breathing. Open to the world in front of you. Open your eyes. Speak your passion out loud. Write it in your journal. Begin to walk it, to live it, to love and work within it. It fuels you but does not consume you. It is your birthright. Blessed be.

      If Brittle, I will Bfeuk

      This exercise allows you to experience what happens when you stand, stubborn and bullish, digging in your heels, unwilling to listen, to move, to talk it out. This is a posture of "I know that I am right, and no one will dissuade me:' It seems like a strong pose, but it is actually very weak. It is the brittle bough that breaks rather than bending. This position is also out of

      balance and takes a long time to recover from when you get knocked off

      center. You are not really centered, actually, you are digging your heels into

      precarious ground. This state is indicative of the Gilded Pentacle. You will

      need a friend to help you with this exercise.

      Spread your feet about shoulder width, exactly parallel to each other. Dig in your heels.

      Straighten your legs. P11ff out your chest. Ball your hands into fists. Put your chin up, defiant, arrogant, immobile. You are right. You know what is best and no one can tell you differently. Does this feel familiar? Do you recognize this pose? Your partner pulls on you. Try to recover. Get back in your pose. Your partner will push you, prod you, blindside you. Each

      time, recover your stance. Dig in your heels some more. P11ff yourself up. Your partner

      knocks you cff again. How long does it take you to recover? How does the stance start to

      feel to you tifter being thrown out of it over and over again? Breathe. Shake this stance and

      its energy cff of your body. Switch roles. Become the world coming up against your partner.

      Become resistance. subversion, which wants to knock the king cff of his throne. What does

      that feel like? Breathe. Shake hands with your partner in thanks for the work.

      powefs Below: Li�htin� the nudmess

      HI

      step pin<s Fofth

      Once you have fully explored the Powers Below, the realms of yolll'�rll I 11.11

      are often obscured or hidden in shadow, you will be ready to strp iuto t hr

      center of the sphere, the center of yoursel£ Open the gates to yom �nul.

      9

      •

      center: open1n�

      the <jutes

      Open the gates! All the worlds stand before you now. You are stepping

      into primal time and space that bends to your passing. Meet yourself

      with a welcoming kiss. Here you give and here you can receive. The

      flower responds to your touch. You are becoming more alive. The tool

      here is the Black Heart of Innocence: the power of wildness, of sexual

      innocence, and truth without shame .

      I. n Feri Tra

      shining dition,

      edge I the

      have Center

      spoken is also

      of

      the

      that

      Circumf

      becomes erence

      the

      of

      central All. It

      point, is that

      flipping

      our vision and expanding it in unusual ways. That which is central to our

      spirits is often not central to the culture outside us, but as we change ourselves, that which surrounds us changes. The paradox continues to unfold within us and without.

      We stand now in the middle of the sacred sphere, surrounded by the

      Guardians of the Six Directions, encased in the mist of blue fire. Our

      hearts beat here; we arc human and alive. In this space, we can become as

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      Evolutionary witchcraft

      large as the Guardians themselves, strong in spirit and love, forces of human nature, part divine. Here we can be certain that we are emanations from the Quakoralina, her children and lovers. We are large here, and

      small, connected to the tiniest particle and to the galaxies that wave out

      their births and deaths beyond our own.

      The tool here is the Black Heart of Innocence. Of all the tools of Feri,

      this is the most internal. It is not a polished piece of jet or smoky glass sitting upon an altar, though some Feri practitioners may have these, too; rather, it is a living, breathing, beating state. It is your wild nature, sexual,

      honest, juicy, supple, and strong. Without the work that has come before,

      we would have small chance of accessing this state. It requires clarity, presence, divinity, and full access to life force.

      In Feri Tradition, spirit is placed in the Center-within the heart, and

      the rush of sex, love, and life force. Spirit resides here, as it does in the

      Powers Above and Below: these three form a swirling axis, our DNA, and

      the spiraling of stars. The center is mystery and magic, the confluence of

      core, depth, and height. Spirit combines all of the Elements of Life and

      the wild Feri heart is as spacious as the sphere of Feri, and God Hersel£

      In this chapter, we will feel the beating of our hearts, and learn to tell

      the truth that resides inside. We will dance with our shadows, opening to

      love and forgiveness, unbinding our life force and standing, clean, fresh,

      honest, innocent, and wise.

      center: openin'5 the gntes

      25 1

      Awo.kenin<s You.r Blo.ck Heo..rt

      How beautiful is the black, lascivious purity of small children and wild animals.

      -VICTOR ANDERSON

      . . . to holding on, to knowing again that moment of rapture, of recognition

      where we can face one another as we really are, stripped of artifice and pretense,

      naked and not ashamed. -BELL HOOKS!

      The Black Heart of Innocence is both a metaphysical concept and state of

      being. It exists within us in some form or another, yet a balanced, healthy

      relationship with it needs to be cultivated. Once realized, the Black Heart

      is the unfettered connection with everything. I am in the state of innocence when fUlly connected with the life force. When I am centered, connected to the earth and running energy fUlly through my body, I am accessing this state without thinking about it. Connected, we are honest,

      for there is no need to lie when we can simply be. This tool, this state, this

      energy, is held in the shape of the heart because the heart is the pump for

      the life force. The heart feeds all the parts of my body, as the life force

      feeds all of creation.

      Some people mistakenly take this concept of honesty to mean that

      when they have something hard to say to someone, they need to blurt it

      out in a "Black Heart" moment. If I am thinking about it, chances are, I

      am not in a state of innocence. The energy may be trying to emerge, for it

      is always with me, but if I am trying to use it, rather than letting it flow

      through me, it will come through twisted and distorted, not innocent at

      all, but manipulative and out of balance. When we begin layering suppositions or excuses over the original impulse, we render it harmful through its disconnection.

      1From bell hooks, all about /ow (HarpcrPcrrnnial. 200 1 )

      252

      Bvolutiono.ry witchuo.ft

      If I am running life force easily and in tun
    e with my body, breath, and

      my energy fields, I can be sitting with someone, truly listening, with my

      energy field connected with theirs in a state of true compassion. I can say

      many things from this state, letting them come from my heart, which, were

      I not connected to life force and to the person's Shining Body, would probably generate a "mind your own business" from them. But in this state, I can say hard things and they can be received because it is understood on a

      cellular level that they are coming from love, from my God Soul. This is

      the Black Heart of Innocence.

      In the public sector, rather than one-on-one, the same "rules" apply, yet

      my ability to communicate is more dependent upon those listening, because it is harder to be linked fully aura to aura, with each person in a group of ten to one thousand. One tool to help with this is Deep, Expansive Attention, which I explained in Chapter 3.

      Another innocent state is the joyous abundance of sexual energy released in sexual expression. This is not based on posturing, or acting, or trying to figure out what acrobatic thing would most impress my partner.

      I am not saying those things can't be fun, they can! All I am saying is, that

      in the state of the Black Heart of Innocence there is again that honest

      state where I am in communication with the earth and/ or another human

      being through all my auric, psychic, emotional, and physical senses. We

      meet long before our skin touches. We excite each other and pleasure each

      other in total innocence. Or I walk along, totally in love with every tree,

      feeling them as I pass. That too, is the Black Heart state.

      Using all of the Feri tools, especially aligning our Triple Soul every day,

      is how we achieve mastery of the Black Heart of Innocence. The following

      are exercises to help us get in touch with the life force pumping through

      our bodies, telling us we are alive and connecting us to all that lives around

      us. This is a jump-start. In order to cultivate it though, align your Triple

      Soul, run the energy of the Iron and Pearl Pentacles, clean your aura, and

      . ground and center. Cora Anderson often tells me that the Craft is about

      center: openin<s the gutes

      253

      living day to day. In becoming dedicated spiritual practitioners we can free

      our energy and hum with the life force of a clean, honest, sexual charge.

     


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