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    T Thorn Coyle Evolutionary Witchcraft (pdf)

    Page 23
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      realized that dream? This is a step we often forget. Once we examine what that "reality"

      might look like, we might find that the dream is not what we want at all! Rather than something to work toward, it has just been a fantasy we use to escape our daily reality. To realize our dreams, we must first be open to them, then we must be willing and able to do the work to make the dream happen. This is not about winning the lcttery, rather it is about

      changing some o/ your attitudes and habits about money in order to find a job that is fulfilling for you and makes enough money for you to live comfortably. This is about taking singing lessons or scheduling time each week to write poetry. What do you want to do? What

      is one thing you will do this week to open that as a possibility?

      Once you have begun engaging your dreams you are ready to stretch

      toward what you truly desire.

      powers Above: Risin� and nreumin�

      2 1 5

      RisiN G T O MEET You R DESIRE

      To engage the Powers Above is to reach beyond ourselves. As I mentionl'd

      before, another God of the Feri Tradition is the Peacock. He is Lord of

      the Painted Fan, son of the Star Goddess, Quakoralina. He is a face of the

      Blue God, whom we have met as Dian y Glas. The Yezidi call him Melek

      Taus.2 He is like Krishna, dancing, slayer of demons, inspirer of warriors,

      and sexual lover. There are many stories about the Peacock, some lovely

      and some difficult. He has lessons for us, though, no matter what the

      story. He holds lessons about abundance and fear, lessons about there being enough for everyone: enough beauty, wealth, pride, and talent.

      The Peacock calls on us to awaken as he has awakened. Ignoring our

      true natures gets us nowhere, it just keeps us asleep. The Peacock challenges us to wake up, to look at ourselves, and to claim our beauty and our darkness. What is fallen in us must be brought to light and to life. All of

      our parts must be met for us to be whole. The Peacock is a symbol of this

      conflict, a symbol that we must look at ourselves fully in order to become

      truly whole and evolve. In Feri Tradition myth, Melek Taus is created when

      the Divine Twins, in their forms as the serpent and the bird spirit, are married and joined in union.

      This marriage and integration of bird and snake is found in other spiritual traditions that show the peacock eating the snake as a way to conquer darkness. Manly P. Hall writes: "The peacock and the ibis were objects of

      veneration because they destroyed the poisonous reptiles which were popularly regarded as the emissaries of the infernal gods." Feri Tradition emphasis on union rather than destruction is an important philosophical shift, 2This is also the Feri name for him, alternately spelled Malik T.1us. The Kurdish Yezidi, interestingly enough, were called "devil worshippers" simply because they acknowledgt·d that W<' havt• a great conAict lodged within our hearts, and that both sides, not just what we think of ;ls "good,"

      musl b,· t•mhran·d <'<Jllally.

      2 1 6

      Bvolutionucv witchccuft

      congruent with the Feri dictum "I would know myself in all my parts:' In

      the Peacock God, earthiness and a sense of danger are wed with beauty

      and lightness. Cutting off what we do not like leaves us wounded halfpeople and, in that state, evolution becomes impossible. Learn to love yourself, in all your parts.

      Feri legend has it that the Peacock was walking in the Garden of the

      Gods when he came upon the mirror of his mother, the Star Goddess. He

      gazed into that mirror and exclaimed, "Ha! Behold how beautiful I am!"

      He shook his tail until the seven heavens were filled with thunder. There

      was glory in all the worlds.

      The Peacock God awakens to his beauty and shakes his great tail. He

      cracks the sky, creating thunder to announce his presence. The Peacock

      God is beautiful and fearsome. Why is he fearsome? Because he dares to be

      beautiful, and we fear that beauty. Why is he fearsome? Because he captures

      darkness in the eyes shimmering in every feather. Those are the eyes of the

      storm and they are portals to other worlds, within ourselves and between

      the realms. In myth, he is the fallen angel: pride. But we are reclaiming

      pride as he dared to claim his beauty. This can be dangerous to our parts

      that wish to remain hidden and small. It can also feel dangerous to relationships or a society that may wish to keep us in line. Melek Taus is that which we fear within ourselves-the darkness and conflict, the glory and

      beauty-all the things that we must face to be whole.

      What do you fear? What do you desire? Embrace the Peacock. He is glorious abundance.

      He will make you wealthy, beautiful, and able to walk in pride. He is the reminder that

      you, too, are a God, you have divinity within you. It flashes out every time you see that you

      are beautiful. He tells us to make love to each other with passion. When we make love, we

      are to remember that as lightning strikes the ground, the ground rises to meet the lightning.

      This is a physical fact as well as a metaphysical one. Rise to meet that which you desire, rise

      to each occasion. Let your beauty fill the sky with thunder. Bring on the creative storm.

      powefs Above: Risincs and Dfeamincs

      2 1 7

      The power of desire is potent. In rising to meet it, we remove it from

      the realm of pure fantasy and free up the energy of action. Fantasy, while

      giving us hope, can also keep us static, becoming just another story that

      saps our life force. Fantasy that shifts into desire becomes the energy that

      feeds our work and infuses our lives with deep satisfaction. When it is

      rooted in fear, envy, or apathy, fantasy remains in the realm of "someday."

      The potency of desire brings us into the now, freeing us up to walk more

      fully into our lives.

      Here are a few things you can do to begin to engage the power of the

      Peacock God. Remember, everything worthwhile is dangerous. Your life is

      worth the effort.

      List all of your desires, no matter how big.

      •

      What fills your nighttime dreams with fear? Cast a circle, call

      •

      upon the Peacock, and turn to face that fear.

      Take a risk. Do something that is outrageous for you: buy a pea­

      •

      cock blue shirt and wear it to the office. Speak at a city council

      meeting about something that touches your heart. Go scuba diving. Say no. Say yes.

      Let yourself be sexy.

      •

      Admit to something that may fill you with shame. Admit to a se­

      •

      cret desire that you may find unacceptable. Look at all your parts.

      " Live as big, bright, bold, and beautiful as you can.

      The Peacock's power must be tempered by your compassion and will,

      otherwise he can spiral out of control. This is another reason he is feared

      as well as longed for. He rests beneath the hand of his mother, the Star

      Goddess, and her love keeps him in check. His boundless pride and abundant will must be held under the hand of love and creation. Pride and will are good, but all things can f.11l out of balance. So call on the Peacock,

      2 1 8

      Bvolutionurv witchcraft

      invite him to enter you, but continue to look in your mirror and open

      your heart.

      seein<s Beuutv's Bluck Reflection

      I wrote about the dark centers i n the Peacock's eyes being portals into

      other realms. They are also small representations of his Mother's curved

      black mirror of space
    . Gazing into a black mirror is not only a traditional

      way of scrying-seeing psychic visions-it is also a way to see our own

      faces in a new way. You can purchase a special black mirror in an occult

      shop or make your own by taking a picture frame and coating one side of

      the glass with high gloss black spray paint or ink. You can also put a piece

      of shiny black paper or posterboard cut to fit the frame and insert that behind the glass. Fill a shallow bowl with black ink, or gaze upon your reflection in a window at night.3

      Set up a candk for your working. Align your Tripk Soul. Ask the Star Goddess to help

      you see the parts of you that only emerge in darkness. Ask the Peacock God for a glimpse

      through his eyes. Look at your reflection in the black mirror. Let your gaze soften. What

      emerges? Ask your reflection the question, "Who are you?" You might be surprised by the answer. This face may have answers to questions that your daylight face wouldn't even think to ask. Take a breath of courage. Listen. Look.

      The Star Goddess loved her reflection in the curved mirror of space. The Peacock God

      saw himself and filkd the worlds with power. There is beauty in blackness, in secret spaces.

      Let yourself look upon it. Breathe in and out. Grow vast.

      3My thanks to Mary for this last idea.

      powecs Above: Risin<s a.nd ocea.min<s

      2 1 9

      Buluncin<s Imu<se und Reulity

      The vastness of possibility shown by the Star Goddess and the Peacock

      God may frighten or intimidate us. Most of us need to grow into omselves, what priestess Reya calls being "right sized:' We have been taught that we shouldn't be "too big for our britches" or we hold ourselves back

      for fear of what friends or family might say or think of us. We either feel

      too big, projecting a false image out in front of ourselves, or too small,

      trying to not be noticed in one way or another. Or we may be some combination of the two. Either way, we are in hiding.

      To be truly large is to be in balance. When a person projects a "large"

      image, taking over conversations or entire rooms or projects, she is likely

      overcompensating out of fear and insecurity. She is not living her true size.

      The same is true for the person who hides, who never speaks, who asks for

      what he wants by asking another person what she wants, who tiptoes into a

      room, thereby distracting everyone in it, instead of just walking in to get

      what he needs.

      What are your tendencies? How do you keep people away from you? How do you crush

      your passions and undermine your abilities? How do you try to crush others so they won't

      get ahead of you?

      I remember struggling with myself, after years of dealing with other

      people's projections onto my big, false, performing self. I was attempting

      to come into alignment and I was afraid that if I became more powerful, I

      would steamroll over others. My good friends, exasperated, kept saying,

      "Just go ahead and get bigger!" When I was finally able to begin that

      process, it was a relief to all. I became much more helpful to others, more

      effective in the world, and developed a greater store of generosity. Years

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      Evolutionurv witchcruft

      later, this doesn't mean that I don't still fall back on insecurity and pettiness when I'm feeling tired or am in a new situation that challenges me, but I can now catch these states more quickly and look at them for whatever

      information they hold. Then I can usually take a breath and move on.

      Some states are more tenacious than others, but you will not know

      what your capacity is until you make the attempt to grow.

      Call on the Star Goddess and the Peacock God for help. Take a deep breath and imagine yourse!f as you would like to be. Imagine yourself as competent, confident, loving, and loved. Imagine yourself in your true power. Are you honest about what you can and cannot do? Spend one week stating your true abilities to yourself. Write them down as they come up. Share them with a trusted friend.

      As you grow used to this practice, you can start taking more risks with

      this form of truth telling. State your true abilities at work or in your community. The more accurately you can state what you can already do, the closer you are to stepping into your desires.

      Astrul Truvel

      Since we are working in the realms Above, under the guidance and guardianship of Heaven Shiner, held by the Star Goddess, and infused with the confidence of the Peacock, we can take another risk. We can step out of

      our bodies for a little while, and, more importantly, practice coming back.

      Astral travel is another way of learning to walk in between rational

      spaces and into a whole other world. It is also a way to gather more information about the world we live in. It is not a method of escaping our lives; rather, it is another form of expanding more fully into ourselves and all

      the realms of the world. If your impulse toward astral travel is to use it as

      a form of escape, I would wait, and not use the following practices until

      powecs Above: Risin'S a.nd ncea.min'S

      2 2 1

      you are more firmly rooted in what has come before in this book. Keep

      building foundational practices. If astral travel does not open you further

      to yourself and the realms you walk in, it will be of no help to your development in the long run. It is always good to question the motivations behind both our fears and our desires.

      That said, this work can expand our knowledge of our emotional and

      psychic states and help us to get in touch with the unseen realms. My former coven used astral travel as a way to build a space that was our own. We would journey together to our ethereal covenstead and do work, gather information, and meet with guides who could help us with our work. Sometimes people look different on the astral, and this alone can give you a clue into your inner sel£ You may also have different skills, different clothing.

      I used to have quite a nice set of armor on the astral! The state of the

      armor and how it changed was always a good reflection of how I was feeling emotionally and with my work in the physical world. Things on the astral often appear as symbols in ordinary consciousness. Discovering

      your internal symbols can be a key both to your personality and deeper

      essence.

      One group of activists built a clan house on the astral as a way to continue to meet and do magic and other work even when those who built it were far flung geographically. Other Witches often do magic in this way,

      when they've formed strong bonds with sisters and brothers who live a

      continent away. They simply tune in at a certain time and date and travel

      to a common meeting place. Generally they have agreed upon a method of

      entry, for example by visualizing a certain tree in a clearing, with a hollow

      in its base that acts as a portal to their space. After the journey, they compare notes over e-mail.

      Many of us probably don't believe we can do this, just as many of us

      disbelieve our natural psychic or intuitive talents. I hope that these exercises will show you that the technique of astral travel can be practiced and learned just like any other.

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      �::volutionufv witchuuft

      Tfuvefsin<s the Blue sphefe

      This is an introduction to astral travel that can help you feel safe in the unknown spaces the first times you attempt to journey.

      Use the Castingfrom the Inside Out exercise from Chapter l. Once you feel yourself

      encased in the bubble if your own personal blue sphere, imagine that there is a second layer,

      a membrane on top that can expand. Let that second layer ease o
    ut, until you have the vast

      bubble if space around you. Now, imagine that your spirit self begins to rise out if your

      body, leaving the small blue sphere for the larger one. Your spirit self is connected to your

      physical body by a silver cord that attaches firmly to your navel, like an umbilical cord. For

      some people this cord attaches to the base if their spine instead. Let this body rise until it is

      floating out beyond your physical self. Let yourself feel what it is like to float, then begin to

      fly. Let your arms reach out, and spin your spirit self like a skydiver wheeling through the

      sky. You can control your speed, velocity, and height. Experiment. Have fun.

      Once you have been out for a while, imagine your spirit self floating back toward your

      physical self. Feel your spirit body sink lower and lower, penetrating the small blue sphere

      and gently easing itself back into your physical body. Feel your breath moving in your physical body. Inhale. Exhale.

      Now let the larger sphere, the container you were floating in, begin to shrink back down,

      slowly, as you breathe. Feel it as it comes closer to your own sphere, behind you, below and

      above, to each side. Sense it. It grows close enough to touch your personal sphere, your own

      casting. There is a flare if blue as the spheres meet and merge fully. You are encased once

      again in the sphere you began with. Take a deep breath. Feel your physical body,jeel your feet

      firmly beneath you, and let your breath circulate from the soles if your feet to the crown if

      your head, running down your arms into your fingertips. Feel how the blue sphere has

      matched your Shining Body.

      On a big breath, release the blue all around you, letting it return to the aether. You are

      left with just your aura and your expanded attention, which you can draw back into yourself if you like, just as in the Deep, Expansive Attention exercise. Or you can simply re-

      powers Above: Risincs und nreumincs

      223

      main in this awareness, letting it Jade as your attention is captured by other things. You can

      always return to it. Align your Triple Soul with any energy lift over. Pull your earlobes,

      pat your thighs and arms. Say your name three times. Blessed be.

     


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