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    Competing with Idiots

    Page 40
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      “frumpy English secretary”: Meryman interview with SM.

      “needlessly extravagant”: letter, Sara to Herman, late 1930s. (I found this undated letter slipped mysteriously into a folder containing transcripts of Richard Meryman’s interviews with Sara.)

      “smart about those things”: Meryman interview with SM.

      “listening to a baseball game”: Meryman interview with Don Mankiewicz.

      “picture of a moonbeam”: Meryman, 202.

      “never got over”: Meryman interview with SM.

      “Get in here!”: Meryman interview with Johanna Mankiewicz Davis.

      butterfly kisses: Johanna Davis, Life Signs (1973).

      “you knew that he loved you”: Meryman interview with JMD.

      “white wine came up with the fish”: Meryman, 15.

      the European memories: author interview with Alex Mankiewicz.

      considerable amount of alimony: Geist, 85.

      portrait of a gangster: Meryman, 172.

      “wishing I was back in New York”: ibid., 289.

      less than a week: ibid., 173.

      relief came at last: ibid., 174–175.

      black-and-white to color: Kenneth Von Gunden, Flights of Fancy (1989), 216.

      PART 3

      Chapter Eight: AMERICAN

      “take good care”: Meryman, 239.

      never to return: ibid., 236.

      left the lunch feeling: Meryman interview with Houseman.

      Welles started a thriller: Callow, 477.

      $200 a pop: Meryman, 241.

      no grandson should ever: Sara’s interview contains phrases like “magnetic, absolutely” and she describes how Welles would tell her “move over” as he climbed into bed with her.

      took credit for everything: Carringer, 16; Meryman, 241.

      great work at last: Carringer, 17–18; Meryman, 248–251.

      long film script: Carringer, 18; Meryman, 257.

      blamed on Kane: Carringer, 19–21.

      uncredited work: ibid., 24.

      unofficial cast gatherings: Meryman, 259.

      “shall be deemed the author”: Carringer, 32.

      “completely without film!”: Meryman, 263.

      pretty good: Meryman interview with Rita Alexander.

      “save Mankiewicz from disaster”: Meryman, 258.

      had to fire Jedediah: Meryman interview with Welles.

      beachheads for lawsuits: Meryman, 269.

      spent the nickel: ibid., 247; author interview with FM.

      “do something drastic”: Meryman interview with SM.

      The phrase “resident loser-genius” is a terrific one that I am stealing from Pauline Kael. Pauline Kael, “Raising Kane,” The New Yorker, February12, 1971.

      hobbled around: Meryman, 277.

      “written in Mr. Welles’s absence”: ibid., 273.

      “I don’t think I’ll ever”: Geist, 109.

      “producer at Metro”: ibid.

      Flashback: FRATRICIDE

      the movie version: Geist, 100–106.

      classic comedic tableau: Cavell, 133–160.

      “cut you down to size”: Geist, 105; Tom Mankiewicz, 20. This is a story Joe told, characteristically, different ways at different times.

      “a cup of coffee”: Geist, 106.

      “worst bunch of shit”: ibid., 107.

      “couldn’t change it fundamentally”: Ring Lardner interview, Archive of American Television (2000), https://interviews.televisionacademy.com/​interviews/​ring-lardner-jr

      Chapter Nine: A NEW HEART

      “doesn’t your stomach turn”: Meryman interview with JM.

      “let loose a colossal belch”: Meryman interviews with JM and SM.

      “what can I bring you”: Meryman interview with SM.

      “part of the chemistry”: Geist, 97.

      “only thing I could say”: author interview with TM.

      “all the ladies at M-G-M”: Geist, 89.

      “absolutely irresistible”: Geist, 89.

      “part of anything”: Geist interview with JM.

      “an intellectual game”: author interview with CM.

      “marvelous girl”: Geist interview with JM.

      “When you’re Judy Garland”: Carey and Mankiewicz, More About All About Eve, 23.

      “most remarkably bright”: Geist, 110.

      “close the book on Judy”: Clarke, 181.

      “enjoyed being myself”: Clarke, 134.

      harboring unconscious hostility: Geist, 111.

      same renowned Freudian: ibid., 111.

      “willing to negotiate”: author interview with Peter Davis.

      stormed out: Geist, 112–113.

      “love an animal”: Clarke, 181.

      “so, so sorry”: author interview with TM.

      “a little happy, a little sad”: Clarke, 191.

      glittering in triumph: ibid., 213.

      “dimmer and dimmer”: ibid., 212.

      “remember an emotion”: ibid., 212.

      “only one role is available”: Carey, 32.

      if she stepped aside: Geist, 118.

      pleaded with the studio: Geist interview with Nunnally Johnson.

      “failed in all things”: The Keys of the Kingdom, trailer copy.

      arm in arm: Geist, 120.

      “wouldn’t have lasted”: Geist interview with Johnny Green.

      “sit there sobbing”: Geist, 120.

      Chapter Ten: SHIPS IN THE NIGHT

      “strike two, you’re out!”: author interview with FM.

      “He should drink”: Meryman, 280.

      “a loathsome person”: ibid., 279.

      “here comes crazy Mank”: ibid., 235.

      “something marvelous”: Geist interview with JMD.

      “impressed and depressed”: Meryman, 177.

      “seen the year before”: ibid., 178.

      “What’s the matter, kid?”: Meryman interview with EM.

      “surrender gesture”: Meryman interview with Fred Hacker.

      “warning to their children”: Life, 164.

      “so embarrassing”: Meryman interview with JM.

      “Dwight Taylor sober”: Meryman, 282; “the little boy in me”: Meryman, 281.

      “monitor ass”: Meryman, 15.

      “admit what I’m writing”: ibid., 287.

      “why would you go”: Meryman interview with Houseman.

      “write me out of it”: ibid., 287.

      “all worthwhile contributions”: Meryman, 284.

      “wasting the best years”: ibid., 285.

      “at your disposal”: Geist interview with Arthur Miller.

      “what I was thinking”: Geist, 121.

      “earned your wings”: ibid., 132.

      “shall be the last”: ibid., 136.

      “take my chances”; “one wife too many”: Geist, 138.

      “without even trying”: Time (January 17, 1949), 86.

      Chapter Eleven: EVE

      a mean cut: Meryman, 282.

      drunkenly plowed into; “so we have hopes”: Meryman, 283.

      “on his way home”: ibid., 284.

      “quirks and frailties”: Carey, 8.

      “marriage of writer and material”: Geist, 161.

      “goldmining camp and ivory ghetto”: Carey, 11.

      “oldest whore on the beat”: among many sources, Andrew Sarris, “Mankiewicz of the Movies” (1970), in Dauth, 27.

      “love letter to Thespis”: Geist interview with Celeste Holm.

      went off, alone: Geist, 167.

      “where God goes on vacation”: author conversation with John Mankiewicz, 2003.

      “t
    he world is full of Eves”: Carey and Mankiewicz, More About All About Eve, 98.

      “servicing a bottomless pit”: Carey, 29.

      keep the deep voice: All About Mankiewicz.

      “I’ve been there”: Carey, 29.

      “because I am bored”: “George Sanders, Film Villain, A Suicide,” New York Times, April 26, 1972.

      “predictable, conforming”: Carey, 41.

      “Waldo Lydecker School”: Les Fabian Brathwaite, “Hays’d: Decoding the Classics—‘All About Eve,’ IndieWire, April 25, 2014.

      “done as a short”: Geist, 168; “really going on”: author interview with CM.

      “boy was she provoked!”: Geist interview with JMD.

      “propensities of creative talents”: Carey, 51.

      “nothing to do with”: Geist, 161; “it doesn’t get to him”: Geist interview with JMD.

      “Absurd”: author interview with Rosemary Mankiewicz.

      most sparked: Meryman, 313–314.

      “every top star”: ibid., 313.

      “layman and fathead”: ibid., 313.

      “pushed me aside”: Sam Staggs, Close-Up on Sunset Boulevard (2003), 183; Staggs quotes a letter from Chris Mankiewicz.

      “I miss the boys”: Meryman interview with SM.

      life has moved on: Johanna Davis, Life Signs, 47–49.

      “It won’t be long”: Davis, 49.

      PART 4

      “belong to herself”: Davis, 182.

      Chapter Twelve: NO WAY OUT

      “stop dreaming”: Hollywood Round Table, 1963. Motion Picture 306–1757; Records of the U.S. Information Agency, Record Group 306; National Archives at College Park, College Park, MD. www.youtube.com/​watch?v=1u27coFlGXg

      “house of Edwin Knopf”: Geist, 175.

      “put in concentration camps”: Greg Mitchell, “Winning a Battle but Losing the War Over the Blacklist,” New York Times, January 25, 1998.

      “least politically minded”: Geist, 174.

      “slandered, libeled, persecuted”: ibid., 180.

      “nobody appointed DeMille”: Mitchell, New York Times, January 25, 1998.

      “Mankiewicz Will Not Sign Oath”: Daily Variety, October 11, 1950.

      “ballot to recall”: Geist, 183.

      “impeached, my boy”: James Ulmer, “A Guild Divided,” DGA Quarterly, Spring 2011. www.dga.org/​Craft/​DGAQ/​All-Articles/​1101-Spring-2011/​Feature-Loyalty-Oath.aspx

      “out of the water”: Geist, 189.

      “act of contrition”: Mitchell, New York Times, January 25, 1998.

      “rather soiled linen”: Geist, 194.

      “only one that got wet”; “Fleddie Zinnemann”; “or how big”: Mitchell, New York Times, January 25, 1998.

      “a thing you stand for”: Ulmer, DGA Quarterly.

      Chapter Thirteen: HOORAY FOR THE BULLDOG

      “see my husband”: Meryman interview with SM.

      “how lucky Sara was”: ibid.

      “Italian, of course”: Meryman, 321.

      didn’t want to be interrupted: ibid., 322.

      “What the hell am I doing”; “an absolute vision”: Meryman interview with SM.

      what time it is: Tom Mankiewicz interview with JM; didn’t get the part: Geist, 118.

      “it can never be the play”: ibid., 148.

      “murderous fights”: ibid., 167.

      whatever he was now: author interview with CM.

      frankly crazy behavior: author interview with TM.

      “Get the butler”: author interview with Robbie Lantz.

      Chapter Fourteen: MAN-ABOUT-TOWN

      thinking of his own boys: author interview with RM.

      “Hollywood bullshit”: author interview with CM.

      “You think you’re Leonard Bernstein”: author interview with Peter Davis.

      “nobody wants to listen”: author interview with CM.

      predicting precisely how: Tom Mankiewicz, 6.

      “I don’t like Jeanne Crain”: Geist, 209n3.

      “very pleasant, very shy”: Carey, 69–70.

      “going to be difficult”: author interview with CM.

      “great character comedienne”: Carey, 70.

      “wrapped for a gift”: Life (March 12, 1951), 160.

      “as a fiddler would a Stradivarius”: Carey, 70.

      “as if the theater were the one woman”: All About Mankiewicz (1983), film.

      “appeared to be well directed”: Geist, 219.

      “remnants of many broads”: Geist, 225.

      “taken his set back”: Tom Mankiewicz, 43.

      “brilliant” and “electrifying”: Bosley Crowther, “ ‘Julius Caesar’ and Two Other Arrivals,” New York Times, June 5, 1953.

      “with an astonishing lack of subtlety”: Klinowski, Jacek; Garbicz, Adam, Feature Cinema in the 20th Century: Volume One: 1913–1950: a Comprehensive Guide. (2012).

      “Angry at too many things”: Derek Conrad, “Joseph Mankiewicz, Putting on the Style,” in Dauth, Joseph L. Mankiewicz: Interviews (2008), 25.

      “hate each other worse than”: author interview with TM.

      “He’s drunk”: Tom Mankiewicz, 29.

      “kind of a pig”: Geist interview with JMD.

      “Mother yelling”: ibid., 28.

      “neither have I”: Carey, 94.

      “When Mumbles is through rehearsing”: Geist, 258n8; James Bacon, Hollywood Is a Four-Letter Town (1976), 203.

      “most intelligent man”: Vincent Canby, “40 Years of Cinematic Magic,” New York Times, November 20, 1992.

      “always needed a villain”: Meryman, 260.

      all very psychosomatic: author interview with Robbie Lantz.

      “Johanna took the answer”: Bettman, “Einstein’s Answer to Student’s Geometry Question,” May 17, 1952, photograph. Getty Images, www.gettyimages.com/​detail/​news-photo/​may-17-1952-when-15-year-old-johanna-mankiewicz-solved-her-news-photo/​517257104

      “I turned it down”: Meryman, 319–320.

      “never had a bad one”: Meryman interview with JM.

      “closer to loving Herman”: Meryman, 322.

      has a play on Broadway: my phrasing comes from anecdotal Broadway history. Geist quotes Kaufman slightly differently: “I intend to live until Joe Mankiewicz has done his first play on Broadway”; Geist, 291. Or “Don’t worry, I’m not going to die until Joe Mankiewicz writes his first play”: Tom Mankiewicz, 37.

      still but not too still: Geist interview with JMD.

      an orchestration: author interview with CM.

      “desperately insecure”: Geist interview with JMD.

      “dillydallied”: author interview with CM.

      Bennett Cerf’s limousine: Geist interview with JMD.

      “You fucking phony”: author interview with CM.

      The note: “Mrs. Mankiewicz Is Found Dead,” New York Times, September 28, 1958.

      “first honest sentiment”: author interview with CM.

      “betray true emotion”; “it was over”: Geist interview with JMD.

      “paying for her grave”: author interview with TM.

      “split the double-header”: author conversation with John Mankiewicz.

      expanded and sanitized: Geist, 293.

      “best screen performance”: ibid., 299.

      having an affair: Tom Mankiewicz, 46.

      “sorry to have missed you”: Tom Mankiewicz, 46.

      unforgiving toward Clift: William J. Mann, Kate (2006), 409; Geist, 294.

      “what I was doing”: Geist, 298.

      “Am I really done?”: A. Scott Berg, Kate Remembered (2003), 238; Geist, 298.

      “literal study”: Tennessee Williams, “Five Fiery Ladies,” Life (Febr
    uary 3, 1961), 88.

      “elementary Freudian psychology”: Geist, 293.

      Chapter Fifteen: A RIVER IN EGYPT

      “wonderful to me”: Geist interview with JMD.

      former fiancé: author conversation with Peter Davis.

      “needs to be reminded”: Geist interview with JMD.

      “had a neck”: ibid.

      “not looking for credit”; “the real facts”; “great hostility”: ibid.

      barked at the rabbi: author conversation with Peter Davis.

      “perfectly nice guy”: Geist interview with JMD.

      “never thought anybody”: Jeff Laffel, “Joseph L. Mankiewicz,” Films in Review (July-August 1991, September-October 1991); Dauth, Interviews, 199.

      story of the making: this chapter relies on Geist, 302-345; David Kamp, “When Liz Met Dick,” Vanity Fair (April 1998); and the AMC documentary Cleopatra: The Film That Changed Hollywood (2001).

      “wouldn’t even go see”: Peter Stone, “All About Joe,” Interview (August 1989); Dauth, Interviews, 183.

      “you like yachts”: Dauth, Interviews, 183.

      an actual check: author interview with John Mankiewicz.

      “Hold your nose”: Geist, 310.

      “conceived in a state of emergency”: David Lewin, “It All Depends on Cleo,” Daily Mail (10 June 1963); in Lower and Palmer, Critical Essays (2001), 211.

      “erotic vagrancy”; “back of my Cadillac”: Kamp, Vanity Fair (April 1998).

      “real story”: Kamp, Vanity Fair (April 1998).

      “he will die”: Cleopatra: The Film That Changed Hollywood (2001), video.

      “on Cleopatra’s cost report”: author interview with RM.

      “the easiest thing”: author interview with TM.

      “big guns”: Kamp, Vanity Fair (April 1998).

      “natural proclivity for larceny”: author interview with TM.

      three or four periods: author interview with TM.

      “cut her balls off”; “well-deserved rest”: Vanity Fair (April 1998).

     


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