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    Falling Apples


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      FALLING APPLES

      I’m up to my eyes in apples,

      Lizard like upon the trunk;

      Heavy branches to be shaken,

      Fishing for the furthest fruit:

      Ripened red and yellow faces

      High on top beneath the sun.

      I’m in a ball filled bouncer

      But I’m careful not to fall-

      Just now I ducked my head

      From flying fruit going down

      To hop like heavy hailstones

      In a shower upon the ground.

      DIVERSION

      Sonny O’Dea, our Master’s mate,

      Closed the gate and lifted the latch

      Of the door painted in national green

      After he tied up his jennet outside.

      His brown hat had no ribbon band,

      It was turned up here and up there.

      It sheltered him in the wind and rain

      And shaded his face from the sun.

      His coat, a corn bag from his barn,

      Was fastened with a single horse nail;

      His step so slow had a ring of steel

      From the tips of his hobnailed boots.

      Over the road we could see him come

      And Sonny O’Dea didn’t have to knock;

      It was just our grammatical grilling time-

      That blasted blitz for us at two o’clock!

      So with one voice we sang in chorus

      ‘Tá fear sa halla’ (‘A man in the hall’);

      We knew we were in for some fun

      As the Master would answer the call.

      Sonny spoke out like an Indian chief,

      The Master’s voice was always even-

      Whatever was said we hadn’t a care

      Once they had a long conversation;

      That would help at the end of the day

      To shorten a little our long education.

      THIS IS YOUR CAPTAIN SPEAKING

      ‘This is your Captain speaking’

      The voice ground out with gravity.

      I suddenly sat up straight in my seat

      To hear what was the calamity!

      Yes, we had ascended successfully,

      Levelled off and headed for London-

      But somehow we were lacking in thrust

      So my feelings were somewhat deflated.

      ‘We have been told by Shannon control

      That a hatch has been left open’-

      ‘Oh Lord our God’ I said ‘What?’

      And he added ‘There’s no safety risk

      At all and we are returning to Shannon.’

      As he turned around there wasn’t a sound

      Nor a sight of our pretty hostesses.

      I thought of the news on Five Seven Live

      And cast the bad thought from my mind;

      After all of this crisis without any crash

      We had our hatch shut up in Shannon.

      Beside me sat a young businessman

      With a hint of a beard of maturity

      Who had been asleep quite oblivious,

      But on the second time round

      He awoke back on the ground

      And I told him of all that had happened.

      Needless to say he was taken aback,

      Thinking he was landed safely in England;

      So we laughed at our lot as airborne we got

      While the Captain made up for delaying us!

      And all of a sudden the staff reappeared

      To serve tea from behind the drawn curtains

      And instead of landing in London at five

      We were happy we landed at half past, alive!

      OVERHEARD

      ‘I should have known

      He’d want to get up on the wall.

      Hold on to him that’s all-

      And don’t let him fall!’

      CARNIVAL

      The half moon begins its harvest climb;

      This night is sure to be as bright as day.

      The turf fires kindle and flame into life

      In the hillside homes this evening time.

      From across the Racecourse and the river

      Carnival sounds drift in the still cool air

      And rainbow rows of festive lights in town

      Send up a crowning glow that spreads

      And floods the gently sloping fields afar.

      LAKE TE ANAU

      Stopping at Lake Te Anau

      Felt like we had stumbled

      On some masterpiece of art

      Then made a part of it;

      To be of no other tableau-

      So perfect and untamed.

      Breathless at the stillness

      Of lake water pastel blue:

      Nature’s ancient mirror

      For the clearest of a sky

      And Keplar snowy crested-

      True reflections in Te Anau.

      SIESTA

      Sliabh Mish in Summer:

      Her lows and highs beyond

      The fields that lie

      Beside Tralee at Boherbee,

      Where in the sun

      In front of Dunnes

      The shoppers

      Filter in and out;

      While sleepy breezes

      Find their way

      From Tralee Bay

      To fill the afternoon

      With sea wine from

      The Maharees;

      Or to have sweet reveries

      Of sharing a siesta

      With that mountain,

      Guardian of the town,

      Beneath its eiderdown

      Spun from clouds

      In bridal white that lie

      On curves and crests

      Along a blue horizon

      Of a day in time.

      SKYLIGHT TO THE STARS

      Skylight of pine like a picture frame,

      Only eye of my sleepless musing;

      What strikes me at this hour of dreams

      Is the single star that looks at me

      From the depths of our lovely universe.

      I’d love to know if the builders charged

      For your beacon light so gifted;

      As I lie on my back my thoughts of black

      Slip away with the blind I’ve lifted.

      Now I think of today by the River Rhone

      And hills so high with slopes of trees

      Where hosts of village houses stand;

      St. Galmier, its square with cafés there;

      A fruit shop of reds and yellows;

      A church of stone standing all alone,

      Its walls being cleansed by craftsmen.

      While alas I lie and look on high

      And muse on the higher heavens

      I have found it wise to think of time

      For the dawn has stolen my star away

      And all that’s left to me today

      Is a frame with a bright blue canvas.

      THISTLEDOWN

      Thistledown: flight so light,

      Floating summertime on river air;

      On the bank first kisses.

      ALLURING

      A woman’s smile can haul her sailor boy ashore;

      With just a single kiss she lures him on her line.

      OUTSIDE

      Afterwards

      Under the eiderdown

      We lie inert;

      Alert to night winds

      That hurry up the hill,

      Playing ‘hide and seek’

      Among the trees;

      Lulling us to sleep,

      Sure of ourselves

      And the only sounds

      Outside.

      SOLITUDE

      Aux revoirs à la porte ouverte

      Un très beau Dimanche en été;

      Dans le ciel un avion brillait;

      Chez moi c’est très solitaire.

      En ville à l’
    heure de la messe-

      Le secret de la paix à la Place;

      Personne ne bougait, ne parlait;

      Avec le journal je suis rentré.

      Mes chiens m’ont bien reçus;

      Au téléphone un appel amical-

      Voilà ma fille qui s’est levée!

      Encore tout a bien tourné.

      Encore une fois je pouvais voir

      La beauté de montagnes au loin;

      Comme un train d’un tunnel noir,

      Je suis rentré dans la lumière.

      ALONE

      Goodbyes at the open front door

      On a Sunday morning in summer.

      An aeroplane shines in the sun;

      At home I can learn about solitude.

      In the town it’s midday mass time-

      A time and a place to be peaceful,

      A short truce in the struggle of life;

      I purchase the Sunday Press paper.

      I’m welcomed in home by the dogs

      And a friendly telephone caller;

      My daughter awakes at it’s ringing,

      Once again my world is revolving.

      I am able to admire the day’s beauty-

      The far distant mountains before me;

      Like a train from a tunnel emerging

      I have returned to the lap of creation.

      STEPPING AWAY

      Using pints for punctuation,

      Farming friends around him,

      Holding earthy conversations:

      Man to man discussions

      On someone’s lock of cattle

      Or a lovely score of lambs.

      Turning his back to the bar,

      Measuring his every step,

      He employs a walking stick

      To aid his disappearance;

      Exiting black swing doors,

      Writing off another night.

      In good humour going home,

      Unconscious of the loneliness

      Of the silent sleeping village,

      He sits into my waiting car

      And we leave the streetlamps

      To the phantoms of the night.

      SWAN DELIGHT

      These are the dark days of the winter, short and stormy;

      The wind and the driving rain rebuff the flowerless furze.

      The sycamore and the beech that were so fair out there

      Stand bleakly staring into space, uncertain of their fate.

      And I am thinking of the swans in the bog of Ballinagare.

      They have never left my mind, come rain or come shine,

      Ever since three cygnets grey swooped above my head,

      Over the rusty metal bridge that spanned the broad river.

      All three flew low and wide around and then they landed

      Downstream with muffled whoops of cygnet swan delight;

      Heads held in the air, graceful as the Viking ships at sea;

      They were close to me where I was the undercover man.

      My water skiers with loud whirring of their musical wings

      Skimmed along the surface of the river to westwards fly

      To their chosen spot where they could swim alone, apart;

      At that I felt a touch of loss to think of mine gone far away.

      But one evening from the road I saw them all assembled,

      All a gaggle in a green bog field beside the flowing river;

      Seeing five more fly in to land the rest below paraded,

      Their chanting windpipes all in tune in a place deserted.

      WHERE HEMISPHERES MEET

      Self-contained in self drive cars:

      Families, my daughter’s and my own,

      In a blue Focus and a light blue Fiesta,

      Driving always in formation-

      Our sights were set on Milford Sound.

      We stopped at times by chasms.

      Stunned by haloed mountain peaks;

      Boundless acres of countless sheep.

      Eating at a roadhouse at a cross

      Where the chimney with its log fire

      Filled us with New Zealand lore.

      Now the evening’s endless mountains

      Throw the cloak of twilight round us.

      Daughters in exile in Australia

      Travel with us on the road tonight;

      So far, so long, now all together,

      Hemispheres had found each other.

      OASIS

      The warm balm of the velvet breeze

      Wafts around the bungalow gable

      By the sheltering sycamore trees,

      Caressing my face at the table.

      Soft stepping, white bibbed and black,

      The cat settles down in the sun

      And on the leaves he lays on his back,

      Russet bed by the autumn spun.

      The simple song of the robin red,

      Plain chant of the solo singer;

      Stepladder up to the hedge ahead,

      Standing by for a tasty trimmer.

      Black and white and quick and low,

      Magpies cruise with crackling chatter;

      The cars gone by on the road below

      Restoring the peace that they shatter.

      SOFT TRAP

      A Painted Lady butterfly

      Delays delicately nearby,

      Her freshness never old.

      Wings of words unspoken,

      I’m weightless in her space.

      Then a ripe red apple falls

      With a faint silent sob,

      Soft trapping me in sunshine

      In the orchard by the stream.

      At last I have to walk away

      But I leave my pain behind me

      Where quietly clamour now

      The sniping stinging wasps.

      SOUND EFFECTS

      In South Kerry from a narrow mountain road

      That hung above the farmsteads by the sea

      I saw a cattle run and heard the cuckoo call:

      A sudden motion towards the surging ocean

      And a voice saying it’s summer time again.

      There were roadworks at Coomakista Pass

      Making wide the wayward route to Waterville:

      Giant kango hammers cracking roadside rock

      At Caherdaniel; machines to move mountains.

      In the Golden Cove behind the Sneem Hotel

      Six strong oarsmen dipped their oars as one,

      Striking the evening silence with an even beat

      As slowly a lonesome swan took centre stage,

      Cruising at a steady pace on waters of ebony.

      HER APOLLO

      His characters all came alive,

      Stepping on the stage of time:

      The playwright and the poet,

      Words flowing like good wine.

      On the mall of the main street

      His statue stands forever,

      Cap in hand and in his stride-

      A man for walking by the river.

      Passing the Apollo of her dreams

      His widow softly touched him then,

      Knowing that unseen angels

      Were taking gentle care of him.

      OUR LAUGHING CAVALIER

      Johnny our postman flew off on his bike

      Across the bridge on the river low down;

      As alive as a hare just sprung from his lair,

      He was primed up for doing his rounds.

      As merry a postman as ever I have seen

      Who possessed the great gift of the gab,

      Though we lived at the end of his daily run

      Yet he’d still be as fresh and as full of fun

      As when he threw his bag up on his back

      At the door of his little thatched cottage,

      That was perched on the side of the street-

      The main road that ran through the village.

      He’d whistle and sing as if he were king

      And his heart was so light on his bicycle;

      He’d sit up like he owned half of Ireland.

      At the time there were men in their fields

      Who work
    ed with ponies and horses.

      They’d all say “The postman! ” then wave

      And exchange a few words on the weather;

      If he had his way it wouldn’t rain ever.

      All the news still unread in his satchel,

      As he pedalled and freewheeled ahead,

      Would not be as bad as anyone thought.

      He hoped for them all ’t would be good.

      Our laughing cavalier, down off his bike,

      Would half dance in our path to the door,

      Deliver the mail to my mother awaiting

      Then maybe he’d waltz ’round the foor.

      As he talked he would look at you straight

      And you saw that his eyes were so brown,

      Filled with laughter and lovable roguery-

      He helped you forget the day’s drudgery.

      RIVER FIELDS

      There is something in the setting sun

      That speaks to me of death and darkness

      As the dying moments of another day

      Are suffused with a splash of crimson.

      Now the surface of the Feale turns red

      By Martin Daly’s low lying river fields,

      Near the large crucifix at Convent Cross.

      THE BALLAD OF BRYAN MCMAHON

      It was on the eve of Valentine

      In the year of ninety eight

      That the Master’s name so resonant

      Was marked absent on the slate;

      So delicate were the daffodils

      After days of winter strife

      When the soul of Bryan Mac Mahon

      Went through the Gap of Life.

      So silent now the river Feale,

      They had shared the sun together,

      For the Master of all masters

      Has called Bryan to Him forever;

      Our nation maker is close to God

      Whose gifts he’ll hand us down:

      Like words to lips and songs to sing

      In his native Kerry town.

     


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