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    The Bird-Catcher


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      The Bird-Catcher

      and Other Poems

      By Martin Armstrong

      Contents

      I

      The Bird-catcher

      Honey Harvest

      Spanish Vintage

      Summer in Winter

      Rhapsody on a Pink-Iced Cake

      The Eve of the Fair

      II

      Before the Battle

      Immortality

      Bugles

      Epitaph

      Man Seeks to Cage Delight

      To Hate

      III

      To Messaline

      Puppets

      IV

      Heard in a Lane

      Rain in Spring

      Blue Night

      On the Salt Marsh

      Frost in Lincoln’s Inn Fields

      The Naiad

      Christmas Eve

      V

      The Fisherman’s Rest

      Mrs. Reece Laughs

      VI

      Expostulation to Helen

      To Helen with a Bottle of Scent

      Serenade

      The House of Love

      Autumn

      The Immortals

      Fog in the Channel

      From the French

      VII

      Cathedral at Night

      Poetry and Memory

      The Secret

      All is One

      The Cage

      A Note on the Author

      I

      The Bird-Catcher

      O you with the five-stopped pipe

      And delicate, close-webbed net and eyes that have stared

      Into worlds unknown, what poor wild bird have you snared,

      What plover or lark or snipe?

      I roved to the rim of the world,

      To the borders of life and death, to the glimmering land

      Where matter and spirit are one, and I closed my hand

      On a marvellous prey in the mouth of the net upcurled:

      For while with the breath of dream

      I filled the pipe and fingered the stops with the touch of thought,

      In a web of sweet and intricate tunes I caught

      God, to be caged awhile among things that seem.

      Honey Harvest

      Late in March, when the days are growing longer

      And sight of early green

      Tells of the coming spring and suns grown stronger,

      Round the pale Willow-catkins there are seen

      The year’s first honey-bees

      Stealing the nectar; and bee-masters know

      This for the first sign of the honey-flow.

      Then in the dark hillsides the Cherry-trees

      Gleam white with loads of blossom where the gleams

      Of piled snow lately hung, and richer streams

      The honey. Now, if chilly April days

      Delay the Apple-blossom and the May’s

      First week comes in with sudden summer weather,

      The Apple and the Hawthorn bloom together,

      And all day long the plundering hordes go round

      And every overweighted blossom nods.

      But from that gathered essence they compound

      Honey more sweet than nectar of the gods.

      Those blossoms fall ere June, warm June that brings

      The small white Clover. Field by scented field,

      Round farms like islands in the rolling weald,

      It spreads thick-flowering or in wildness springs

      Short-stemmed upon the naked downs, to yield

      A richer store of honey than the Rose,

      The Pink, the Honeysuckle. Thence there flows

      Syrup of clearest amber, redolent

      Of every flowery scent

      That the warm wind upgathers as he goes.

      In mid-July be ready for the noise

      Of million bees in old Lime-avenues,

      As though hot noon had found a droning voice

      To ease her soul. Here for those busy crews

      Green leaves and pale-stemmed clusters of green flowers

      Build heavy-perfumed, cool, green-twilight bowers

      Whence, load by load, through the long summer days

      They fill their glassy cells

      With dark green honey, clear as chrysoprase,

      Which housewives shun; but the bee-master tells

      This brand is more delicious than all else.

      In August-time, if moors are near at hand,

      Be wise and in the evening twilight load

      Your hives upon a cart, and take the road

      By night; that, ere the early dawn shall spring

      And all the hills turn rosy with the Ling,

      Each waking hive may stand

      Established in its new-appointed land

      Without harm taken, and the earliest flights

      Set out at once to loot the heathery heights.

      That vintage of the heather yields so dense

      And glutinous a syrup that it foils

      Him who would spare the comb and drain from thence

      Its dark, full-flavoured spoils:

      For he must squeeze to wreck the beautiful

      Frail edifice. Not otherwise he sacks

      Those many-chambered palaces of wax.

      Then let a choice of every kind be made

      And, labelled, set upon your storehouse racks,—

      Of Hawthorn-honey that of almond smacks;

      The luscious Lime-tree-honey, green as jade;

      Pale Willow-honey, hived by the first rover;

      That delicate honey culled

      From Apple-blossom, that of the sunlight tastes,

      And sunlight-coloured honey of the Clover.

      Then, when the late year wastes,

      When night falls early and the noon is dulled

      And the last warm days are over,

      Unlock the store and to your table bring

      Essence of every blossom of the spring.

      And if, when wind has never ceased to blow

      All night, you wake to roofs and trees becalmed

      In level wastes of snow,

      Bring out the Lime-tree-honey, the embalmed

      Soul of a lost July, or Heather-spiced

      Brown-gleaming comb wherein sleeps crystallized

      All the hot perfume of the heathery slope.

      And, tasting and remembering, live in hope.

      Spanish Vintage

      Now that the tropic August days are ended

      Come Bacchus and Silenus great of girth

      And Autumn with her kindly witchcraft blended

      Of suns and showers and the dark creative earth,

      To stain the swelling grape-skins and to muster

      The flavorous juice in every ripening cluster

      Where, over all the southern slopes extended,

      The laden vineyards wait the vintage-birth.

      So in the golden-hued September weather

      The master of the vineyard and his men

      Bearing small wicker baskets pace together

      Down the leaf-shadowed alleys, pausing when

      Among the vines thick-leaved and deeply-rooted

      They chance upon those bunches heaviest-fruited

      And fullest-ripened: these alone they gather

      And softly in the baskets lay; and then

      Convey them to a sunny spot, made ready

      With little mats of woven grass; for here

      They must be laid awhile beneath the steady

      Streams of the sunshine. But when night draws near,

      With other mats they shield them, nor uncover

      Till all the dark and dewy hours are over:

      So for three days, till the juice turns sweet and heady

      From four and twenty hours of sun and air.

      Now to the winep
    ress. Now the mounded treasure

      Load upon load into the trough is tossed,

      But never heaped above the proper measure

      Lest something of the scented juice be lost

      When, stripped to the thighs, the peasants take their station

      And tread the grape to rich annihilation,

      While all the rest stand round and laugh with pleasure

      To see the foam seethe up as keen as frost.

      But when above that pool of bubbling juices

      Not one whole cluster shows, with wine-stained legs

      Then men step forth, and some unstop the sluices

      And catch the gurgling must in wooden kegs

      Which soon, close-packed, the rocking mule-cart beareth

      Two dusty miles away to white-walled Jerez

      Where the great vats, set for their ancient uses,

      Sweetened and scoured of former lees and dregs,

      Wait in the dark bodega. There unloaded,

      The kegs are heaved and emptied one by one

      Into the portly vats. So having stowed it

      They leave the must to work. Now has begun

      That early fermentation musky-scented

      And softly-hissing, called “the tumultuous,” ended

      After a few brief days, which but foreboded

      That slower, stealthier change whose stages run

      Beyond Christ’s Birthday to the old year’s ending

      And on into the New Year till the first

      Or second month, while the slow dregs descending

      Leave the wine clear, all cloudy films dispersed.

      Thereafter, from its lees drawn off, enduring

      Through the long months it waits the slow maturing

      Laid up in other vats, till ripe for blending

      With older wine, in whose soft flame immersed,

      It grows to subtler essence. And that older

      Is mixed with older yet, from every vat

      A little drawn, till Time, the patient moulder

      Of pure perfection, who on Ararat

      Watered the vine of Noah, slowly fashion

      The pure Solera, daughter of the passion

      Of Earth and Sun, and make the gold one golder,

      The ripe one riper than that old king who sat

      On Israel’s ivory throne, and every nation

      Drew near to taste his wisdom. For in wine

      Lie wisdom and that fair illumination

      That charms the brain to fancies half divine.

      Then drink! For, kindling in our crystal rummers,

      Wakes the bright Phœnix of a thousand summers

      And the great gods stand again, each in his station,

      With garlands crowned of the immortal vine.

      Summer in Winter

      Winter lies on the fields so cold and grey

      That morning and noon are dim as the fall of day.

      Colour is gone from the world, and the rustle of leaves,

      And the song of the birds; but under the loaded eaves

      Icicles drip and drip to the ground below,

      Melting a line of holes in the floor of snow.

      Shut out this desolation. Here indoors

      Are bright, warm rooms. The fire of pine-logs roars:

      In polished brass and blushing mirror flares

      The hearth’s red gleam. Long sofas, deep soft chairs,

      And books are here. Let snow mount to the sill,

      Here we have made a summer no frost can kill.

      And here, conserved in jars, is the wealth of June,—

      Raspberry, strawberry, waiting the silver spoon;

      Jelly of autumn brambles, gleaming pots

      Of plums, greengages, tawny apricots

      Steeped in clear syrups, and the crystal spoil

      Of bees, the vintage of a five-months’ toil.

      But, more than this, in cellared gloom are laid

      Other and older vintages that swayed

      In purple clusters on Burgundian plains,

      On Lusitanian mountain-slopes or Spain’s

      Swart vineyards, in whose generous nectar runs

      The prisoned soul of long-forgotten suns.

      Unlock the door, then; down the dark stone stair

      Grope in the taper’s wavering light to where

      The cobwebbed bottle slumbers; gently lift—

      Gently as new-born babe—lest you should shift

      The cloudy sediment; then thief-like slink

      Upstairs again and in the pantry sink

      Knock off the sealing-wax, then draw with care,

      Decant, and set in a warm room to air.

      Then shall we sit and sip in candle light

      And let the storm roar out its heart all night.

      Rhapsody on a Pink-Iced Cake

      To Gertrude Freeman

      When Earth arose out of the Flood

      And sang before the throne of God,

      So shone on Ararat sublime,

      Bright in the second dawn of Time,

      The rosy Ark, its roofing laid

      With beam of ruby, tile of jade,

      And the bright bulwarks crusted o’er

      With silver limpets from the floor

      Of the drowned Earth. So Solomon,

      Dreaming towards evening alone,

      In the clear kingdom of his brain

      Wrought that first temple without stain,

      Too pure for stone or the rough grain

      Of cedar or the dross of gold.

      And Homer, blind and very old,

      Along the wide plains of his thought

      Saw battles and long sieges fought

      Round ramparts rosy even as these.

      So soared above the glooming trees

      That tower of laughter and of tears

      Where Beauty slept a hundred years.

      And, built of sweetness and pure light,

      So love and hope and heart’s-delight

      And all the lovely things of dream,

      Hovering an instant on the stream

      Of Man’s ambitious spirit, glow

      And vanish like an April snow.

      The Eve of the Fair

      Green grows the grass in these well-watered meadows

      For here there bubbles from a hundred springs

      The bright Clitumnus under dappled shadows

      Of slender poplars where the faint breeze sings

      And the green-showering tresses of weeping willows;

      And all the pool is floored with woven weed

      And caverns lined with glimmering mossy pillows

      And pale blue rocks. Those bubbling waters feed

      Rich farms, half-hidden behind a feathery screen

      Of silver olive-boughs and trailing vines

      Heavy with clusters purple, red, and green,

      Soon to be trodden to red and golden wines.

      And bounding either edge of the green plain,

      The violet mountains lift their peaceful crowns,

      Soaring like waves crest above crest again,

      Still peopled by remote and ancient towns,—

      Lofty Spoleto with its rocky gorge

      Spanned by the aqueduct, and many a keep,

      Spello and Montefalco, towns that urge

      Stone street and scowling palace up the steep

      And set a crown of towers on many hills,

      Leaping abrupt and stark against the sky

      And turbid at noon and eve with clanging bells.

      From these and all the villages that lie

      Scattered upon the plain, the countryfolk

      Are flocking towards Foligno for the fair,

      Bringing their goods. With song and curse and joke

      They swelter along in the dry and dusty glare.

      All day along the parched and dazzling roads

      That straggle to the town from every part,

      Oxen and mules and horses draw their loads

      In wain and barrow and brightly painted cart.

      While in the town all day, alon
    g the streets

      And in that empty space within the walls

      Edged with cool-shaded trees and long stone seats,

      A crowd of busy folk are building stalls;

      Till the place rings with hammering and knocking

      And cracking whips and jangling harness-bells

      And rumbling wheels of all the traffic flocking

      In from the teeming plains and those blue hills.

      Still with the growing crowd the din grows louder

      With shouts of drivers, wagons turning, backing,

      And stamping hooves that churn the dust to powder

      And sweating men unloading and unpacking,

      Spreading the wares in clusters on the grass

      All duly planned like little towns with walls

      And lanes and streets to let the buyers pass,

      Or carefully disposed upon the stalls.

      And carts and mules come pushing through the throng

      Or scarlet wagon like a stranded hulk

      That great white oxen slowly haul along

      Heaving the yoke with all their noble bulk,

      Patient, with branching horns and deep calm eyes

      Like forest pools, and scarlet-tasselled brows.

      Evening draws on; but ere the sunset dies

      The bells in every tower and belfry rouse

      A hum of clanging bronze that builds a dome

      Of mellow noise above the din below,

      So bright, it seems as if the shining foam

      Of dust-motes and the golden evening glow

      Were suddenly enchanted into sound.

      But when both sound and light from the sky have faded

      And colour has faded from all the hills around

      And streets and squares are all grown cool and shaded,

      Those weary folk make ready for the night.

      Some with tarpaulin sheets build bivouacs

      Or over the wide wagons stretch them tight

      To form a hutch, or spread their rugs and sacks

      Under the carts, while every tethered beast

      With drooping head crops at the scanty grass.

      Then, before rest, they spread the evening feast

     


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