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    Feminism


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      Feminism: A Very Short Introduction

      Very Short Introductions are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide.

      The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes – a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology.

      Very Short Introductions available now:

      ANARCHISM Colin Ward

      CHRISTIANITY Linda Woodhead

      ANCIENT EGYPT Ian Shaw

      CLASSICS Mary Beard and

      ANCIENT PHILOSOPHY

      John Henderson

      Julia Annas

      CLAUSEWITZ Michael Howard

      ANCIENT WARFARE

      THE COLD WAR Robert McMahon

      Harry Sidebottom

      CONSCIOUSNESS Susan Blackmore

      THE ANGLO-SAXON AGE

      Continental Philosophy

      John Blair

      Simon Critchley

      ANIMAL RIGHTS David DeGrazia

      COSMOLOGY Peter Coles

      ARCHAEOLOGY Paul Bahn

      THE CRUSADES

      ARCHITECTURE

      Christopher Tyerman

      Andrew Ballantyne

      CRYPTOGRAPHY

      ARISTOTLE Jonathan Barnes

      Fred Piper and Sean Murphy

      ART HISTORY Dana Arnold

      DADA AND SURREALISM

      ART THEORY Cynthia Freeland

      David Hopkins

      THE HISTORY OF

      Darwin Jonathan Howard

      ASTRONOMY Michael Hoskin

      Democracy Bernard Crick

      Atheism Julian Baggini

      DESCARTES Tom Sorell

      Augustine Henry Chadwick

      DESIGN John Heskett

      BARTHES Jonathan Culler

      DINOSAURS David Norman

      THE BIBLE John Riches

      DREAMING J. Allan Hobson

      BRITISH POLITICS

      DRUGS Leslie Iversen

      Anthony Wright

      THE EARTH Martin Redfern

      Buddha Michael Carrithers

      EGYPTIAN MYTH Geraldine Pinch

      BUDDHISM Damien Keown

      EIGHTEENTH-CENTURY

      BUDDHIST ETHICS Damien Keown

      BRITAIN Paul Langford

      CAPITALISM James Fulcher

      THE ELEMENTS Philip Ball

      THE CELTS Barry Cunliffe

      EMOTION Dylan Evans

      CHOICE THEORY

      EMPIRE Stephen Howe

      Michael Allingham

      ENGELS Terrell Carver

      CHRISTIAN ART Beth Williamson

      Ethics Simon Blackburn

      The European Union

      THE MARQUIS DE SADE

      John Pinder

      John Phillips

      EVOLUTION

      MARX Peter Singer

      Brian and Deborah Charlesworth

      MATHEMATICS Timothy Gowers

      FASCISM Kevin Passmore

      MEDICAL ETHICS Tony Hope

      FOSSILS Keith Thomson

      MEDIEVAL BRITAIN

      FOUCAULT Gary Gutting

      John Gillingham and Ralph A. Griffiths

      THE FRENCH REVOLUTION

      MODERN ART David Cottington

      William Doyle

      MODERN IRELAND Senia PasÄ›ta

      FREE WILL Thomas Pink

      MOLECULES Philip Ball

      Freud Anthony Storr

      MUSIC Nicholas Cook

      Galileo Stillman Drake

      Myth Robert A. Segal

      Gandhi Bhikhu Parekh

      NATIONALISM Steven Grosby

      GLOBALIZATION

      NIETZSCHE Michael Tanner

      Manfred Steger

      NINETEENTH-CENTURY

      GLOBAL WARMING

      BRITAIN Christopher Harvie and

      Mark Maslin

      H. C. G. Matthew

      HABERMAS

      NORTHERN IRELAND

      James Gordon Finlayson

      Marc Mulholland

      HEGEL Peter Singer

      PARTICLE PHYSICS Frank Close

      HEIDEGGER Michael Inwood

      paul E. P. Sanders

      HIEROGLYPHS Penelope Wilson

      Philosophy Edward Craig

      HINDUISM Kim Knott

      PHILOSOPHY OF SCIENCE

      HISTORY John H. Arnold

      Samir Okasha

      HOBBES Richard Tuck

      PLATO Julia Annas

      HUME A. J. Ayer

      POLITICS Kenneth Minogue

      IDEOLOGY Michael Freeden

      POLITICAL PHILOSOPHY

      Indian Philosophy

      David Miller

      Sue Hamilton

      POSTCOLONIALISM

      Intelligence Ian J. Deary

      Robert Young

      ISLAM Malise Ruthven

      POSTMODERNISM

      JOURNALISM Ian Hargreaves

      Christopher Butler

      JUDAISM Norman Solomon

      POSTSTRUCTURALISM

      Jung Anthony Stevens

      Catherine Belsey

      KAFKA Ritchie Robertson

      PREHISTORY Chris Gosden

      KANT Roger Scruton

      PRESOCRATIC PHILOSOPHY

      KIERKEGAARD Patrick Gardiner

      Catherine Osborne

      THE KORAN Michael Cook

      Psychology Gillian Butler and

      LINGUISTICS Peter Matthews

      Freda McManus

      LITERARY THEORY

      QUANTUM THEORY

      Jonathan Culler

      John Polkinghorne

      LOCKE John Dunn

      RENAISSANCE ART

      LOGIC Graham Priest

      Geraldine A. Johnson

      MACHIAVELLI Quentin Skinner

      ROMAN BRITAIN Peter Salway

      ROUSSEAU Robert Wokler

      THE SPANISH CIVIL WAR

      RUSSELL A. C. Grayling

      Helen Graham

      RUSSIAN LITERATURE

      SPINOZA Roger Scruton

      Catriona Kelly

      STUART BRITAIN John Morrill

      THE RUSSIAN REVOLUTION

      TERRORISM

      S. A. Smith

      Charles Townshend

      SCHIZOPHRENIA

      THEOLOGY David F. Ford

      Chris Frith and Eve Johnstone

      THE HISTORY OF TIME

      SCHOPENHAUER

      Leofranc Holford-Strevens

      Christopher Janaway

      TRAGEDY Adrian Poole

      SHAKESPEARE Germaine Greer

      THE TUDORS John Guy

      SIKHISM Eleanor Nesbitt

      TWENTIETH-CENTURY

      SOCIAL AND CULTURAL

      BRITAIN Kenneth O. Morgan

      ANTHROPOLOGY

      THE VIKINGS Julian D. Richards

      John Monaghan and

      Wittgenstein A. C. Grayling

      Peter Just

      WORLD MUSIC Philip Bohlman

      SOCIALISM Michael Newman

      THE WORLD TRADE

      SOCIOLOGY Steve Bruce

      ORGANIZATION

      Socrates C. C. W. Taylor

      Amrita Narlikar

      Available soon:

      AFRICAN HISTORY

      HUMAN EVOLUTION

      John Parker and Richard Rathbone

      Bernard Wood

      ANGLICANISM Mark Chapman

      INTERNATIONAL RELATIONS

      THE BRAIN Michael O’Shea

      Paul Wilkinson

      CHAOS Leonard Smith

      JAZZ Brian Morton

      CITIZENSHIP Richard Bellamy

      THE MIND Martin Davies

      CONTEMPORARY ART

      PERCEPTION Richard Greg
    ory

      Julian Stallabrass

      PHILOSOPHY OF LAW

      THE DEAD SEA SCROLLS

      Raymond Wacks

      Timothy Lim

      PHILOSOPHY OF RELIGION

      Derrida Simon Glendinning

      Jack Copeland and

      ECONOMICS Partha Dasgupta

      Diane Proudfoot

      THE END OF THE WORLD

      PHOTOGRAPHY Steve Edwards

      Bill McGuire

      PSYCHIATRY Tom Burns

      EXISTENTIALISM Thomas Flynn

      RACISM Ali Rattansi

      THE FIRST WORLD WAR

      THE RAJ Denis Judd

      Michael Howard

      THE RENAISSANCE

      FUNDAMENTALISM

      Jerry Brotton

      Malise Ruthven

      ROMAN EMPIRE Christopher Kelly

      HIV/AIDS Alan Whiteside

      ROMANTICISM Duncan Wu

      For more information visit our web site

      www.oup.co.uk/vsi/

      Margaret Walters

      FEMINISM

      A Very Short Introduction

      1

      3

      Great Clarendon Street, Oxford o x 2 6 d p

      Oxford University Press is a department of the University of Oxford.

      It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in

      Oxford New York

      Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto

      With offices in

      Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

      Published in the United States

      by Oxford University Press Inc., New York

      © Margaret Walters 2005

      The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a Very Short Introduction 2005

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

      You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available

      Library of Congress Cataloging in Publication Data Data available

      ISBN 0–19–280510–X 978–0–19–280510–2

      1 3 5 7 9 10 8 6 4 2

      Typeset by RefineCatch Ltd, Bungay, Suffolk

      Printed in Great Britain by

      TJ International Ltd., Padstow, Cornwall

      Contents

      List of illustrations ix

      Introduction 1

      1

      The religious roots of feminism 6

      2

      The beginning of secular feminism 17

      3

      The 18th century: Amazons of the pen 26

      4

      The early 19th century: reforming women 41

      5

      The late 19th century: campaigning women 56

      6

      Fighting for the vote: suffragists 68

      7

      Fighting for the vote: suffragettes 75

      8

      Early 20th-century feminism 86

      9

      Second-wave feminism: the late 20th century 97

      10

      Feminists across the world 117

      Afterword 137

      References 142

      Further reading 149

      Index 151

      This page intentionally left blank

      List of illustrations

      1

      Quaker women preaching

      8 Emily Davison throws

      in the 17th century

      12

      herself under the

      © 2005 TopFoto.co.uk

      King’s horse, 1913

      82

      © 2005 TopFoto.co.uk

      2 Margaret Cavendish,

      Duchess of Newcastle 22

      9 Poster showing a

      © 2005 TopFoto.co.uk

      suffragette being

      3 Mary Wollstonecraft

      37

      force-fed, 1910

      84

      © 2005 TopFoto.co.uk

      © 2005 TopFoto.co.uk

      4 Florence Nightingale

      51

      10

      Margaret Sanger

      92

      © Mary Evans Picture Library

      © Bettmann/Corbis

      5 Song-sheet of ‘ The March

      of the Women’, 1911

      76

      11

      Simone de Beauvoir 100

      © 2005 TopFoto.co.uk

      © Photos12.com/Keystone

      Pressedienst

      6 The Pankhursts lead

      parade, 1911

      79

      12

      Betty Friedan

      103

      © Hulton-Deutsch

      © J. P. Laffont/Sygma/Corbis

      Collection/Corbis

      7 Emmeline Pankhurst

      13

      Demonstration against

      arrested outside

      the Miss America beauty

      Buckingham Palace,

      pageant, Atlantic City,

      1914

      81

      1969

      109

      © J. P. Laffont/Sygma/Corbis

      © 2005 TopFoto.co.uk

      14

      Women’s Liberation

      17

      South African women

      march through

      protest against the

      London, 1971

      111

      death sentence of

      © Bettmann/Corbis

      Amina Lawal, 2003

      126

      © Juda Ngwenya/Reuters

      15

      Women’s Liberation

      18

      Sundanese Muslim girl

      rally, New York, 1970 113

      with inked finger,

      © Ellen Shumsky/The Image

      proof of having voted 128

      Works/2005 TopFoto.co.uk

      © Chris Stowers/Panos Pictures

      19

      Protest by a women’s

      16

      Anti-female circumcision

      rights group, Jakarta,

      poster, Sudan

      124

      2000

      132

      © Sven Torfinn/Panos Pictures

      © Darren Whiteside/Reuters

      The publisher and the author apologize for any errors or omissions in the above list. If contacted they will be pleased to rectify these at the earliest opportunity.

      Introduction

      ‘I myself have never been able to find out precisely what feminism is’, the writer Rebecca West remarked, sardonically, in 1913. ‘I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat or a prostitute.’ The word was a comparatively new one when she wrote; it had only appeared in English – from the French – in the 1890s. Interestingly, the earliest examples of the word in the Oxford English Dictionary carried negative meanings. In 1895 the Athenaeum sneeringly referred to a piece about a woman whose ‘coquetting with the doctrines of feminism’ are traced with real humour. ‘In Germany feminism is openly socialistic’, the Daily Chronicle shuddered in 1908, and went on to dismiss out of hand ‘suffragists, suffragettes and all the other phases in the crescendo of feminism’.

      In those years, some writers used an alternative term –

      ‘womanism’ – with the same
    hostility. One long-forgotten writer was roused to angry sneers in his memoirs when he recalled meeting an intellectual woman living in Paris (she comes across, despite his prejudices, as lively and interesting) whose writings reflected ‘the strong-minded womanism of the nineteenth century’.

      Curiously, one of the sharpest attacks on the word ‘feminism’ came from Virginia Woolf, whose A Room of One’s Own is such an effective and engaging plea for women. In Three Guineas, written in 1

      1938 in the shadow of fascism and of approaching war, and probably nervous about any ‘-ism’, she rejects the word out of hand.

      No one word can capture the force ‘which in the nineteenth century opposed itself to the force of the fathers’, she insists, continuing: Those nineteenth century women were in fact the advance guard of your own movement. They were fighting the tyranny of the patriarchal state as you are fighting the tyranny of the Fascist state.

      They were called, to their resentment, feminists, she claims (she is historically inaccurate – the word was unknown in the previous century), and she goes on to insist that we must destroy an old word, a vicious and corrupt word that has done much harm in its day. The word ‘feminist’ is the word indicated. That word, according to the dictionary, means ‘one who champions the rights of women.’ Since the only right, the right to earn a living has been won, the word no longer has a meaning. And a word without a minism

      meaning is a dead word, a corrupt word.

      Fe

      But though Virginia Woolf ’s ‘right to earn a living’ was, and remains, central to feminism, getting on for a century after she wrote it is clear that its attainment by no means solved all women’s problems. Women’s work – despite the much-publicized earnings of some high-fliers in the business world – remains lower paid; or, in the case of housework, not paid at all. When Woolf was writing in the 1920s, feminists had hardly begun to articulate, let alone address, women’s special problems: issues to do with childbirth and child-rearing, or the strain on women who had to combine housework and/or childcare with work outside the home.

      Over the centuries, and in many different countries, women have spoken out for their sex, and articulated, in different ways, their complaints, their needs, and their hopes. As this is a Very Short Introduction, I have concentrated on feminism in one country, 2

      England, and have tried to explore its development through time.

      While women in other countries have had different experiences and definitions, in England, right up until the 1960s at least, the word

      ‘feminist’ was usually pejorative. Very few women, however deeply engaged in fighting for women’s rights, would have described themselves as ‘feminists’. When women began to organize again in the 1960s and 1970s, the movement called itself Women’s Liberation (borrowing the term from black, Third World, and student movements). This was often shortened, sometimes affectionately, sometimes in a derogatory way, to ‘women’s lib’. But those years also saw the word ‘feminism’ being brought back into general use, and its meaning was extended. Though there was still a justified concern that civil and legal equality had not been fully achieved, the new movement tended to concentrate on problems specific to women in their reproductive and social roles. In those years, too, feminists in Britain made an attempt, at least, to reach out across national boundaries and discover what they had – or did Introduc

     


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