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    Madeleine L'Engle Herself


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      Copyright © 2001 by Crosswicks, Ltd.

      Foreword copyright © 2018 by Penguin Random House LLC

      Reader’s Guide copyright © 2018 by Penguin Random House LLC

      Chronology of Events and Publications copyright © 1998, 2001, 2018 by Carole F. Chase

      All rights reserved.

      Published in the United States by Convergent Books, an imprint of the Crown Publishing Group, a division of Penguin Random House LLC, New York.

      convergentbooks.com

      CONVERGENT BOOKS is a registered trademark and its C colophon is a trademark of Penguin Random House LLC.

      Originally published in hardcover and in slightly different form in the United States by Shaw Books, an imprint of WaterBrook, a division of Penguin Random House LLC, in 2001.

      All excerpts from L’Engle’s books are used by permission of the publisher. Excerpts from audiotapes are used by permission. See Appendix I.

      Carole F. Chase gratefully acknowledges the assistance of Charlotte Jones in updating and revising the chronology through 2001. Updates from 2001 through 2018 were added by Sarah Arthur.

      Scripture quotations are taken from the Holy Bible, King James Version.

      Library of Congress Cataloging-in-Publication Data is available upon request.

      ISBN 9781524759308

      Ebook ISBN 9781524759315

      Cover design by Jessie Sayward Bright

      v5.3.2

      ep

      Contents

      Cover

      Title Page

      Copyright

      Foreword by Sarah Arthur

      Introduction

      Section I: Serving the Gift: Artists and Their Art

      Giving Birth

      An Incarnational Event

      True Art

      Art Names Us

      Art Reflects Eternity

      Artists Must Abandon Control

      The Danger of Artists

      The Arts Endure

      No Work Is Too Small

      Prepare for Sacrifice

      Again and Again

      Art Is a Gift of the Spirit

      The Gift of Wholeness

      Struggling Toward Meaning

      We Are Required to Serve the Gift

      Get Out of the Way

      The Healing Power of Suffering

      Wholeness Through Wounds

      Free to Fail

      Mary’s “Yes!”

      Our Choices Help to Shape Our Stories

      The Danger of Comparison

      The Vulnerability of the Artist

      Face the Direction of the Great Ones

      Fascinating Questions

      Being a Writer Means Writing

      Artists Must Live by Trust

      Great Literature

      Believing with Childlike Wonder

      Vocation Misunderstood

      A Work of Art Is Work

      Writing Is Collaborative

      Section II: Co-Creators with God: Inspiration and the Creative Process

      Creation Is God’s Province

      God’s Artistry

      God’s Time

      Two Aspects of Power

      The Creative Impulse

      A Fruitful Vacation

      “What If?”

      My Books Know More Than I Do

      Gifts from the Imagination

      Death and Rebirth

      The Act of Creating

      Creativity Sets Us Free

      Understanding as a Child

      The Union of Mind and Heart

      The Requirement of Faith

      The Pearl of Great Price

      From Chaos to Pattern

      Walking in the Light

      “Divine Madness”

      Creativity Is Discovery

      Take Breaks

      The Art of Listening

      Explanations Tangle Us

      Section III: My Books Wrote Me: Elements of a Writer’s Life

      Solitude Births a Storyteller

      Bad Teachers

      Childhood Journaling

      Writing as Calling

      Moving Outside of Ourselves

      Typewriters

      Searching for Answers

      A Story Is Born

      A Shaky Start

      God’s Timing for a Wrinkle in Time

      Science Fantasy

      Detachment and Involvement

      Considering Immortality

      The Limits of Experience

      Write It Down

      Two Vocations

      Women Writers Face Special Demands

      Writers Must Eat, Too

      Juggling Time

      On Setting Goals

      Honest Journals

      Story Fodder

      Put the Subconscious Mind to Work

      Our Stories Change with Us

      The Writer’s Life

      Who We Are

      Writing Stories Takes Courage

      A Writer’s Responsibility

      Tribute from an Astronaut

      Justifying the Writing Life

      Concentration and Burned Vegetables

      Discouraging Moments

      Writers Want to Be Published

      Keeping Perspective

      The Pain of Rejection

      The Discovery of Vocation

      Pain Fosters Stories

      Private Journals

      Writer’s Block and Bach

      Criticism Stings

      The Paradox of Success

      A Wider Definition of Creativity

      Answering Letters

      Writing as Social Commentary

      Publishing Homes

      A Writer’s Vacation

      Labels Limit

      Making the Censors’ List

      The Responsibility of the Gift

      Section IV: Faith Foundations: Writing from Truth

      All of Life Is Story

      To Be Creative Is to Die to Self

      The Art of Prayer

      The Independence of the Gift-Giver

      Good Art

      Cosmos in Chaos

      Contemplative Prayer

      Let Go and Listen

      The Power of Story

      Nothing but the Whole Bible

      Read the Bible as Story

      Statement of Faith

      The Great Myths Last

      Biblical Truth

      Bible Stories Inform Our Stories

      Freedom to Grow

      Finding Answers

      God’s Guidance

      Complete Dependence

      The Artist’s Vocation

      Story Is Revelatory

     
    We Write Out of Our Faith

      Circle of Blessing

      My Books Write Me

      Sources of Theological Insight

      Chosen Theologians

      The Power of God in Weakness

      Theology in the Fantasies

      The Theological Under Level of Story

      Flickering Lights

      Reflecting the Light

      The Foundation of Our Stories

      Section V: An Accepted Wonder: The Wisdom of Children

      Children Love Story

      Concentration

      A Rich Vocabulary

      The Capacities of Children

      Creativity in Children

      Children Are Better Believers

      The Wonder of a Child’s Imagination

      Honor the Intuition of Children

      The Child Within Recognizes Truth

      Nurture Vision and Imagination

      Preparation for the Real World

      Buried Treasure

      The Unique Perspective of Our Child Selves

      Human Characters

      The Openness of Children

      No Theory Is Too Hard for a Child

      The Techniques of Fiction

      Special Assignment

      Writers Write for Themselves

      No Subject in Itself Is Taboo

      Be Honest with Children

      Censorship

      Children Deserve a Writer’s Best

      Section VI: Finger Exercises: A Writer’s Technique and Style

      Prepare for Inspiration

      Eyes to See

      Time to Write

      Three Recommendations

      Use It or Lose It

      Write from Experience

      Detachment

      Objectivity Is Impossible

      Don’t Think. Write.

      Change Genres

      Birthing a Title

      Protecting Privacy

      Writing Practices

      Writing Is Writing

      Dante’s Four Levels of Understanding

      Three Narrator Roles

      The First Sentence Whispers of the Resolution

      Keep the Story Moving

      Experiment in Point of View

      A Sentence from the Psalms

      Telling Mythic Stories

      Writing Fantasy

      Believable Stories

      The Risk of Life

      Questions with Answers

      Structure Provides Freedom

      Experimenting with Form

      The Seductions of This World

      Stories Reveal Their Creators

      Let the Story Lead

      Listen to the Book

      Our Stories Reflect Our World

      Unlearning

      Listen to Your Written Words

      Setting Time Limits

      Release, Release, Release

      The Importance of Editors and Editing

      Goals and Limits

      The House of Fiction

      The Best Teachers

      Skills of the Trade

      The Inspiration of Great Works

      Books Worth Reading

      Section VII: The Empty Page: Getting Started

      Cooking Up Stories

      Begin with Awe

      A Writer’s Ideas

      Planet Making

      Serendipities

      Approaches to the Writing Task

      The Importance of Discipline

      Write Every Day

      The Rhythm of Writing

      Where the Story Begins

      Those First Few Sentences

      The Right Start

      Inspiration Comes as We Write

      Plots Change

      Risking Failure

      Don’t Waste Paper

      Book Research

      Finding Satisfaction

      Section VIII: A Life of Their Own: Creating Characters

      Responsibility for Characters

      We All Need Heroes

      The Willful Character

      Getting Attached

      Independent Characters

      Manipulating Characters

      Protagonists Are Choice Makers

      Protagonists Are Icons

      Human Complexity

      Dis-Covering Characters

      Characters Are Based in Reality

      Our Characters Are Woven from Ourselves

      Keeping Track of Characters

      Mysterious Origins

      Mysterious Departures

      Finely Tuned Receivers

      Our Characters Create Us

      Section IX: Paints of the Writer’s Palette: Words and Symbols

      Words and Silence

      A Love Affair with Words

      Ousia, Ananda, and Namasté

      The Value of Words

      Finding the Real Meaning

      Words Can Hurt or Bless

      Language Defines Us

      We Think Because We Have Words

      Dangerous Losses

      Avoid Limiting Vocabulary

      Word Meanings Then and Now

      True Virtue

      The Misuse of Words

      Using Language Carefully

      Translate with Care

      The Destruction of Language

      Writers Are Dangerous

      Word Play

      Language and Theology Change

      Transforming Language

      Avoid Making Idols of Words

      Defining Icons

      An Icon’s Symbolism

      The Language of Poets

      Windows to God

      Icons Bear Reality

      The Wonder of Stars

      Section X: This I Know: Telling Our Story

      The Perfect Vehicle of Truth

     


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