They rode away down the canyon and nobody wanted to look back. After a few minutes Lennie and Dave Spanyer caught up with them.
“Our bank was robbed,” Murphy commented, to no one in particular, “but we’ve got nothing to be ashamed of.”
*
NO SOUND DISTURBED the clear air of afternoon. Wind stirred in the grass, ruffling the hair of a dead Apache.
Out from the brush against the rock wall crawled a tall, lean-waisted young man and he limped toward the steeldust, that somehow had his bridle caught in the brush. There was blood on Considine’s leg, and there was blood on his side, but he could walk, and he carried his rifle.
A gun belt with his six-shooters hung over the pommel of the steeldust’s saddle. Considine found the canteen where it had been dropped, with the name on the side in black paint…Pete. He saw the sack of tobacco, and retrieved it.
Once more in the saddle, he took the trail the Kiowa had used and rode up into the hills above High Lonesome.
Far off to the east, on the main trail, he saw a small dark spot, and a trailing dust cloud—the posse, returning home with the bodies of three dead outlaws.
On the hill’s long crest he sat his horse, the sun in his eyes. There was a stubble of beard on his jaws. He was weak from loss of blood and very tired, but he scarcely glanced toward the south and the border. Castle Dome lifted its massive shoulders above the desert mountains.
Shadows, faintly purple, were gathering along the mountains. Far off, the Sand Tanks were already growing darker. He started the steeldust down the hill toward the west, toward California.
There would be no riding with the wind out there, no wild dashes for safety and freedom. There would be hard, driving work, with something building and growing around him, and there would be a girl who had held herself still in his arms, looking up at him, waiting for something within him to respond, something he had forgotten was there.
He moved his wounded leg, easing the pad he had made over the wound, and walked his horse away.
Behind him the wind stirred the grass, and the hills that had waited so long in silence had already forgotten their brief moments of blood and battle. The echoes had disappeared into the canyons and lost themselves there, the smell of gunpowder was gone…the grass remained.
The gray horse walked steadily, and the face of the man called Considine lost its strain. Down there on the flat, only a few miles west, an old man and a girl were waiting, as they had said they would wait.
Behind him the wind moved down from High Lonesome, but only the wind blew along the trails, south to the border, south to Mexico.
About Louis L’Amour
*
“I think of myself in the oral tradition—
as a troubadour, a village tale-teller, the man
in the shadows of the campfire. That’s the way
I’d like to be remembered as a storyteller.
A good storyteller.”
IT IS DOUBTFUL that any author could be as at home in the world re-created in his novels as Louis Dearborn L’Amour. Not only could he physically fill the boots of the rugged characters he wrote about, but he literally “walked the land my characters walk.” His personal experiences as well as his lifelong devotion to historical research combined to give Mr. L’Amour the unique knowledge and understanding of people, events, and the challenge of the American frontier that became the hallmarks of his popularity.
Of French-Irish descent, Mr. L’Amour could trace his own family in North America back to the early 1600s and follow their steady progression westward, “always on the frontier.” As a boy growing up in Jamestown, North Dakota, he absorbed all he could about his family’s frontier heritage, including the story of his great-grandfather who was scalped by Sioux warriors.
Spurred by an eager curiosity and desire to broaden his horizons, Mr. L’Amour left home at the age of fifteen and enjoyed a wide variety of jobs including seaman, lumberjack, elephant handler, skinner of dead cattle, miner, and an officer in the transportation corps during World War II. During his “yondering” days he also circled the world on a freighter, sailed a dhow on the Red Sea, was shipwrecked in the West Indies and stranded in the Mojave Desert. He won fifty-one of fifty-nine fights as a professional boxer and worked as a journalist and lecturer. He was a voracious reader and collector of rare books. His personal library contained 17,000 volumes.
Mr. L’Amour “wanted to write almost from the time I could talk.” After developing a widespread following for his many frontier and adventure stories written for fiction magazines, Mr. L’Amour published his first full-length novel, Hondo, in the United States in 1953. Every one of his more than 120 books is in print; there are nearly 270 million copies of his books in print worldwide, making him one of the bestselling authors in modern literary history. His books have been translated into twenty languages, and more than forty-five of his novels and stories have been made into feature films and television movies.
His hardcover bestsellers include The Lonesome Gods, The Walking Drum (his twelfth-century historical novel), High Lonesome, Last of the Breed, and The Haunted Mesa. His memoir, Education of a Wandering Man, was a leading bestseller in 1989. Audio dramatizations and adaptations of many L’Amour stories are available on cassette tapes from Bantam Audio publishing.
The recipient of many great honors and awards, in 1983 Mr. L’Amour became the first novelist ever to be awarded the Congressional Gold Medal by the United States Congress in honor of his life’s work. In 1984 he was also awarded the Medal of Freedom by President Reagan.
Louis L’Amour died on June 10, 1988. His wife, Kathy, and their two children, Beau and Angelique, carry the L’Amour publishing tradition forward.
Bantam Books by Louis L’Amour
NOVELS
Bendigo Shafter
Borden Chantry
Brionne
The Broken Gun
The Burning Hills
The Californios
Callaghen
Catlow
Chancy
The Cherokee Trail
Comstock Lode
Conagher
Crossfire Trail
Down the Long Hills
The Empty Land
Fair Blows the Wind
Fallon
The Ferguson Rifle
The First Fast Draw
Flint
Guns of the Timberlands
Hanging Woman Creek
The Haunted Mesa
Heller with a Gun
The High Graders
High Lonesome
Hondo
How the West Was Won
The Iron Marshal
The Key-Lock Man
Kid Rodelo
Kilkenny
Killoe
Kilrone
Kiowa Trail
Last of the Breed
Last Stand at Papago Wells
The Lonesome Gods
The Man Called Noon
The Man from Skibbereen
The Man from the Broken Hills
Matagorda
Milo Talon
The Mountain Valley War
North to the Rails
Over on the Dry Side
Passin’ Through
The Proving Trail
The Quick and the Dead
Radigan
Reilly’s Luck
The Rider of Lost Creek
Rivers West
The Shadow Riders
Shalako
Showdown at Yellow Butte
Sitka
Son of a Wanted Man
Taggart
The Tall Stranger
To Tame a Land
Tucker
Under the Sweetwater Rim
Utah Blaine
The Walking Drum
Westward the Tide
Where the Long Grass Blows
SHORT STORY COLLECTIONS
Beyond the Great Snow Mountains
Bowdrie
Bowdrie’s Law
Buckskin Run
Dutchman’s Flat
End of the Drive
From the Listening Hills
The Hills of Homicide
Law of the Desert Born
Long Ride Home
Lonigan
May There Be a Road
Monument Rock
Night over the Solomons
Off the Mangrove Coast
The Outlaws of Mesquite
The Rider of the Ruby Hills
Riding for the Brand
The Strong Shall Live
The Trail to Crazy Man
Valley of the Sun
War Party
West from Singapore
West of Dodge
With These Hands
Yondering
SACKETT TITLES
Sackett’s Land
To the Far Blue Mountains
The Warrior’s Path
Jubal Sackett
Ride the River
The Daybreakers
Sackett
Lando
Mojave Crossing
Mustang Man
The Lonely Men
Galloway
Treasure Mountain
Lonely on the Mountain
Ride the Dark Trail
The Sackett Brand
The Sky-Liners
THE HOPALONG CASSIDY NOVELS
The Riders of the High Rock
The Rustlers of West Fork
The Trail to Seven Pines
Trouble Shooter
NONFICTION
Education of a Wandering Man
Frontier
The Sackett Companion: A Personal Guide to the Sackett Novels
A Trail of Memories: The Quotations of Louis L’Amour, compiled by Angelique L’Amour
POETRY
Smoke from This Altar
HIGH LONESOME
A Bantam Book / June 2004
PUBLISHING HISTORY
Bantam edition published September 1962
Bantam reissue / December 1999
All rights reserved.
Copyright © 1962 by Louis & Katherine L’Amour Trust
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