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    Leonardo's Brain

    Page 26
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      listening, 196

      literature, 2, 3

      The Lives of the Most Excellent Painters, Sculptors, and Architects (Vasari), 15, 82

      locks and dams, 128

      Lomazzo, Giovanni, 17

      Louis XII, 24–25, 28

      Lovelock, James, 121

      Lumière, Auguste and Louis, 62

      Luria, Alexander, 138

      Lyell, Charles, 120, 159

      M

      MacCurdy, Edward, 110, 155–57

      Machiavelli, Niccolò, 27–28, 153

      machines, 24, 110, 128

      Mademoiselle V . . . in the Costume of an Espada (1862) (Manet), 57

      Maestlin, Michael, 117

      Malraux, André, 9, 179

      Manet, Édouard, 55–57

      maps, 16, 27, 117, 152–54

      Marey, Étienne-Jules, 62

      Mary (mother of Jesus), 76–78

      Mary Magdalene, 78–79

      Masini, Tommaso, 18

      mass, law of conservation of, 115

      Masters, Roger D., 152–53

      A Mathematician’s Apology (Hardy), 5

      mathematics, 2, 5, 115–16, 118, 140

      Matisse, Henri, 63

      matter, 144

      Matthew, Gospel of, 76–77

      Maxwell, Clerk, 187

      McLuhan, Marshall, 19, 176, 196

      measuring devices, 128

      Medici, Lorenzo de, 19–20

      Medici family, 16

      medicine. See science and medicine

      Melzi, Francesco, 22, 111

      memory, 144–45

      men, brain differences, 161–63

      Merezhkovsky, Dmitry, 55

      metaphor, 136–37

      meteorology, 116

      Michelangelo, 3, 17, 26, 28, 29, 129

      Michelson, Albert A., 187

      Milan, 20–25, 28–29

      mind. See brain

      The Mind of Leonardo da Vinci (MacCurdy), 155–57

      Minkowski, Hermann, 146–47

      modern art, 44–45, 55–65

      Mona Lisa (Leonardo da Vinci), 28, 51, 73–74

      Monet, Claude, 57–58

      moon, 116–17

      Moore, Henry, 64

      Morghen, Raphael, 71

      Moro reflex, 93

      Morris, Desmond, 106

      Mother Nature, xvi, 88, 106–7

      motion, Newton’s laws of, 113–14

      movies, 62–63

      Mozart, 91

      music, 20, 83–84, 126–27, 138–39, 174

      musical instruments, 126

      Muybridge, Eadweard, 62

      myelin and myelination, 93–94

      N

      Nabokov, Vladimir, 101

      The Naked Ape (Morris), 106

      natural beauty, 102

      Natural Selection, xvi, 96–97, 106, 145

      nature, 46–47, 107

      Nazca Lines, 149–50

      neurobiochemistry, 38–40

      neurons, 10, 35

      neuroscience, 32–41, 130

      neurotransmitters, 39–40

      Newton, Isaac, 113–14, 115, 119, 145–46

      Nicholl, Charles, 17

      Nietzsche, Friedrich, 86

      Nile, 180

      norepinephrine, 97

      novelty, 96–98, 101, 108

      Nude Descending a Staircase, No. 2 (1912) (Duchamp), 68–69, 72

      numeracy, 140

      O

      October the First Is Too Late (Hoyle), 147–48

      “Ode on a Grecian Urn” (Keats), 95

      oil tankers, 125

      Ong, Walter, 109

      ophthalmology, 130

      optic chiasma, 130

      optics, 49, 118

      Orff, Carl, 138

      Ottoman Empire, 25

      P

      Pacioli, Luca, 24, 115–16

      paddleboats, 128

      painterly ambiguity, 64–65

      painting

      first under tutelage of Verrocchio, 16

      Leonardo’s influence over Duchamp, 67–74

      Leonardo’s influence over modern art, 55–65

      Leonardo’s innovations, 43–53

      number attributed to Leonardo, 6

      perspective, 7, 47–51, 56–57

      See also specific paintings

      Pascal, Blaise, 133–34, 185

      Pasteur, Louis, 90

      Pater, Walter, 95

      pathology, 131–32

      Peek, Kim, 183

      pendulum, 158

      perspective, 7, 47–51, 56–57

      Pert, Candace, 5

      Petrarch, 82

      pheromones, 103–4

      photography, 50–51, 62

      phyllotaxis, 131

      physics, 113–16, 118, 187–88

      Piaget, Jean, 183

      Picasso, Pablo, 58–59, 98

      Pieta (Michelangelo), 3

      Pillsbury, Harry, 181

      Pisa, 153–54

      plants, 130–31

      Plato, cave analogy, 143–44

      poetry, 174–75

      Poincaré, Henri, 91, 117

      Poliziano, 17

      Pollock, Jackson, 61, 62

      Pontine Marshes map, 154

      Pope, Alexander, 4

      population, 194

      porcelain, 2

      portraits, 51–53

      Pozzo, Cassiano dal, 82

      Predis, Evangelista de, 76–78

      Predis, Giovanni Ambrogio de, 76–78

      Premack, David, 189

      Price, Pat, 151–52

      The Prince (Machiavelli), 27

      Principia (Newton), 119

      Principles of Geology (Lyell), 120

      printing, 13–14

      proto memory, 144–45

      Proust, Marcel, 9

      Puthoff, Hal, 150–52

      Q

      quantum physics, 148, 176, 186, 188, 190, 191

      R

      Rain Man, 183

      randomness, 107

      Raphael, 29, 78

      Ravel, Maurice, 138

      Rayleigh, Lord, 116

      reading, xv, 176, 192, 196–97

      relativity physics, 188

      religion, 82, 197

      Rembrandt, 57n

      remote viewing, 149–59

      The Renaissance, 2–3, 13

      reproduction, 103–5

      Réti, Richard, 181

      Richter, Jean Paul, 156

      right brain

      creativity and, 85–88, 90, 91–93, 98–100

      danger hormone, 97

      role of, xiii, 134–39

      skills housed in, 8

      right-handed heterosexual males (RHHM), 161–63

      Rilke, Rainer Maria, 135

      robots, 128

      Roemer, Olaus, 119

      Romagna, 27

      Roman Catholic Church, 29, 75–76, 172

      Roman mythology, 90

      Rosheim, Mark Elling, 128

      Rubaiyat (Khayyam), 2

      Rubens, Peter Paul, 71

      Rubin, Edgar, 65

      Rucker, Rudy, 186

      Russell, John, 55

      S

      Sala delle Asse, 176

      Salai, 22, 169

      San Bernardino da Siena, 17

      Santa Maria del Fiore, 2

      Sardinia, 155

      Sassoon, Donald, 123

      Saussure, Horace-Bénédict de, 128

      Savonarola, Girolamo, 25–26

      The School of Athens (Raphael), 29

      Schreiner, Olive, 161

      Schrödinger, Erwin, 143

      Schwab, Richard, 167–68

      Schwartz, Lillian, 73n

      science and medicine, 109–21

      art comparison, 1–8

      astronomy, 116–17, 120

      botany, 130–31

      embryology, 131

      evolution, xvi, 120–21, 140–41, 185–98

      fluid dynamics, 118

      Gaia theory, 121

      Leonardo’s contributions to, 109–13

      light, 119–20

      meteorology, 116

      neuroscience, 32–41, 130


      ophthalmology, 130

      pathology, 131–32

      physics, 113–16, 118, 187–88

      quantum physics, 148, 176, 186, 188, 190, 191

      sound, 118–19

      See also anatomical dissections and drawings

      scissors, 125

      sculpture, 2, 3, 6, 26

      Selfe, Lorna, 183

      The Sense of Being Stared At (Sheldrake), 180–81

      sequence, 141

      Sex, Time, and Power: How Women’s Sexuality Shaped Human Evolution (Shlain), xv, 164–65

      sex and sexuality, 11, 100, 102–5, 170–72

      sexual orientation, 167–68. See also homosexuality

      Sforza, Ludovico, 20–22, 24–25, 52, 76, 126

      sfumato, 48–49, 64

      Sheldrake, Rupert, 180–81

      Sherrington, Charles, 86

      Signora of Florence, 28

      Sikorsky, Igor, 127

      silicon dioxide, 194–96

      Sistine Chapel, 3, 28, 29

      Sixtus VI, 19

      sky, reason for blue color of, 116

      Slave Market with the Disappearing Bust of Voltaire (1940) (Dalí), 65

      Sophocles, 190

      sound, 118–19, 127

      space and time relationship, 119–20, 135, 143–48, 158–59

      speech, 86–87, 139–40, 196

      Speke, John, 180

      Sperry, Roger, 35, 37

      split-brain duality

      creativity and, 85–94

      evolutionary advantage, xiii

      hemispheric specialization, 145, 192

      paradox represented by “I,” xi–xii

      Pascal’s discovery of, 133–34

      split-brain studies, 36–38

      St. Jerome (1480) (Leonardo da Vinci), 63, 80

      St. John the Baptist (Leonardo da Vinci), 57, 80–83, 84

      St. Peter’s Basilica, 29

      Stanford, Leland, 62

      Stapp, Henry, 149

      statistics, 118

      Steinberg, Leo, 50, 65, 72

      Steinmetz, H., 161

      Strozzi, Filippo, 17

      The Structure of Scientific Revolutions (Kuhn), 97–98

      submarines, 126

      sun, 116–17, 125

      Swann, Ingo, 150, 152

      symbolism, 80–81

      Symons, Donald, 133

      synapse, 40

      T

      tanks, 126

      Targ, Russell, 151

      telescope, 123–24

      Ten Commandments, 46–47

      theory of mind, 182

      Thompson, Benjamin, 124

      time

      evolution of human brain to perceive, 141, 191–92

      Leonardo’s depictions of multiple durations in paintings, 72

      relationship with space, 119–20, 135, 143–48, 158–59

      Tooby, John, xvi

      Töpffer, Rodolphe, 52–53

      Torricelli’s law, 114

      Toscanelli, Paolo dal Pozzo, 16

      travel, 106–7

      Treatise on Painting (Leonardo da Vinci), 61, 64, 111

      Treffert, Darold, 182

      trompe l’oeil, 65

      truth, 95–96

      U

      Uccello, Paolo, 48

      universe, 186, 191

      Uriel, 76–77, 78

      V

      vagus nerve, 39

      Val d’Arno (Leonardo da Vinci), 45

      Val di Chiana, 117, 153

      Vasari, Giorgio, 15, 18, 48, 75, 78, 82

      Vaughan, Philip, 127

      Vauxcelles, Louis, 58

      vegetarianism, 7, 17–18, 175

      Venice, 25

      vernacular, 13

      Verrocchio, Andrea del, 16, 17

      Virgin of the Rocks (Leonardo da Vinci), 23, 29, 64, 76–78

      The Vitruvian Man (Leonardo da Vinci), 69

      Vogel, Philip, 36–37

      W

      war and warfare, 27, 118, 125–26

      water, 118, 127–28

      weapons, 125–26

      Wernicke, Carl, 35

      Wheeler, John, 190, 191

      Whitehead, Alfred North, 190

      Wigner, Eugene, 148

      windmill, 125

      Witelson, Sandra, 163

      Wolf, Fred Alan, 188

      women, xv, 6–7, 161–63, 170–72

      Woodworth, Robert Shaver, 85

      writing, xiv–xv, 7–8, 24, 196

      Y

      Young, Thomas, 119–20

      About the Author

      Leonard Shlain was a best-selling author, inventor, and surgeon. Admired among artists, scientists, philosophers, anthropologists, and educators, Shlain authored three best-selling books: Art & Physics, Alphabet Versus the Goddess, and Sex, Time, and Power. He delivered stunning visual presentations based upon his books in venues around the world including Harvard, The New York Museum of Modern Art, CERN, Los Alamos, The Florence Academy of Art, and the European Council of Ministers. His fans include Al Gore, Norman Lear, and singer Björk. Shlain died in May 2009 at the age of seventy-one from brain cancer shortly after the completion of this book.

      His legacy continues with his children who helped bring this book to publication: Kimberly Brooks, artist and founding editor of the Arts and Science Section of the Huffington Post, Jordan Shlain, doctor and founder of Healthloop.com, and Tiffany Shlain, filmmaker, founder of The Webby Awards, and director of the Sundance documentary Connected, about the ideas in Leonardo’s Brain, as well as Leonard Shlain’s final year. Visit leonardshlain.com.

     

     

     



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