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    Me Since You

    Page 29
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      7. As Rowan’s father sinks deeper into his depression, Rowan struggles with the frustration and pain of watching him struggle, finally admitting that, “I cannot bear the sight of my father breaking.” Why do you think this is so difficult for Rowan? Why is it so difficult for children to see their parents’ vulnerability? Do you think that there was anything Rowan could have, or should have done for her father?

      8. Throughout the book, Rowan reflects on the meaning of depression as a “burden,” both on the sufferer, and the people around them. Why do you think depression feels like a “burden” to be carried, and why does it affect everyone around it so deeply? What is the difference between suffering from depression, and suffering through a loved one’s?

      9. After the suicide of Rowan’s father, both Nadia and Eli reach out to Rowan, in an attempt to comfort her. What is the difference between their two approaches? What do you think this says about the difference in their friendships, and experiences? Which do you think is better for Rowan? Why?

      10. When Eli attends Nick’s funeral, Rowan says that his presence “makes this all too real.” What do you think this means? Why is Eli the one who brings the full impact of what has happened home for Rowan?

      11. As Rowan struggles with her grief over her father’s death, she repeatedly reflects on the difficulty of coming to terms with the “reason” her father killed himself. She says, “They want a reason, an event, something they can pinpoint and steer clear of.” Why do you think people have a need for this kind of “reason”? Do you think Rowan is correct that there isn’t always a specific reason to point to?

      12. Why do you think it’s so important for Rowan and her mother to find the notes that Nick left them? When they do finally find the notes, do you think the one left for Rowan satisfies her? Why or why not?

      13. Eli tells Rowan that his father’s secret for dealing with anything really difficult is to “Just keep breathing.” What do you think this means? Do you think it’s good advice? Why do you think it works, or doesn’t work? Can you think of other ways to cope with difficult things that are similar?

      14. As Rowan falls for Eli, she wonders, “I will never understand how life can rip your heart out with one hand and then give you a small, warm piece of it back with the other?”. Do you think life is like this, in your experience? Can you think of an example from your own life that proves or disproves this idea?

      15. As Rowan and her mother finally begin to get rid of some of Nick’s stuff, Rowan says in her grief journal, “Without your stuff, you will really be gone.” Why do you think this is? Do you agree with this? Why is it so difficult to finally get rid of Nick’s possessions?

      16. Throughout Me Since You, Rowan reflects on the coincidences that led to her father’s death (for example, p. 220), and the “ripple effect” that Corey’s suicide had. What do you think is truly meant by the “ripple effect”? Do you think that the coincidences in the novel are truly coincidences, or something more? Do you see the “ripple effect” in your own life?

      Enhance Your Book Club

      1. Throughout Me Since You, Laura Wiess uses epigraphs to enhance the meaning of certain chapters or passages, as well as the book as a whole. When Rowan’s family is writing Nick’s eulogy, her mother also uses an epigraph from Bartlett’s Quotations to find a way to begin their tribute to Nick. Imagine you had to replace the epigraph at the beginning of the book—find a new quotation that you think represents a theme or idea from Me Since You. Share your choice with the group, and explain why you think it represents the novel and its ideas. If you don’t have your own copy of Bartlett’s Quotations, here are some online resources that can help get you started.

      http://www.bartleby.com/quotations

      http://www.quotationspage.com

      http://www.online-literature.com

      2. Laura Wiess has written several other novels: Ordinary Beauty, How It Ends, Such a Pretty Girl and Leftovers. Check out one of these other excellent stories, and share your thoughts on it with your group. How did it change the way you thought about Me Since You? What are some of the themes of the book you chose that match up with the themes of Me Since You? Did you see other similarities between the novels?

      3. Join the conversation! www.laurawiess.com, http://www.facebook.com/pages/Laura-Wiess/163023280412622, and https://twitter.com/LauraWiess are great resources for more information on Laura Wiess’s novels and a way to meet other fans of Me Since You. Share your favorite parts of Me Since You on Facebook or Twitter, and check out all the great information on LauraWiess.com!

      AUTHOR PHOTOGRAPH BY PAUL PINAHA

      LAURA WIESS is the author of the critically acclaimed novels Such a Pretty Girl, chosen as one of the ALA’s Best Books for Young Adults and YALSA Quick Picks for Reluctant Readers; Leftovers; How It Ends; and Ordinary Beauty. She lives in an old stone house in the forests of Pennsylvania’s Endless Mountains region. Visit www.laurawiess.com.

      FOR MORE ON THIS AUTHOR: authors.simonandschuster.com/Laura-Wiess

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      SimonandSchuster.com

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      Also by Laura Wiess

      Such a Pretty Girl

      Leftovers

      How It Ends

      Ordinary Beauty

      We hope you enjoyed reading this Gallery Books eBook.

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      Gallery Books

      A Division of Simon & Schuster, Inc.

      1230 Avenue of the Americas

      New York, NY 10020

      www.SimonandSchuster.com

      This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

      Copyright © 2014 by Laura Battyanyi Wiess

      MTV Music Television and all related titles, logos, and characters are trademarks of

      MTV Networks, a division of Viacom International Inc.

      All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Gallery Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

      First MTV Books/Gallery Books trade paperback edition February 2014

      GALLERY BOOKS and colophon are registered trademarks of Simon & Schuster, Inc.

      The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

      Designed by Aline C. Pace

      Cover photograph © Kevin Russ/Vetta/Getty Images

      Hand lettering by Keely Sheehan

      Library of Congress Cataloging-in-Publication Data is available.

      ISBN 978-1-4391-9397-6

      ISBN 978-1-4391-9399-0 (ebook)

      Contents

      Acknowledgments

      The Last Friday in March, 8:27 A.M.

      The Last Friday in March, 8:49 A.M.

      The Last Friday in March, 9:26 A.M.

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20


      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Grief Journal

      Chapter 43

      Chapter 44

      Chapter 45

      Grief Journal

      Chapter 46

      Chapter 47

      Chapter 48

      Chapter 49

      Chapter 50

      Chapter 51

      Chapter 52

      Grief Journal

      Chapter 53

      Grief Journal

      Chapter 54

      Chapter 55

      Chapter 56

      Chapter 57

      Chapter 58

      Chapter 59

      Chapter 60

      Chapter 61

      Chapter 62

      Grief Journal

      Chapter 63

      Chapter 64

      Chapter 65

      Chapter 66

      Chapter 67

      Chapter 68

      Chapter 69

      Grief Journal

      Chapter 70

      Chapter 71

      Grief Journal

      Chapter 72

      Grief Journal

      Chapter 73

      Chapter 74

      Chapter 75

      Grief Journal

      Chapter 76

      Readers Group Guide

      Introduction

      Topics and Questions for Discussion

      Enhance Your Book Club

      About Laura Wiess

     

     

     



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