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    Further Chronicles of Avonlea

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    black street cat to Aunt Cynthia, and swear that it is

      Fatima. I'll get you out of the scrape, if I have to

      prove that you never had Fatima, that she is safe in

      your possession at the present time, and that there

      never was such an animal as Fatima anyhow. I'll do

      anything, say anything - but it must be for my future

      wife."

      "Will nothing else content you?" I said helplessly.

      "Nothing."

      I thought hard. Of course Max was acting abominably -

      but - but - he was really a dear fellow - and this was

      the twelfth time - and there was Anne Shirley! I knew

      in my secret soul that life would be a dreadfully

      dismal thing if Max were not around somewhere. Besides,

      I would have married him long ago had not Aunt Cynthia

      thrown us so pointedly at each other's heads ever since

      he came to Spencervale.

      "Very well," I said crossly.

      Max left for Halifax in the morning. Next day we got a

      wire saying it was all right. The evening of the

      following day he was back in Spencervale. Ismay and I

      put him in a chair and glared at him impatiently.

      Max began to laugh and laughed until he turned blue.

      "I am glad it is so amusing," said Ismay severely. "If

      Sue and I could see the joke it might be more so."

      "Dear little girls, have patience with me," implored

      Max. "If you knew what it cost me to keep a straight

      face in Halifax you would forgive me for breaking out

      now."

      "We forgive you - but for pity's sake tell us all about

      it," I cried.

      "Well, as soon as I arrived in Halifax I hurried to 110

      Hollis Street, but - see here! Didn't you tell me your

      Aunt's address was 10 Pleasant Street?"

      "So it is."

      "'T isn't. You look at the address on a telegram next

      time you get one. She went a week ago to visit another

      friend who lives at 110 Hollis."

      "Max!"

      "It's a fact. I rang the bell, and was just going to

      ask the maid for 'Persian' when your Aunt Cynthia

      herself came through the hall and pounced on me."

      "'Max,' she said, 'have you brought Fatima?'

      "'No,' I answered, trying to adjust my wits to this new

      development as she towed me into the library. 'No, I -

      I - just came to Halifax on a little matter of

      business.'

      "'Dear me,' said Aunt Cynthia, crossly, 'I don't know

      what those girls mean. I wired them to send Fatima at

      once. And she has not come yet and I am expecting a

      call every minute from some one who wants to buy her.'

      "'Oh!' I murmured, mining deeper every minute.

      "'Yes,' went on your aunt, 'there is an advertisement

      in the Charlottetown Enterprise for a Persian cat, and

      I answered it. Fatima is really quite a charge, you

      know - and so apt to die and be a dead loss,' - did

      your aunt mean a pun, girls? - 'and so, although I am

      considerably attached to her, I have decided to part

      with her.'

      "By this time I had got my second wind, and I promptly

      decided that a judicious mixture of the truth was the

      thing required.

      "'Well, of all the curious coincidences,' I exclaimed.

      'Why, Miss Ridley, it was I who advertised for a

      Persian cat - on Sue's behalf. She and Ismay have

      decided that they want a cat like Fatima for

      themselves.'

      "You should have seen how she beamed. She said she knew

      you always really liked cats, only you would never own

      up to it. We clinched the dicker then and there. I

      passed her over your hundred and ten dollars - she took

      the money without turning a hair - and now you are the

      joint owners of Fatima. Good luck to your bargain!"

      "Mean old thing," sniffed Ismay. She meant Aunt

      Cynthia, and, remembering our shabby furs, I didn't

      disagree with her.

      "But there is no Fatima," I said, dubiously. "How shall

      we account for her when Aunt Cynthia comes home?"

      "Well, your aunt isn't coming home for a month yet.

      When she comes you will have to tell her that the cat -

      is lost - but you needn't say when it happened. As for

      the rest, Fatima is your property now, so Aunt Cynthia

      can't grumble. But she will have a poorer opinion than

      ever of your fitness to run a house alone."

      When Max left I went to the window to watch him down

      the path. He was really a handsome fellow, and I was

      proud of him. At the gate he turned to wave me good-by,

      and, as he did, he glanced upward. Even at that

      distance I saw the look of amazement on his face. Then

      he came bolting back.

      "Ismay, the house is on fire!" I shrieked, as I flew to

      the door.

      "Sue," cried Max, "I saw Fatima, or her ghost, at the

      garret window a moment ago!"

      "Nonsense!" I cried. But Ismay was already half way up

      the stairs and we followed. Straight to the garret we

      rushed. There sat Fatima, sleek and complacent, sunning

      herself in the window.

      Max laughed until the rafters rang.

      "She can't have been up here all this time," I

      protested, half tearfully. "We would have heard her

      meowing."

      "But you didn't," said Max.

      "She would have died of the cold," declared Ismay.

      "But she hasn't," said Max.

      "Or starved," I cried.

      "The place is alive with mice," said Max. "No, girls,

      there is no doubt the cat has been here the whole

      fortnight. She must have followed Huldah Jane up here,

      unobserved, that day. It's a wonder you didn't hear her

      crying - if she did cry. But perhaps she didn't, and,

      of course, you sleep downstairs. To think you never

      thought of looking here for her!"

      "It has cost us over a hundred dollars," said Ismay,

      with a malevolent glance at the sleek Fatima.

      "It has cost me more than that," I said, as I turned to

      the stairway.

      Max held me back for an instant, while Ismay and Fatima

      pattered down.

      "Do you think it has cost too much, Sue?" he whispered.

      I looked at him sideways. He was really a dear.

      Niceness fairly exhaled from him.

      "No-o-o," I said, "but when we are married you will

      have to take care of Fatima, I won't."

      "Dear Fatima," said Max gratefully.

      Chapter II

      The Materalizing Of Cecil

      IT had never worried me in the least that I wasn't

      married, although everybody in Avonlea pitied old

      maids; but it did worry me, and I frankly confess it,

      that I had never had a chance to be. Even Nancy, my old

      nurse and servant, knew that, and pitied me for it.

      Nancy is an old maid herself, but she has had two

      proposals. She did not accept either of them because

      one was a widower with seven children, and the other a

      very shiftless, good-for-nothing fellow; but, if

      anybody twitted Nancy on her single condition, she

      could point triumphantly to those two as ev
    idence that

      "she could an she would." If I had not lived all my

      life in Avonlea I might have had the benefit of the

      doubt; but I had, and everybody knew everything about

      me - or thought they did.

      I had really often wondered why nobody had ever fallen

      in love with me. I was not at all homely; indeed, years

      ago, George Adoniram Maybrick had written a poem

      addressed to me, in which he praised my beauty quite

      extravagantly; that didn't mean anything because George

      Adoniram wrote poetry to all the good-looking girls and

      never went with anybody but Flora King, who was cross-

      eyed and red-haired, but it proves that it was not my

      appearance that put me out of the running. Neither was

      it the fact that I wrote poetry myself - although not

      of George Adoniram's kind - because nobody ever knew

      that. When I felt it coming on I shut myself up in my

      room and wrote it out in a little blank book I kept

      locked up. It is nearly full now, because I have been

      writing poetry all my life. It is the only thing I have

      ever been able to keep a secret from Nancy. Nancy, in

      any case, has not a very high opinion of my ability to

      take care of myself; but I tremble to imagine what she

      would think if she ever found out about that little

      book. I am convinced she would send for the doctor

      post-haste and insist on mustard plasters while waiting

      for him.

      Nevertheless, I kept on at it, and what with my flowers

      and my cats and my magazines and my little book, I was

      really very happy and contented. But it did sting that

      Adella Gilbert, across the road, who has a drunken

      husband, should pity "poor Charlotte" because nobody

      had ever wanted her. Poor Charlotte indeed! If I had

      thrown myself at a man's head the way Adella Gilbert

      did at - but there, there, I must refrain from such

      thoughts. I must not be uncharitable.

      The Sewing Circle met at Mary Gillespie's on my

      fortieth birthday. I have given up talking about my

      birthdays, although that little scheme is not much good

      in Avonlea where everybody knows your age - or if they

      make a mistake it is never on the side of youth. But

      Nancy, who grew accustomed to celebrating my birthdays

      when I was a little girl, never gets over the habit,

      and I don't try to cure her, because, after all, it's

      nice to have some one make a fuss over you. She brought

      me up my breakfast before I got up out of bed - a

      concession to my laziness that Nancy would scorn to

      make on any other day of the year. She had cooked

      everything I like best, and had decorated the tray with

      roses from the garden and ferns from the woods behind

      the house. I enjoyed every bit of that breakfast, and

      then I got up and dressed, putting on my second best

      muslin gown. I would have put on my really best if I

      had not had the fear of Nancy before my eyes; but I

      knew she would never condone that, even on a birthday.

      I watered my flowers and fed my cats, and then I locked

      myself up and wrote a poem on June. I had given up

      writing birthday odes after I was thirty.

      In the afternoon I went to the Sewing Circle. When I

      was ready for it I looked in my glass and wondered if I

      could really be forty. I was quite sure I didn't look

      it. My hair was brown and wavy, my cheeks were pink,

      and the lines could hardly be seen at all, though

      possibly that was because of the dim light. I always

      have my mirror hung in the darkest corner of my room.

      Nancy cannot imagine why. I know the lines are there,

      of course; but when they don't show very plain I forget

      that they are there.

      We had a large Sewing Circle, young and old alike

      attending. I really cannot say I ever enjoyed the

      meetings - at least not up to that time - although I

      went religiously because I thought it my duty to go.

      The married women talked so much of their husbands and

      children, and of course I had to be quiet on those

      topics; and the young girls talked in corner groups

      about their beaux, and stopped it when I joined them,

      as if they felt sure that an old maid who had never had

      a beau couldn't understand at all. As for the other old

      maids, they talked gossip about every one, and I did

      not like that either. I knew the minute my back was

      turned they would fasten into me and hint that I used

      hair-dye and declare it was perfectly ridiculous for a

      woman of fifty to wear a pink muslin dress with lace-

      trimmed frills.

      There was a full attendance that day, for we were

      getting ready for a sale of fancy work in aid of

      parsonage repairs. The young girls were merrier and

      noisier than usual. Wilhelmina Mercer was there, and

      she kept them going. The Mercers were quite new to

      Avonlea, having come here only two months previously.

      I was sitting by the window and Wilhelmina Mercer,

      Maggie Henderson, Susette Cross and Georgie Hall were

      in a little group just before me. I wasn't listening to

      their chatter at all, but presently Georgie exclaimed

      teasingly:

      "Miss Charlotte is laughing at us. I suppose she thinks

      we are awfully silly to be talking about beaux."

      The truth was that I was simply smiling over some very

      pretty thoughts that had come to me about the roses

      which were climbing over Mary Gillespie's sill. I meant

      to inscribe them in the little blank book when I went

      home. Georgie's speech brought me back to harsh

      realities with a jolt. It hurt me, as such speeches

      always did.

      "Didn't you ever have a beau, Miss Holmes?" said

      Wilhelmina laughingly.

      Just as it happened, a silence had fallen over the room

      for a moment, and everybody in it heard Wilhelmina's

      question.

      I really do not know what got into me and possessed me.

      I have never been able to account for what I said and

      did, because I am naturally a truthful person and hate

      all deceit. It seemed to me that I simply could not say

      "No" to Wilhelmina before that whole roomful of women.

      It was too humiliating. I suppose all the prickles and

      stings and slurs I had endured for fifteen years on

      account of never having had a lover had what the new

      doctor calls "a cumulative effect" and came to a head

      then and there.

      "Yes, I had one once, my dear," I said calmly.

      For once in my life I made a sensation. Every woman in

      that room stopped sewing and stared at me. Most of

      them, I saw, didn't believe me, but Wilhelmina did. Her

      pretty face lighted up with interest.

      "Oh, won't you tell us about him, Miss Holmes?" she

      coaxed, "and why didn't you marry him?"

      "That is right, Miss Mercer," said Josephine Cameron,

      with a nasty little laugh. "Make her tell. We're all

      interested. It's news to us that Charlotte eve
    r had a

      beau."

      If Josephine had not said that, I might not have gone

      on. But she did say it, and, moreover, I caught Mary

      Gillespie and Adella Gilbert exchanging significant

      smiles. That settled it, and made me quite reckless.

      "In for a penny, in for a pound," thought I, and I said

      with a pensive smile:

      "Nobody here knew anything about him, and it was all

      long, long ago."

      "What was his name?" asked Wilhelmina.

      "Cecil Fenwick," I answered promptly. Cecil had always

      been my favorite name for a man; it figured quite

      frequently in the blank book. As for the Fenwick part

      of it, I had a bit of newspaper in my hand, measuring a

      hem, with "Try Fenwick's Porous Plasters" printed

      across it, and I simply joined the two in sudden and

      irrevocable matrimony.

      "Where did you meet him?" asked Georgie.

      I hastily reviewed my past. There was only one place to

      locate Cecil Fenwick. The only time I had ever been far

      enough away from Avonlea in my life was when I was

      eighteen and had gone to visit an aunt in New

      Brunswick.

      "In Blakely, New Brunswick," I said, almost believing

      that I had when I saw how they all took it in

      unsuspectingly. "I was just eighteen and he was twenty-

      three."

      "What did he look like?" Susette wanted to know.

      "Oh, he was very handsome." I proceeded glibly to

      sketch my ideal. To tell the dreadful truth, I was

      enjoying myself; I could see respect dawning in those

      girls' eyes, and I knew that I had forever thrown off

      my reproach. Henceforth I should be a woman with a

      romantic past, faithful to the one love of her life - a

      very, very different thing from an old maid who had

      never had a lover.

      "He was tall and dark, with lovely, curly black hair

      and brilliant, piercing eyes. He had a splendid chin,

      and a fine nose, and the most fascinating smile!"

      "What was he?" asked Maggie.

      "A young lawyer," I said, my choice of profession

      decided by an enlarged crayon portrait of Mary

      Gillespie's deceased brother on an easel before me. He

      had been a lawyer.

      "Why didn't you marry him?" demanded Susette.

      "We quarreled," I answered sadly. "A terribly bitter

      quarrel. Oh, we were both so young and so foolish. It

      was my fault. I vexed Cecil by flirting with another

      man" - wasn't I coming on! - "and he was jealous and

      angry. He went out West and never came back. I have

      never seen him since, and I do not even know if he is

      alive. But - but - I could never care for any other

      man."

      "Oh, how interesting!" sighed Wilhelmina. "I do so love

      sad love stories. But perhaps he will come back some

      day yet, Miss Holmes."

      "Oh, no, never now," I said, shaking my head. "He has

      forgotten all about me, I dare say. Or if he hasn't, he

      has never forgiven me."

      Mary Gillespie's Susan Jane announced tea at this

      moment, and I was thankful, for my imagination was

      giving out, and I didn't know what question those girls

      would ask next. But I felt already a change in the

      mental atmosphere surrounding me, and all through

      supper I was thrilled with a secret exultation.

      Repentant? Ashamed? Not a bit of it! I'd have done the

      same thing over again, and all I felt sorry for was

      that I hadn't done it long ago.

      When I got home that night Nancy looked at me

      wonderingly, and said:

      "You look like a girl to-night, Miss Charlotte."

      "I feel like one," I said laughing; and I ran to my

      room and did what I had never done before - wrote a

      second poem in the same day. I had to have some outlet

      for my feelings. I called it "In Summer Days of Long

      Ago," and I worked Mary Gillespie's roses and Cecil

      Fenwick's eyes into it, and made it so sad and

      reminiscent and minor-musicky that I felt perfectly

      happy.

      For the next two months all went well and merrily. Nobody

      ever said anything more to me about Cecil

      Fenwick, but the girls all chattered freely to me of

      their little love affairs, and I became a sort of

      general confidant for them. It just warmed up the

     


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