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    Further Chronicles of Avonlea

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    age, and beautiful - the hair a rich auburn with a

      glistening curl in it, skin very white and warm-tinted,

      eyes small and of a greenish blue, with dilated pupils

      and long lashes. He had a weak chin, and a full, sullen

      mouth.

      The bed was in the corner farthest from the window; on

      it the sick woman, in spite of the pain that was her

      portion continually, was lying as quiet and motionless

      as she had done ever since she had lain down upon it

      for the last time. Naomi Holland never complained; when

      the agony was at its worst, she shut her teeth more

      firmly over her bloodless lip, and her great black eyes

      glared at the blank wall before in a way that gave her

      attendants what they called "the creeps," but no word

      or moan escaped her.

      Between the paroxysms she kept up her keen interest in

      the life that went on about her. Nothing escaped her

      sharp, alert eyes and ears. This evening she lay spent

      on the crumpled pillows; she had had a bad spell in the

      afternoon and it had left her very weak. In the dim

      light her extremely long face looked corpse-like

      already. Her black hair lay in a heavy braid over the

      pillow and down the counterpane. It was all that was

      left of her beauty, and she took a fierce joy in it.

      Those long, glistening, sinuous tresses must be combed

      and braided every day, no matter what came.

      A girl of fourteen was curled up on a chair at the head

      of the bed, with her head resting on the pillow. The

      boy at the window was her half-brother; but, between

      Christopher Holland and Eunice Carr, not the slightest

      resemblance existed.

      Presently the sibilant silence was broken by a low,

      half-strangled sob. The sick woman, who had been

      watching a white evening star through the cherry

      boughs, turned impatiently at the sound.

      "I wish you'd get over that, Eunice," she said sharply.

      "I don't want any one crying over me until I'm dead;

      and then you'll have plenty else to do, most likely. If

      it wasn't for Christopher I wouldn't be anyways

      unwilling to die. When one has had such a life as I've

      had, there isn't much in death to be afraid of. Only, a

      body would like to go right off, and not die by inches,

      like this. 'Tain't fair!"

      She snapped out the last sentence as if addressing some

      unseen, tyrannical presence; her voice, at least, had

      not weakened, but was as clear and incisive as ever.

      The boy at the window stopped whistling, and the girl

      silently wiped her eyes on her faded gingham apron.

      Naomi drew her own hair over her lips, and kissed it.

      "You'll never have hair like that, Eunice," she said.

      "It does seem most too pretty to bury, doesn't it? Mind

      you see that it is fixed nice when I'm laid out. Comb

      it right up on my head and braid it there."

      A sound, such as might be wrung from a suffering

      animal, came from the girl, but at the same moment the

      door opened and a woman entered.

      "Chris," she said sharply, "you get right off for the

      cows, you lazy little scamp! You knew right well you

      had to go for them, and here you've been idling, and me

      looking high and low for you. Make haste now; it's

      ridiculous late."

      The boy pulled in his head and scowled at his aunt, but

      he dared not disobey, and went out slowly with a sulky

      mutter.

      His aunt subdued a movement, that might have developed

      into a sound box on his ears, with a rather frightened

      glance at the bed. Naomi Holland was spent and dying,

      but her temper was still a thing to hold in dread, and

      her sister-in-law did not choose to rouse it by

      slapping Christopher. To her and her co-nurse the

      spasms of rage, which the sick woman sometimes had,

      seemed to partake of the nature of devil possession.

      The last one, only three days before, had been provoked

      by Christopher's complaint of some real or fancied ill-

      treatment from his aunt, and the latter had no mind to

      bring on another. She went over to the bed, and

      straightened the clothes.

      "Sarah and I are going out to milk, Naomi, Eunice will

      stay with you. She can run for us if you feel another

      spell coming on."

      Naomi Holland looked up at her sister-in-law with

      something like malicious enjoyment.

      "I ain't going to have any more spells, Car'line Anne.

      I'm going to die to-night. But you needn't hurry

      milking for that, at all. I'll take my time."

      She liked to see the alarm that came over the other

      woman's face. It was richly worth while to scare

      Caroline Holland like that.

      "Are you feeling worse, Naomi?" asked the latter

      shakily. "If you are I'll send for Charles to go for

      the doctor."

      "No, you won't. What good can the doctor do me? I don't

      want either his or Charles' permission to die. You can

      go and milk at your ease. I won't die till you're done

      - I won't deprive you of the pleasure of seeing me."

      Mrs. Holland shut her lips and went out of the room

      with a martyr-like expression. In some ways Naomi

      Holland was not an exacting patient, but she took her

      satisfaction out in the biting, malicious speeches she

      never failed to make. Even on her death-bed her

      hostility to her sister-in-law had to find vent.

      Outside, at the steps, Sarah Spencer was waiting, with

      the milk pails over her arm. Sarah Spencer had no fixed

      abiding place, but was always to be found where there

      was illness. Her experience, and an utter lack of

      nerves, made her a good nurse. She was a tall, homely

      woman with iron gray hair and a lined face. Beside her,

      the trim little Caroline Anne, with her light step and

      round, apple-red face, looked almost girlish.

      The two women walked to the barnyard, discussing Naomi

      in undertones as they went. The house they had left

      behind grew very still.

      In Naomi Holland's room the shadows were gathering.

      Eunice timidly bent over her mother.

      "Ma, do you want the light lit?"

      "No, I'm watching that star just below the big cherry

      bough. I'll see it set behind the hill. I've seen it

      there, off and on, for twelve years, and now I'm taking

      a good-by look at it. I want you to keep still, too.

      I've got a few things to think over, and I don't want

      to be disturbed."

      The girl lifted herself about noiselessly and locked

      her hands over the bed-post. Then she laid her face

      down on them, biting at them silently until the marks

      of her teeth showed white against their red roughness.

      Naomi Holland did not notice her. She was looking

      steadfastly at the great, pearl-like sparkle in the

      faint-hued sky. When it finally disappeared from her

      vision she struck her long, thin hands together twice,

      and a terrible expression came over her face for a

    &
    nbsp; moment. But, when she spoke, her voice was quite calm.

      "You can light the candle now, Eunice. Put it up on the

      shelf here, where it won't shine in my eyes. And then

      sit down on the foot of the bed where I can see you.

      I've got something to say to you."

      Eunice obeyed her noiselessly. As the pallid light shot

      up, it revealed the child plainly. She was thin and

      ill-formed - one shoulder being slightly higher than

      the other. She was dark, like her mother, but her

      features were irregular, and her hair fell in

      straggling, dim locks about her face. Her eyes were a

      dark brown, and over one was the slanting red scar of a

      birth mark.

      Naomi Holland looked at her with the contempt she had

      never made any pretense of concealing. The girl was

      bone of her bone and flesh of her flesh, but she had

      never loved her; all the mother love in her had been

      lavished on her son.

      When Eunice had placed the candle on the shelf and

      drawn down the ugly blue paper blinds, shutting out the

      strips of violet sky where a score of glimmering points

      were now visible, she sat down on the foot of the bed,

      facing her mother.

      "The door is shut, is it, Eunice?"

      Eunice nodded.

      "Because I don't want Car'line or any one else peeking

      and harking to what I've got to say. She's out milking

      now, and I must make the most of the chance. Eunice,

      I'm going to die, and . . ."

      "Ma!"

      "There now, no taking on! You knew it had to come

      sometime soon. I haven't the strength to talk much, so

      I want you just to be quiet and listen. I ain't feeling

      any pain now, so I can think and talk pretty clear. Are

      you listening, Eunice?"

      "Yes, ma."

      "Mind you are. It's about Christopher. It hasn't been

      out of my mind since I laid down here. I've fought for

      a year to live, on his account, and it ain't any use. I

      must just die and leave him, and I don't know what

      he'll do. It's dreadful to think of."

      She paused, and struck her shrunken hand sharply

      against the table.

      "If he was bigger and could look out for himself it

      wouldn't be so bad. But he is only a little fellow, and

      Car'line hates him. You'll both have to live with her

      until you're grown up. She'll put on him and abuse him.

      He's like his father in some ways; he's got a temper

      and he is stubborn. He'll never get on with Car'line.

      Now, Eunice, I'm going to get you to promise to take my

      place with Christopher when I'm dead, as far as you

      can. You've got to; it's your duty. But I want you to

      promise."

      "I will, ma," whispered the girl solemnly.

      "You haven't much force - you never had. If you was

      smart, you could do a lot for him. But you'll have to

      do your best. I want you to promise me faithfully that

      you'll stand by him and protect him - that you won't

      let people impose on him; that you'll never desert him

      as long as he needs you, no matter what comes. Eunice,

      promise me this!"

      In her excitement the sick woman raised herself up in

      the bed, and clutched the girl's thin arm. Her eyes

      were blazing and two scarlet spots glowed in her thin

      cheeks.

      Eunice's face was white and tense. She clasped her

      hands as one in prayer.

      "Mother, I promise it!"

      Naomi relaxed her grip on the girl's arm and sank back

      exhausted on the pillow. A death-like look came over

      her face as the excitement faded.

      "My mind is easier now. But if I could only have lived

      another year or two! And I hate Car'line - hate her!

      Eunice, don't you ever let her abuse my boy! If she

      did, or if you neglected him, I'd come back from my

      grave to you! As for the property, things will be

      pretty straight. I've seen to that. There'll be no

      squabbling and doing Christopher out of his rights.

      He's to have the farm as soon as he's old enough to

      work it, and he's to provide for you. And, Eunice,

      remember what you've promised!"

      Outside, in the thickly gathering dusk, Caroline

      Holland and Sarah Spencer were at the dairy, straining

      the milk into creamers, for which Christopher was

      sullenly pumping water. The house was far from the

      road, up to which a long red lane led; across the field

      was the old Holland homestead where Caroline lived; her

      unmarried sister-in-law, Electa Holland, kept house for

      her while she waited on Naomi.

      It was her night to go home and sleep, but Naomi's

      words haunted her, although she believed they were born

      of pure "cantankerousness."

      "You'd better go in and look at her, Sarah," she said,

      as she rinsed out the pails. "If you think I'd better

      stay here to-night, I will. If the woman was like

      anybody else a body would know what to do; but, if she

      thought she could scare us by saying she was going to

      die, she'd say it."

      When Sarah went in, the sick room was very quiet. In

      her opinion, Naomi was no worse than usual, and she

      told Caroline so; but the latter felt vaguely uneasy

      and concluded to stay.

      Naomi was as cool and defiant as customary. She made

      them bring Christopher in to say good-night and had him

      lifted up on the bed to kiss her. Then she held him

      back and looked at him admiringly - at the bright curls

      and rosy cheeks and round, firm limbs. The boy was

      uncomfortable under her gaze and squirmed hastily down.

      Her eyes followed him greedily, as he went out. When

      the door closed behind him, she groaned. Sarah Spencer

      was startled. She had never heard Naomi Holland groan

      since she had come to wait on her.

      "Are you feeling any worse, Naomi? Is the pain coming

      back?"

      "No. Go and tell Car'line to give Christopher some of

      that grape jelly on his bread before he goes to bed.

      She'll find it in the cupboard under the stairs."

      Presently the house grew very still. Caroline had

      dropped asleep on the sitting-room lounge, across the

      hall. Sarah Spencer nodded over her knitting by the

      table in the sick room. She had told Eunice to go to

      bed, but the child refused. She still sat huddled up on

      the foot of the bed, watching her mother's face

      intently. Naomi appeared to sleep. The candle burned

      long, and the wick was crowned by a little cap of fiery

      red that seemed to watch Eunice like some impish

      goblin. The wavering light cast grotesque shadows of

      Sarah Spencer's head on the wall. The thin curtains at

      the window wavered to and fro, as if shaken by ghostly

      hands.

      At midnight Naomi Holland opened her eyes. The child

      she had never loved was the only one to go with her to

      the brink of the Unseen.

      "Eunice - remember!"

      It was the faintest whisper. The soul, passing over the


      threshold of another life, strained back to its only

      earthly tie. A quiver passed over the long, pallid

      face.

      A horrible scream rang through the silent house. Sarah

      Spencer sprang out of her doze in consternation, and

      gazed blankly at the shrieking child. Caroline came

      hurrying in with distended eyes. On the bed Naomi

      Holland lay dead.

      In the room where she had died Naomi Holland lay in her

      coffin. It was dim and hushed; but, in the rest of the

      house, the preparations for the funeral were being

      hurried on. Through it all Eunice moved, calm and

      silent. Since her one wild spasm of screaming by her

      mother's death-bed she had shed no tear, given no sign

      of grief. Perhaps, as her mother had said, she had no

      time. There was Christopher to be looked after. The

      boy's grief was stormy and uncontrolled. He had cried

      until he was utterly exhausted. It was Eunice who

      soothed him, coaxed him to eat, kept him constantly by

      her. At night she took him to her own room and watched

      over him while he slept.

      When the funeral was over the household furniture was

      packed away or sold. The house was locked up and the

      farm rented. There was nowhere for the children to go,

      save to their uncle's. Caroline Holland did not want

      them, but, having to take them, she grimly made up her

      mind to do what she considered her duty by them. She

      had five children of her own and between them and

      Christopher a standing feud had existed from the time

      he could walk.

      She had never liked Naomi. Few people did. Benjamin

      Holland had not married until late in life, and his

      wife had declared war on his family at sight. She was a

      stranger in Avonlea, - a widow, with a three year-old

      child. She made few friends, as some people always

      asserted that she was not in her right mind.

      Within a year of her second marriage Christopher was

      born, and from the hour of his birth his mother had

      worshiped him blindly. He was her only solace. For him

      she toiled and pinched and saved. Benjamin Holland had

      not been "fore-handed" when she married him; but, when

      he died, six years after his marriage, he was a well-

      to-do man.

      Naomi made no pretense of mourning for him. It was an

      open secret that they had quarreled like the proverbial

      cat and dog. Charles Holland and his wife had naturally

      sided with Benjamin, and Naomi fought her battles

      single-handed. After her husband's death, she managed

      to farm alone, and made it pay. When the mysterious

      malady which was to end her life first seized on her

      she fought against it with all the strength and

      stubbornness of her strong and stubborn nature. Her

      will won for her an added year of life, and then she

      had to yield. She tasted all the bitterness of death

      the day on which she lay down on her bed, and saw her

      enemy come in to rule her house.

      But Caroline Holland was not a bad or unkind woman.

      True, she did not love Naomi or her children; but the

      woman was dying and must be looked after for the sake

      of common humanity. Caroline thought she had done well

      by her sister-in-law.

      When the red clay was heaped over Naomi's grave in the

      Avonlea burying ground, Caroline took Eunice and

      Christopher home with her. Christopher did not want to

      go; it was Eunice who reconciled him. He clung to her

      with an exacting affection born of loneliness and

      grief.

      In the days that followed Caroline Holland was obliged

      to confess to herself that there would have been no

      doing anything with Christopher had it not been for

      Eunice. The boy was sullen and obstinate, but his

      sister had an unfailing influence over him.

      In Charles Holland's household no one was allowed to

      eat the bread of idleness. His own children were all

      girls, and Christopher came in handy as a chore boy. He

      was made to work - perhaps too hard. But Eunice helped

      him, and did half his work for him when nobody knew.

      When he quarreled with his cousins, she took his part;

      whenever possible she took on herself the blame and

      punishment of his misdeeds.

     


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