Table of Contents
COPYRIGHT INFO
A NOTE FROM THE PUBLISHER
THE MEGAPACK SERIES
INTRODUCTION: MEET JONAS LIE, by Julius E. Olson
INTRODUCTION TO WEIRD TALES FROM THE NORTHERN SEAS, by R. Nisbet Bain
THE FISHERMAN AND THE DRAUG
JACK OF SJÖHOLM AND THE GAN[1]-FINN
TUG OF WAR
“THE EARTH DRAWS”
THE CORMORANTS OF ANDVÆR
ISAAC AND THE PARSON OF BRÖNÖ
THE WIND-GNOME
THE HULDREFISH[1]
FINN BLOOD
THE HOMESTEAD WESTWARD IN THE BLUE MOUNTAINS
“IT’S ME”
THE PILOT AND HIS WIFE
THE VISIONARY
ONE OF LIFE’S SLAVES
JONAS LIE: A BIBLIOGRAPHY
COPYRIGHT INFO
The Jonas Lie Megapack is copyright © 2014 by Wildside Press, LLC. All rights reserved. Cover art © 2014 by Justdd / Fotolia.
A NOTE FROM THE PUBLISHER
Jonas Lauritz Idemil Lie [pronouned “Lee” in English] (1833–1908) was a Norwegian novelist, poet, and playwright who is considered to have been one of the Four Greats of 19th century Norwegian literature, together with Henrik Ibsen, Bjørnstjerne Bjørnson and Alexander Kielland.
Jonas Lie was born at Hokksund in Øvre Eiker, in the county of Buskerud, Norway. Five years after his son’s birth, Lie’s father was appointed sheriff of Tromsø, which lies within the Arctic Circle, and young Jonas Lie spent six of the most impressionable years of his life at that remote port.
He was sent to the naval school at Fredriksværn; but his defective eyesight caused him to give up a life at sea. He transferred to the Bergen Cathedral School in Bergen, and in 1851 entered the University of Christiania, where he made the acquaintance of Ibsen and Bjørnson. He graduated in law in 1857, and shortly afterwards began to practice at Kongsvinger, a town located between Lake Mjøsa and the border with Sweden.
Clients were not numerous at Kongsvinger, and Lie found time to write for the newspapers—and became a frequent contributor to some of the Christiania journals. His first work was a volume of poems which appeared in 1866 and was not successful. During the four following years he devoted himself almost exclusively to journalism, working hard and without much reward, but acquiring the pen of a ready writer and obtaining command of a style which has proved serviceable in his subsequent career.
In 1870 he published “Den Fremsynte” (“The Visionary or Pictures From Nordland”), a powerful tale of the sea and northern superstitions. In the following year he revisited Nordland and traveled into Finnmark.
Starting from 1874, the Norwegian Parliament had granted him an artist salary. Having obtained this small pension from the Government, he sought the greatest contrast he could find in Europe to the scenes of his childhood and started for Rome. For a time he lived in North Germany, then he migrated to Bavaria, spending his winters in Paris. In 1882 he visited Norway for a time, but returned to the continent of Europe. His voluntary exile from his native land ended in the spring of 1893, when he settled at Holskogen, near Kristiansand. His works were numerous after that.
* * * *
In his works, Jonas Lie often sought to reflect in his writings the nature, folk life, and social spirit of the nation of Norway. His writing often dealt with family life in diverse settings, including portraying the social and intellectual restrictions on women of the educated classes. Lie was a versatile writer, liberal and modern, but also strongly tradition bound.
A group of his short stories involve the superstitions of the fishermen and coast commoners of northern Norway. The much anthologized short story “Elias and the Draugh” was included in a collection originally published by Gyldendal Norsk Forlag, and was reprinted by Roald Dahl in Roald Dahl’s Book of Ghost Stories (1983).
In 1860, he married his cousin Thomasine Henriette Lie (1833–1907). The couple had five children, of whom two died young.
In 1904, the King of Norway awarded Lie with the Grand Cross of the Order of St. Olav. Jonas Lie died at Fleskum at Sandvika during 1908, less than a year after the death of Thomasine.
* * * *
Special thanks to Tore Stokka for suggesting this Megapack.
—John Betancourt
Publisher, Wildside Press LLC
www.wildsidepress.com
ABOUT THE MEGAPACKS
Over the last few years, our “Megapack” series of ebook anthologies has grown to be among our most popular endeavors. (Maybe it helps that we sometimes offer them as premiums to our mailing list!) Success breeds imitation, it seems—we have begun noticing some “fake megapacks” from other publishers trying to copy our format…and even using some of the same authors!
Don’t be fooled. Search for “Wildside Megapack” in your favorite ebook store to see our titles (and sort by publication date to find the most recent releases), or purchase them directly from our web site. We cannot guarantee the quality of these fake magapackers and their ebooks.
* * * *
One question we keep getting asked is, “Who’s the editor?”
The Megapacks (except where specifically credited) are a group effort. Everyone at Wildside works on them. This includes John Betancourt (me), Carla Coupe, Steve Coupe, Bonner Menking, Colin Azariah-Kribbs, A.E. Warren, and many of Wildside’s authors…who often suggest stories to include (and not just their own!)
A NOTE FOR KINDLE READERS
The Kindle versions of our Megapacks employ active tables of contents for easy navigation…please look for one before writing reviews on Amazon that complain about the lack! (They are sometimes at the ends of ebooks, depending on your reader.)
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Do you know a great classic science fiction story, or have a favorite author whom you believe is perfect for the Megapack series? We’d love your suggestions! You can post them on our message board at http://movies.ning.com/forum (there is an area for Wildside Press comments).
Note: we only consider stories that have already been professionally published. This is not a market for new works.
TYPOS
Unfortunately, as hard as we try, a few typos do slip through. We update our ebooks periodically, so make sure you have the current version (or download a fresh copy if it’s been sitting in your ebook reader for months.) It may have already been updated.
If you spot a new typo, please let us know. We’ll fix it for everyone. You can email the publisher at wildsidepress@yahoo.com or use the message boards above.
THE MEGAPACK SERIES
MYSTERY
The Achmed Abdullah Megapack
The Charlie Chan Megapack*
The Craig Kennedy Scientific Detective Megapack
The Father Brown Megapack
The Girl Detective Megapack
The First R. Austin Freeman Megapack
The Second R. Austin Freeman Megapack*
The Jacques Futrelle Megapack
The Anna Katharine Green Mystery Megapack
The First Mystery Megapack
The Penny Parker Megapack
The Philo Vance Megapack*
The Pulp Fiction Megapack
The Raffles Megapack
The Sherlock Holmes Megapack
The Victorian Mystery Megapack
The Wilkie Collins Meg
apack
GENERAL INTEREST
The Adventure Megapack
The Baseball Megapack
The Cat Story Megapack
The Second Cat Story Megapack
The Third Cat Story Megapack
The Third Cat Story Megapack
The Christmas Megapack
The Second Christmas Megapack
The Classic American Short Stories Megapack, Vol. 1.
The Classic Humor Megapack
The Dog Story Megapack
The Doll Story Megapack
The Horse Story Megapack
The Military Megapack
The Sea-Story Megapack
SCIENCE FICTION & FANTASY
The Edward Bellamy Megapack
The First Reginald Bretnor Megapack
The Fredric Brown Megapack
The Ray Cummings Megapack
The Philip K. Dick Megapack
The Dragon Megapack
The Randall Garrett Megapack
The Second Randall Garrett Megapack
The Edmond Hamilton Megapack
The C.J. Henderson Megapack
The Murray Leinster Megapack
The Second Murray Leinster Megapack
The Martian Megapack
The E. Nesbit Megapack
The Andre Norton Megapack
The H. Beam Piper Megapack
The Pulp Fiction Megapack
The Mack Reynolds Megapack
The Darrell Schweitzer Megapack
The Science-Fantasy Megapack
The First Science Fiction Megapack
The Second Science Fiction Megapack
The Third Science Fiction Megapack
The Fourth Science Fiction Megapack
The Fifth Science Fiction Megapack
The Sixth Science Fiction Megapack
The Seventh Science Fiction Megapack
The Robert Sheckley Megapack
The Steampunk Megapack
The Time Travel Megapack
The Wizard of Oz Megapack
HORROR
The Achmed Abdullah Megapack
The Second Achmed Abdullah Megapack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Algernon Blackwood Megapack
The Second Algernon Blackwood Megapack
The Cthulhu Mythos Megapack
The Erckmann-Chatrian Megapack
The Ghost Story Megapack
The Second Ghost Story Megapack
The Third Ghost Story Megapack
The Haunts & Horrors Megapack
The Horror Megapack
The Lon Williams Weird Western Megapack
The M.R. James Megapack
The Macabre Megapack
The Second Macabre Megapack
The Arthur Machen Megapack**
The Mummy Megapack
The Occult Detective Megapack
The Darrell Schweitzer Megapack
The Vampire Megapack
The Weird Fiction Megapack
The Werewolf Megapack
WESTERNS
The B.M. Bower Megapack
The Max Brand Megapack
The Buffalo Bill Megapack
The Cowboy Megapack
The Zane Grey Megapack
The Lon Williams Weird Western Megapack
The Western Megapack
The Second Western Megapack
YOUNG ADULT
The Boys’ Adventure Megapack
The Dan Carter, Cub Scout Megapack
The Dare Boys Megapack
The Doll Story Megapack
The G.A. Henty Megapack
The Girl Detectives Megapack
The E. Nesbit Megapack
The Penny Parker Megapack
The Pinocchio Megapack
The Rover Boys Megapack
The Tom Corbett, Space Cadet Megapack
The Tom Swift Megapack
The Wizard of Oz Megapack
AUTHOR MEGAPACKS
The Achmed Abdullah Megapack
The H. Bedford-Jones Pulp Fiction Megapack
The Edward Bellamy Megapack
The B.M. Bower Megapack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Bjørnstjerne Bjørnson Megapack
The Algernon Blackwood Megapack
The Second Algernon Blackwood Megapack
The Max Brand Megapack
The First Reginald Bretnor Megapack
The Fredric Brown Megapack
The Second Fredric Brown Megapack
The Wilkie Collins Megapack
The Ray Cummings Megapack
The Guy de Maupassant Megapack
The Philip K. Dick Megapack
The Erckmann-Chatrian Megapack
The First R. Austin Freeman Megapack
The Second R. Austin Freeman Megapack*
The Jacques Futrelle Megapack
The Randall Garrett Megapack
The Second Randall Garrett Megapack
The Anna Katharine Green Megapack
The Zane Grey Megapack
The Edmond Hamilton Megapack
The Dashiell Hammett Megapack
The C.J. Henderson Megapack
The M.R. James Megapack
The Selma Lagerlof Megapack
The Murray Leinster Megapack***
The Second Murray Leinster Megapack***
The Arthur Machen Megapack**
The George Barr McCutcheon Megapack
The Talbot Mundy Megapack
The E. Nesbit Megapack
The Andre Norton Megapack
The H. Beam Piper Megapack
The Mack Reynolds Megapack
The Rafael Sabatini Megapack
The Saki Megapack
The Darrell Schweitzer Megapack
The Robert Sheckley Megapack
The Bram Stoker Megapack
The Lon Williams Weird Western Megapack
* Not available in the United States
** Not available in the European Union
***Out of print.
OTHER COLLECTIONS YOU MAY ENJOY
The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)
The Wildside Book of Fantasy
The Wildside Book of Science Fiction
Yondering: The First Borgo Press Book of Science Fiction Stories
To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories
Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories
Whodunit?—The First Borgo Press Book of Crime and Mystery Stories
More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories
X is for Xmas: Christmas Mysteries
INTRODUCTION: MEET JONAS LIE, by Julius E. Olson
The story of Jonas Lie’s life, even though told in brief, will readily yield the key to the various phases of his strange authorship. No one of his long list of books is an adequate index of his powers. The special character of each is the outgrowth of peculiar traits of natural endowment in conjunction with definite facts and experiences of his life. Some of the features of his genius seem strangely incongruous—as different as day and night. These features are clearly reflected in his writings. By critics he has been variously proclaimed “the poet of
Nordland,” “the novelist of the sea,” or “the novelist of Norwegian homes,” and is commonly classed as a realist. His reputation and great popularity rest mainly upon his realistic novels. In this field he ranks as one of the leading portrayers of character and social conditions in modern Norse literature; and of his realism The Family at Gilje is possibly the best illustration.
Yet there was much more than an ingenuous realist in Lie. He was also a fascinating mystic; a teller of fantastic stories, profoundly symbolic in character; a great myth-making raconteur of grotesque tales that have a distinct folkloristic flavor, particularly as found in his two volumes entitled Trold. This part of his authorship, though it does not bulk large, and, naturally enough, has not been fathomed by the general reader, is nevertheless a very important part, and is surely the most original and poetic. It appears in a definite though restrained form as mystic romanticism in his first prose work. Second Sight, and then scarcely a trace of it is seen until it bursts forth, twenty years later, with the vigor of long-repressed passion.
It would therefore be unfair to judge Jonas Lie by a single novel in hand—as unfair as it would be to judge Ibsen by a single one of his social dramas—The Pillars of Society, for instance. In Ibsen the imaginative power displayed in Brand and Peer Gynt did not in the social dramas reassert itself in anything but an adumbration of the abandon and exuberance of the dramatic poems. In Lie, however, the mystic and myth-maker reappeared with strength redoubled. Erik Lie, in a book on his father’s life (Oplevelser), says with reference to this: “If it had been given to Jonas Lie to continue his authorship in his last years, his Nordland nature would surely—such is my belief—more and more have asserted itself, and he would have dived down into the misty world of the subconscious, where his near-sighted eyes saw so clearly, and whence his first works sprang up like fantastic plants on the bottom of the sea.” There is not a trace or an inkling of this clairvoyant power in The Family at Gilje. Its excellences are of a distinctly different nature.
This much, then, must be said to warn the reader against a too hasty appraisal of Lie’s genius—his power, range, and vision—on the basis of a single novel. Let him be assured that Jonas Lie stands worthily by the side of Ibsen and Björnson both as a creative author and as a personality. He was of their generation, knew them both well as young men and old, and was a loyal friend to both, as they were to him. He even knew Björnson well enough in the early sixties to give him pointed advice on his authorship. Though he seems never to have taken such liberties with Ibsen—as Björnson so categorically did during the same decade—he did lend him a helping hand by paying him in advance for the dramatic poem, Love’s Comedy, published in a periodical owned by Lie. It is interesting to note that Ibsen, so punctilious in later years, was aggravatingly slow in forwarding the final batch of manuscript. As a last resource. Lie threatened to complete the drama himself. Later in life, during summer sojourns in the Bavarian Alps, they saw much of each other. In one of his social dramas, An Enemy of the People, Ibsen used Lie, together with traits of Björnson and Apothecary Thaulow (father of the painter) as a model for the genial hero, Dr. Stockmann. Both Ibsen and Björnson were generous in their praise of Lie’s many fine qualities. In the 1860s, before Lie had written a single novel, Björnson, in an address at Tromso, in Arctic Norway, where Lie had spent several years of his boyhood, said some striking things about Lie’s creative powers. On a later occasion he referred to him as “the great vague possibility,” and after Lie’s death, in a letter to the family, he said: “I have so much to thank him for. In the luxuriant wealth of my youth he was the purest in heart, the richest in fancy.” Björnson understood from the first the clairvoyant mysticism in Lie, and profited by it. In other words, a man who could interest men like Ibsen and Björnson and maintain their admiration and respect for half a century could do so only by dint of rare personal powers.