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    And the Stars Were Shining

    Page 5
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      But be brief. What remains to be quizzed will be spelled out for us

      in the epilogue, in the unheated crawl space under the eaves.

      The time of the fool approaches. And an aureole is running.

      DINOSAUR COUNTRY

      So, with a bath and tin words,

      the stranger settled in. Just so,

      the evening idlers—lorikeets, back-

      scratcher vendors, declined to take cognizance.

      Everyone waits for the BIG day

      that happened billions of years ago

      or is definitely tomorrow—take your pick—

      while fending off tunnel vision in the race

      for the sauna. The new purple bath towels

      are here!

      But what if on a subtle

      sky-ridden day some scum comes up to you and sez:

      “Jeez! Can’t anybody take a joke anymore?

      I was only asking after the missus and those ten

      dear, dim orphans whistled for the fur to fly.

      Now I’m on an island in a self-engrossed river

      with the selected essays of Addison and Steele

      and enough K rations to last till Michaelmas

      and its daisies, which, incidentally,

      bloom only for me.”

      I’d thought no one knew about the pact between me and Junior.

      But a woman getting off a bus twisted her ankle and shouted:

      “For the last time! My dwelling place is no longer your oven

      no matter how much you fancy its delicately frosted petits fours.”

      And then there was the time

      when you just joked coming

      up to me, laid your wrist on

      my shoulder and whispered the news about

      the Romans: They’d won again,

      and, what was more to the point, done so

      in an era that surpassed the age of the dinosaurs

      by as much as this minute moment of pleasure

      scoffs at you for the taking, and you flash your sweatshirt

      for everyone in the country to see, and hold on to.

      Yes, there are shadows still, but

      cheap compared to the price you’d pay for not gainsaying

      that sail swooping toward you, for not getting even

      with the white-haired acrobats.

      LEEWARD

      Up, up it rises,

      the penumbra,

      for all to see.

      Heaven is open—

      make no mistake.

      That row of books

      just slid over by itself,

      and a guy, a tubby guy,

      came to look at it, sneer,

      snicker, be off again—only,

      ouch! There are other strands

      in that equation, he sees now, not

      too late. The green spoilage,

      all other things being equal,

      may be contained.

      Only wear your shirt right.

      Wash it again

      and yet again.

      The bear is still around

      whose hide you sold,

      wondering why children fear him.

      Is it too much to ask

      safe conduct, yes, for him too

      in the travesty of night

      we all must wear

      for a while?

      PARAPH

      I have to sign my name

      to this paragraph. Writing pieces you can’t use up

      till the bus starts. I feel like a beer,

      buxom brew.

      One felt secure, reading

      the edge of a newspaper.

      More schools come out. An overload.

      Destiny and the comics. Two can’t play

      as one. In the box outside

      the golf course hasn’t disappeared.

      Spot watering of test areas

      guarantees a mediocre result. We can dance

      to it.

      We can’t read around the edge, the rim

      is whiter before we were done.

      Check this out. A situation

      in which no situations appear.

      And the code is locked in your throat.

      We should be leaving or

      the bird will chide us,

      no chime break.

      NOT PLANNING A TRIP BACK

      And the ignorance on your hands is August,

      is white August. Breathe but on a stone

      and a common wish-fulfillment is put in reverse.

      All these dinners you paid too much for—

      not worth writing about? Then the astral walk

      resumes. Men are playthings. I’ve been

      notified before.

      Or pause before a bush in August,

      and the trepidation that is natural in men

      takes root here too, is bigger than before

      but not so just. Take a boat ride.

      I give to strangers—make that, I grieve to strangers,

      asking no rebuttal, no rebuke. The jackass

      is off his rocker again. How pliant the gold of the stars

      is! We stare and stay, then part anyway.

      There’s a reason for this, but it’s shut up

      in a tomb, somewhere.

      Oh the wind whips through here sometimes.

      Gosh, does it? Can’t these feuds

      ever be removed, like lace panties?

      Can’t we stare down the stair

      that’s coming to get us? If we had the right look

      everything could be secular, and easy.

      But the soul isn’t engaged in trade.

      It’s woven of sleep and the weather

      of sleep. Forgets what there is to hide.

      MYRTLE

      How funny your name would be

      if you could follow it back to where

      the first person thought of saying it,

      naming himself that, or maybe

      some other persons thought of it

      and named that person. It would

      be like following a river to its source,

      which would be impossible. Rivers have no source.

      They just automatically appear at a place

      where they get wider, and soon a real

      river comes along, with fish and debris,

      regal as you please, and someone

      has already given it a name: St. Benno

      (saints are popular for this purpose) or, or

      some other name, the name of his

      long-lost girlfriend, who comes

      at long last to impersonate that river,

      on a stage, her voice clanking

      like its bed, her clothing of sand

      and pasted paper, a piece of real technology,

      while all along she is thinking, I can

      do what I want to do. But I want to stay here.

      MAN IN LUREX

      It’s only a matter of days now.

      The luster on the child’s eye says so.

      Be back before morning she says.

      O return! Return so that my enemies may see me

      lolling in the grape arbor.

      Once we’ve given our brother a breather

      where is the hill that will take us down?

      He loved the formal: sonatas and knot gardens

      and more manner than one had anticipated:

      alienating, idled.

      Down farther: the economics of doubt,

      this carapace, gives pause to some.

      For us it is the very concept, the scent

      of home. As snowshoes are meant for snow.

      IN THE MEANTIME, DARLING

      The time is for going out

      and across.

      One woke up and wished he was dead.

      There is for everyone a solemn feeling

      unless you put it away.

      Go on adumbrating he said.

      Go on listening because

      eavesdropping is the only way to write.

      O so you’re doing a handbook again.

      Though
    t I’d ankle over.

      Then the sea rushed past.

      Hurricane Charlie and his sister

      sure were glad to see us.

      At times there is a daze

      with a diamond-like purity.

      These and others could be sent for later.

      It’s not the food in his mouth.

      He’d hear others could become

      and just drift away.

      Pterodactyls still haunt

      the ethnic ballpark.

      It’s better this way,

      just inside this window

      as night approaches.

      JUST FOR STARTERS

      Charges about this unhappiness:

      They would run out and stay a minute,

      exhibit the requisite stinginess,

      roll up in a blanket.

      That’s how they and she looked to you and me.

      But of course we were vendors of a sort,

      tied to no actual drift, and so

      when it became poorer and spoons were put up for sale

      we stood in our back alleys, chagrin

      painted brilliantly on our faces.

      I don’t know what got me to write this poem

      or any other (I mean, why does one write?),

      unless you spoke to me in my dream

      and I replied to your waking

      and the affair of sleeping and waking began.

      No matter how hard I try

      I can’t get back on the tricycle.

      Look, a fish is coming to save us.

      A sail nods gallantly in our direction.

      Maybe unimportance isn’t such a bad thing after all.

      BROMELIADS

      In my original philosophy for the age of gink

      it felt like a harp was being plucked.

      How not to respond to those suggestions, if that’s what they are,

      like little breezes lifting grass and leaves,

      as a delta of mattering fans out from

      a point like a minimal encounter.

      That’s how I faced up and got far away

      from the lucky island and arrived at this place of crossings

      where no two things occupy the same outline

      in both space and time. It’s as if the people

      who brought you up were to abandon you in your best interests

      so as to bring on a crisis of enlightenment—

      and then jump up from behind furniture and out of closets

      screaming, “Surprise! Surprise!” But it’s not clear

      just who ages in the process. I look ever closer

      into the mirror, into the poured grain of its surface, until another I

      seems to have turned brusquely to face me, ready

      to reply at last to those questions put long ago …

      Will we achieve anything? Not likely.

      But as starlings occur in patterns, and in pairs, it

      seems that does mean something and you shouldn’t stay

      in your cave until this century is forgotten.

      Who’d pay the photographer then?

      Did I tell you your prints are ready,

      that you look as reckless as an enchanter emeritus

      and weary as the first gables of spring?

      COMMERCIAL BREAK

      Take care of values. The rest is shopping,

      raiding the islands

      for what little coral they possess.

      Tell me … You opted for the shrimp cocktail.

      I have no more

      sand in my shoes. The witch squints at the fire.

      SICILIAN BIRD

      The perfume climbs into my tree.

      It is given to red-haired sprites:

      words that music expresses

      almost amply.

      The symphony at the station

      then, and all over people trying to hear it

      and others trying to get away. A “trying”

      situation, perhaps, yet no one is worse off than before.

      Horses slog through dirt—hell,

      it’s normal for ’em.

      And that summer cottage we rented once—remember

      how the bugs came in through the screens, and

      all was not as it was supposed to be?

      Nowadays people have cars for things like that,

      to carry them away, I mean,

      I suppose.

      And wherever man sets his giant foot

      petals spring up, and artificial torsos,

      dressmaker’s dummies. And an ancient photograph

      and an ancient phonograph, that carols

      in mist. Pardon. The landlord locked us out.

      MUTT AND JEFF

      “But what he does, the river,

      Nobody knows.”

      —HÖLDERLIN, “The Ister”

      Actually the intent of

      the polish remained well after

      the soup was nailed down. Remnants to cherish:

      the sunset tie old Mrs. Lessing gave me,

      a fragment of someone’s snowball.

      And you see, things work for me,

      kind of, though there’s always more to be done.

      But man has known that ever since the days

      of the Nile. We get exported

      and must scrabble around for a while

      in some dusty square, until

      a poster fragment reveals the intended clue.

      We must leave at once for Wabash.

      And sure enough, by the train side the blue-

      uniformed bicycle messenger kept up easily

      and handed me the parcel.

      “Ere the days of his pilgrimage vanish,”

      I must reflect on exactly what it was he did:

      how lithe his arm was, and how he faded

      in a coppice the moment the yarn was done.

      Still, the goldfish bowl remains

      after all these years like an image

      reflected on water. It was not a bad thing

      to have done what I have done,

      though I can imagine better ones, but still

      it amounted to more than anyone ever thought

      it would. The mouse eyes me admiringly

      from behind his chair; the one or two cats

      pass gravely over or under my leg from time to time.

      The point is there’s no bitterness,

      not here, nor behind the scenes.

      My sudden fruiting into the war

      is like a dream now, a dream palace

      written for children and others, ogres.

      She was braining my boss.

      The day bounced green off its boards.

      There’s nothing to return, really:

      Gumballs rattled in the dispenser, I saw

      my chance for a siesta and took it

      as bluebottles kept a respectful distance.

      COVENTRY

      There was one who was put out of his house

      and another that played by a pond

      of a lateness growing,

      one that scalded his hand.

      And now, he said, please deny there was ever a house.

      But there was one and you were my mirror in it.

      These lines almost convey the comfort of it,

      how all things fitted together in their way.

      But it was funny and we left it—

      her address, her red dress.

      Just stay out in the country a lot.

      You have no house. The trees stand tentless,

      the marmoreal floors sweating …

      A delusion too.

      Good thing. Good luck.

      You’d have to stay in Coventry.

      But I’m already there, I protested.

      Besides, doesn’t any leaf or train want me

      for what I’ll have stopped doing when I’m there,

      truly there? Yet who am I to keep anything,

      any person waiting? So we diverged

      as we approached the city.

      My way was along straight boulevards

    &n
    bsp; that became avenues, with barrels of trash burning

      at each corner. The sky was dark but the blue light in it

      kept my courage up, until the watch spring

      broke. Someone had wound it too tight, you see.

      Then I could only giggle at the odd bricks,

      corners of tenements, buildings to be leased.

      I fainted, honey.

      And I never saw you again

      except once walking fast

      across the Victorian station

      lit by holiday flares

      yet strangely dumb and rumorless

      like all the sleep and games that jammed us here.

      AND THE STARS WERE SHINING

      I

      It was the solstice, and it was jumping on you like a friendly dog.

      The stars were still out in the field,

      and the child prostitutes plied their trade,

      the only happy ones, having learned how unhappiness sticks

      and will not risk being traded in for a song or a balloon.

      Christmas decorations were getting crumpled in offices

      by staffers slumped at their video terminals,

      and dismay articulated otherness in orphan asylums

      where the coffee percolates eternally, and God is not light

      but God, as mysterious to Himself as we are to Him.

      Say that on some other day garlands disbanded

      in the fresh feel of some sea air,

      that curious gulls coasted from great distances

      to make sure nothing was getting more than its share

      of pebbles, and the leaky faucet suddenly stopped dripping:

      It was day, after all. One of those things like a length of sleep

      like a woman’s stocking, that you lay flat

      and it becomes a unit of your life and—this is where it

      gets complicated—of so many others’ lives as well

      that there is no point in trying to make out, even less read,

      the superimposed scripts in which the changes of the decades

      were rung, endlessly, like invading kelp, and

      whatever it takes to be a simp is likely not what saved you

      in time to get here, changing buses twice, and after,

      when they sent you to your corner to lick

      your wounds you found you liked licking

      so much you added it to your repertory of insane gestures,

      confident that sleep would punish those outside

      even as it rescued you from the puzzle of the dance,

     


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