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    Rivers and Mountains

    Page 2
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    Is one of the world’s longest rivers, like the Amazon.

      It has the Missouri for a tributary.

      The Harlem flows amid factories

      And buildings. The Nelson is in Canada,

      Flowing. Through hard banks the Dubawnt

      Forces its way. People walk near the Trent.

      The landscape around the Mohawk stretches away;

      The Rubicon is merely a brook.

      In winter the Main

      Surges; the Rhine sings its eternal song.

      The Rhône slogs along through whitish banks

      And the Rio Grande spins tales of the past.

      The Loir bursts its frozen shackles

      But the Moldau’s wet mud ensnares it.

      The East catches the light.

      Near the Escaut the noise of factories echoes

      And the sinuous Humboldt gurgles wildly.

      The Po too flows, and the many-colored

      Thames. Into the Atlantic Ocean

      Pours the Garonne. Few ships navigate

      On the Housatonic, but quite a few can be seen

      On the Elbe. For centuries

      The Afton has flowed.

      If the Rio Negro

      Could abandon its song, and the Magdalena

      The jungle flowers, the Tagus

      Would still flow serenely, and the Ohio

      Abrade its slate banks. The tan Euphrates would

      Sidle silently across the world. The Yukon

      Was choked with ice, but the Susquehanna still pushed

      Bravely along. The Dee caught the day’s last flares

      Like the Pilcomayo’s carrion rose.

      The Peace offered eternal fragrance

      Perhaps, but the Mackenzie churned livid mud

      Like tan chalk-marks. Near where

      The Brahmaputra slapped swollen dikes

      Was an opening through which the Limmat

      Could have trickled. A young man strode the Churchill’s

      Banks, thinking of night. The Vistula seized

      The shadows. The Theiss, stark mad, bubbled

      In the windy evening. And the Ob shuffled

      Crazily along. Fat billows encrusted the Dniester’s

      Pallid flood, and the Fraser’s porous surface.

      Fish gasped amid the Spree’s reeds. A boat

      Descended the bobbing Orinoco. When the

      Marne flowed by the plants nodded

      And above the glistering Gila

      A sunset as beautiful as the Athabaska

      Stammered. The Zambezi chimed. The Oxus

      Flowed somewhere. The Parnaiba

      Is flowing, like the wind-washed Cumberland.

      The Araguaia flows in the rain.

      And, through overlying rocks the Isère

      Cascades gently. The Guadalquivir sputtered.

      Someday time will confound the Indre,

      Making a rill of the Hwang. And

      The Potomac rumbles softly. Crested birds

      Watch the Ucalyali go

      Through dreaming night. You cannot stop

      The Yenisei. And afterwards

      The White flows strongly to its …

      Goal. If the Tyne’s shores

      Hold you, and the Albany

      Arrest your development, can you resist the Red’s

      Musk, the Meuse’s situation?

      A particle of mud in the Neckar

      Does not turn it black. You cannot

      Like the Saskatchewan, nor refuse

      The meandering Yangtze, unleash

      The Genesee. Does the Scamander

      Still irrigate crimson plains? And the Durance

      And the Pechora? The São Francisco

      Skulks amid gray, rubbery nettles. The Liard’s

      Reflexes are slow, and the Arkansas erodes

      Anthracite hummocks. The Paraná stinks.

      The Ottawa is light emerald green

      Among grays. Better that the Indus fade

      In steaming sands! Let the Brazos

      Freeze solid! And the Wabash turn to a leaden

      Cinder of ice! The Marañón is too tepid, we must

      Find a way to freeze it hard. The Ural

      Is freezing slowly in the blasts. The black Yonne

      Congeals nicely. And the Petit-Morin

      Curls up on the solid earth. The Inn

      Does not remember better times, and the Merrimack’s

      Galvanized. The Ganges is liquid snow by now;

      The Vyatka’s ice-gray. The once-molten Tennessee’s

      Curdled. The Japurá is a pack of ice. Gelid

      The Columbia’s gray loam banks. The Don’s merely

      A giant icicle. The Niger freezes, slowly.

      The interminable Lena plods on

      But the Purus’ mercurial waters are icy, grim

      With cold. The Loing is choked with fragments of ice.

      The Weser is frozen, like liquid air.

      And so is the Kama. And the beige, thickly flowing

      Tocantins. The rivers bask in the cold.

      The stern Uruguay chafes its banks,

      A mass of ice. The Hooghly is solid

      Ice. The Adour is silent, motionless.

      The lovely Tigris is nothing but scratchy ice

      Like the Yellowstone, with its osier-clustered banks.

      The Mekong is beginning to thaw out a little

      And the Donets gurgles beneath the

      Huge blocks of ice. The Manzanares gushes free.

      The Illinois darts through the sunny air again.

      But the Dnieper is still ice-bound. Somewhere

      The Salado propels its floes, but the Roosevelt’s

      Frozen. The Oka is frozen solider

      Than the Somme. The Minho slumbers

      In winter, nor does the Snake

      Remember August. Hilarious, the Canadian

      Is solid ice. The Madeira slavers

      Across the thawing fields, and the Plata laughs.

      The Dvina soaks up the snow. The Sava’s

      Temperature is above freezing. The Avon

      Carols noiselessly. The Drôme presses

      Grass banks; the Adige’s frozen

      Surface is like gray pebbles.

      Birds circle the Ticino. In winter

      The Var was dark blue, unfrozen. The

      Thwaite, cold, is choked with sandy ice;

      The Ardèche glistens feebly through the freezing rain.

      The Ecclesiast

      “Worse than the sunflower,” she had said.

      But the new dimension of truth had only recently

      Burst in on us. Now it was to be condemned.

      And in vagrant shadow her mothball truth is eaten.

      In cool, like-it-or-not shadow the humdrum is consumed.

      Tired housewives begat it some decades ago,

      A small piece of truth that if it was honey to the lips

      Was also millions of miles from filling the place reserved for it.

      You see how honey crumbles your universe

      Which seems like an institution—how many walls?

      Then everything, in her belief, was to be submerged

      And soon. There was no life you could live out to its end

      And no attitude which, in the end, would save you.

      The monkish and the frivolous alike were to be trapped in death’s capacious claw

      But listen while I tell you about the wallpaper—

      There was a key to everything in that oak forest

      But a sad one. Ever since childhood there

      Has been this special meaning to everything.

      You smile at your friend’s joke, but only later, through tears.

      For the shoe pinches, even though it fits perfectly.

      Apples were made to be gathered, also the whole host of the world’s ailments and troubles.

      There is no time like the present for giving in to this temptation.

      Tomorrow you’ll weep—what of it? There is time enough

      Once the harvest is in and the animals put away fo
    r the winter

      To stand at the uncomprehending window cultivating the desert

      With salt tears which will never do anyone any good.

      My dearest I am as a galleon on salt billows.

      Perfume my head with forgetting all about me.

      For some day these projects will return.

      The funereal voyage over ice-strewn seas is ended.

      You wake up forgetting. Already

      Daylight shakes you in the yard.

      The hands remain empty. They are constructing an osier basket

      Just now, and across the sunlight darkness is taking root anew

      In intense activity. You shall never have seen it just this way

      And that is to be your one reward.

      Fine vapors escape from whatever is doing the living.

      The night is cold and delicate and full of angels

      Pounding down the living. The factories are all lit up,

      The chime goes unheard.

      We are together at last, though far apart.

      The Recent Past

      Perhaps we ought to feel with more imagination.

      As today the sky 70 degrees above zero with lines falling

      The way September moves a lace curtain to be near a pear,

      The oddest device can’t be usual. And that is where

      The pejorative sense of fear moves axles. In the stars

      There is no longer any peace, emptied like a cup of coffee

      Between the blinding rain that interviews.

      You were my quintuplets when I decided to leave you

      Opening a picture book the pictures were all of grass

      Slowly the book was on fire, you the reader

      Sitting with specs full of smoke exclaimed

      How it was a rhyme for “brick” or “redder.”

      The next chapter told all about a brook.

      You were beginning to see the relation when a tidal wave

      Arrived with sinking ships that spelled out “Aladdin.”

      I thought about the Arab boy in his cave

      But the thoughts came faster than advice.

      If you knew that snow was a still toboggan in space

      The print could rhyme with “fallen star.”

      The Thousand Islands

      Keeping warm now, while it lasts

      In the life we must suppose, continuance

      Quickens the scrap which falls to us.

      Painless rigors, like thistledown,

      Strapped to us like a heavy pack

      The massed air hanging above.

      The tether of you to this bank

      To understand the flesh left splinters.

      Depths of understanding preside

      Shelving steeply into a kind of flow

      Stumble happily as through a miracle

      Opening around you

      Pinned to the moment.

      Your eyes reflect a hunting scene.

      A promise of so much that is to come,

      Extracted, accepted gladly

      But within its narrow limits

      No knowledge yet, nothing which can be used.

      You are grateful for the imaginary pause.

      No one had imagined that the storm would be like this

      To discover its heart. The blind enemy

      Exalting the possibility of defeat

      Behind glass first unthinkable then not so much

      It would be better if one smile

      The one successful day drew darkness from the folds around it.

      Meadows then might melt into something

      For play, the necessity gone. But your

      Idea is not continuing—a swift imperfect

      Condensation of the indifference you feel

      To be the worn fiber and bone which must surround you

      For the permanence of what’s already happened in you.

      Blackness plays no part; the eye

      Is black but there is no depth.

      It is the surface black which attacks the shape,

      Bending it to present uses.

      The face on the door a hundred million years old

      Slightly smaller than real life

      To accept the cold air and bread

      And cause, in the distance, an old satisfaction.

      Their simplest construction rising slowly toward

      Your neutral ceiling in which are capsized

      Forever afternoon smells and rich zero disturbance

      As you unharness the horse moves slowly back

      Changing too the position escapes you mild and drawn

      And prisons think restlessly shifting

      There are ever new arrivals

      New standard of living and expunging

      With a shout something you’d rather have

      These equators fixed you’d esteemed

      The discovery

      Only lacking to fail eagerly

      The approach of the cool marble subject

      An aphrodisiac in its tall gray flowering

      Into separate lengths later lost

      Brought down with it hesitancy

      The bent clouds’ arrow and rutted woods.

      At Pine Creek imitation the circle

      Had swallowed the useless mystery again

      As clouds reappear after rains.

      A Blessing in Disguise

      Yes, they are alive and can have those colors,

      But I, in my soul, am alive too.

      I feel I must sing and dance, to tell

      Of this in a way, that knowing you may be drawn to me.

      And I sing amid despair and isolation

      Of the chance to know you, to sing of me

      Which are you. You see,

      You hold me up to the light in a way

      I should never have expected, or suspected, perhaps

      Because you always tell me I am you,

      And right. The great spruces loom.

      I am yours to die with, to desire.

      I cannot ever think of me, I desire you

      For a room in which the chairs ever

      Have their backs turned to the light

      Inflicted on the stone and paths, the real trees

      That seem to shine at me through a lattice toward you.

      If the wild light of this January day is true

      I pledge me to be truthful unto you

      Whom I cannot ever stop remembering.

      Remembering to forgive. Remember to pass beyond you into the day

      On the wings of the secret you will never know.

      Taking me from myself, in the path

      Which the pastel girth of the day has assigned to me.

      I prefer “you” in the plural, I want “you,”

      You must come to me, all golden and pale

      Like the dew and the air.

      And then I start getting this feeling of exaltation.

      Clepsydra

      Hasn’t the sky? Returned from moving the other

      Authority recently dropped, wrested as much of

      That severe sunshine as you need now on the way

      You go. The reason why it happened only since

      You woke up is letting the steam disappear

      From those clouds when the landscape all around

      Is hilly sites that will have to be reckoned

      Into the total for there to be more air: that is,

      More fitness read into the undeduced result, than land.

      This means never getting any closer to the basic

      Principle operating behind it than to the distracted

      Entity of a mirage. The half-meant, half-perceived

      Motions of fronds out of idle depths that are

      Summer. And expansion into little draughts.

      The reply wakens easily, darting from

      Untruth to willed moment, scarcely called into being

      Before it swells, the way a waterfall

      Drums at different levels. Each moment

      Of utterance is the true one; likewise none are true,

      Only is the bou
    nding from air to air, a serpentine

      Gesture which hides the truth behind a congruent

      Message, the way air hides the sky, is, in fact,

      Tearing it limb from limb this very moment: but

      The sky has pleaded already and this is about

      As graceful a kind of non-absence as either

      Has a right to expect: whether it’s the form of

      Some creator who has momentarily turned away,

      Marrying detachment with respect, so that the pieces

      Are seen as parts of a spectrum, independent

      Yet symbolic of their staggered times of arrival;

      Whether on the other hand all of it is to be

      Seen as no luck. A recurring whiteness like

      The face of stone pleasure, urging forward as

      Nostrils what only meant dust. But the argument,

      That is its way, has already left these behind: it

      Is, it would have you believe, the white din up ahead

      That matters: unformed yells, rocketings,

      Affected turns, and tones of voice called

      By upper shadows toward some cloud of belief

      Or its unstated circumference. But the light

      Has already gone from there too and it may be that

      It is lines contracting into a plane. We hear so much

      Of its further action that at last it seems that

      It is we, our taking it into account rather, that are

      The reply that prompted the question, and

      That the latter, like a person waking on a pillow

      Has the sensation of having dreamt the whole thing,

      Of returning to participate in that dream, until

      The last word is exhausted; certainly this is

      Peace of a sort, like nets drying in the sun,

      That we must progress toward the whole thing

      About an hour ago. As long as it is there

      You will desire it as its tag of wall sinks

      Deeper as though hollowed by sunlight that

      Just fits over it; it is both mirage and the little

      That was present, the miserable totality

      Mustered at any given moment, like your eyes

      And all they speak of, such as your hands, in lost

      Accents beyond any dream of ever wanting them again.

      To have this to be constantly coming back from—

      Nothing more, really, than surprise at your absence

      And preparing to continue the dialogue into

      Those mysterious and near regions that are

      Precisely the time of its being furthered.

      Seeing it, as it was, dividing that time,

      Casting colored paddles against the welter

      Of a future of disunion just to abolish confusion

     


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