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    Runaway Odysseus: Collected Poems 2008-2012

    Page 4
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      clay bark of the tree that once arched

      like architecture over the forest,

      the forest under which the deer

      and beers once marched – the march

      where the winter receded, a change

      that was bureaucratically needed –

      and so spring sprang forth in hearts.

      That desk’s writing surface is far from

      perfect. True. It shows off all those

      deep, subconscious intentions, all because

      I write with a stony fist and press down

      too hard with a pen. And that is my fault –

      I press down with my poetry, all because

      I want to impress my words in your

      your mind so that you can fall in love.

      I will only write it if you will only like it.

      Nature’s far from perfect, so much

      so that it’s hugging the true. Still, I’m

      glad my desk is bearing its scars in

      those record grooves and scratches,

      because if you sleep your eyes and graze

      this desk with your fingers – it’s like

      you’re running against the tree in which

      all those ravens and bluebirds nested.

      It’s a static shock that will always linger.

      So even though it’s now just a desk – no longer a tree –

      it will always be deeply rooted inside me.

      Dream Weave

      She looms up our dreams into patterns

      we love to understand.

      Yet, with two underhands,

      she breaks the rudder,

      steering us in

      a direction we’re not

      looking for. She said

      it was the wind’s fault,

      knowing how she’ll reap the windfall

      she seeded and irrigated

      with waterfalls just to make sure

      her lies thrive, growing into roses, the

      thorns cutting our skin like knives,

      letting corrupt air in and blood out

      in transactions only the thorn determines

      when the time comes. And still we rush

      away with your answers, never

      bothering to question answers

      for we’re only too gladden to happen

      upon an answer to think to question

      the stranger who hands out the

      solution like dollars to the poor on the

      coldest Christmas Eve

      since records started being kept

      in 1864 when our nation

      wasn’t even sure to keep the word

      “united” in USA anymore since

      we were at war with ourselves

      and the only thing the North

      and South had in common

      was that their armies were built on the

      backs of the poor who could

      not afford to bribe themselves

      off those battlefields where

      the soldiers wield bayonets

      and cavalry horses neighed their death

      and dying soldiers called out

      for their mothers and their lovers

      and prayed beneath their final breath.

      Dreaming Muddy Cappuccinos

      All you could dream of were

      muddy cappuccinos and she

      smiled at the thought of bone

      marbled homes just south

      of paradise and he got lost

      in the thoughts of sports cars

      spitting poison as they lapped

      up the californian highways

      and he daydreamed a thousand

      loves with a thousand girls and

      paying for it all with a newspaper

      coupon and she imagined

      foamy champagne and he

      wondered how much air

      you can cut with speedboat

      and you dreamed of mixing

      up the dinners you need with

      the logos you want.

      Drenched in Windchimes

      For too many years, I’ve gathered moss

      here, drenched in dry windchimes,

      which crumble into dust at the mere

      whisper of a gust –

      but though I could not

      have caused myself, I could still

      pause and draw myself into a new

      painting for the gallery –

      but how can I erase the awful

      and redraw the good shine into

      my body when even my own

      paints are humbled by

      the troubles of these ages?

      Driving By An Amish Couple

      We drive past their buggy

      so quickly, it is hard to

      see them – their colors blend

      in so easily with the bales

      of hay, the Lancaster timber,

      the cattle with their

      firsthand leather jackets.

      He sits in his wooden seat

      like a man who’s spent a life

      in the fields, a man who’s

      been built by sunbeams

      of steel. But if he’s stamped

      with iron, then what does

      he wear for his armor? He

      could wear his Bible as a

      breastplate, but that wouldn’t

      work. True, his God may

      have written it, but his God,

      for some reason, chose to write

      the important things down

      on flammable paper.

      The lady wears her hair

      as plain as the sunlight creeping

      through the morning clouds.

      She’s so pale and thin, it’s like

      looking through a window at

      something else: perhaps

      what we used to be, perhaps

      what we might become.

      August 25, 2011

      Drowning Lessons

      I’m at the trough, my head

      down in prayer like the others,

      forcing down the pints –

      my medicine – my bloody lips

      tasting the murk before

      my tongue ever does.

      Man next to me takes a

      moment to stop drowning –

      he comes up for air,

      he tells me, “Who would

      have thought a rough

      night could taste so smooth?”

      I agree – I can drown to that.

      I mean, if his Jesus turned

      the water to wine, who says

      that we can’t learn to swim

      in the bottles? I think I’ll

      save that question, though,

      for when I have the answer.

      November 6, 2011

      Dry Rain

      Rain's the static greying the 

      hairs in the painted window –

      until all's lightwhite like a 

      mattress resting on the floor.

      Old man gone.  I close the 

      blinds with a cold hand,

      my fingers wet with the 

      chill of August's rain.  The rust

      strains, the house's 

      strutting lames into a shuffle,

      the rain ruffling the 

      palm tree leaves like feathers.

      The eaves are all streams,

      greening the cream paint.

      I already forget what the sunshine

      looks like, although it's been ten

      minutes since it stopped raining.

      August 5, 2010

      East River Mythology

      I – Brooklyn Bridge

       

      In these torn calendar pages since August,

      we’ve watched that shuffle of suns parading

      into the East, splashing into the

      unforgiven murk.  All of those dives

      of orange live longer than the darkness

      does, throttling the river’s dusky

      currents against the mercurial rust


      in the piers, the statues, the sidewalk curbs.

       

      Only against rock can waves grow taller.

       

      Sometimes – when we look through

      your kitchen window at just the right

      moment – we can see flickers of that

      citric electricity branching through

      the thickwick water – it’s a fine

      live death.  Who would’ve ever

      thought that the hydrologist would

      have made gold before

      the alchemist ever did?

       

      And still more and more raw

      temper nuzzles against

      the steel, dredging a firebed

      from the bottom – a mattress

      that becomes brighter than

      Manhattan as if by magic.

      It’s one of those warm beds

      in the winter months that –

      as soon as you hit it – you

      crush into a crater, stitched

      into the fabric.

       

      The only time we ever –

      even vaguely – wish we’re forgotten.

       

       

      II – Manhattan Bridge

       

      All the planets – all of those wandering stars –

      hang like swollen grapes, suspended.  Each

      a globe at its edges, nectar in its stomach.

      Suspended until they’re ripened, splashing

      and swirling invisible with this horizon,

      mixing with the currents until the taste

      remains only in our urgent imagination.

      The clock on the kitchen wall – its hour

      hand is a sharp karate, reaping the sky

      down because even those stars can

      be blown out. 

       

      My watch – the one that’s

      always breaking – is the breath that

      blasts them down.  Breath is breeze

      and breeze is whatever tomorrow is

      supposed to mean. 

       

      I mean, I dream

      that we’re not the sacrificial herd

      but we’re instead the contract tapped

      out with invisible ink.  Ink that –

      when it dribbles – gives us swift

      sprints of inspiration.  A contract

      held together with a morse rhythm –

      a rhythm heard by the blind men

      and felt by the deaf women. 

       

      The whole march down to earth

      from heaven is nothing but a meeting

      for us, and the stretched hours are our minutes.

       

      Our vows are our constants, leading

      us to the end of some run-on,

      fragmented sentence.

       

       

       

      III – Williamsburg Bridge

       

      But the river is our sea and our sea is our

      peace.  It’s all a deep beckon, all of those

      waves waving us on with their curves

      of hand, a sleigh to some, to others a

      sleight that’s sprayed and

      slain the weaker men. 

       

      It’s pitch – it pitches

      and crescendos

      in more shades of black

      than they taught us in art

      class in grade school. 

       

      It’s a crest – a crust of some

      infinite loaf, darker than

      buttered pumpernickel.

       

      The water’s stiller than mirrors although

      the boats can never see themselves in

      their wakes.  And the tide’s malnourished,

      rolling more like the lines on a seashell –

      and the piers all along the shores

      are their collectors.  Hobbyists trading

      with all of the wharfs in Portugal and Maine,

      in Honolulu and Sydney, until all

      gets lost and confused and you don’t

      know whose baseball cards are whose.

       

      Everything’s a variable then in those

      churned moments – all you can hope

      for is an expanse of unknowns, but

      all you really get is a sea of shellfish

      clenching onto the night

      tighter than scallops.

       

       

       

      IV – Queensboro Bridge

       

      The Earth’s curves make for the

      straightest lines sometimes.  On

      the dryer nights, that is.  Even in

      darkness, you can hear the rubber

      fog being stretched bulimic, bursting

      like pipes of fireworks.  But the

      4ths of July just make day of the

      nights – the green days, the red

      ones, the orange and too many others

      for me to mention. 

       

      But here, here is where

      the fog bursts into the

      word mirage.  The dictionary has

      its definition, but no one believes

      it – everyone just makes their own.

      You say you can only see

      the foglights of Manhattan, but

      all I can see is Eden, the sprigs

      swigging drunkenly off the ground,

      sighing hotwhite seedlings that

      may dance flagrant but

      smell ohso fragrant, enough

      to turn you into a sneeze.  These

      fields are all sparrow, seedeaters

      down to their last sunlit veneration.

       

      The tornado of laces tightens on all

      of us trapped in the corset, closing

      us in as we gasp more from the thrill

      and less from the reflex.  We’re all

      hourglass figures, numbers as infinite

      as the times you flip us like a page.  Yes,

      we might be as black and white as

      justice, but we’re all swans beneath the

      dabs of pigment. 

       

      Still, we’re cygnets

      on the water when

      we want to be that foam,

       

      gliding as if puffed,

      glowing as if smoked.

       

       

       

      V – Triborough Bridge

       

      We’re swimming now like dolphin

      fins, homing for all of the homes

      we’ve never been, hearths that are

      vanished – never vanquished – into

      the distance like a cheshire grin. 

       

      The tide is a thick one, bouncing us back

      and forth between Manhattan and

      Astoria – we’re embers tossed

      like a good game of ball between

      the flames.  There is nothing fair to

      nature’s blind justice – there is

      a tyrant working late nights

      at the democracy – rustling up

      good newspapers for some and a

      funeral shoulder for others. 

       

      Can’t you see the

      rosy cheeks in the

      skyline? 

      Ashen but healthy,

      vibrant?

       

      Whether those flowers taste like

      medicine or perfume, it’s all

      good luck to me and I burn

      for it, all of that

      juniper steam that teaches

      me how to swim a stroke harder,

      a breath faster.  I can hear

      immortality in our children’s

      giggles, laughter that’s too

      diamond for even the sharpest

      harvest moon to cut through.

       

      But all I real
    ly want from you

      is to get lost until no one

      can hear me cry mayday.

      April 23, 2011

      Easter White Pages

      She hasn’t believed in gravity for years –

      so now she’s good and stretched out

      like gum baptized inside the bored mouth.

      She wants to hold her head tall for her God

      although she could have found Him

      in all the faces she walked past on the street –

      all of them are mirrors with even clearer eyes.

      She’s afraid to touch me when I say I’m illiterate

      with a Bible. Afraid to touch me like I’m already lava.

      She doesn’t let me finish – she doesn’t let me say

      I read the good book – the phone book.

      I’ve already read through B and I will keep on reading,

      until there’s no longer a stranger in this city,

      until I laugh with millions for family.

      February 4, 2011

      Encyclopedia Sounds

      You and your wine freckles

      spill out on the bedsheets of

      milk cream, and here I thought

      I wasn’t supposed to feel

      anything inside of dreams like these.

      You’re a gorgeous persuasion,

      you know, dragging me in with your

      siren moan, tiring my bones

      from the inside-out, driving

      my feet down to bald tires.

      The covers crackle

      through the solstice

      night like dried timber –

      it’s a cold fire.

      The rustling guzzles

      in all the days we forgot.

      And now we’re back on the road,

      and love’s the engine

      and nothing more.

      September 18, 2010

      Englyns

      I limp and melt like wax, every flame

      wears my name down to flat

      puddles – cold of love – which tax

      the world slower than clock ticks…

      This dirt shoveled on my wings, I feel these

      feathers freeze up like wind –

      but as I breathe dirt, I sing

      for the world that buries me…

      I dropped my heart down the stairs,

      watched it break as shards to share

      with a world picked clean of fair-eyed muses –

      shouldn’t have had that pear…

      I once slept in a bed of dusty stars.

      Sure, we all dream such love –

      we just cannot grab such doves.

      But I have falconer’s gloves…

      You wore Sunday eyes for me

      and though you think they’re lovely,

      I know with those you can’t see…

      I dreamt worlds onto paper,

      and saved them all for later

      when my world’s up in vapors.

      Essay on Argument

      We’re running on these sentences, feet swaying on the words.

     


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