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    Shakespeare in a Divided America

    Page 33
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      fires set in, 103–4

      income inequality in, 57–58

      Public Theater, see Public Theater

      riots in, 58–59

      New York and Brooklyn (Muller), 55

      New York Classical Theatre, 211–12

      New York Clipper, 108

      New York Courier, 35–36

      New York Daily News, 196

      New York Evening Post, 5, 45–46

      New York Herald, 61, 68, 88–89, 132

      New York Herald Tribune, 153

      New York Oratorio Society, 141

      New York Post, 218

      New York Shakespeare Festival, 202

      New York Times, xvi, xx, xxiv, 26, 37, 47, 103, 140, 144, 155, 165, 171

      and Delacorte Theater production of Julius Caesar, 206, 209

      New-York Tribune, 77, 134

      New York World, 104

      Niblo’s Garden, 100

      9/11 attacks, 176, 198

      Norman, Marc, 174, 179–82, 184, 185, 191–95, 197

      North, xi, 15, 16, 21, 117

      Notes, Criticisms, and Correspondence upon Shakespeare’s Plays and Actors (Hackett, ed.), 21

      Obama, Barack, xxix, 205

      and Melrose’s production of Julius Caesar, 206–7, 210, 211

      Observer, 197

      O’Connell, Daniel, 3

      Octavius, xvii, xviii, xx, 219

      Odell, George C. D., 34

      Oklahoma!, 156

      Old World in the New, The (Ross), 136

      Oregon Territory, 38–39, 46

      Orlando, 107, 181, 194

      Orsino, 107

      O’Sullivan, John L., 27, 28

      Otello, 64

      Othello, xiii, xviii, 1–21, 24, 25, 30, 53, 54, 64, 69, 121, 122, 142

      Desdemona in, 1–4, 8–14, 17–20, 24–26, 30, 31, 47

      Emilia in, 40

      Iago in, 9, 13, 14, 24, 25

      Othello in, xii, xiii, 1–21, 24, 25, 30, 40, 46, 97, 107, 110, 202

      Ottignon, Charles, 104

      Our American Cousin, 96

      Pacific Citizen, xii

      Pacific Northwest, 38, 46

      Paltrow, Gwyneth, 174, 183, 186, 187, 196

      Papp, Joe, 79, 202

      Parfitt, David, 174

      Paris, 32, 36

      Paris Commune, xvi–xvii

      Parkman, George, 5–6, 8

      Park Theatre, 54, 56–57

      Pearl Harbor attack, xii

      Penn, William, x

      Perkins, Zelda, 187

      Petruchio, 97, 149–52, 156, 159, 161, 164–67, 169–70

      Phelps, Samuel, 33

      Philadelphia Press, 113

      Pickford, Mary, 167

      Piscopo, Joe, 204

      Pitt, Brad, 186

      Pizzagate conspiracy theory, 213–14

      Players Club, 138

      Plutarch, 207

      Poel, William, 122

      polarization, Left/Right, xxv, 201–21

      Polk, James K., 23, 29, 38

      Pollard, Edward A., 109

      Porter, Cole, 156–57, 159–65, 167–68, 170–71

      Porter, Theodoric, 25, 30–31, 46

      Portia, xv, xviii, 5, 125

      Practical Amalgamation (Clay), 3, 4

      “Prayer of the Peoples, A” (MacKaye), 140

      presidential election of 2016, xv–xvi, xxi, 218–19

      Preston, Mary, 110

      Prospero, 107, 123, 125, 139–40, 142–43, 202

      Public Ledger (Philadelphia), 54

      Public Theater, xv–xviii, xxviii, 79, 205, 210–12, 219

      see also Delacorte Theater

      Puck, 52

      Pullman workers’ strike, xiv

      Punch, 101

      Raleigh, Walter, 133

      Rankley, Caroline, 33

      Raybold, Tom, 106

      Reagan, Ronald, xxix

      Rebellato, Dan, 163

      Reconstruction, 114, 117

      Rehan, Ada, 150

      Reinhardt, Max, 177

      Republicans, 127–28, 208, 218

      Restitution of Decayed Intelligence, A (Rowlands), 125–26

      Revenge, The (Young), 17

      Revere House, 100

      Revolutionary War, ix, x

      Richard II, 95

      Richard II, King, 97, 107

      Richard III, xviii, 64, 86, 95–96, 98, 107

      film of, 177

      Richard III, King, 90, 107–8, 111

      Richelieu, 99

      Richmond Dispatch, 102

      Right/Left divide, xxv, 201–21

      Ringwald, Molly, 186

      River Queen, 111–12

      Roberts, Julia, 179, 182, 183

      Robeson, Paul, xiii, 122

      Rodgers, Richard, 156, 163

      Rodney King riots, 208

      Romeo and Juliet, xv, xviii, 7, 32–33, 64, 86, 104, 177

      films of, 177

      Juliet in, 2, 5, 32, 33, 35, 40–41, 44

      Lewinsky and, 189

      Romeo in, 32–36, 38–47, 43, 44, 93, 101, 104, 107

      in Shakespeare in Love, 177–81

      West Side Story, 171

      Rooney, Mickey, 177

      Roosevelt, Eleanor, 154

      Roosevelt, Theodore, 131

      Rosalind, 35, 181, 194

      Roscius, Quintus, 17

      Ross, Edward Alsworth, 136

      Rowlands, Richard, 125–26

      Rush, Geoffrey, 196

      Rush, George, 196

      Russia, 218–19

      Rynders, Isaiah, 62–63, 66, 70–72, 75

      Saint Louis: A Civic Masque (MacKaye), 137

      Salem Media, 204

      same-sex love, 40, 179–82, 188, 193–97

      Saturday Night Live, xviii, 204

      Scalia, Antonin, xxix

      Scalise, Steve, 215–16

      “School Boy Hamlet, The” (Mori), xii–xiii

      Scoloker, Anthony, 51

      Scott, William, Lessons in Elocution, x, 86–87, 121

      Scribner’s Magazine, 133

      Sedgwick, Elizabeth Dwight, 12

      Selby, Charles, The Marble Heart, 97, 107

      September 11 attacks, 176, 198

      Seward, Fanny, 116

      Sexual Behavior in the Human Male (Kinsey et al.), 163

      Shakespeare and America (Bristol), 133

      Shakespeare and the Founders of Liberty in America (Gayley), 134–35

      Shakespeare festivals, 202

      “Shakespeare in American Communities” program, 203

      Shakespeare in Love, 175–98

      Shakespeare in the Park, see Delacorte Theater

      Shakespeare Left and Right (Kamps), 201

      Shakespeare Tercentenary Celebration, 122, 131, 139, 141

      Caliban by the Yellow Sands (MacKaye), 120, 122–23, 137–45

      Shapiro, Ben, 217

      Sharp, Cecil, 141–42

      Shaw, Elizabeth Smith, 11

      Sheaffer, Laura, 204–5, 206

      Shepard, Matthew, 195

      Sherman, William Tecumseh, 99, 103

      Shiel, Richard, 107

      Shylock, xii, xiii, xv, 92, 93, 97, 107, 125

      Siddons, Sarah, 4, 5, 10, 11

      Sign of the Times (Warsaw, KY),114–15

      Sill, Richard, 132

      Sinclair, Samuel, 96

      Sir Thomas More, 126

      slavery, xi, 3, 15–16, 18, 38, 55–56, 105, 110, 193

      abolition and, 16, 17, 19–21, 27, 59, 62, 68

      Adams and, 3, 12, 15–20

      Kemble and, 12–14

      Lincoln’s emancipation of, 102, 105, 117

      Mexican-Am
    erican War and, 25, 38, 92

      sexual relations and, 14

      Slidell, John, 29

      Smith, William Stephens, 11

      social media, 214, 218–19

      Facebook, 212, 213, 218

      Instagram, 212

      Twitter, 210, 212, 218

      Soldiers’ Home, 95

      South, xi, xiii, xv–xvi, 15–17, 21, 24, 109–10, 117

      Mexican-American War and, 27

      see also Confederacy

      Southern Illustrated News, 101

      Spartacus, 53

      Spewack, Bella, 156–65, 167, 170, 171

      Spewack, Sam, 161, 162, 171

      Spirit of the Times, 44, 60

      Spring Election Riot, 58

      Stamp Act Riot, 58

      Stanton, Edwin, 89

      “Star-Spangled Banner, The,” 137, 144

      Starr Report, 189–90

      Stebbins, Emma, 41

      Sternberg, Ruth, 217

      Stevens, John Paul, xiv

      Stoll, Corey, xviii

      Stoll, E. E., 135

      Stoppard, Tom, 175, 179, 182–87, 190–92, 194, 196, 197

      Strahan, Edward, 75

      Stranger, The, 53

      Stuart, John Todd, 89

      Stuart, Richard, 83, 84

      Studies in Shakespeare (Preston), 110

      Subber, Arnold Saint, 152, 156, 158, 160–62, 170

      Subkoff, Tara, 187

      Substitute for War, A (MacKaye), 137

      Sullivan, Maxine, 157

      Sully, Rosalie, 40

      Sumner, Charles, 99–100, 112

      Sun, 57

      Supreme Court, U.S., 3, 181

      Swingin’ the Dream, 157

      Taft, William Howard, 131

      Talk, 196–97

      Tamer Tamed, The (Fletcher), 149

      Taming of the Shrew, The, viii, 149–56, 158, 166–67

      Induction of, 151

      Katherine in, 149–52, 156, 159, 161, 163–70

      Kiss Me, Kate, 148, 152, 155–72

      Petruchio in, 97, 149–52, 156, 159, 161, 164–67, 169–70

      spanking scene in, 165–66, 170

      Tappan, Arthur, 3

      Tappan, Lewis, 59

      Taylor, John Madison, 136–37

      Taylor, William R., 108

      Tea Party, 207

      Telegraph, 74

      Tempest, The, 121–22, 124, 125, 132–35, 139–40, 146

      Antonio in, 125

      Ariel in, 125, 139

      Caliban in, 122–23, 125, 133, 136–37, 139–40, 146, 202

      Caliban by the Yellow Sands (MacKaye), 120, 122–23, 137–45

      Miranda in, 125, 139, 140, 142–43

      Prospero in, 107, 123, 125, 139–40, 142–43, 202

      Tenured Radicals (Kimball), 201

      terrorism, 214, 215

      9/11 attacks, 176, 198

      Texas, 23–25, 27–30, 39, 46

      Texas Republican, 115

      “They Wait for Us,” 29

      Thomas, Clarence, 181

      Thompson, John Douglas, xviii, xxii

      Thurman, Uma, 187

      Times (London), 33, 39

      Timrod, Henry, 109

      Titania, 61

      Titus Andronicus, xxvi, 208

      Tocqueville, Alexis de, x, 60

      Townsend, George Alfred, 115

      Trebonius, xx

      Tree, Ellen, 33

      Tree, Herbert Beerbohm, 122

      Troilus and Cressida, 143

      Trump, Donald, xviii, 203–6, 209, 218

      Access Hollywood tape and, xxi–xxii

      and Delacorte production of Julius Caesar, xviii, xx–xxiv, xxix, 204–6, 209–20

      election of, xv–xvi, xxi, 218–19

      Trump, Donald, Jr., 210–11

      Trump, Eric, 210–11

      Trump, Ivanka, 79

      Trump, Melania, xviii, xxii, 204

      Turner, Nat, 16

      Twelfth Night, xiii, 35, 194, 202

      Shakespeare in Love and, 182, 183, 185, 190, 191, 194

      Twitter, 210, 212, 218

      Two Gentlemen of Verona, 177, 196–97

      Tybalt, 32, 36

      Union Theater, 30

      Universal Pictures, 179, 182, 183

      University of Chicago, 188

      U.S. News & World Report, 155

      Vandenhoff, George, 35, 36

      Venice Film Festival, 187

      Vestvali, Felicita, 33

      Veteran Comes Back, The (Waller), 153

      Victoria, Queen, 42

      Viele, Egbert L., 89

      Vietnam War, viii

      Vining, Fanny, 33

      Viola, 35

      Wallace, Frances Todd, 88

      Wallack, James, 97

      Wallack, Lester, 74

      Waller, Willard, 153–54, 171

      Walnut Street Theatre, 53

      Walsh, Mike, 75–76

      Ward, Robert DeCourcy, 124

      Warner Bros., 177

      War of 1812, x, 23, 38, 132

      Washington, Denzel, 202

      Washington, George, xviii, 146

      Washington Post, 189

      Washington Theatre, 97

      Watson, Harry, 31

      Watson, Joseph, 132

      Webster, Margaret, 122

      Weinstein, Bob, 196–97

      Weinstein, Harvey, 174, 175, 183, 185–87, 196–97

      Welles, Orson, xviii–xx

      West Side Story, 171

      Whigs, 62, 69, 77

      Whitman, Walt, 5

      Who’s Got Macready, or A Race to Boston, 64

      Wife, The (Knowles), 24, 31

      Wilder, Thornton, 156

      Wilentz, Sean, 62

      Williams, Pete, 68

      William Shakespeare’s Romeo + Juliet, 177

      Willingham, Patrick, 210

      Willis, Nathaniel Parker, 78–79

      Wilson, Daniel, 122

      Wilson, John, 164

      Wilson, Woodrow, 131, 144

      Winfrey, Oprah, xxvii

      Winter, William, 35, 47, 150, 154

      Winter Garden, 100, 103

      Winthrop, Robert Charles, 28

      Wise, Henry, 3

      women, 150, 152–55, 166, 170, 181

      domestic violence and, 166, 169

      Woodhull, Caleb Smith, 71–74, 76, 77

      Woodward, W. E., 26

      Wooster, Louise, 107

      World War I, 134

      World War II, xiii, xxviii, 121, 122, 152–53, 155, 170

      marriages during, 155

      Pearl Harbor attack in, xii

      veterans of, 153, 155, 166

      Wright, Edward Sterling, 142

      Wyndham, Charles, 108

      Young, Edward, 17

      YouTube, 200, 205, 212

      Zeffirelli, Franco, 177

      Zwick, Edward, 174, 179, 183–84

      ABCDEFGHIJKLMNOPQRSTUVWXYZ

      ABOUT THE AUTHOR

      James Shapiro is currently the Larry Miller Professor of English and Comparative Literature at Columbia University, where he has taught since 1985. In 2011, he was inducted into the American Academy of Arts and Sciences. He has written several award-winning books on Shakespeare, and his most recent book, The Year of Lear: Shakespeare in 1606, was awarded the James Tait Black Prize as well as the Sheridan Morley Prize. His essays and reviews have appeared in the New York Times, the Guardian, and the London Review of Books, among other places. He has been awarded fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, and The New York Public Library's Dorothy and Lewis B. Cullman Center for Scholars and Writers. He serves on the board of directors o
    f the Royal Shakespeare Company, and he is currently the Shakespeare Scholar in Residence at the Public Theater in New York City.

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