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    Women's Murder Club [06] The 6th Target


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      Copyright © 2007 by James Patterson

      All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

      Little Brown and Company

      Hachette Book Group

      237 Park Avenue, New York, NY 10017

      Visit our website at www.HachetteBookGroup.com

      The Little Brown and Company name and logo are trademarks of Hachette Book Group, Inc.

      First eBook Edition: May 2007

      ISBN: 978-0-316-00516-6

      Contents

      Copyright

      Prologue: DAY-TRIPPER

      Chapter 1

      Chapter 2

      Part One: DO YOU KNOW THIS MAN?

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Part Two: BROWN-EYED GIRL

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Chapter 43

      Chapter 44

      Chapter 45

      Chapter 46

      Chapter 47

      Chapter 48

      Part Three: THE ACCOUNTING

      Chapter 49

      Chapter 50

      Chapter 51

      Chapter 52

      Chapter 53

      Chapter 54

      Chapter 55

      Chapter 56

      Chapter 57

      Chapter 58

      Chapter 59

      Chapter 60

      Chapter 61

      Part Four: THE PEOPLE VS. ALFRED BRINKLEY

      Chapter 62

      Chapter 63

      Chapter 64

      Chapter 65

      Chapter 66

      Chapter 67

      Chapter 68

      Chapter 69

      Chapter 70

      Chapter 71

      Chapter 72

      Chapter 73

      Chapter 74

      Chapter 75

      Chapter 76

      Chapter 77

      Chapter 78

      Chapter 79

      Chapter 80

      Chapter 81

      Chapter 82

      Chapter 83

      Chapter 84

      Chapter 85

      Chapter 86

      Chapter 87

      Chapter 88

      Chapter 89

      Chapter 90

      Chapter 91

      Chapter 92

      Chapter 93

      Chapter 94

      Chapter 95

      Chapter 96

      Chapter 97

      Chapter 98

      Chapter 99

      Chapter 100

      Chapter 101

      Chapter 102

      Chapter 103

      Chapter 104

      Chapter 105

      Chapter 106

      Chapter 107

      Chapter 108

      Chapter 109

      Chapter 110

      Chapter 111

      Chapter 112

      Chapter 113

      Chapter 114

      Chapter 115

      Part Five: FRED-A-LITO-LINDO

      Chapter 116

      Chapter 117

      Chapter 118

      Chapter 119

      Chapter 120

      Chapter 121

      Chapter 122

      Chapter 123

      Chapter 124

      Chapter 125

      Chapter 126

      Chapter 127

      Chapter 128

      Chapter 129

      Chapter 130

      Chapter 131

      Chapter 132

      Chapter 133

      Epilogue: THE 6TH ROUND

      Chapter 134

      Chapter 135

      Chapter 136

      About the Authors

      The Novels of James Patterson

      FEATURING ALEX CROSS

      Cross

      Roses Are Red

      Mary, Mary

      Pop Goes the Weasel

      London Bridges

      Cat & Mouse

      The Big Bad Wolf

      Jack & Jill

      Four Blind Mice

      Kiss the Girls

      Violets Are Blue

      Along Came a Spider

      THE WOMEN’S MURDER CLUB

      The 6th Target(and Maxine Paetro)

      The 5th Horseman (and Maxine Paetro)

      4th of July (and Maxine Paetro)

      3rd Degree (and Andrew Gross)

      2nd Chance (and Andrew Gross)

      1st to Die

      OTHER BOOKS

      The Quickie (and Michael Ledwidge)

      Step on a Crack (and Michael Ledwidge)

      Judge & Jury (and Andrew Gross)

      Maximum Ride: School’s Out — Forever

      Beach Road (and Peter de Jonge)

      Lifeguard (and Andrew Gross)

      Maximum Ride

      Honeymoon (and Howard Roughan)

      SantaKid

      Sam’s Letters to Jennifer

      The Lake House

      The Jester (and Andrew Gross)

      The Beach House (and Peter de Jonge)

      Suzanne’s Diary for Nicholas

      Cradle and All

      Black Friday

      When the Wind Blows

      See How They Run

      Miracle on the 17th Green (and Peter de Jonge)

      Hide & Seek

      The Midnight Club

      Season of the Machete

      The Thomas Berryman Number

      For more information about James Patterson’s novels, visit www.jamespatterson.com.

      Our thanks and gratitude to these top professionals, who were so generous with their time and expertise: author and psychiatrist Dr. Maria Paige; Dr. Humphrey Germaniuk, forensic pathologist and ME of Trumbull County, Ohio; top cop Captain Richard Conklin, Stamford, Connecticut, PD; Allen Ross, MD, Montague, Massachusetts; and legal experts Philip Hoffman, New York City; Melody Fujimori, San Francisco; and criminal defense attorney extraordinaire Mickey Sherman, Stamford, Connecticut.

      And special thanks to our excellent researchers, Don MacBain, Ellie Shurtleff, and Lynn Colomello.

      Prologue

      DAY-TRIPPER

      Chapter 1

      A KILLER IN WAITING, Fred Brinkley slumps in the blue-upholstered banquette on the top deck of the ferry. The November sun glares down like a big white eye as the catamaran plows the San Francisco Bay, and Fred Brinkley glares right back at the sun.

      A shadow falls across him, a kid’s voice asking, “Mister, could you take our picture?”

      Fred shakes his head — no, no, no — anger winding him up like a watch spring, like a wire tightening around his head.

      He wants to smash the kid like a bug.

      Fred averts his eyes, sings inside his he
    ad, Ay, ay, ay, ay, Sau-sa-lito-lindo, trying to shut down the voices. He puts his hand on Bucky to comfort himself, feeling him through his blue nylon Windbreaker, but still the voices pound in his brain like a jackhammer.

      Loser. Dog shit.

      Gulls call out, screaming like children. Overhead, the sun burns through the overcast sky and turns him as transparent as glass. They know what he’s done.

      Passengers in shorts and visors line the rails, taking pictures of Angel Island, of Alcatraz, of the Golden Gate Bridge.

      A sailboat flies by, mainsail double-reefed, foam flecking the rails, and Fred doubles over as the bad thing whips into his mind. He sees the boom swing. Hears the loud crack. Oh, God! The sailboat!

      Someone has to pay for this!

      Startling him, the ferry’s engines grind into reverse and the deck vibrates as the ferry comes into dock.

      Fred stands, works his way through the crowd, passing eight white tables, lines of scuffed blue chairs, his fellow ferry riders giving him the eye.

      He enters the open compartment at the bow, sees a mother berating her son, a boy of nine or ten with light-brown hair. “You’re driving me crazy!” the woman shouts.

      Fred feels the wire snap. Someone has to pay.

      His right hand slips into his jacket pocket — finds Bucky.

      He slips his finger into the trigger loop.

      The ferry lurches as it bumps the mooring. People grab on to one another, laughing. Lines snake out from the boat, bow and aft.

      Fred’s eyes shoot to the woman who is still belittling her son. She’s small, wearing tan clam diggers, her breasts outlined in the soft skin of her white blouse, nipples pointing straight out.

      “What’s wrong with you, anyway?” she yells over the engines’ roar. “You really piss me off, buster.”

      Bucky is in Fred’s hand, the Smith & Wesson Model 10, pulsing with a life of its own.

      The voice booms, Kill her. Kill her. She’s out of control!

      Bucky points between the woman’s breasts.

      BLAM.

      Fred feels the jolt of the gun’s recoil, sees the woman jump back with a little hurt yelp, a red stain blooming on her white blouse.

      Good!

      The little boy follows his mother’s fall to the deck with his big round eyes, strawberry ice cream plopping out of his cone, pee spreading across the front of his pants.

      The boy did a bad thing, too.

      BLAM.

      Chapter 2

      BLINDING WHITE SAILS fill Fred’s mind as blood spills onto the deck. Trusty Bucky is hot in his hand. Fred’s eyes pan across the deck.

      The voice in his head roars, Run. Get away. You didn’t mean to do it.

      Out of the corner of his eye, Fred sees a big man charge him, rage on his face, hell in his eyes. Fred straightens his arm.

      BLAM.

      Another man, Asian, hard black eyes, a white line for a mouth, makes a grab for Bucky.

      BLAM.

      A black woman stands nearby, locked in place by the crowd. She turns toward him, round cheeked, wide-eyed. Stares into his face and . . . reads his mind.

      “Okay, son,” she says, reaching out a trembling hand, “that’s enough, now. Give me the gun.”

      She knows what he did. How does she know?

      BLAM.

      Fred feels relief flood through him as the mind-reading woman goes down. People in the small forward compartment move in waves, cowering, shifting left, then right as Fred swings his head.

      They are afraid of him. Afraid of him.

      At his feet, the black woman holds a cell phone in her bloody hands. Breath rasping, she presses numbers with her thumb. No, you don’t! Fred steps on the woman’s wrist. Then he bends low to look into her eyes.

      “You should have stopped me,” he says through clenched teeth. “That was your job.” Bucky screws his muzzle into her temple.

      “Don’t!” she begs. “Please.”

      Someone yells, “Mom!”

      A skinny black kid, maybe seventeen, eighteen, comes toward him with a length of pipe over his shoulder. He’s holding it like a bat.

      Fred pulls the trigger as the ship lurches — BLAM.

      The shot goes wide. The metal pipe falls, skitters across the deck, and the kid runs to the woman, throws himself down. Protecting her?

      People dive under the benches, and their screams rise up around him like licks of fire.

      The noise of the engines is joined by the metallic clanking of the gangway locking into place. Bucky stays trained on the crowd as Fred looks over the railing.

      He judges the distance.

      It’s a drop of four feet to the gangway substructure, then a pretty long leap to the dock.

      Fred pockets Bucky and puts both hands on the rail. He vaults over and lands on the flats of his Nikes. A cloud crosses the sun, cloaking him, making him invisible.

      Move quickly, sailor. Go.

      And he does it — makes the leap to the dock and runs toward the farmer’s market, where he dissolves into the throng filling the parking lot.

      He walks, almost casually, a half block to Embarcadero.

      He’s humming when he jogs down the steps to the BART station, still humming as he catches the train home.

      You did it, sailor.

      Part One

      DO YOU KNOW THIS MAN?

      Chapter 3

      I WAS OFF DUTY that Saturday morning in early November, called to the scene of a homicide because my business card had been found in the victim’s pocket.

      I stood inside the darkened living room of a two-family house on Seventeenth Street, looking down at a wretched little scuzzball named Jose Alonzo. He was shirtless, paunchy, slumped on a sagging couch of indeterminate color, his wrists cuffed behind him. His head hung to his chest, and tears ran down his chin.

      I had no pity for him.

      “Was he Mirandized?” I asked Inspector Warren Jacobi, my former partner who now reported to me. Jacobi had just turned fifty-one and had seen more homicide victims in his twenty-five years on the job than any ten cops should see in a lifetime.

      “Yeah, I did it, Lieutenant. Before he confessed.” Jacobi’s fists twitched at his sides. Disgust crossed his timeworn face.

      “Do you understand your rights?” I asked Alonzo.

      He nodded and began sobbing again. “I shouldn’ta done it, but she made me so mad.”

      A toddler with a dirty white bow in her hair, wet diapers sagging to her dimpled knees, clung to her father’s leg. Her wailing just about broke my heart.

      “What did Rosa do to make you mad?” I asked Alonzo. “I really want to know.”

      Rosa Alonzo was on the floor, her pretty face turned toward the flaking caramel-colored wall, her head split open by the iron her husband had used to knock her down, then take her life.

      The ironing board had collapsed around her like a dead horse, and the smell of burned spray starch was in the air.

      The last time I’d seen Rosa, she’d told me how she couldn’t leave her husband because he’d said he’d hunt her down and kill her.

      I wished with all my heart she’d taken the baby and run.

      Inspector Richard Conklin, Jacobi’s partner, the newest and youngest member of my squad, walked into the kitchen. Rich poured cat food into a bowl for an old orange tabby cat that was mewing on the red Formica table. Interesting.

      “He could be alone here for a long time,” Conklin said over his shoulder.

      “Call animal control.”

      “Said they were busy, Lieutenant.” Conklin turned on the taps, filled a water bowl.

      Alonzo spoke up.

      “You know what she said, Officer? She said, ‘Get a job.’ I just snapped, you understand?”

      I stared at him until he turned away from me, cried out to his dead wife, “I didn’t mean to do it, Rosa. Please. Give me another chance.”

      Jacobi reached for the man’s arm, brought him to his feet, saying, “Yeah, she forgives you, pal. Let’s take a ride.”

      The baby l
    aunched a new round of howls as Patty Whelk from Child Welfare came through the open door.

      “Hey, Lindsay,” she said, stepping around the victim, “who’s Little Miss Precious?”

      I picked up the child, took the dirty ribbon out of her curls, and handed her over to Patty.

      “Anita Alonzo,” I said sadly, “meet the system.”

      Patty and I exchanged helpless looks as she jostled the little girl into a comfortable position on her hip.

      I left Patty rummaging in the bedroom for a clean diaper. While Conklin stayed behind to wait for the ME, I followed Jacobi and Alonzo out to the street.

      I said, “See ya,” to Jacobi and climbed into my three-year-old Explorer parked next to six yards of garbage out by the street. I’d just turned the key when my Nextel bleeped on my belt. It’s Saturday. Leave me the hell alone.

      I caught the call on the second ring.

      It was my boss, Chief Anthony Tracchio. An unusual tightness strained his voice as he raised it over the keening sound of sirens.

      “Boxer,” he said, “there’s been a shooting on one of the ferries. The Del Norte. Three people are dead. A couple more wounded. I need you here. Pronto.”

      Chapter 4

      I HAD A REALLY BAD FEELING, thinking ahead to whatever hell had brought the chief out of his comfy home in Oakland on a Saturday. The bad feeling mushroomed when I saw half a dozen black-and-whites parked at the entrance to the pier, and two more patrol cars up on the sidewalk at either end of the Ferry Building.

      A patrolman called out, “This way, Lieu,” and waved me down the south driveway leading to the dock.

      I drove past the police prowlers, ambulances, and fire rigs, and parked outside the terminal. I opened my door and stepped out into the sixty-degree haze. About a twenty-knot breeze had whipped up a stiff chop on the bay, making the Del Norte rock at her mooring.

     


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